飞屋环游记英文观后感【热门20篇】
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130飞屋环游记观后感
全文共 444 字
+ 加入清单上个星期天,我参加了乐学小记者的活动——观看《飞屋环游记》。可有意思了,就让我来告诉你吧!
故事主要讲了,一个从小有着飞行梦想的小男孩和一个有着同样梦想的小姑娘,他们一起长大,一起结婚,一起变老。直到女主人艾利死了也没有完成飞行到仙境瀑布的梦想。终于有一天,78岁的卡尔先生打造了会飞的房屋,飞到仙境瀑布,并在那里发生了许多惊人、感动的故事。
看完这个影片,它深深的印在我的心里,它的每一个情节都是那么扣人心弦,让我忍不住与影片一起感动,一起大笑,一起着急。我仿佛成了影片中的一个人物,和主人公同呼吸,共命运。
这部影片,告诉我三个道理,让我记忆犹新。首先,人要有梦想,要有追求。只有这样的人才会有精神,因为对梦想的执着追求,锲而不舍,人才有斗志。其次,困难不是不可战胜的,而是你有没有胆量去面对、去挑战。我相信只要勇敢面对,就一定能取得胜利和成功。最后,什么力量都没有亲情的力量大,我们在最最困难的时候,只有亲情,让我们团结起来,让我们无所畏惧,从而取得胜利。
看了这部影片,真让我受益非浅啊!
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篇1:飞屋环游记观后感
全文共 5097 字
+ 加入清单In its opening stretch the new Pixar movie “Up” flies high, borne aloft by a sense of creative flight and a flawlessly realized love story. Its on-screen and unlikely escape artist is Carl Fredricksen, a widower and former balloon salesman with a square head and a round nose that looks ready for honking. Voiced with appreciable impatience by Ed Asner, Carl isn’t your typical American animated hero. He’s 78, for starters, and the years have taken their toll on his lugubrious body and spirit, both of which seem solidly tethered to the ground. Even the two corners of his mouth point straight down. It’s as if he were sagging into the earth.
Eventually a bouquet of balloons sends Carl and his house soaring into the sky, where they go up, up and away and off to an adventure in South America with a portly child, some talking (and snarling and gourmet-cooking) dogs and an unexpected villain. Though the initial images of flight are wonderfully rendered — the house shudders and creaks and splinters and groans as it’s ripped from its foundation by the balloons — the movie remains bound by convention, despite even its modest 3-D depth. This has become the Pixar way. Passages of glorious imagination are invariably matched by stock characters and banal story choices, as each new movie becomes another manifestation of the movie-industry divide between art and the bottom line.
In “Up” that divide is evident between the early scenes, which tell Carl’s story with extraordinary tenderness and brilliant narrative economy, and the later scenes of him as a geriatric action hero. The movie opens with the young Carl enthusing over black-and-white newsreel images of his hero, a world-famous aviator and explorer, Charles Muntz (Christopher Plummer). Shortly thereafter, Carl meets Ellie, a plucky, would-be adventurer who, a few edits later, becomes his beloved wife, an adult relationship that the director Pete Docter brilliantly compresses into some four wordless minutes during which the couple dream together, face crushing disappointment and grow happily old side by side. Like the opener of “Wall-E” and the critic’s Proustian reminiscence of childhood in “Ratatouille,” this is filmmaking at its purest.
The absence of words suggests that Mr. Docter and the co-director Bob Peterson, with whom he wrote the screenplay, are looking back to the silent era, as Andrew Stanton did with the Chaplinesque start to “Wall-E.” Even so, partly because “Up” includes a newsreel interlude, its marriage sequence also brings to mind the breakfast table in “Citizen Kane.” In this justly famous (talking) montage, Orson Welles shows the collapse of a marriage over a number of years through a series of images of Kane and his first wife seated across from each other at breakfast, another portrait of a marriage in miniature. As in their finest work, the Pixar filmmakers have created thrilling cinema simply by rifling through its history.
Those thrills begin to peter out after the boy, Russell (Jordan Nagai), inadvertently hitches a ride with Carl, forcing the old man to assume increasingly grandfatherly duties. But before that happens there are glories to savor, notably the scenes of Carl — having decided to head off on the kind of adventure Ellie and he always postponed — taking to the air. When the multihued balloons burst through the top of his wooden house it’s as if a thousand gloriously unfettered thoughts had bloomed above his similarly squared head. Especially lovely is the image of a little girl jumping in giddy delight as the house rises in front of her large picture window, the sunlight through the balloons daubing her room with bright color.
In time Carl and Russell, an irritant whose Botero proportions recall those of the human dirigibles in “Wall-E,” float to South America where they, the house and the movie come down to earth. Though Mr. Docter’s visual imagination shows no signs of strain here — the image of Carl stubbornly pulling his house, now tethered to his torso, could have come out of the illustrated Freud — the story grows progressively more formulaic. And cuter. Carl comes face to face with his childhood hero, Muntz, an eccentric with the dashing looks and frenetic energy of a younger Kirk Douglas. Muntz lives with a legion of talking dogs with which he has been hunting a rare bird whose gaudy plumage echoes the palette of Carl’s balloons.
The talking dogs are certainly a hoot, including the slobbering yellow furball Dug and a squeaky-voiced Doberman, Alpha (both Mr. Peterson), not to mention the dog in the kitchen and the one that pops open the Champagne. And there’s something to be said about the revelation that heroes might not be what you imagined, particularly in a children’s movie and particularly one released by Disney. (Muntz seems partly inspired by Charles Lindbergh at his most heroic and otherwise.) But much like Russell, the little boy with father problems, and much like Dug, the dog with master issues, the story starts to feel ingratiating enough to warrant a kick. O.K., O.K., not a kick, just some gently expressed regret.
篇2:寻梦环游记观后感600字
全文共 649 字
+ 加入清单有梦想的人,是幸福的,即使需要跋涉千山万水才能修成正果,也能在这过程中找到原来丢掉的东西。
米格的梦想就像虚无缥缈的梦境,与显示现实的冲突可真不是一点,他一家的几代都是那么仇恨音乐,蔑视音乐。因为这一切都来自于米格的曾曾祖父——他为了音乐抛弃了家庭,当然,这是误会。曾经的被音乐贯彻的美满家庭到现在始终令人惋惜。米格勇于追梦。即使家人对他和音乐接触是那么坚决反对。这时米格从自己的偶像歌神身上获得了力量。背着家人参加才艺表演。却横冲直撞地发现原来歌神是自己的曾曾祖父。为了音乐,他豁出去了,他相信歌神一定会支持他玩音乐,生前歌神留下的琴在召唤他!
看到这儿时,我的心灵感到了震撼。梦想的力量啊,呼之欲出。
米格因为在亡灵节偷东西,受到了诅咒。来到了亡灵世界,炫彩夺目、富丽堂皇。我感觉过世的亲人,也许就在那儿,幸福地生活着吧!米格阴差阳错地和一个无法过桥的亡灵相遇,亡灵打算帮助他寻找歌神。可故事就是那么扑朔迷离,歌神并不是他曾曾祖父,歌神这个名誉是假的,他杀了生前的伙伴。并抢了他的歌。而那个伙伴就是米格的曾曾祖父,那个亡灵……
“我们是一家人”米格和亡灵大喊。那一刻,泪水终于忍不住,奔涌而出。
这如同宝石般在内心熠熠生辉的,叫亲情。当你努力追逐梦想的同时,总会有另一种感情陪伴着你。是那一份归家的情谊,可以让人奋不顾身,可以使我们更加微笑着展望次日的朝阳。
“我把祝福送给你”逐梦的米格,归家的亡灵。
我哭了,不是悲伤而是感动,能把亲情追梦这种老掉牙的概念挥发得那么振奋,暖心的也许只有《寻梦环游记》了吧。
篇3:西游记第二集观后感
全文共 492 字
+ 加入清单翻龙潭,跃虎门,一步升华登高空。
抖星移,绕心机,几度秋过思雨梦,
登高山,望众楼,示意飘渺过往人,
挥手上,斩丝望,山排水流依众人。滴水倾谈思远亲,
一言,一行,一动静。时落景,人落意,几度形成遇知梦,
点你行,伐你动,几度让你不敢令,识得玲珑言,巧辩花开季。
众人观我行,我向他人令。
几何道那府,只待花果开。
眼好明,心好灵,那般追忆好难行,
识那本,观那领,晓得人中万般景,诉出那般人中令。
修来千般艺,学来万般通,秀出真才能,取得贵中高,起落万般重,人中无不惊,闹出芳心令,划来游云披,绣花灵中兑,奈何扩地景,百秋出云层,萧醉琵琶离,双尊来报命,神仙惹世俗,悠悠浮华音,沧桑布景人。
阎神如若把令发,
人神过往把命送。
闻此行,观其变,怎奈话语把事定,黑夜来,白也到,几句俗语把命行,携着本,带着领,消去千秋岁月章。
守得万渡风行令,采麒云,观麟景,一人笑,众人妙,几度不知何行怪。登千云,辞万别,此刻不知如何落后音。
一人去,一人等,等的把意行,闹的百心乱,揭开万人烦,一惊一闹又一笑,神仙此刻也奇妙,不懂,不通,又不明,闹来半世荒凉意。
抱大印,看账簿,看出眼心万般妙。
翻云身,越雨步,回到境天守福地。
篇4:英文电影《重回17岁》观后感
全文共 1312 字
+ 加入清单Mike ODonnells wife wants a divorce, his kids are remote, he didnt get the job promotion he expected, and everything else in his life has gone wrong since that magic year when he was 17, a basketball star, in love, and looked like Zac Efron instead of Matthew Perry. Hes obviously a case for treatment by a Body Swap Movie.Revisiting the trophy case at his old high school, Mike encounters a janitor who, from the way he smiles at the camera, knows things beyond this mortal coil. If only Mike could go back to 17 and not make all the same mistakes. In "17 Again," he can. He falls into a Twilight Zone vortex and emerges as Zac Efron. They say be careful what you wish for, because you might get it. Mike should have been more specific. Instead of wishing to be 17 again, he should have wished to go back 20 years in time.Yes, he becomes himself trapped inside his own 17-year-old body.
I attended a screening held by a radio station, which attracted mainly teenage girls who left their boyfriends behind. When Zac Efron took off his T-shirt, the four in front of me squealed as if there were buzzers in their seats. Now that hes a little older, Efron has a Tom Cruiseish charm, and a lot of confidence. Why Matthew Perry was cast as his adult self is hard to figure; does your head change its shape in 20 years?
篇5:寻梦环游记观后感
全文共 1176 字
+ 加入清单生活总是带给人意外的惊喜,有时那是踏破铁鞋无觅处的邂逅,有时那是柳暗花明又一村的奇遇。本来没有太期待的一部影片,没想到却带给我一场未曾想到的感动之旅。如果非要让我说说《寻梦环游记》的意外像什么的话,我觉得有点像误入了桃花源,那种不期而至的美好世界的降临,真让人享受。只不过不同的是,当我们走出桃花源的时候,那份感动切切实实地留下来了。
橘色的万寿菊搭建起一座座沟通人鬼世界的桥梁。活着的人们用它来为亡灵们指路,即使看不见亡灵的存在,他们也依旧相信那些故去的家人会一直伴随身边。而逝去的亡灵们每逢亡灵节就一定要回到故乡、回到家园、回到亲人身边,即使不被看到,也要默默守候。当现实中人的感恩诚心与已逝之人的爱之执念同框的时候,那种由亲情羁绊所带来的独有感动,是会让所有观众动容的。毕竟,谁没有爸爸妈妈爷爷奶奶呢,谁没有亲人呢,谁没有几个要永远记住名字的所爱之人呢?
世界上真正拥有永恒生命力的节日一定是关于家庭和信仰的。《寻梦环游记》用动画的语言,实现了这一个个家庭的朴素愿望与虔诚祷告,赋予墨西哥亡灵节的初心以生命。这是一个关于家庭与亲情的桃花源。
当《请记住我》的歌曲再次响起时,你不由得记住了那个旋律,因为你发自内心地想要记住、也想要被记住,知道自己有所爱、所关心的那些人,也知道自己同时被人爱着和关心着。在这个桃花源里,即使亲人之间发生了再大的矛盾,也是因为爱,也是充满爱,也一定会因为那心底的爱而化解,变成在万寿菊桥上的牵手,变成用菊花瓣完成的没有任何附加条件的祝福,变成在真正危难时刻到来时那并肩的坚守与莫名的默契。
《寻梦环游记》不是歌舞片,却对音乐情有独钟,因为音乐是梦想。不知为什么,墨西哥这个国家的名字就让人感到会有很有地域特色的音乐孕育在那里。流浪音乐在墨西哥非常流行,是被纳入世界文化遗产的墨西哥国粹艺术,恰如影片所描述的歌神一样,在流浪过程中演出、创作,用生命感受生活,用音乐表达生活。小男孩米格出生在音乐世家,血液里都有流浪歌手的基因,家庭的禁锢是无法抑制他每个细胞都在感受生活和追求艺术的天赐本能的。
虽然米格认识到音乐没有家人重要,但他最后还是用音乐挽救了家人。所以呢,梦想是能与家庭统一的。这是一个关于音乐与梦想的桃花源。
在《寻梦环游记》的助推下,或许墨西哥亡灵节真的要火了。影片能够如此刻画一具具本该令人感到可怕的骷髅,敢于把温情脉脉的祖先和家人赤裸裸地用骷髅表现,恰恰是因为亡灵节美化骷髅意象的传统。就像万圣节的南瓜、圣诞节的驯鹿一样,亡灵节的骷髅是必备的,是幽默诙谐的,甚至是快乐的化身。
这不就是我们苦苦追求的对传统文化的创造性转化和创新性发展么?《寻梦环游记》用一种桃花源式的想象对墨西哥亡灵节的文化进行了再现,以梦想的名义,以亲情的主题。这样的桃源仙境,我真的还想再进入一次,如果有幸的话,下次就请让我在真实生活里进入吧。
篇6:刮痧英文观后感
全文共 1911 字
+ 加入清单Gua Sha is a movie about the differences between American and Chinese culture. Xu datong is a video games designer in St. Louis. When his father visits from China, he performs Gua Sha (a Chinese traditional treatment) on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. In the court, Datong loses his mind so that finally he loses custody of his son. I think this scene is shocking and thought-provoking to most of the Chinese audiences. But the most impressing scene to me is the ending. Datong wants to see his son in Christmas eve, he has to climb a pipe to the ninth floor which his son lives. I think the pipe is not only a pipe, but also a gap, a deep gap between American and 5000-year Chinese culture. He wants to climb over the gap and he will never succeed, perhaps no Chinese people really could succeed.
It’s about assimilation into American culture, and not assimilation in an “International” city, like SF or NY or LA or Chicago, but St. Louis, MO (actually shot there). Really great acting, interesting story.
Gua Sha is a treatment in traditional oriental medicine in which a wooden board repeatedly slides across the patient’s acupuncture acupressure massage points. It works in similar principles like that of acupuncture acupressure massage. This method would inevitably leave bruise on the skin, and the story begins here, when the visiting grandpa who does not speak any English used this traditional practice to treat the grandson when both son and daughter-in-law were at work.
Sadly, in US, this is a story that repeats itself many times in the area where many oriental immigrants lives and all of these are due to simple misunderstanding between cultures.Gua Sha: Step-by-Step, by Arya Nielsen.If an acupuncturist is trained in Classical Chinese medicine, they will do this technique in their practice for pain, and for acute or chronic illness.
篇7:动物园游记英文参观动物园
全文共 240 字
+ 加入清单Today we have gone to the zoo, plays very happy in there us. We saw the tiger lion elephant also has the peacock which I most like, in brief today is happiest day @ which I play.
译文:今天我们去了动物园,在那里我们玩的很开心。我们见到了老虎、狮子、大象还有我最喜欢的孔雀,总之今天是我玩的最开心的一天。
篇8:兵马俑游记英文
全文共 1439 字
+ 加入清单Ladies and gentlemen, welcome you to visit the Terra Cotta Warriors, but please dont litter in the process of play.
Qin Terra Cotta Warriors is qin shihuang PeiZangKeng, consisting of one, two, three, pit, today has been built museum, the Terra Cotta Warriors is divided into general figurines, figurines of knight, terracotta warriors, TaoMa etc... Here, the museum also exhibited large coloured drawing or pattern is called the eighth wonder of the world showed the qin Terra Cotta Warriors GuChangAn old glory.
The biggest area in three pits at the no. 1 pit, the pit of the Terra Cotta Warriors are the most, there are more than six thousand. Look! This is general figurines, it Dai He strapping head crown, dressed in armor, sword in hand, a thoughtful, it seemed to be thinking about how to defeat an enemy.
The terracotta warriors, the warriors are it is wearing a shirt, wear armor, feet still in front tip-tilted war boots, weapons in hand, look at the way its air, would have scared the shit out of the enemy.
The wearing armor, is riding a horse youth, is the cavalry, armed with bows and arrows, it seems to be waiting for the general commanded, do try to fight with the enemy.
The terracotta warriors is TaoMa, its size and true horse, almost in every form, muscle plump, see their appearance, it seems to be commanded, casting its hooves, taking off, on a journey.
Todays explanation here, I wish you all can have a good time here.
篇9:《蜘蛛侠》英文观后感
全文共 1482 字
+ 加入清单Tonight I watched the moviefor the third time. I really enjoy this film so much.
So whats your choice between being a common person or a hero with peoples respects? Most people will choose the latter. But what will be your choice if the cost is laying your lover among the risks? What will it be if the cost is you can never tell the girl, who you love so much, that you love her? The spider man had this contradiction. But finally he still chose the latter, not in order to be a hero, but to make this word peaceful.
I was so moved by the words the Aunt Mary said:
You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him.
The spider man got much from these words, so did I. And what about you? whats the hero lying in you?
篇10:飞屋环游记观后感
全文共 1329 字
+ 加入清单我知道一个人这一生必须有一个梦想,只有这样我们才有信念将这一生完整的走下去,可是带着梦想遗憾地离开了这个世界,又是何等凄凉的情景?怀揣着它,只能期盼着自己下辈子去完成这个始终还在准备中的梦想。所求之物,到自己闭眼的那一刻还只能远观,这也许就是老者心中的痛,为了妻子这个梦想,他选择了远行,完成这个单纯而又简单的愿望。
是的,这部电影就是这么简单的情节,简单的爱情故事,简单的梦想,简单的追求,简单的执着,可是要完成这么多简单却是那么难的一件事,以至于现实中我们都喜欢退却着,我们喜欢找理由,是现实牵绊着我们一直不敢往前走去寻找自己的梦想,简单而又单纯的梦想只能深深的埋藏自己的心底。
《飞屋环游记》就是讲的这么简单的一个故事,故事的开始用了长长的四分钟讲述完了他们从相识,到走进婚礼的殿堂,然后牵着手一起走到老,没有声音,也没有跌宕起伏的生活情节,简简单单的从开始到结尾,然后剩下老者就这么默默的守着满屋子的回忆开始自己那沉沉的思念。
梦想的实现有时候是有那么一点点艰难,他们一开始存钱就为了那个简单的梦想,可是柴米油盐酱醋茶,一切生活的需要都阻止着他们前行的步伐,一次次的砸存钱罐,一次次的满罐,直到岁月过去,亲爱的她已经坐上了轮椅,开始不了那远行的计划,就这么老去,留下一屋子的梦想和回忆让老者慢慢品味。
我知道对于一个快离去的老者来说,要做出这样的决定会是怎样的困难,这个屋子是他们一起建立起来的,他不容得别人就这么轻易进入,于是他下定决心要拖着这个他们建立的家一起远行,他要让在另一个世界的她知道他一直就在努力着。
总有那么些人,那么些事喜欢在你登上高峰的时候给你一盆冷水,让你彻底跌入谷底,在这个寻梦的路途中,老者的生活并不是像想象中那么的顺理成章的去实现了梦想,查尔斯出现了,这个在他们生命中的偶像,人们一般对自己的崇拜者不会怀有任何戒备心理的,老者如此,我们亦如此,可是查尔斯善变的脸庞吓着了所有人,老者的梦想路也就开始了那么不平坦。
看到那一幕,我心里的防线彻底崩溃了,是怎样的无助让他做出了那样的选择,当罗素让他去救那只鸟的时候,他站在了两个难以抉择的路口,一边是受伤的小鸟被绑住了,可另一边是自己拿承载着满满梦想的房子正在大火的燃烧中,一个个气球的爆炸,一个个心碎的声音也就爆发了出来,他最后选择托着他的小屋离开,他将火扑灭,可是那痛苦的眼神告诉着我们他很内疚眼睁睁看着查尔斯无情的将小鸟带走。
他知道自己背叛了罗素,背叛了这段最珍贵的友情,坐在了他日思梦想的地方,可是他却迷失了方向,在这里我特别害怕他会跳下悬崖就这样结束这段生命,那就是最残忍的结局了,可是编剧没有,罗素自己去找小鸟了。他迷茫的回到了那个小屋,试图在里面寻找到一些方向,最后他用了世界上最大的勇气将东西从小屋里扔了出来,他扔的不仅仅是东西,更是对过去的抛弃,他知道是她在另一个世界告诉他应该这么做,梦想实现了,那么我们还要继续的是生活,于是生活又回了来。回到了原点。
人们都说,有梦想的地方就会有斗争,也许就是这样的吧,这部影片让我潸然泪下,我知道一切都要简单就好,于是我也决定守着那简单的梦想就这么永远的走下去,也许梦想无人问津,但我相信我也会像老者一样,总会有那么一天,会实现的。
篇11:寻梦环游记观后感800字
全文共 881 字
+ 加入清单《寻梦环游记》于2017年年底上映,拥有很好的口碑和票房,它讲述了一个自小怀有音乐梦却出生在一个音乐被禁止的家庭的小男孩米格尔穿梭于现实世界与亡灵世界,最终获得家人们对音乐的支持的故事。这部电影在略显俗套的故事中注入了对梦想与家庭和生命的思考。
千百年来人们一直思考着一个问题:死去的人们到了哪里呢?这部电影给了我们一个回答:死去的人们会去往亡灵世界,只要有人记得他们,他们就可以一直存在下去。死亡不是生命的终点,遗忘才是。正是这样的主题,才给了这个故事以温度,日后我们垂暮之时,也可以告诉我们的亲人:“只要你记住我,我就不会消失。”
而关于梦想,每个人都会有自己的梦想,而其中有一些梦想会遭到家人的反对,就像电影中的米格尔的音乐梦,当你视音乐为人生目标,而家人视音乐为猛虎豺狼,你如何抉择?梦想与家人的冲突让我不禁想起了那句:我都是为了你好。父母对孩子的爱是无私的,但这种以爱为名,排斥孩子的梦想的做法,真的好吗?父母望子成龙望女成凤,希望孩子过上成功的人生,但话说回来,什么样的人生才是成功的人生?我觉得,能用自己喜欢的方式过完一生就是成功的人生。米格尔是幸运的,影片中,曾曾祖母三次拿花瓣祝福米格尔,从最初的“不许碰音乐”到最后“没有任何条件”家人最终尊重了米格尔的音乐梦。但现实生活中冲突依然存在,身边就像之前写下万字大章的林夕同学,希望也能有一个好结果吧。提出问题也许能给父母的教育一些启发,但解决问题需要父母子女的共同努力。希望每个人都能过上自己喜欢的人生。
有关生命方面,我注意到一个电影里一个有趣的现象,典型就是埃克托和歌神了。人生而平等,但现实生活中依然存在着不平等现象。而在电影中,人死后也不平等这个背景若隐若现。按照这个逻辑那些生前功成名就,就算没有子嗣流传,也仍然可以不朽。(我个人很好奇那个歌神的保安为歌神服务是图个什么……)这就算了,还有那些十恶不赦的大奸大恶之人也会被人记住而不朽。而类似埃克托这种真正有才华的人却可能埋没直至消失,这种不平等现象在电影温馨的氛围中令人不寒而栗。
总之,这部电影很温馨,也发人深省,以上是我的一些体会,共勉。
篇12:西游记观后感
全文共 696 字
+ 加入清单每次观看《西游记》时,总有不同的心情。它在四大名着中,是最生动活泼的,小时候的我读起它来总觉得既过瘾又有趣。但今时今日,不变的是那光怪陆离,色彩斑斓的神话世界,我的领悟却变了。
这是一部所有人都爱读的经典大作,每个人都能在解读它时获取不同的感觉和启示,有人喜欢它鲜明的人物个性;有人喜欢它瑰丽的整体形象;有人喜欢它活泼诙谐的对话旁白;有人还研究它的历史背景、社会现象。但在我看来,他那曲折的情节中暗藏着人们渴望而不可及的生活理想和人性追求,那就是——自由。
在经历了日复一日个性受约束的日子,廿一世纪的人们都格外向往自由,向往那个自由的化身:孙悟空。孙悟空破土而出,“不伏麒麟辖,不服凤凰管,又不服人间王位所约束”,闯龙宫,闹冥司,自花果山上目在称王。可以说已经达到人性摆脱一切束缚,彻底自由的状态。孙悟空其实就是自由的化身,他的品质中最突出的就是向往自由,他始终在追求自由,它的一切斗争也是为了争取自由。这样一个鲜活的形象给予了读者一种追求自由,追逐自由的力量和勇气。然而,每个人都明白,在现在,即使是将来,完全的自由终究是不可能的,人始终要受到这般那般的约束。尽管包围着我们的是个受约束的世界,但我们可以让内心尽量变得广阔而幽深,让它能够无边无际、包容天地。
然而,目前社会上还有许多人被一些价值不大的东西所束缚,却自得其乐,还觉得很满足。经过几百年的探索和发展,人们对物质需求已不再迫切,但对于精神自由的需求却无端被抹杀了。总之,我认为现代人最缺乏的就是一种开阔进取,寻找最大自由的精神。
在厉尽时间锤炼的《西游记》中,竟深深蕴含着新世纪人们最渴望的自由精神……我更明白为什么它能够传承至今了。
篇13:格列佛游记英文读后感
全文共 4674 字
+ 加入清单one of the most interesting questions about gullivers travels is whether the houyhnhnms represent an ideal of rationality or whether on the other hand they are the butt of swifts satire. in other words, in book iv, is swift poking fun at the talking horses or does he intend for us to take them seriously as the proper way to act? if we look closely at the way that the houyhnhnms act, we can see that in fact swift does not take them seriously: he uses them to show the dangers of pride.
first we have to see that swift does not even take gullver seriously. for instance, his name sounds much like gullible, which suggests that he will believe anything. also, when he first sees the yahoos and they throw excrement on him, he responds by doing the same in return until they run away. he says, "i must needs discover some more rational being," even though as a human he is already the most rational being there is. this is why swift refers to erasmus darwins discovery of the origin of the species and the voyage of the beagle-to show how gulliver knows that people are at the top of the food chain. but if lemule gulliver is satirized, so are the houyhnhnms, whose voices sound like the call of castrati. they walk on two legs instead of four, and seem to be much like people. as gulliver says, "it was with the utmost astonishment that i witnessed these creatures playing the flute and dancing a vienese waltz. to my mind, they seemed like the greatest humans ever seen in court, even more dextrous than the lord edmund burke" . as this quote demonstrates, gulliver is terribly impressed, but his admiration for the houyhnhnms is short-lived because they are so prideful. for instance, the leader of the houyhnhnms claims that he has read all the works of charles dickens, and that he can singlehandedly recite the names of all the kings and queens of england up to george ii. swift subtly shows that this houyhnhnms pride is misplaced when, in the middle of the intellectual competition, he forgets the name of queen elizabeths husband.
swifts satire of the houyhnhnms comes out in other ways as well. one of the most memorable scenes is when the dapple grey mare attempts to woo the horse that guenivre has brought with him to the island. first she acts flirtatiously, parading around the bewildered horse. but when this does not have the desired effect, she gets another idea: "as i watched in amazement from my perch in the top of a tree, the sorrel nag dashed off and returned with a yahoo on her back who was yet more monstrous than mr. pope being fitted by a clothier. she dropped this creature before my nag as if offering up a sacrifice. my horse sniffed the creature and turned away." it might seem that we should take this scene seriously as a failed attempt at courtship, and that consequently we should see the grey mare as an unrequited lover. but it makes more sense if we see that swift is being satiric here: it is the female houyhnhnm who makes the move, which would not have happened in eighteenth-century england. the houyhnhm is being prideful, and it is that pride that makes him unable to impress gullivers horse. gulliver imagines the horse saying, sblood, the notion of creating the bare backed beast with an animal who had held mr. pope on her back makes me queezy .
a final indication that the houyhnmns are not meant to be taken seriously occurs when the leader of the houynhms visits lilliput, where he visits the french royal society. he goes into a room in which a scientist is trying to turn wine into water (itself a prideful act that refers to the marriage at gallilee). the scientist has been working hard at the experiment for many years without success, when the houyhnmn arrives and immediately knows that to do: "the creature no sooner stepped through the doorway than he struck upon a plan. slurping up all the wine in sight, he quickly made water in a bucket that sat near the door" .
he has accomplished the scientists goal, but the scientist is not happy, for his livelihood has now been destroyed. swifts clear implication is that even though the houyhnhmns are smart, they do not know how to use that knowledge for the benefit of society, only for their own prideful agrandizement.
throughout gullivers travels, the houyhnhms are shown to be an ideal gone wrong. though their intent might have been good, they dont know how to do what they want to do because they are filled with pride. they mislead gulliver and they even mislead themselves. the satire on them is particularly well explained by the new born houyhnhm who, having just been born, exclaims, "with this sort of entrance, what must i expect from the rest of my life!" .
篇14:英文电影《飞屋环游记》观后感
全文共 353 字
+ 加入清单本影片在没有冰河时代那种有搞笑和赏心悦目也没有那种惊奇的搞怪夸张幻想在里面,只是很似人的故事情感的塑造了一个人物的思想和被改变到最后的为了救罗素和kevin和查尔斯的战斗让故事有了一个很好的体现人的性情和理想愿望等。他在为了完成心爱人的愿望将他们的房子放到天堂瀑布不懈努力坚强执着一定要将这件事做完而放弃了kevin被查尔斯抓走而为了房子放弃营救,看出他心里情绪是多么在乎他妻子的愿望不为过之后,看了妻子留给他的……而想通。之后他在回想到与罗素、kevin和狗的生活,这些让他感受到了朋友的重要。他就马上行动去救罗素。他就把所有房子里的东西让自己……在有失去房子他那时的心里和最后罗素坐在房子旁数车的色彩,说明人物已经从过去的悲伤中走了出来,这里可以体现整部片子的人物生活性情的改变,说明我们现实也许要……
篇15:寻梦环游记观后感500字
全文共 503 字
+ 加入清单寻梦环游记是一部搞笑,富有感情色彩的电影。一直很想去看,只是没有时间,今天终于有机会了。
这部电影讲的是皮鞋世家的男孩小格不愿顺从家人的意愿而要学做一名歌手。在亡灵节当天被诅咒而进入亡灵世界,遇见了自己死去的家人。义无反顾的追随自己的音乐梦想的故事。
小格在音乐梦想的道路上坚持不懈,即使家中没有人支持他。但他还有一个粉丝,就是流浪狗单单。小格有自己的音乐偶像埃内斯托,他见想总有一天也能成为埃内斯托一样,成为万人瞻仰的音乐教父。小格一开始以为他的偶像就是他的曾曾祖父,但后来才发现是一直陪伴在他身边的埃克斯。
小格虽然知道不能因为音乐而抛弃家人,但他最后是用音乐挽救了家人。当小格用歌声唤起曾祖母的记忆时,许多人心中是有感触的。“请记住我”是艾克斯写给女儿可可的,里面充满了父亲对女儿得不舍,也许这就是爱吧!
爱是即使自己老了也会记住内心牵挂之人;爱是也知道哪些人是真正爱你的;爱是即使与家人有矛盾,不愿原谅,也是因为曾今爱的太深,所以面对至亲的人不告而别时也会伤的更深。但是当亲人遇到危险时还是会勇敢地站出来,也会因为心中的爱而化解。也会在那万寿菊桥上牵手而行。
“在爱的记忆消失前,请记住我。“这就是爱的真谛!
篇16:飞屋环游记的观后感想
全文共 912 字
+ 加入清单09年上映的电影,我竟然才看过,可是不由感到万分庆幸。哭点如此之低的我,若当时看完这部电影,银幕暗下,灯光亮起来,可是身边却没有你,不知会作何感想?可是如今想来,那又怎样?
皮克斯的动画片永远把受众群体尽可能扩大,于是这整部电影也就以两条线展开。一条浅显易懂,冒险救大鸟打坏人的,是给涉世未深的孩子们看,情节一目了然。另一条极具泪点,饱含无奈心酸的,是讲给面对过爱情面对过死亡的成人们听的。
和大多数人一样,我喜欢开头记录Carl和Ellie一生的那个片段。两小无猜到终成眷属,无子无嗣的残缺人生因为有了彼此,而成了最完满的童话。两个人执子之手,在生活的意外中前行,年华似水般的在Ellie每天为Carl打的领带花纹中缓缓而过。当Carl终于想起他们约好要一起南美的梦想,买了机票想要给惊喜的时候,Ellie却再也无法睁开眼睛了。
这段临描没有一句台词,只有朴实无华的生活场景,短短几分钟写尽两个人的一辈子。其实根本也不需要什么台词,画面中所显现出的平淡又深沉的甜蜜与哀伤,哪怕只是略看的懂的我,也已泪流满面。
虽然画面的精致弥补了情节的薄弱,可是之后对于冒险的经历我几乎已经不敢兴趣了。因为没有什么比一个老人把自己关在对挚爱的回忆里,不肯面对现实不愿正视自己的生活,用最浪漫和疯狂的方式堵上自己的余生,再令我动容了。这是爱和执着,更是绝望和偏执。
在这段我不以为然的冒险过程中,Carl终于到了Ellie一直想的地方,才发现原来自从彼此相遇之后,探险的终点就变成了两个人一生相濡以沫。Thank you for the life-long adventure.
烂俗的一句话,这是一个救赎与被救赎的故事。被房子禁锢住的Carl最终并不知道房子最后还是降落到了瀑布旁,他们约定好的地方,只是这个时候,已经不那么重要了,因为他不会再用回忆麻醉自己,他要陪小男孩吃冰淇淋数汽车。
这是一部给依旧相信爱的人看的电影,在这一生的冒险之中,谁会是谁的终点。就像Carl和Ellie那样,正因为是与彼此一起,那再小再琐碎的生活,都是华丽的冒险。
你相信爱情吗?
我相信你。
我相信爱情,
因为我相信你。
我不相信爱情,
因为我不相信我自己!
篇17:飞屋环游记观后感800字
全文共 2657 字
+ 加入清单经历了《玩具总动员》《怪物公司》和《Wall·E》的数番历练后,彼得·道格特已然凭借《飞屋环游记》晋升为21世纪初最成功的动画煽情大师——当然,也少不了鲍博·彼得森的襄助。 影像语言洗练得没话说,所谓“十分钟,年华老去”,《飞屋环游记》开场就用了十分钟,气球推销员卡尔·弗雷德里克森从懵懂孩童到垂垂老者的人生经历便跃然银幕。他与爱妻埃莉由探险的爱好相知,进而又青梅竹马相爱,虽无子嗣,但一世相守,如今老屋将被拆迁,卡尔即将被送进老人院,往昔的种种念想,不由得统统涌上心头。
然而卡尔并不服输,童年的肾上腺素早已化为对亡妻的追悼,于是,老头精心策划了一场华丽的冒险:他把老屋绑满了气球,要带着埃莉(的遗像)去当年海誓山盟过的天堂瀑布冒险。 本来这只是个倔犟老头的鸡血故事,不过那个比哲学家还让人头痛的小胖子罗素的出现改变了一切——这位一心想拿到“帮助老人勋章”的探险协会成员被卡尔“意外”的带上了天。
于是就很佩服道格特的人物设定:动画片嘛,既要想象丰富夸张,又要现实有迹可寻。一老一少,一白一黄,一孤僻一人来疯,人生的起点站居然搭上了一班前途未卜的末班车,不肖说,两位主人公的对手戏肯定会在后面的历程中火花四溅。 罗素的形象显然很入中国观众的法眼,地道的蒙古人种脸蛋,脖子上的布条虽然官方说法是探险协会、童子军之类的组织标记,但我看着就是一条红领巾。而罗素闯入卡尔老屋要求助人为乐的桥段又让我立马想起了童年往事:我小学时的少先队组织每年三月都会搞学雷锋、做好事的活动,于是,一到周末我们一群小朋友便山呼海啸聚在一起,然后满大院弄得鸡飞狗跳,末了还要对着出来呵斥的大人高喊一声:“我们做好事不留名,我们的名字叫红领巾!”——“借代”这种修辞手法就这样被我们自学成才。
罗素讨厌吗?当然讨厌,真要吹毛求疵,这个亚裔男孩肥胖无知,私闯民宅,还谎话连篇。不过卡尔也有很多缺点。当他一手打造的飞屋拔地而起时,吓倒了两个来接他去老人院的社工不说,一路上还擦坏了别人的车、撞榻了别家的房梁。 但是,没有人会讨厌这两个家伙,当我们坐在电影院里观赏电影时,不必苛求银幕上与现实的一一对应——尤其当这是一部动画幻想片时。当我们的儿童电影用高、大、全的偶像和莫名其妙的道德说教来规训孩子们时(参看《寻找成龙》),那些连大人们自己都不信的教条当然会被在网络世界里游刃有余的孩子们所唾弃——有些他们也不“唾弃”,因为许多烂片已经烂到孩子们看都不看。
其实好的儿童电影必然是全龄电影,孩子们喜欢看的,大人们当然也会喜欢。当孩子们欢呼雀跃《飞屋环游记》里的奇妙冒险时,大人们正在为他们的伪布尔乔亚趣味得到满足而心潮澎湃。卡尔不就是个被工作、生活压抑了一辈子的小白领?一世循规蹈矩,不算成功人士,但也衣食无忧。不过童年的冒险梦想早已荡然无存,但《遗愿清单》一旦纳入“老夫聊发少年狂”的轨道,生活似乎又充满了激情。更重要的在于,卡尔还是个情圣,当存款和住房成为择偶的首要条件时,能在银幕上看到这样一位从一而终的美国情圣,女观众们自然会由衷的生出一层好感——当然,这并不妨碍她们看完电影后继续在相亲时首先询问对方是否买了房子。
什么错,电影就是造梦的,都跟现实一样,我也不花那个冤枉钱进影院了。可问题是,如果电影人想从观众们口袋里掏钱,还是枪花乐队的那张专辑名——运用你的想象力!想象力的匮乏,首先在于没有摆正自己的心态。不要当观众是来受教育的——对儿童观众也是如此,只有在影片获得他们认可的前提下,你灌注在其中的内容才可能被接纳。而且孩子们也不是有点感官刺激就趋之若鹜的,去年《风云决》的失败就是明证。再者,如今是个意义层出的时代,作品究竟讲了什么主题,多半是被观众们自己解读出来的,把大气层以内的事管好就行了,臭氧层子其实不劳导演们费心。 想象力来源于生活,李贽说人要有童心,说难也不难。看看我们的生活,其实每天都在发生着比电影更光怪陆离的故事。《飞屋环游记》里老屋飞天算什么?那边十三层楼不是说趴就趴下了?房奴和欲做房奴而不得的准房奴们早就对房价咬牙切齿,这边厢看着卡尔带着自己的屋子满世界游走,估计也满足了不少人的阴暗心理。力也来源于细节。《飞屋环游记》一帧帧的精耕细作观众都看在眼里,而除了画面以外,剧情和对白也饱蘸着道格特的匠心独运。被罗素命名为“凯文”的大鸟斯耐普其实源于卡尔捉弄罗素的小玩笑,而这次无心插柳的偶得又引出了走火入魔的冒险家穆茨(同时照应了卡尔与埃莉的一世情缘);穆茨豢养的那群大狗被道格特用独具一格的动作设计打造得活灵活现,跳伞逃生时还不忘照应下关于松鼠的小笑话;当然,在与穆茨的斗争中卡尔与罗素也情谊渐深,而罗素一句无心的“这些无聊的事情是我记得最清楚的”又促使观众与卡尔一同检视生命的真谛;待到尘埃落定,老卡尔与小罗素一起坐在街旁舔冰淇淋数小汽车的颜色时,观众的心理已然获得了极大的满足。 缺点满身的卡尔和罗素就这样俘获了中国观众的心,其实无非是些好莱坞类型片的套路。整个《飞屋环游记》的构思肯定逃不脱《环游地球八十天》的脉络,而最后那场飞艇大战的戏又让我立马想起了《天空之城》。但这并不是批评,说你拍的像类型片,我理解,这是褒义。为什么有类型?那是因为找到了符合观众要求的模式,然后便学习、实践这种模式,这才是大银幕的王道。
想象力跟创新是一回事,这意味着思想无禁区。当然我们可以从民族文化的角度来论证中国人几乎自古以来就是缺乏想象力的,这也许没错。但全球化都这么些年了,既是“长技”那我们就该“师夷”。当我们整天高喊“创新”的时候,落后、僵化的自我判断也不言而喻。从电影而言,成气候的一共六代,前面三代都是解放前培养出的,第四、第五代赶上了改革开放后的井喷,然后一直在吃老本(第四代连老本都不够吃了,只好偃旗息鼓)。至于第六代,小众的路子曾经号准了国外电影节的脉,但现在也是王小二过年,捧了狮子、狗熊回国忽悠,奈何观众们已经不买账。 电影是一门尤其需要想象力、需要创新精神的艺术(和工业),我不相信十几亿中国人就培养不出想象力能比上道格特的电影人。关键是要给他们宽松的环境和尽可能自由的创作氛围,然后让市场来投票——我相信全体中国观众加起来肯定比有关部门聪明多了。
《飞屋环游记》并不尽善尽美,事实上,我觉得该片最后的结局有些弱,从飞艇打斗开始就有些往下走,有点虎头蛇尾的意思。但比起只剩下《麦兜》和《喜羊羊》的华语动画来,我还是愿意看《飞屋环游记》。 还是不明白,这么和谐、安定、没有异见的社会,究竟是谁扼杀了我们的想象力?
篇18:寻梦环游记观后感1000字
全文共 985 字
+ 加入清单静静的放映厅里,只有一幕幕片段跳动,一句句台词入耳,以及坐在荧幕前专心致志的我们。《寻梦环游记》用事实说话,真心很好看,有喜有悲,有冷有暖,它主要描述的是一个奇幻故事。主角小男孩米格尔是个勇敢逐梦,热爱音乐的人,却因家庭原因,不得不被禁止完成自己的音乐梦,但他在追寻自己梦想的脚步时却阴差阳错地进入了亡灵国度,与埃克托一起踏上了得到自己祖父的祝福这一条奇幻之旅。影片中可以说人物众多,特色鲜明:主角米格尔热爱梦想,勇敢追逐,哪怕家人万般阻止,也不曾放弃,终是成功;真正的“歌神”埃克托,虽远离家,追逐梦想,但却对家人无比牵挂;德拉科鲁兹,可以说是全剧的终极大反派;米格尔的曾祖母可可,一位神志不清的老人,但她的一生都始终惦记着自己的爸爸;还有小狗单单,米格尔的高祖母伊梅尔达等等。我印象最深的三个人物则是米格尔,埃克托与可可,可可是剧中重要人物,她是剧中过去与现在,亡灵与人界,回忆与现实之间的重要连接点,同样也是全剧高潮部分的关键。米格尔可以说与其他主角一样带领我们观全剧,但他对梦想无比坚持,热爱,努力追寻,引人深思。埃克托与可可的关系更是全剧催泪点:父亲埃克托与女儿可可自小分离,在追逐梦想的同时被害,一个仅仅四五岁的孩子就从此与爸爸分离,阴阳两隔,但也正是仅仅四五岁的孩子从此牢牢记住了爸爸,以及爸爸临走的那首送给女儿的歌——《请记住我》。哪怕可可在有一时间即将忘掉自己挚爱的爸爸,哪怕埃克托将被忘却,化作金色粉末,终极死亡,自此无人记得,但至少有那首歌,有米格尔,有亲情。是米格尔在受到高祖父母的祝福后重回人间,用吉他、音乐,用那首《请记住我》以及埃克托对女儿的可可寄托的爱重新唤回了在可可记忆深处对父亲的牵挂。年仅四五岁的可可还记得,还记得父亲,还记得那首父亲送给她的——《请记住我》,短短片段,引数人落泪。一个人得有多大的牵挂才能在四五岁时记住一个人到老死呢?但世界上并没有所有幸运的人,像剧中唯一终极死亡的人朱皮哥,他被人间的女儿所遗忘,终化金色粉末,与世永辞,他就是整部电影中毫不起眼的小角色,但他却也是最可怜的人,从此以后没有人会再想其他了吧,这样看,其他人都是那么幸运,米格尔一家多么幸福美好,可可与爸爸超越阴阳的亲情如此难得而可贵!
这部电影传达的不仅仅是一点,而告诉我们亲情可贵,追梦难得,世界的一切都是美好的,包括一切困难!珍惜世间每一段经历!
篇19:动画片飞屋环游记观后感
全文共 1460 字
+ 加入清单78岁的老人卡尔,与亡妻艾丽自童年相识,一直相亲相爱。他们有共同的梦想——去位于南美洲的天堂瀑布探险。可惜由于一直为生计奔波,直到爱妻去世,这也只是一个梦想。
城市每天都发生着变化,开发商要收购卡尔家所在的地皮,卡尔因不肯将房子出卖而屡次与开发商发生冲突,矛盾不断被激化,最终,卡尔被要求前往居住在老人之家。
卡尔舍不得和艾丽一共建造并生活过的老房子,在当天夜里下定决心,要带着老房子飞向蓝天,目标天堂瀑布……
“飞屋环游记”是2010年奥斯卡最佳动画长片奖的获奖作品。它讲述了一个重建自我的故事。
艾丽与卡尔二人没有孩子,所以艾丽早亡,留给卡尔的,只有两人的房子以及几十年的回忆。卡尔在回忆中生活,并逐渐衰老。若不是要被迫离开老房子,卡尔也许很快就会孤独而平静的死去。从这个角度讲,与开发商的冲突,又在某种程度上成全了卡尔,让他义无反顾带着老房子起飞,去实现他与艾丽多年的梦想。
飞翔,其实就是这么简单。却迟到了几十年。
朋友讲了个故事,说有两个和尚见面了,闲聊中发现,两人都想去南海。二人决定分头实现这一共同目标。其中一个和尚开始造大船,并准备各种所需,一晃就是两年。两年后,另一个和尚从南海回来了,给还在做准备工作的和尚讲述各种见闻。讲的人眉飞色舞,听的人呆住了。
“你没有钱,没有行李,没有食物,什么都没有,你怎么可能去了南海?你怎么去的?”
“用我的双脚,加手中的钵盂。”
多少年来,艾丽与卡尔为生活所困,对梦想望而却步,却原来,到天堂瀑布可以很简单。我们不需要过多的金钱,不需要豪华的交通设施,只要用一晚上的时间来吹气球,便可以带着我们的房子一飞冲天!
回首儿童时代,我们都曾做过飞翔的梦。
西方世界的孩子比我们的孩子更幸福,他们会相信圣诞老人;也会相信自己是天使曾送给爸爸妈妈的一颗爱的种子,在阳光下发芽、长大。相对来说,我们的孩子们更早的被世俗所污染,在他们很小的时候就知道神话都是“骗人的”,童话都是“瞎编的”。孩子们心灵的翅膀,早已被唯物主义理论所折断,永远不可能飞翔了。
卡尔的倔强,拯救了老房子。但是他依然生活在失去爱妻的痛苦中。他不喜欢那个名叫罗素的同行男孩,不喜欢罗素捡来的巨鸟和那只佩戴着高科技翻译器的狗。他只想带着房子靠近天堂瀑布,哪怕不得不拖着房子一步一步走过去。
卡尔和罗素拖着房子前行的狼狈局面就像是蜗牛。在卡尔为了老房子而迈向梦想的途中,老房子成为了他新的绊脚石。很多现代人都有这样的负担,即使再艰难,也要拖着虚无的包袱走下去。或许有人说,这老房子是卡尔和艾丽爱情的象征,梦想的象征,是不一样的。其实所谓的象征,都是让人看的。卡尔和艾丽几十年的爱情和梦想早已不需要这些没有实际意义的象征。房子本就是房子,并不是建好就有意义的,所谓的意义,只是人们赋予它的。
曾经有一个在杭州买了房子的外地人好意劝我也在杭州买房。我说我暂无打算。她说,“你没有房子,你就没有家。”我笑了。“英语中,房子是house,家是home,不一样的。”卡尔的老房子也同样如此。应该说,到卡尔认识到罗素他们对于自己的重要性,最终为了救罗素而放弃了老房子,卡尔完成了一次重生,他重新找到了生命的意义。艾丽已经去世,卡尔要做的不是在凭吊中等死,而是心中装着艾丽,快乐健康的生活下去。
值得一提的,是在卡尔拖着老房子前行时,处处为老房子所困,几乎永远失去将老房子带到天堂瀑布的机会;而在卡尔放弃老房子之后,老房子却不偏不倚,刚好落在了天堂瀑布的平顶之上。就像卡尔与艾丽一直梦想的那样。
只有放开怀抱,才能拥抱世界。
实现梦想、获得幸福,就是这么简单。
篇20:寻梦环游记电影观后感500字
全文共 561 字
+ 加入清单星期五下午,我们五班和六班一起去电影院观看了一部电影《寻梦环游记》。这部电影讲述了一个12岁的小男孩米格尔自由有一个音乐梦,但他的家人都认为自己被音乐诅咒,这个家里禁止音乐,米格尔依旧不放弃,在秘密追寻音乐梦时,不小心进入亡灵世界,在这里,他遇见了死去家人的灵魂,并找到了他真正的曾曾祖父,得到了家人的祝福,最终返回人间的故事。
影片很感人,当米格尔的曾曾祖父埃克托用自己最后的一点点时间给米格尔送去了祝福时,我情不自禁的流下了眼泪。我明白了“死亡并不可怕,可怕的是被遗忘”。当活人世界上,没有一个人记得你时,你在亡灵世界将会终极死亡。米格尔为了不让埃克托终极死亡,回到活人世界,用吉他弹唱《请记住我》给曾祖母可可听,让她记起她的父亲埃克托。米格尔和埃克托在一个巨大的坑里时,埃克托拿着照片对米格尔说:“我只希望他知道,爸爸爱她。”也使我留下了眼泪。当中也有许多温暖搞笑的地方。一只名叫但丁的狗狗十分可爱,行为举动十分滑稽,最后活着的人与死去的亲人们一起欢度亡灵节时,让我感到了温暖。
看完影片后,我明白了一家人在一起才是最重要的,虽然有些亲人已经离你远去了,但他们在亡灵世界也会生活的很好,我们要一直记住他们。在亲情面前死亡似乎没有那么可怕,那些远去的人只不过走出了人间,他们始终看着你慢慢长大。
在爱的记忆消失前,请记住我。