飞屋环游记英文观后感(优秀20篇)
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130肖生克的救赎英文观后感
全文共 5924 字
+ 加入清单Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artists opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.
The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andys demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.
By creating the films firm foundation, the meticulously chiseled screenplay paved the way for this films success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen Kings equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.
While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a films score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the films needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to individualism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newmans score never once intrudes on your concentration or distracts from the film.
With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.
With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.
This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and production facilities. These artists show their capability to produce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.
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篇1:飞屋环游记观后感
全文共 5097 字
+ 加入清单In its opening stretch the new Pixar movie “Up” flies high, borne aloft by a sense of creative flight and a flawlessly realized love story. Its on-screen and unlikely escape artist is Carl Fredricksen, a widower and former balloon salesman with a square head and a round nose that looks ready for honking. Voiced with appreciable impatience by Ed Asner, Carl isn’t your typical American animated hero. He’s 78, for starters, and the years have taken their toll on his lugubrious body and spirit, both of which seem solidly tethered to the ground. Even the two corners of his mouth point straight down. It’s as if he were sagging into the earth.
Eventually a bouquet of balloons sends Carl and his house soaring into the sky, where they go up, up and away and off to an adventure in South America with a portly child, some talking (and snarling and gourmet-cooking) dogs and an unexpected villain. Though the initial images of flight are wonderfully rendered — the house shudders and creaks and splinters and groans as it’s ripped from its foundation by the balloons — the movie remains bound by convention, despite even its modest 3-D depth. This has become the Pixar way. Passages of glorious imagination are invariably matched by stock characters and banal story choices, as each new movie becomes another manifestation of the movie-industry divide between art and the bottom line.
In “Up” that divide is evident between the early scenes, which tell Carl’s story with extraordinary tenderness and brilliant narrative economy, and the later scenes of him as a geriatric action hero. The movie opens with the young Carl enthusing over black-and-white newsreel images of his hero, a world-famous aviator and explorer, Charles Muntz (Christopher Plummer). Shortly thereafter, Carl meets Ellie, a plucky, would-be adventurer who, a few edits later, becomes his beloved wife, an adult relationship that the director Pete Docter brilliantly compresses into some four wordless minutes during which the couple dream together, face crushing disappointment and grow happily old side by side. Like the opener of “Wall-E” and the critic’s Proustian reminiscence of childhood in “Ratatouille,” this is filmmaking at its purest.
The absence of words suggests that Mr. Docter and the co-director Bob Peterson, with whom he wrote the screenplay, are looking back to the silent era, as Andrew Stanton did with the Chaplinesque start to “Wall-E.” Even so, partly because “Up” includes a newsreel interlude, its marriage sequence also brings to mind the breakfast table in “Citizen Kane.” In this justly famous (talking) montage, Orson Welles shows the collapse of a marriage over a number of years through a series of images of Kane and his first wife seated across from each other at breakfast, another portrait of a marriage in miniature. As in their finest work, the Pixar filmmakers have created thrilling cinema simply by rifling through its history.
Those thrills begin to peter out after the boy, Russell (Jordan Nagai), inadvertently hitches a ride with Carl, forcing the old man to assume increasingly grandfatherly duties. But before that happens there are glories to savor, notably the scenes of Carl — having decided to head off on the kind of adventure Ellie and he always postponed — taking to the air. When the multihued balloons burst through the top of his wooden house it’s as if a thousand gloriously unfettered thoughts had bloomed above his similarly squared head. Especially lovely is the image of a little girl jumping in giddy delight as the house rises in front of her large picture window, the sunlight through the balloons daubing her room with bright color.
In time Carl and Russell, an irritant whose Botero proportions recall those of the human dirigibles in “Wall-E,” float to South America where they, the house and the movie come down to earth. Though Mr. Docter’s visual imagination shows no signs of strain here — the image of Carl stubbornly pulling his house, now tethered to his torso, could have come out of the illustrated Freud — the story grows progressively more formulaic. And cuter. Carl comes face to face with his childhood hero, Muntz, an eccentric with the dashing looks and frenetic energy of a younger Kirk Douglas. Muntz lives with a legion of talking dogs with which he has been hunting a rare bird whose gaudy plumage echoes the palette of Carl’s balloons.
The talking dogs are certainly a hoot, including the slobbering yellow furball Dug and a squeaky-voiced Doberman, Alpha (both Mr. Peterson), not to mention the dog in the kitchen and the one that pops open the Champagne. And there’s something to be said about the revelation that heroes might not be what you imagined, particularly in a children’s movie and particularly one released by Disney. (Muntz seems partly inspired by Charles Lindbergh at his most heroic and otherwise.) But much like Russell, the little boy with father problems, and much like Dug, the dog with master issues, the story starts to feel ingratiating enough to warrant a kick. O.K., O.K., not a kick, just some gently expressed regret.
篇2:星游记观后感2000字作文
全文共 1956 字
+ 加入清单《星游记》一个普通的名字,但也正是这个名字让我看到了国产商业动漫的一点希望之光。实话实说这套动漫并没有什么创新之处,它不过是针对少儿市场并把现在流行的元素整合到一个说不上有多特别惊艳的故事里。但无疑优扬文化制作了一部相当出色的动画,就如同暴雪的游戏一样并不革命并不创新但能让人感受到游戏的魅力。
这个动画讲述的是一个很老套的故事,广受好评的第五集说的也不过是一个因为事故丧失梦想变得懦弱的反派被主角打醒的故事。很老套对吧,但是正是这个连20分钟不到的故事让《星游记》获得了大量好评。这20分钟的第五集是这套动画最好的缩影,恰到好处的音乐、流畅易懂的故事并在这其中整合进时下流行的热血与兄弟情(好吧,你要说哈马和他哥哥哈雷是yooooo我也不反对)。而这一切都是现在国产动漫所或缺的。
这套《星游记》成功要素除了那流畅而又让喜欢的故事意外,各个角色也刻画的很不错。
主角麦当的单纯热血以及笨蛋刻画的很不错,他不像现在起点小说主角一样虚伪一样唯利是图,在他的身上孩子们感受到的是自己的向往。而我们这些已经长大的人看到的则正是我们小时候一直向往现在又被我们自己亲手抛弃的热血以及理想,在这个日渐冷漠的现实里我们可悲的只能在一套动画里感受那曾经感动我们的热血。
咕咚一只可爱,自大、胆小的兔子,一开始的时候他只不过是一个负责恶意卖萌的吉祥物(其实一直都是)。但是当故事进行到第六第七集的时候我们发现他在卖萌的背后原来是一个笨到无可救药的王国君。追寻长生不老是很多国王的共同爱好,我们的咕咚也是其中之一。而且在这个过程中他还愚蠢的卖掉了自己国家极为重要的传送装置,最终的结果就是自己被迫流亡忠心耿耿的臣民被大反派全部抓起生死未卜。愚蠢吗?当然愚蠢。可是在这一切的背后隐藏的确实咕噜不想在看到任何人如同他父母一样消失在眼前,咕噜追求不死药的原因仅仅是因为他爱者他的臣民他不愿意在失去任何人。他愚蠢吗?他很愚蠢,但又显的如此可爱。
女主角应该是笛亚吧,至少官方是这样设定的。笛亚这个角色背后的故事绝对让看过OP的人有及时感,没错笛亚这个角色就是娜美和罗宾的合体。万幸制作方还是知道不能光合体不改造,笛亚和罗宾一样都是生于学者之家,因为掌握某一秘密而被灭门。好在制作方没有尾田那么狠心,罗宾的童年是在背叛中度过的虽然她还心中保留最后的一丝光明。而笛亚则非常幸运她不但没有接连不断的遭到背叛她还遇到了那个总是逗她笑真心关爱她的马戏团团长。这也就养成了笛亚表面甜美实则腹黑更深层的确实如同小丑团长一样的自我贡献。星游记所延续的套路没有创新突破却能很好的整合时下流行的要素。
虽说是应该是女主角,不过笛亚直到第九集才出场。而第一个出场的实际上是麦当的发小也就是青梅竹马。她叫。。。。她就是青梅竹马坑爹的制作方连名字都没给,明明是很萌的女孩。这个柔弱的女孩可爱就可爱在她对麦当的绝对信任以及绝对的支持,就算她并不完全认可麦当的行为与梦想。到了第五集正是这个看似柔弱的女孩在重要时刻的全力以赴才让麦当成功一飞冲天。柔弱与坚强的强烈对比与反差正是这个女孩的萌点。
每个孩子都有自己的父母,我们的小女孩自然也有她萌萌的老妈。也就是她
你说坑爹为什么会是一只熊猫?其实这才是她的本来面貌
又一个被主角老爹麦林坑掉的人啊,老公就这么被拐走自己不但要独自照顾两个小孩还要经营宇宙大饭店。
对这个阿姨嘛,其实没什么很深的印象啦,不过既然有特点那么就提一提吧。
说完主角一边的自然也就要说说反派,按照国际惯例我们先说说负责卖萌的恶役杂兵。
大头钉部队很好很强大,强大你妹你们这群战斗力只有5的杂兵部队。你们一天到晚除了卖萌还会干什么,就是卖萌战斗力高达53W又怎么样。你们这群嘿哈控,就不能少哼哈两句吗又不是哼哈二将。
另一个比较有特色就是曾经的冒险家哈马。他的兄长也是被麦当老爹麦林坑害的家伙。10年前还是冒险家的马哈为了筹集足够资金来帮助哥哥哈雷制造大型宇宙飞船无限永恒号而跑去参加比赛。至于结果嘛。。。。不好意思哈马你不主角。从此以后变成残疾的哈马就开始了自怨自艾的生活,而哥哥哈雷一方面为了实现两兄弟的梦想一方面想到彩虹桥找到治疗好弟弟的残疾于是和麦林一同去了冒险。独自留在地球的哈马深感自己哥哥被牛头人于是乎对宇宙飞船深感厌恶,这也就导致了他加入宇宙眼。最后与其说被主角打醒不如说他是因为发现了哥哥留给他的飞船才醒悟到自己的错。故事依旧老套但是这正是这老套的故事让人共鸣,不管你共鸣的是兄弟情还是想起了被自己遗忘放弃的梦想。
这片除了流畅的故事以外还有一个特色就是版画。这个不用多说什么,大家看看样板吧。
要萌有萌要吐槽有吐槽,应该燃的时候绝对能让观众热血沸腾,更难得是制作方确确实实是在认真的讲述一个故事。星游记,你应该成功并受到国人的瞩目。
[星游记观后感2000字作文
篇3:西游记观后感
全文共 848 字
+ 加入清单大年初二(跟朋友)和初五(跟老妈),我去看了这个电影。总体来说,这个电影还是不错的。
首先,必须说的是,这是一个“戏保人”的故事。因为《孙悟空三打白骨精》是《西游记》里很精彩的一段。观众对《西游记》和这个故事亦都很熟悉喜爱。电影选择了这则故事,占了先天的优势。
这个电影,严格的说是《三打白骨精》的一个“改编版”。观看时,不必把它当作《西游记》的著作来看。我个人更愿意把它看成是依托于《西游记》一则故事而讲佛理的神话电影。
可以看出,电影的编剧和导演,对于佛学是有一定知识的。这体现在很多细节上。比如,白骨精出场时是一股白烟,聚之成形,散之成气。白骨精第一次被孙悟空从老太婆身体里打出的时候,是从老太婆脚底化白烟跳走的。佛书上说,死后下地狱的众生,是从脚底离开肉身的。而白骨精自己也说,自己就是地狱。白骨精嗔恨深重,千年不得轮回。 白骨精吃人时,是吸食人的阳气,而不是像野兽一样生吃活吞。第三打桥段里,白骨精施法将所有的散落的骷髅碎骨聚之成形,成为一个庞大的骷髅作为她的原形——也就是说——编剧理解的白骨精不是具体某具骷髅成精,而是一个抽象的、由冤魂、白骨、贪嗔痴怨感召而成的妖魔。
费翔饰演的那个国王,为了解救自己不惜伤害众多儿童,他的行为与妖魔不相上下。这也说明,人虽为人,但若内心凶恶,实与妖魔无二。也就是,今生虽托生为人,但若不注意自己的修为,很有可能会堕落为妖。修行既修心。
唐僧在度化白骨精时,讲的道理都是佛理。最后他为度化白骨精让孙悟空打死自己,表现出的正是地藏王菩萨的“我不入地狱,谁入地狱。”的决心与慈悲。不过,这个情节是与原著不符的、完全杜撰的。
陈慧琳饰演的观音菩萨在云端现身时是赤足。这是符合佛学里菩萨形象的。后面菩萨劝孙悟空救唐僧所说的那些话,很有佛理,道明了真相与心相的层次。只是,在个片段里,陈慧琳头上和身上佩戴的金饰,我个人以为,与菩萨身份不太搭,有点沾俗了。
总而言之,这个电影渗透了很多佛学的观点与理论,让观众看后,能思考一些道理。这一点已经弥补上了电影是“改编版”的不足。
篇4:温馨惬意的动画电影飞屋环游记观后感
全文共 1430 字
+ 加入清单1995年,我是一个上初中的小毛孩,在小县城的破电影院里看了《玩具总动员》,从此记住了皮克斯。一晃,十四年过去了。已经工作的我,在豪华厅里戴着3D眼镜看完《飞屋环游记》后发现,那种最简单最纯真的美好原来从头到尾都还在,没变过。
我想,这是皮克斯给我最好的礼物。
2000年,我上大一,在北京过得茫然无绪,给初恋女友写电子邮件想要见一面,她找了一首歌词回复我,说不必再见。那首歌叫《爱的代价》,头一句就是“还记得年少时的梦吗,像一朵永远不凋零的花”。一转眼匆匆九年。今天,在短短五分钟里,皮克斯让一生的爱绽放又谢幕,留下的只有墙上那幅画,“天堂瀑布”,他和她在少不更事的岁月里就约好要去的地方。
于是我又想起了这首歌,虽然人已远去,但年少时的梦还在,还是永不凋零的花。
《飞屋环游记》不是一部好笑的电影,它的笑料很多时候毫不出奇地陈旧,就像绝大多数好莱坞喜剧里的常见桥段。但它是一部足够美好的电影,以至于今年只过了七个月,我就想把它列为年度最美好电影,以至于在这三五年来的皮克斯作品里,对我来说它是最美好的一次大梦。
它的所有一切,从角色设定到情节转折,都落入了俗套,但皮克斯做到了化腐朽为神奇,把一部动画片的基本任务——让人做梦、相信童真再一次发挥到了极致,不由得让我想起弗兰克•卡普拉的《美好人生》——那部每个角落都充斥着俗套的电影,却成了电影史上最励志的经典。
我想说,忽略那所谓的3D技术吧。也许在看《地心历险》的时候,我们寻找的是被技术震撼的刺激,而《飞屋环游记》却实打实地让我忘记了3D技术的存在,它是不是立体已经不再重要,重要的是银幕上有这么一个童话让我暂时忘掉现实的烦恼和失落,让我奋不顾身,老头子实现了七十年的梦想,也就是替我到过了一回失落的大陆。
我不知道是不是罗伯•雷纳的《遗愿清单》为皮克斯提供了灵感,但当气球飞起那一刻,我脑海中浮现的却是《练习曲》中那句名言:“有些事现在不做,一辈子就不会做了。”皮克斯,数码时代的迪斯尼,绝非一个技术主义者,而托了皮克斯的福,我们得以一次次地追寻自己心中的那一个“天堂瀑布”。
这一次并不是没有缺点,至少在主题的聚合度上,比起上次《机器人瓦力》要差得多。显然,两个机器人的故事把全部力道都放在了末世爱情上,那种对爱情理想的极致追求其深度力度,都不是这次能比的。《飞屋环游记》想说的东西太庞杂,勇气、责任、友情、爱情,这间接导致类型片混搭也参差不齐,有点像四不像版的“印第安纳•琼斯”。
片子的后半段也不如前半段来得精彩。实际上,万千彩色气球腾空而起、老人暮年终于实现飞翔探险愿望,是这部电影最精彩部分的结束,再往后,尽管幽默多了、节奏紧张了、故事激烈了,但再也没有给我带来这个场景之前的那些不可理喻的感动。
对我来说,仅仅那一生闪回的五分钟,就已经够我打上五颗星。明快温暖的音乐,青梅竹马的爱情,现实中不能实现的种种缺憾,好像都在银幕上找回。在走向白发苍苍的路上,生命充满了遗憾和圆满——两个凡人在俗世中逐渐远离年少立下的理想,但也在成长中得到相依为命的幸福。看似蜻蜓点水的MTV式短片,是皮克斯一直以来的重要法宝,也成了这部电影的灵魂。
正是有了这样并不伟大但却感人至深的爱情,最后那个并不圆满的结尾才得以寄托了得失不萦于怀的哲理。气球带走了一生最爱的人,从此再没有实体物件可以再让老头抚摸和惦记,但在一起的点点滴滴时光都刻在了脑海里,至于有没有照片、有没有画,又有什么重要呢——当你有了爱,又实现了梦想,在哪不是天堂?
篇5:飞屋环游记观后感500字
全文共 655 字
+ 加入清单影片开头的十几分钟就已经泪流满面。只觉得平平淡淡值得珍贵。
从两小无猜到相濡以沫,无子无嗣又如何,不离不弃的相伴一生就已经是最美的童话了。
人年纪越大,自己就越不是自己的了,而是为在乎你和你在乎的人活着。守着满屋子和爱人的回忆终了余生,本就是他最大的心愿,翻起亡妻未了的余愿,我想Carl是满心的内疚,只恨不能为她多做一点,早做一点。但眼看连最后承满了回忆的房子都要被人夺去的时候,Carl逃了。没错,他是为了实现爱人的遗愿,但更重要的是,他没法想象连活在回忆中都不能的生活,于是就带着所有的回忆-房子,逃向了回忆的起点。一个老头,把自己关在对至爱的记忆里,不肯面对现实,不愿正视自己的生活,用最浪漫和疯狂的方式赌上了自己的余生。这是爱和执着,更是绝望和偏执。
等到我们的脸上都布满皱纹,你是否还会亲吻我。一如初遇。
谁用幼稚的笔迹写下我们的梦想,谁一边伤感一边温暖,谁在我们死后静静的怀念。
“I like you.”
太多的书籍,暗色调的电影,低哑的音乐,他们说要做聪明而理智的人,男人是靠不住的,女人亦不可信,爱情是含笑饮毒酒,婚姻是无关感情的生活。有人爱一阵子,有人玩到过了火。是在玩弄爱情还是爱情在玩弄我们?就这样,谁还相信爱情?
还好,还有这些温暖的动画。
执着,信任,希望和爱,是皮克斯电影里永恒的主题,它们并不是要告诉人们这些理念有多么伟大,而是让观众随着主人公们的经历一起重新理解这些被过分滥用甚至扭曲,但却无时无刻不在左右我们生活的人性。这份真诚,不会让人失望的。
谢谢你,Carl。是你告诉我们,爱始终在。
篇6:飞屋环游记观后感
全文共 859 字
+ 加入清单xx年上映的电影,我竟然才看过,可是不由感到万分庆幸。哭点如此之低的我,若当时看完这部电影,银幕暗下,灯光亮起来,可是身边却没有你,不知会作何感想?可是如今想来,那又怎样?
皮克斯的动画片永远把受众群体尽可能扩大,于是这整部电影也就以两条线展开。一条浅显易懂,冒险救大鸟打坏人的,是给涉世未深的孩子们看,情节一目了然。另一条极具泪点,饱含无奈心酸的,是讲给面对过爱情面对过死亡的成人们听的。
和大多数人一样,我喜欢开头记录Carl和Ellie一生的那个片段。两小无猜到终成眷属,无子无嗣的残缺人生因为有了彼此,而成了最完满的童话。两个人执子之手,在生活的意外中前行,年华似水般的在Ellie每天为Carl打的领带花纹中缓缓而过。当Carl终于想起他们约好要一起南美的梦想,买了机票想要给惊喜的时候,Ellie却再也无法睁开眼睛了。
这段临描没有一句台词,只有朴实无华的生活场景,短短几分钟写尽两个人的一辈子。其实根本也不需要什么台词,画面中所显现出的平淡又深沉的甜蜜与哀伤,哪怕只是略看的懂的我,也已泪流满面。
虽然画面的精致弥补了情节的薄弱,可是之后对于冒险的经历我几乎已经不敢兴趣了。因为没有什么比一个老人把自己关在对挚爱的回忆里,不肯面对现实不愿正视自己的生活,用最浪漫和疯狂的方式堵上自己的余生,再令我动容了。这是爱和执着,更是绝望和偏执。
在这段我不以为然的冒险过程中,Carl终于到了Ellie一直想的地方,才发现原来自从彼此相遇之后,探险的终点就变成了两个人一生相濡以沫。Thank you for the life-long adventure.
烂俗的一句话,这是一个救赎与被救赎的故事。被房子禁锢住的Carl最终并不知道房子最后还是降落到了瀑布旁,他们约定好的地方,只是这个时候,已经不那么重要了,因为他不会再用回忆麻醉自己,他要陪小男孩吃冰淇淋数汽车。
这是一部给依旧相信爱的人看的电影,在这一生的冒险之中,谁会是谁的终点。就像Carl和Ellie那样,正因为是与彼此一起,那再小再琐碎的生活,都是华丽的冒险。
篇7:英文电影《后天》观后感
全文共 846 字
+ 加入清单Today, we watched a movie, the name of this movie was called:The day after tomorrow.What this movie speaks BE:A world happened to become cold affairs in the world,What to broadcast it is an etc. the region temperature nasty play in New York to descend in the movie, is almost each to descend more than ten degree.The sky still descends terrible hail, also having more afraid of of
Tornado, city in New York became to break city for an instant after being cut through by tornado, making the whole city become more without results one.
This really lets the person touch eyes shocking, make the persons heart cant fall calm once in a very long while, although exaggerate very in the movie, but we now not just so:world become warm...So ask the classmates to rise from the do-it-yourself, environmental protection, make our environments more beautiful!
篇8:2024年飞屋环游记观后感
全文共 760 字
+ 加入清单昨晚下载完后,看了一回枪版,还好,虽然是俄文版,但对话是英语的。
废话少说,进入剧情;前4分钟向我们展示了艾丽和卡尔的爱情故事,这个以前网上都有了,在四分钟结尾处,躺在床上奄奄一息的艾丽把那本冒险的书递给卡尔.....
从此,卡尔过上阴郁的生活,整天看电视,由于房屋动迁,总有人去做工作,他居然把做工作的人员打伤,回到家中又是看电视.....
第二天,有人敲门,我们的小胖出现了,接下来就是那段对话。。。之后又有2个工作人员做动迁工作,临走时,老卡尔的屋子.....飞起来了(这里的片段有修改,没有老头伸舌头的镜头)
之后就是小胖登门,之后就是遇到风暴.....(剧情很紧凑,没有多余的)
画面一转,他们来到了天堂瀑布和桌山,高兴之余另一方面,几只小狗出现在丛林里,他们是探险家派来寻找大鸟的,这时一老一小在丛林里遇到了大鸟和大狗(其中正片删除了急救和召唤动物的片段!!太遗憾了)发生路很有趣的故事。
下一段就是冒险了,探险家的飞艇发现了飞屋,首先请老小做客,期间谈到了要活捉大鸟的事,一老一小吓得带着大鸟逃跑。期间很多狗狗追,最后大鸟凯文还是被抓到了。于是老小先后去解救,小的拿了一些气球飞起来追飞艇,可是气球不够带动房子了,于是老爷爷把房子的所有东西都丢在天堂瀑布附近,这里有个感人的片段:那两个老两口多年坐着的沙发,并排放在瀑布边上.....意味深长。
飞屋终于飞起来了
小胖不幸被抓了,老头冒死登上飞艇,和冒险家大战(冒险家的剑对老头的拐杖),最后在大狗的帮助下,把冒险家打下飞艇,可是代价是:残破的飞屋也飘走了,小胖含着泪说:“飞屋可是你的妻子的精神寄托啊”老爷爷说“它只是一个房子,没关系”
结尾:小胖终于带上路那枚徽章,老爷爷小朋友和大狗成为形影不离的好朋友。飞艇成了他们的新家。他们坐在路边数汽车.....结尾很温馨!!!
篇9:西游记之大闹天宫观后感500字优秀作文
全文共 691 字
+ 加入清单一部《西游记纸大闹天宫》看得我热血沸腾,感慨万千。那一波三折、扣人心弦的故事情节让我沉浸其中,久久不能忘怀。
影片讲了这样一个故事:自盘古开天辟地以来,神魔两族为争夺统领三界的权利而争夺不休。一次旷日持久的战役中,玉皇大帝统领的神界再次击退了牛魔王率领的魔族,女娲为避免再生战事化身晶石筑起南天门保卫天庭,而其中一块晶石陨落凡间聚天地之灵气幻化成为灵猴——孙悟空。孙悟空拜入菩提祖师门下,在学得了许多本领之后,重新回到花果山,闹龙宫豪取金箍棒后立足花果山占山为王。另一边,魔族首领牛魔王得知孙悟空可以帮他攻下天庭,便杀死了孙悟空小时候的朋友九尾狐,并嫁祸给天庭,让孙悟空对天庭产生憎恨,攻破南天门,杀死了十万天兵天将,与牛魔王合打败了玉帝。就在牛魔王即将统领天庭的时候,悟空终于恍然大悟,并在观音菩萨的指引下击败牛魔王,夺回了天庭。最后,他被如来佛祖压在了五指山下,反省自己,等待有缘人的到来……
故事讲完了,可我还沉浸在那惊心动魄的故事情节中,无法自拔。影片中牛魔王的邪恶和玉帝的宽容都给我们留下了深刻的印象。看看当今的社会,有几个杀人犯不是因为仇恨而犯下了命案的呢?如果人们都能像玉帝那样宽容,那那些命案不就没有了吗?
《西游记之大闹天宫》这部电影给了我很深的人生启示:仇恨是最可怕的,它可以让天使变成魔鬼;宽容是最美好的,它可以把魔鬼净化成天使。每个人一开始都是善良的,但因为后来的种种原因而改变了人性。有的成为了天使,有的成为了魔鬼。如果我们都能放下自己的仇恨,多一点宽容,那战争不就没有了吗?人与人之间不就更和谐了吗?世界不就更美好了吗?
[西游记之大闹天宫观后感500字优秀作文
篇10:寻梦环游记观后感
全文共 464 字
+ 加入清单金惟妙
今天,我观看了现最热门的动画电影——《寻梦环游记》。它的豆瓣评分已超过了目前最受欢迎的《疯狂动物城》。在观看过程中,我泪流满面。
故事的主人公米格是个酷爱音乐,视音乐为生命的男孩。可他的家族偏偏视音乐为提都不能提的“魔鬼”。他仍我行我素,并崇拜着已逝歌神——德拉库斯。一次偶然,米格竟神不知鬼不觉地进入了梦幻般的亡灵世界。在亡灵世界,米格认识了灵魂艾可托,他们一起揭开了一个惊天动地的秘密。
看了这部电影,我有了让我浮想联翩的感想——当你最爱的人,也将你遗忘时,一切都已化为乌有,都已不重要了。就像亡灵界中,亲人将你遗忘,你就永远消失。世上最残忍的情感,不是欺骗,不是离别,而是遗忘!没人再会记起你这个“陈旧”的人物,生活,还有什么意义呢?请记住,千万不要把你的亲人遗忘,他曾深受过你,你也深爱过他,不要让这种爱因为时间的流逝,褪去痕迹。
时间,像把杀猪刀,很残忍。任何事物在它无情的折磨下,终会屈服。可是爱,不会。我要永远记住我的亲人,他们值得我这样去爱,去记。我永远不会忘记亲人们的模样,亲人们的笑容……
爱,留在记忆深处……
篇11:阿甘正传英文的观后感
全文共 1103 字
+ 加入清单Life is like a box of chocolates
-----The review of Forrest Gump
Forrest Gump is a famous film which won a high reputation , it’s tell us a story of a low IQ boy’s unexpected and legendary life. In the film, Forrest’s IQ only had 75 lower than normal people, but he graduated from the university,participated in the Vietnam War, took part in Table Tennis Competition in China as diplomatic envoy, became a millionaire...
“If God intended everybody to be the same, hed have given us all braces on our legs. “ God is so fair. Forrest met lots of accidents and every accident fortunately achieve him. I think nothing is predestined except death. Just like Gumps mother did not know that she will be his mother,just like Forrest did not know that God gave him only 75 IQ,just like Lt. Dan Taylor did not know he had to endure the pain of losing legs...
Tom Hanks who played Forrest Gump said “our destiny is only defined by how we deal with the chance element to our life.” When we face our life,maybe we should have this preparation---“Life is like a box of chocolates. You never know what youre going to get.”
篇12:肖生克的救赎英文观后感
全文共 4783 字
+ 加入清单Hope is the whole theme of the movie.
Before Andy went into the Shaw shank, the topic here is nothing but metamorphosis, fighting or killing time. Confusion, dirty, fear, despair gathered together to create a harsh environment. The prisoners have no human rights at all. They are free to sell the warden their cheap labor. After Andy’ coming, although this unwilling banker can not change the oppression and abuse of prisoners, he at least brought hope, a breath of life, even liberty. This hope is different from the verbal warden said, "I am the light of the world. I would not have you follow the dark" because he is a downright "false Christ" by the name of Christ. He is just a matter of the devils trip. His brutal disposition is to let the prisoners succumbed to "discipline and the Bible", and even "Want you to eat you eat, want you to pee you pee ". Everyone in Shaw shank is institutionalized, resulting in the death of the Brooks, leading to Red’s still having no rights and intendance to bring the" instructions "of the brand, losing hope that his life will not always be like a normal person. The warden is precisely to completely obliterate the hope of Shaw shank prisoners for the future.
“The Shaw shank Redemption” is successful and impressing in the territory of moralizing audiences. All virtuous quality of every role make us happy from the bottom of our hearts., Moreover, the background music in company with the plot also delight us at the same time. To sum up, it is not only a movie, but also a flawless display directing us to freedom and goodness.
It is the first time that I have watched “The Shaw shank Redemption”, which is said to be one of the most meaningful movies in the world. At the beginning of the movie, I felt embarrassed about the sexual scene. Then, with the plot developing, I found that this is a movie almost all actors of which are female. However, it is still full of warmth and touch. I indulged in it at once.
I am moved by Andy’s willing self-punishment. He knew he is innocent, but he was actually sorry for that he dismissed his wife and didn’t give her enough love and care, which led to her death indirectly. Therefore, he undertook the seventeen-year experience in jail without any complaints. It is a behavior out of redemption, which is magnanimous in fact.
At the same time, the negative roles also impress me a lot. The warden is so greedy and vicious that he compels Andy to assist him in wealth accumulation and tax evasion, otherwise Andy would be violated by a bunch of gays. And the guard was extremely selfish and cruel. He can punish any prisoner in any way at any time without a guilty conscience. The most common punishment is brawl. There’ no need worrying about taking responsibility of the prisoners’ death. For another thing, prisoners do not dare and have no access to sue them/ For another, they can make up the causes of their death to cover the truth. The prisoners’ lives are actually in their hand. To some extent, they are like some governors.
Why does it impress me a lot? Firstly, it is institutionalizing which wrecks humanity. In the prison, no doubt that Red lives a relatively easy life, and also, he is very wise. He can meet anyone’s needs. He knows the nature of the life in the prison clearly. He said to Andy, “Hope is dangerous”, which is intellectual man’s tongue. In real life, people will say, "Red is very seasoned" and so on. But, as these so-called "wise men", Red had never thought of fighting, let alone influencing or changing others. He just conforms to the rules in order to protect himself. He doesn’t change until Andy’s appearance, which eventually leads him to the freedom.
Brooks, of course, the librarians, is another most shocking role. His whole life is a profound reflection of the "institutionalized" servants life. Brooks spent a lifetime in the prison. After he was finally released on parole, got free, and left the familiar surroundings, familiar people, he felt loss of his value, and he can not find his place. He had the freedom of the body but in fact, his soul had been strangled. The world belonging to him has been compressed to a minimum. Eventually he can only choose to end his life. Why should arrange such a role as Brooks? I think the director is trying to tell us, if Andy doesn’t appear, the vast majority of prisoners, including Red, can be Brookes in the near future. Isn’t Brooks like too many people in real life?
Andy imparted other prisoners some useful knowledge, which created a positive atmosphere. That went a long way in their redemption. That is to say, Andy’s atonement had a great impact on others and made them feel regretful sincerely. Just as Red put it, It takes a strong man to save himself, and a great man to save another. Andy is great.
篇13:西游记观后感
全文共 931 字
+ 加入清单《西游记》这本书作者罗贯中为读者讲述了唐僧以及其他的三个徒弟一路上历尽艰险、降妖伏魔经历了九九八十一难取得了真经的故事。来自:作文大全《西游记》向人们展示了一个绚丽多彩的神魔世界,人们无不在作者丰富而大胆的艺术想象面前惊叹不已。然而,任何一部文学作品都是一定社会生活的反映,作为神魔小说杰出代表的《西游记》
通过《西游记》中虚幻的神魔世界,我们处处可以看到现实社会的投影。
孙悟空是《西游记》中第一主人公,是个非常了不起的英雄。他有无穷的本领,天不怕地不怕,具有不屈的反抗精神。他有着大英雄的不凡气度,也有爱听恭维话的缺点。他机智勇敢又诙谐好闹。而他最大的特点就是敢斗。与至高至尊的玉皇大帝敢斗,楞是叫响了“齐天大圣”的美名;与妖魔鬼怪敢斗,火眼金睛决不放过一个妖魔,如意金箍棒下决不对妖魔留情;与一切困难敢斗,决不退却低头。这就是孙悟空,一个光彩夺目的神话英雄.说到猪八戒,他的本事比孙悟空可差远了,更谈不上什么光辉高大,但这个形象同样刻画得非常好。
猪八戒是一个喜剧形象,他憨厚老实,有力气,也敢与妖魔作斗争,是孙悟空第一得力助手。但他又满身毛病,如好吃,好占小便宜,好女色,怕困难,常常要打退堂鼓,心里老想着高老庄的媳妇;他有时爱撒个谎,可笨嘴拙腮的又说不圆;他还时不时地挑拨唐僧念紧箍咒,让孙悟空吃点苦头;他甚至还藏了点私房钱,塞在耳朵里。他的毛病实在多,这正是小私有者的恶习。作者对猪八戒缺点的批评是很严厉的,但又是善意的。他并不是一个被否定的人物,因此人们并不厌恶猪八戒,相反却感到十分真实可爱。
师傅唐僧,虽说没有孙悟空的本领、猪八戒的活络、沙僧的勤快、白龙马的脚力,但他品行端正,会念真经,不怕“千刀万剐”,有坚定的信念;沙僧和白龙马虽说没有什么大本事,但都勤勤恳恳,任劳任怨,甘心当好后勤,不好出风头。
书中写唐僧师徒经理了八十一个磨难有让我联想到了他们的执着、不畏艰险、锲而不舍的精神。这着实是一种值得我们学习的精神。再想想自己的半途而废、虎头蛇尾,我不禁惭愧自己当初为何不能像他们一样坚持到底呢?也许这就是我所缺少的,只要我能把一件事情从头做到尾,不管我是成功了还是失败了,只要我尽力去做了,这对我来说也是一种成功啊!因为我去做了,而且坚持到了最后.
篇14:《蜘蛛侠》英文观后感
全文共 1482 字
+ 加入清单Tonight I watched the moviefor the third time. I really enjoy this film so much.
So whats your choice between being a common person or a hero with peoples respects? Most people will choose the latter. But what will be your choice if the cost is laying your lover among the risks? What will it be if the cost is you can never tell the girl, who you love so much, that you love her? The spider man had this contradiction. But finally he still chose the latter, not in order to be a hero, but to make this word peaceful.
I was so moved by the words the Aunt Mary said:
You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him.
The spider man got much from these words, so did I. And what about you? whats the hero lying in you?
篇15:寻梦环游记观后感800字
全文共 911 字
+ 加入清单漫天飞舞的花瓣,似是命运的手掌,冥冥中,将米格推入一场亦真亦幻的奇妙之旅。也倒映着米格追寻梦想与亲情的脚步。在那个奇迹的墓园,他与已逝去的长辈们相遇,相识,并且,他们还将米格带入一个神奇的国度。那里,是亡灵们的天地,亡灵可以在亡灵节那一天,通过花瓣桥重返人间,与家人团圆。
当亡灵城浮现在荧幕上时,那里的繁华与和平便将我震撼到了,心底处有着一丝欣慰:在天国亲人们,你们生活也一定好吧?这样我就放心了。而在荧幕内的米格同样也被震撼到了,呆呆地欣赏着。他在入口,遇到了一位出不去亡灵之城的亡灵。那位性格古怪的亡灵想尽一切办法,却终是被花瓣阻挠。那时的米格,在与他擦肩而过的同时,也并不知道,那位亡灵,将会是他生命中的一个重要的转折点。因为家人对他梦想的阻拦,米格并不想接受曾曾祖母对他的祝福,于是与长辈们发生了冲突,决心找到自己的曾曾祖父——歌神德拉库斯。
于是,他结识了那位性格古怪的亡灵,并与他做了交易,亡灵助他找到歌神,而他,则在回到人间后将这位亡灵的照片放在灵台上——生前照片未被供奉在灵台上的亡灵,是不可以回到人间的。米格在与一众亡灵的邂逅中,得到了许多帮助——原来亡灵城的亡灵们并不是一堆堆没有感情的骨头,他们也会哭,也会笑,也有喜怒哀乐。米格在那一位亡灵的帮助下,在一个落魄的村庄中借到了吉他,但也目睹了吉他的主人——朱皮哥的终极死亡。“当那个世界上再也没有人记得你时,你就会面临终极死亡……”
在经历一系列的波折后,米格不仅重拾了梦想,还成功见到了歌神,当一切马上就要“圆满”时,米格却偶然发现,歌神,并不是自己想象中的那样。隐藏了几十年的真相也随之浮出水面……一首‘请记住我’唤起了可可奶奶对父亲的记忆,使她的父亲终于实现了拥抱女儿的梦想,近乎断裂的亲情终于在那一刻延续。来年的亡灵节,一家人终于可以团圆了。
在那画面逐渐消失在眼前后,起身离座的那一刻,恍惚间,耳畔又响起那一曲‘请记住我’在那动人的旋律中看见护主心切的丹丹,唯一被人们遗忘的朱皮哥,热心的乐队“疯狂恰恰”,家人对米格的祝福,米格对梦想的追求以及可可奶奶与父亲之间的亲情……
纵使面前是千山万水,天人永隔,也无法阻止我拥抱你,无法阻止我奔向亲情的脚步。
篇16:寻梦环游记观后感400字
全文共 438 字
+ 加入清单星期六,我去看了一部电影,名叫《寻梦环游记》。这部电影讲述的是喜欢音乐的米格,在亡灵节的才艺大赛上,他触动了歌神的吉他,不小心开启了通往亡灵世界的入口,从而开启了一段惊险刺激的旅行。
在我的想象中,亡灵世界应该是荒凉、黑暗的,到处阴森森的。这部电影打破了我的认知,原来亡灵世界也可以如此繁华,灯火辉煌。如烟如梦的场景,把我带入了一个全新的世界。
米格在亡灵世界时,误把歌神认成了自己的曾曾祖父。在流浪歌手埃克托与歌神的对质中,最后拆穿了心目中的歌神,拆穿了他欺世盗名的真面目。最后米格带着亡灵亲人对他的祝福和曾曾祖父对他的嘱托,返回了现实世界,米格用一首《请记住我》唤醒了他太奶奶心灵深处最柔软的回忆。
看到电影的结尾,我不禁潸然泪下,通过这部电影,我知道了死亡从来不是终点,而是另一个世界的起点,真正的亲情和梦想不会在连接两界的花瓣桥上消亡,不曾遗忘,我们就不曾分离。只有遗忘才是终极死亡,所以在爱的记忆消失前,请记住你最想拥抱的那个人。如果你想起谁,那你应该马上去拥抱他(她)!
篇17:寻梦环游记观后感350字
全文共 388 字
+ 加入清单在亲情和梦想之间,有人选择了梦想;有人选择了放弃,而电影里的主人公选择了亲情。
这部电影是由迪士尼公司制片的,主要讲述了:一个叫米格的小男孩,他住在热闹、曹杂的墨西哥村庄。他从小酷爱音乐,然而,他出生在一个深信家族被音乐所诅咒的里韦拉斯家族,因此,米格尔一家人都不可以碰音乐。为了自己的梦想,米格尔偷了歌神的吉他,一不小心进入了亡灵世界,在那里他碰到了他过世的家人,经过了重重困难,米格找到了他的曾曾祖父,并得到了他的祝福,回到了活人世果。
这部电影里有许多处令我感动的地方,例如米格的曾曾祖父在亡灵世界和家人们牵着手一起回家的时候;米格唱《请记住我》给他的曾祖母听的时候……顿时,我感到很温馨。
要是之前米格没选择亲情,或许也就回不到人类世界了。有的时候,人们会放弃一切奔向梦想,这是没错,但梦想还是没有亲情重要。看了这部电影,主人公米格让我懂得了许多许多,让我知道亲情是多么好。
篇18:寻梦环游记观后感800字
全文共 939 字
+ 加入清单作为一位迪士尼、皮克斯电影忠诚的观众,我必须向大家推荐一部电影,《寻梦环游记》。
电影中,主角米格违背祖训,追求音乐的梦想。在祭拜祖先的时候,米格的朋友无毛犬撞掉了曾曾祖父、曾曾祖母与可可曾奶奶的合照。他意外的发现了,当年离家出走的曾曾爷爷很有可能是家家户户都知道的歌神——德拉库斯先生。在亡灵节那天,米格为了参加音乐比赛,去墓园里偷了那把吉他,误入了亡灵国……
经过了种种磨难,米格发现是歌神害死了曾曾祖父,偷走他创作的歌,而一直在帮米格的艾克多,才是他真正的曾曾祖父。内心狡诈的歌神,在米格得知真相后把米格和艾克多抛入深潭。
想看看自己女儿—可可的艾克多,因人间无人供奉它的照片而即将在世上彻底消失,只好拜托米格将他的照片带回人间。在经历各种挫折后,米格最终回到了人间。但是他没能拿到艾克多的照片。于是,一回家,他就泪流满面地向可可曾奶奶叙述他对艾克多所了解的一切,想让可可曾奶奶回忆起爸爸,却始终没能奏效。最后在绝望的情况下,他咽着泪水,一边抽泣着,一边弹了一首《Rememberme》,一首艾克多写给女儿的歌。可可曾奶奶以前那呆滞的眼神消失了,终于露出了罕见的笑容,思念地、缓缓地和米格一起唱了起来,回忆起了她父亲,找到了照片被撕掉的一角,那正是她父亲英俊的脸庞。通过这首歌,世人都纷纷记住了艾克多这位伟大的父亲。
我们害怕死亡,又控制不了死亡,对于死亡总是避之不及的。无论是文化上还是生活里,死亡都成了一个不吉利的词和话题。我们大部分人应该都没有关于死亡的认识,但死亡确是每个人都必须、并且应该去面对的问题。
我们一生中就会面对很多的“死亡”,宠物的死亡,朋友的死亡,亲人的死亡,甚至是自己的死亡。这是谁也逃不开的,人生注定的命运。艾克多曾对米格说过一句话:“当世界没有任何一个人记住你的时候,那就是我们所说的终极死亡,那时候,你将从这里彻底消失。”的确,最可怕的不是离开和死亡,而是被爱人和家人所遗忘。人的一生,不是因为存在才被记住,而是因为被记住才有存在的意义。不要畏惧死亡,只要你的亲人和爱人心里一直记挂你,你就会一直存在于这个世界。
但有一点,我还是不太明白。对于活着的人来说,记住会让我们回忆起那些伤心的往事,而遗忘可以让我们不再痛苦。那么我们到底是应该记住,还是遗忘?
篇19:西游记的观后感作文
全文共 1245 字
+ 加入清单人生是一杯香浓的苦茶,瑟瑟的味道耐人寻味;人生是一片枯黄的枫叶,年老的样子让人怜惜;人生是一盏明亮的蜡烛,燃近的时刻让人昏暗。人生何尝不是这样呢?我的第一部启蒙书籍是《西游记》至今还让我受益匪浅。
我感觉孙悟空才是《西游记》的主角,他虽然是一个石猴,但他在高官面前不服输,不受压迫,大闹天空的壮举令人感叹,难道你不想给他点个赞嘛?之后他被释迦牟尼压在了五行山下,等待着唐僧的到来,在五行山下的五百年,他笑吃铁胆,喜喝铜汁。以乐观向上的心态面对前方的路。有的人遇到困难,可以从哪跌倒哪里爬起。哈哈!这句话相信你一定很熟悉吧!而有的人面对困难,就会被这困难永久性的击倒,丧失斗志。如果,孙悟空是这第二种人,那么后来斗战胜佛又从何而来的哪?
猪八戒和孙悟空是一对黄金搭档,如果没有猪八戒的傻大憨色,根本就表现不出孙悟空的聪智灵慧。猪八戒的诞生其实就是为了衬托孙悟空,作为一个配角,他没有自暴自弃,积极的配合孙悟空,将自己的角色发挥的淋漓尽致。这让我明白憨态可拘的配角也可以给人源源不断的笑声。每个人都有自己存在的价值,从容的面对,不计较上天给的你的多少,以领航者的风范引领自己的人生,让人生充满自信,是金子总会发光的!
沙僧因在蟠桃会上打碎了王母娘娘的琉璃盏被贬下凡,在重多的人眼睛里,他是一个性格内向,做事没有主见的人。大概吧!虽然他平时只有三句话,是这样说的:“大师兄,师傅被抓走了。”;“大师兄,师傅和二师兄被妖怪给抓走了”;“师傅,大师兄说的对啊!”但是也不能改变我对他的看法。我觉得他是一个任劳任怨,勤劳肯干,不记个人得失,心胸宽广的人,每天只是在后面挑着担子。现代社会有多少人为了自己名和利,背信弃义,忘了最本质的东西。多学学沙僧吧!别记较的太多,让每个人乐善好施,勤劳努力,用自己的双手打出属于自己的一片天!
孙悟空虽然是最厉害的,但是唐僧间接的说是这部剧的老大,因为他有降服孙悟空的能力,那就是紧箍咒。他命运曲折悲惨,俗家姓陈。在西天路上,因为他太善良,常常被妖精欺骗,而孙悟空不是这样,他眼睛里容不下一点沙子,只要路见不平,掏出金箍棒扫除一切障碍。这样俩人就起了一层隔膜,常常误会孙悟空,孙悟空是有苦无处吟,有冤无处申哪!所以我管他叫做“太善良”,善良的让人觉得可怕,哎!怎么一点脑子都没有啊!他励志普度众生,让天下国泰民安!在西天路上困难重重,但他没有退缩,仍日以继往的向着自己的目标前进。人生就应该有善良的灵魂,一定要出淤泥而不染,不自私,时刻为他人着想,目标明确,柔韧倔强。这种人在现代社会还没有灭绝吗?啊!“盛唐僧人溢德品,现代吾生愧不如。”
《西游记》是中国文学史上的一颗璀璨的明珠,作为他的一名读者,我骄傲,我自豪,我觉得人生就应该有孙悟空的乐观;猪八戒的自信;沙僧的心胸和唐僧的大公无私,这样人生才能过得精彩,活的漂亮。如果常把人生与名着所相连,那我们的世界将会变成美好的人间。多读一些中国古典名着吧!去开发丰富的人生宝藏,去品味中国语言艺术的博大精深!
[西游记的观后感作文
篇20:寻梦环游记观后感
全文共 1176 字
+ 加入清单生活总是带给人意外的惊喜,有时那是踏破铁鞋无觅处的邂逅,有时那是柳暗花明又一村的奇遇。本来没有太期待的一部影片,没想到却带给我一场未曾想到的感动之旅。如果非要让我说说《寻梦环游记》的意外像什么的话,我觉得有点像误入了桃花源,那种不期而至的美好世界的降临,真让人享受。只不过不同的是,当我们走出桃花源的时候,那份感动切切实实地留下来了。
橘色的万寿菊搭建起一座座沟通人鬼世界的桥梁。活着的人们用它来为亡灵们指路,即使看不见亡灵的存在,他们也依旧相信那些故去的家人会一直伴随身边。而逝去的亡灵们每逢亡灵节就一定要回到故乡、回到家园、回到亲人身边,即使不被看到,也要默默守候。当现实中人的感恩诚心与已逝之人的爱之执念同框的时候,那种由亲情羁绊所带来的独有感动,是会让所有观众动容的。毕竟,谁没有爸爸妈妈爷爷奶奶呢,谁没有亲人呢,谁没有几个要永远记住名字的所爱之人呢?
世界上真正拥有永恒生命力的节日一定是关于家庭和信仰的。《寻梦环游记》用动画的语言,实现了这一个个家庭的朴素愿望与虔诚祷告,赋予墨西哥亡灵节的初心以生命。这是一个关于家庭与亲情的桃花源。
当《请记住我》的歌曲再次响起时,你不由得记住了那个旋律,因为你发自内心地想要记住、也想要被记住,知道自己有所爱、所关心的那些人,也知道自己同时被人爱着和关心着。在这个桃花源里,即使亲人之间发生了再大的矛盾,也是因为爱,也是充满爱,也一定会因为那心底的爱而化解,变成在万寿菊桥上的牵手,变成用菊花瓣完成的没有任何附加条件的祝福,变成在真正危难时刻到来时那并肩的坚守与莫名的默契。
《寻梦环游记》不是歌舞片,却对音乐情有独钟,因为音乐是梦想。不知为什么,墨西哥这个国家的名字就让人感到会有很有地域特色的音乐孕育在那里。流浪音乐在墨西哥非常流行,是被纳入世界文化遗产的墨西哥国粹艺术,恰如影片所描述的歌神一样,在流浪过程中演出、创作,用生命感受生活,用音乐表达生活。小男孩米格出生在音乐世家,血液里都有流浪歌手的基因,家庭的禁锢是无法抑制他每个细胞都在感受生活和追求艺术的天赐本能的。
虽然米格认识到音乐没有家人重要,但他最后还是用音乐挽救了家人。所以呢,梦想是能与家庭统一的。这是一个关于音乐与梦想的桃花源。
在《寻梦环游记》的助推下,或许墨西哥亡灵节真的要火了。影片能够如此刻画一具具本该令人感到可怕的骷髅,敢于把温情脉脉的祖先和家人赤裸裸地用骷髅表现,恰恰是因为亡灵节美化骷髅意象的传统。就像万圣节的南瓜、圣诞节的驯鹿一样,亡灵节的骷髅是必备的,是幽默诙谐的,甚至是快乐的化身。
这不就是我们苦苦追求的对传统文化的创造性转化和创新性发展么?《寻梦环游记》用一种桃花源式的想象对墨西哥亡灵节的文化进行了再现,以梦想的名义,以亲情的主题。这样的桃源仙境,我真的还想再进入一次,如果有幸的话,下次就请让我在真实生活里进入吧。