飞屋环游记英文观后感精彩20篇
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130飞屋环游记观后感
全文共 859 字
+ 加入清单xx年上映的电影,我竟然才看过,可是不由感到万分庆幸。哭点如此之低的我,若当时看完这部电影,银幕暗下,灯光亮起来,可是身边却没有你,不知会作何感想?可是如今想来,那又怎样?
皮克斯的动画片永远把受众群体尽可能扩大,于是这整部电影也就以两条线展开。一条浅显易懂,冒险救大鸟打坏人的,是给涉世未深的孩子们看,情节一目了然。另一条极具泪点,饱含无奈心酸的,是讲给面对过爱情面对过死亡的成人们听的。
和大多数人一样,我喜欢开头记录Carl和Ellie一生的那个片段。两小无猜到终成眷属,无子无嗣的残缺人生因为有了彼此,而成了最完满的童话。两个人执子之手,在生活的意外中前行,年华似水般的在Ellie每天为Carl打的领带花纹中缓缓而过。当Carl终于想起他们约好要一起南美的梦想,买了机票想要给惊喜的时候,Ellie却再也无法睁开眼睛了。
这段临描没有一句台词,只有朴实无华的生活场景,短短几分钟写尽两个人的一辈子。其实根本也不需要什么台词,画面中所显现出的平淡又深沉的甜蜜与哀伤,哪怕只是略看的懂的我,也已泪流满面。
虽然画面的精致弥补了情节的薄弱,可是之后对于冒险的经历我几乎已经不敢兴趣了。因为没有什么比一个老人把自己关在对挚爱的回忆里,不肯面对现实不愿正视自己的生活,用最浪漫和疯狂的方式堵上自己的余生,再令我动容了。这是爱和执着,更是绝望和偏执。
在这段我不以为然的冒险过程中,Carl终于到了Ellie一直想的地方,才发现原来自从彼此相遇之后,探险的终点就变成了两个人一生相濡以沫。Thank you for the life-long adventure.
烂俗的一句话,这是一个救赎与被救赎的故事。被房子禁锢住的Carl最终并不知道房子最后还是降落到了瀑布旁,他们约定好的地方,只是这个时候,已经不那么重要了,因为他不会再用回忆麻醉自己,他要陪小男孩吃冰淇淋数汽车。
这是一部给依旧相信爱的人看的电影,在这一生的冒险之中,谁会是谁的终点。就像Carl和Ellie那样,正因为是与彼此一起,那再小再琐碎的生活,都是华丽的冒险。
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篇1:影评《西游记之孙悟空三打白骨精》观后感
全文共 1315 字
+ 加入清单《西游记之孙悟空三打白骨精》贺岁档上映,抱着学习之余放松的心情踏入影院,却在走出后明白了从小不懂的难题,领悟了《西游》吴承恩真正想表达的取经之意。
故事从唐僧以略带喜感的语气说“尊驾,你想这样piu~一下飞过,那是肯定不行的”开始,于是一段漫长的取经之路由此展开,一个“每一难皆为造化,每一步皆是修行”的佛理娓娓铺陈开来。
一切缘定,金蝉子轮回九世得与有毁天灭地之能的孙悟空结为师徒,唐僧一路阿弥陀佛感化众生,悟空一路降妖除魔护驾西天,这一切到底是为什么?初读《西游记》只能单纯的被里面的妖魔鬼怪,奇谈怪异所吸引,却并不能深思这其中韵味;三打白骨精时唐僧埋怨孙悟空,又将其逐走,可孙悟空火眼金睛斩妖除魔又有什么错呢?那时候的我只道唐僧凡胎肉体不肯信悟空罢了,又固执己见,一度被他的愚笨感到遗憾又气愤。
然而观音菩萨有言:“悟空,你不能用你自己的对与错衡量别人的错与对。你看到的是真相,你师傅看到的是心相。”就是这样一句话,让我在影院里有种醍醐灌顶之感,观世音菩萨在点醒悟空的时候,也点醒了荧幕前千千万万观众对于《西游》的体悟。
要说为何是唐僧和孙猴儿这一对,我也有了些自己的见解。想到这,我是极佩服作者吴承恩的构思。孙悟空神通广大,有毁天灭地之能,五百年前大闹天宫,正如电影里“花果山水帘洞齐天大圣美猴王孙悟空”这个美号就是冠以这个性情刚烈又玩世不恭的猴子的。而他的师傅虽是弱小的凡胎俗体,却拥有一颗普度众生催人向善的心。电影里西云国王向着唐僧高声喊着那一句“你一路全靠你的徒弟斩妖除魔,你取得什么经,度的什么人?”我认为这句话最好的回答就是唐僧的徒弟孙悟空。佛祖为避免悟空再做伤天害理之事,安排了他与唐僧的十世师徒缘,“三打”中每一次遇险,每一次唐僧与悟空的争吵,每一次教诲,直至最后的逐走,将一个不是斩妖除魔,而是降妖伏魔的道理渐渐勾勒出来,也让孙悟空逐渐明白了师傅的用心。妖魔皆为执着于怨念所化,只要加以感化,普渡灵魂,一心向善便可消除恶念,这远比见妖杀妖,见魔除魔要有效得多。人的心火总会存在,但万物众生都应平等,妖魔又怎样,执念而已,何至于死?
于是一路的感化与普渡,甚至唐僧用自己的生命教会孙悟空什么才是佛之大道,让悟空彻底消除了之前的杂念,理解并对师傅报以极大的信任。
取经取的并不是单纯的经书,更是这一路的九九八十一难中经历的人生艰难曲折,是所感化的心灵,所普渡的灵魂铺就的佛法大道,是一个个真相背后的心相。
“咱俩真的很像,都只相信自己看见的,但就是这样,才让我们成为师徒一路结伴”,唐僧的话语里就暗示着孙悟空就是会被普渡的众生之一。
这部电影亮点之处也在于加入了白骨精生前的惨痛经历,用唐僧的第十世轮回救白骨精转世,虽然改编,但依然突出精髓,说明了有时看到的真相不一定是绝对的真相,而读透人的心相才能化解心相,实现解脱。
吴承恩用妖魔鬼怪象征人的心火邪念,以师徒四人一路斩妖除魔,拯救堕落的灵魂为线索,将一切故事串联,最终取得佛经,四人皆成佛的故事诠释了“摒弃邪念,积极向善”的佛法真理。“一念迷是众生,一念觉则是佛”。我想这才是吴承恩真正想表达的《西游记》,也是它能够以截然不同的题材独立于四大名着之列的最大原因。
作者海日晴空
篇2:楚门的世界英文观后感
全文共 1239 字
+ 加入清单When I first saw The Truman Show I came out of the theatre amazed. This is your first clue that you are watching something different from your normal Jim Carrey movie. I love the dialogue, camera shot, performances, direction, music, and running time of this movie. There is nothing I would do to change it. I came away from The Truman Show feeling inspired which is the goal of good filmmaking Jim Carrey was outstanding as Truman, underplaying him, not making him too comic or too dramatic, but giving true sincerity when asked. He deserved an Oscar nomination. Ed Harris has always been a good actor, but in this movie hes a great actor. He plays Christof with such arrogance and bullheadedness that you dont know whether hes helping or destroying Truman. He and the director, Peter Weir, deserved their Oscar nods.
Weir, who directed the great Witness, uses different camera angles to make you feel like youre actually watching The Truman Show and not a movie. He ends it before you get tired of the concept and helped Carrey and Harris give immaculate performances. Andrew Niccol script is a real star in the movie too because of its inventiveness and ingenuity. Overall, The Truman Show is what I like to call a true American classic.
篇3:寻梦环游记观后感
全文共 513 字
+ 加入清单叶茗轩
一七年年底,电影院推出一部电影:《寻梦环游记》,听说是一部催泪电影,我也来到影院观看。
这部电影被评为年度最暖心的电影,在豆瓣中的评分奇迹般似的到了九点三……
这部电影的主人公是一位名叫米格的男孩,他很喜欢音乐,可他的祖母并不喜欢音乐,所以他都只能偷偷玩。他为了参加亡灵节的音乐会,来到德拉库斯的坟上,准备“借走”他的吉他。他拿到了吉他,可穿越到了亡灵世界,只有得到福福才能回到人间。他找到了自己的曾曾祖母,得到了她的祝福,可不能再碰音乐,他没抵挡住音乐的诱惑,又被送了回来,他要得到自己曾曾祖父:德拉库斯的祝福。经过一系列的事件后,他发现自己的曾曾祖父是艾克托。“请记住我!”这首歌并不是德拉库斯写的,而是艾克托写的。他为了让这一事实展现在人们面前,作了一系列的努力。最终,他的曾祖母:可可,快把曾曾祖父忘了,也就是曾曾祖父快走向终极死亡,他立即接受祝福回到家中,与曾祖母一同唱响“请记住我”这首歌,并将曾曾祖父的照片摆在了祭坛上,才使他没有走向终极死亡。
我这个坚强的人在快结尾时也情不自禁地落泪了,网友们的评论更是真情,都说这部电影充满了亲情。
首先有家,再去追梦!家人是寻梦的垫脚石,每个家庭都要有爱,孩子才能安心追梦。
篇4:飞屋环游记观后感
全文共 456 字
+ 加入清单上个星期天,我参加了乐学小记者的活动——观看《飞屋环游记》。可有意思了,就让我来告诉你吧!
故事主要讲了,一个从小有着飞行梦想的小男孩和一个有着同样梦想的小姑娘,他们一起长大,一起结婚,一起变老。直到女主人艾利死了,也没有完成飞行到仙境瀑布的梦想。终于有一天,78岁的卡尔先生打造了会飞的房屋,飞到仙境瀑布,并在那里发生了许多惊人、感动的故事。
看完这个影片,它深深的印在我的心里,它的每一个情节都是那么扣人心弦,让我忍不住与影片一起感动,一起大笑,一起着急。我仿佛成了影片中的一个人物,和主人公同呼吸,共命运。
这部影片,告诉我三个道理,让我记忆犹新。首先,人要有梦想,要有追求。只有这样的人才会有精神,因为对梦想的执着追求,锲而不舍,人才有斗志。其次,困难不是不可战胜的,而是你有没有胆量去面对、去挑战。我相信只要勇敢面对,就一定能取得胜利和成功。最后,什么力量都没有亲情的力量大,我们在最最困难的时候,只有亲情,让我们团结起来,让我们无所畏惧,从而取得胜利。
看了这部影片,真让我受益非浅啊!
[飞屋环游记观后感三篇
篇5:寻梦环游记观后感800字
全文共 881 字
+ 加入清单《寻梦环游记》于2017年年底上映,拥有很好的口碑和票房,它讲述了一个自小怀有音乐梦却出生在一个音乐被禁止的家庭的小男孩米格尔穿梭于现实世界与亡灵世界,最终获得家人们对音乐的支持的故事。这部电影在略显俗套的故事中注入了对梦想与家庭和生命的思考。
千百年来人们一直思考着一个问题:死去的人们到了哪里呢?这部电影给了我们一个回答:死去的人们会去往亡灵世界,只要有人记得他们,他们就可以一直存在下去。死亡不是生命的终点,遗忘才是。正是这样的主题,才给了这个故事以温度,日后我们垂暮之时,也可以告诉我们的亲人:“只要你记住我,我就不会消失。”
而关于梦想,每个人都会有自己的梦想,而其中有一些梦想会遭到家人的反对,就像电影中的米格尔的音乐梦,当你视音乐为人生目标,而家人视音乐为猛虎豺狼,你如何抉择?梦想与家人的冲突让我不禁想起了那句:我都是为了你好。父母对孩子的爱是无私的,但这种以爱为名,排斥孩子的梦想的做法,真的好吗?父母望子成龙望女成凤,希望孩子过上成功的人生,但话说回来,什么样的人生才是成功的人生?我觉得,能用自己喜欢的方式过完一生就是成功的人生。米格尔是幸运的,影片中,曾曾祖母三次拿花瓣祝福米格尔,从最初的“不许碰音乐”到最后“没有任何条件”家人最终尊重了米格尔的音乐梦。但现实生活中冲突依然存在,身边就像之前写下万字大章的林夕同学,希望也能有一个好结果吧。提出问题也许能给父母的教育一些启发,但解决问题需要父母子女的共同努力。希望每个人都能过上自己喜欢的人生。
有关生命方面,我注意到一个电影里一个有趣的现象,典型就是埃克托和歌神了。人生而平等,但现实生活中依然存在着不平等现象。而在电影中,人死后也不平等这个背景若隐若现。按照这个逻辑那些生前功成名就,就算没有子嗣流传,也仍然可以不朽。(我个人很好奇那个歌神的保安为歌神服务是图个什么……)这就算了,还有那些十恶不赦的大奸大恶之人也会被人记住而不朽。而类似埃克托这种真正有才华的人却可能埋没直至消失,这种不平等现象在电影温馨的氛围中令人不寒而栗。
总之,这部电影很温馨,也发人深省,以上是我的一些体会,共勉。
篇6:西游记观后感
全文共 834 字
+ 加入清单阅过许多古色古香的文学名著,有些如蜻蜓点水一样很快就忘记了,唯有这一部——《西游记》依然深深地刻在脑子里。
初次接触《西游记》,是在牙牙学语的时候,从大人们口中的故事里。那是一个讲唐三藏、孙悟空、猪八戒、沙和尚师徒四人前往西天取经,一路上披荆斩棘、降妖伏魔,历尽九九八十一难,终于修成正果的故事。当时的我认为唐三藏代表善良,孙悟空代表机灵,猪八戒代表可爱,沙和尚代表老实。我想,那么让我去取也是可以的啊。
我小时候的想法并没有错,可是当我再次重温,我并不这样想,我更注重的是它的前因后果——为什么他们会去取经?为什么他们能胜利能成功?我想,一定是因为他们是勇敢的。虽然唐三藏给人一种懦弱无能的感觉,猪八戒给人一种贪生怕死的感觉;只有孙悟空和沙和尚才真正算得上是真正的勇敢。但事实并不是这样,如果他们并不都是勇敢的,那他们还会一起去,一起胜利而归吗?是的,只有勇敢才能取得胜利。
当今世界,胜利已经成为每一个人追求的目标,可是大部分人都只是麻木追求,丝毫没有注意到胜利者应该是一个怎样的人。就这样,胆小怕事的人遇到机会不去闯练,就知道每天把胜利挂在嘴边,直到离胜利越来越远;相反,而那些勇敢无畏、勇往直前的人,就算他们不在乎胜利,但他们永远是胜利的。由此可见,胜利的曙光只属于勇敢者。
最近热播的神魔电视剧《仙剑奇侠传Ⅲ》里的主人公景天也是一个很好的例子。他本身只是一个小混混,应该过着与世无争、混吃混喝的日子;可是他没有,他选择了一条别人所认为的“不归之路”——斩妖除魔。他勇敢,他相信自己,他坚持到底,把连天帝也无可奈何的邪剑仙也消灭了。因为勇敢,他从一个小混混,成为一个救世大侠。
有人会问:现在的我们只是学生,干番大事业还是离我们太远,我们空有勇敢也没有用?其实,在学习上,我们也要勇敢。不要因为一些作业上的小难题,成绩上的小挫折就把自己给打败了。我们应该用勇敢来应付它们,消灭它们,把它们占为己有……
记住,胜利的曙光只属于勇敢者。只要勇敢,我们就已经向胜利迈出了一大步。
篇7:飞屋环游记观后感
全文共 1080 字
+ 加入清单电影的开头部分像我们讲述了一个温暖的爱情故事,其实就是我们每个人短暂而美好的一生。如果能够这样这样相爱、包容一辈子到老,是一件多么浪漫的事。追忆似水年华,生活的细节中包含这样多的温情和挚爱,这些最珍贵的印记总是占据思绪中最华彩的篇章。只是,往往时间倏然而过,那些曾经的梦想却永远留在想象和期许之中了。所以当我们有梦想的时候,一定记住要一起去实现啊!
艾利去世后,垂垂暮年的卡尔始终不能适应没有爱人的日子。每天一个人的生活清冷而孤独,他总会看着小屋中的一切想起艾利。艾利的那本梦想图册是他经常翻阅的东西,物是人非,本来要追求梦想的两个人如今形影单只。原本卡尔想在这样的回忆和遗憾里终老一生,可是这样的日子也成了奢望。开发商为了得到卡尔的这块土地,找借口将卡尔告上法庭,最后卡尔不得不去敬老院。最后的那个夜晚,卡尔老泪纵横,低低地呼唤艾利:“老婆,我该怎么办?”第二天,当敬老院的人来接卡尔时,想到卡尔真的要离开这座承载了无数爱的小屋,卡尔和艾利的梦想不能实现,他也许以后的日子都要失去自由了,我心如刀割。可是奇迹出现了——卡尔抖开巨大的袋子,无数个扎在一起的气球冲天而起,带着小屋飞起来了,飞过城市、田野,飞向高远的蓝天、飞向他们的梦想——仙境瀑布。那一刻,我热泪盈眶。
卡尔历尽千难万险终于到达了仙境瀑布,可是他失去了一路上同甘共苦的朋友——小罗、逗逗和大鸟凯文。实现理想的卡尔没有得到快乐,依旧是闷闷不乐,原来自己始终没有走出艾利离开自己的阴影,失去了艾利的自己不过是一具空壳。他再一次翻看艾利的梦想图册,发现在“长大后我要做的事”这一页后面贴了许多两个人在一起时的照片,最后的那一页艾利写到“我只能陪你走这一段,以后属于你的冒险更精彩。”卡尔忽然顿悟,自己重新找到生活的方向快乐起来,才是对艾利最好的祭奠。于是他救出朋友并和他们一起回到家乡过快乐的日子。我想:去仙境瀑布追寻梦想的过程,就是卡尔寻找自我的过程。既然分离是人生的底色,就没有人能够逃脱,无论是主动选择的还是被动接受的,都意味着某种放弃,我们要告别某个人,或者要放弃既定的生活,这让我们无所适从。但是,人生的阅历会让我们发现,这些分离能够让我们放弃依赖,重新审视自己而回到自我,描绘出独特的生命流向而成为真正的自己——破茧而出。
和最爱的人一起看看这部片子吧。当那些誓言早已尘封,你会忆起两个人在一起的点点滴滴,想起那些他为你做过的事情,购置的物品,栽种的花草,那些一同走过的日子,在阳光的碎影里熠熠生辉,原来我们现在所拥有的弥足珍贵,看似平凡却芳醇四溢。
——献给我的爱人,我们也要这样一直相爱到老。
篇8:西游记观后感600字
全文共 655 字
+ 加入清单《西游记》已经是家喻户晓的电视剧了,同样它也是一步精彩的名著。
我刚认识《西游记》是从电视上认识的,里面的每个人物都有自己独特的性格。有的懒惰,有的活泼,有的沉稳。他们一路上有很多的困难,但是总会度过难关。其实书中的内容更加细腻,把人物描绘的更加生动形象。其中有很多章节,令我最印象深刻的是著名的“三打白骨精”片段。里面的故事情节曲折,同时也有很感人的部分。
这里讲的是在唐僧和徒弟们西天取经的路上,白骨精为了吃到唐僧肉,首先,她假扮了一个老婆婆,把唐僧和徒弟们骗到了一个房子中想抓住他,但是被孙悟空识破了,于是孙悟空就一棒把她的肉身给打死了。之后师傅一直认为他滥杀无辜,特别生气。并念紧箍咒惩罚他。后来白骨精又不死心,多次假扮百姓来迷惑唐僧,然而,都被孙悟空给识破了,他把那些假扮的肉体都给打死了。但师傅不是火眼金睛,他不相信他们是白骨精假扮的,依旧十分气愤,最后将孙悟空逐出了师门。孙悟空含着泪和内心无比的委屈回到了花果山。最后,师傅又被白骨精抓走啦了,这次师傅知道自己冤枉徒弟了,但早已无能为力。猪八戒去了花果山去请他回来,经过多次劝说,孙悟空还是决定去拯救自己的师傅,最终成功营救了师傅。
这只是“西游记”中的一个小片段就如此精彩,果真是名副其实的名著。然而“西游记”精彩的不只是内容,也向我们展示了师徒的情深。让我们学到了很多东西。书中也有很多幽默的片段,使人读起来很轻松。总之《西游记》是一部很经典的名著,虽然有很多翻拍的电影,但是书中的它绝对是独一无二的,希望大家多多去阅读这部书,感受中国名著的伟大。
篇9:动物园游记英文北京动物园游记
全文共 625 字
+ 加入清单Beijing zoo is the largest zoo in asia and one of the largest zoo in the world. There are hundreds of different kinds of animals in it. We can see yellow,green,orange and brown birds,which can sing nice songs.
The elephants have a long nose and big ears and they are kind to humans. We can also see big and little monkeys running and dancing,just like happy children. Pandas,with good manners,are very friendly and polite to visitors. We will certainly have a good time there.
北京动物园亚洲最大的动物园,也是世界上最大的动物园之一。这里有数百不同种类的动物。我们可以看到黄色、绿色、橙色和棕色的会唱唱好听歌曲的小鸟。
大象有一个长鼻子和大耳朵,它们对人类很友善。我们还可以看到大的、小的猴子跑步和跳舞,就像快乐的孩子。很有礼貌的熊猫对游客非常友好。我们肯定会度过一段美好的时光。
篇10:寻梦环游记观后感
全文共 1176 字
+ 加入清单生活总是带给人意外的惊喜,有时那是踏破铁鞋无觅处的邂逅,有时那是柳暗花明又一村的奇遇。本来没有太期待的一部影片,没想到却带给我一场未曾想到的感动之旅。如果非要让我说说《寻梦环游记》的意外像什么的话,我觉得有点像误入了桃花源,那种不期而至的美好世界的降临,真让人享受。只不过不同的是,当我们走出桃花源的时候,那份感动切切实实地留下来了。
橘色的万寿菊搭建起一座座沟通人鬼世界的桥梁。活着的人们用它来为亡灵们指路,即使看不见亡灵的存在,他们也依旧相信那些故去的家人会一直伴随身边。而逝去的亡灵们每逢亡灵节就一定要回到故乡、回到家园、回到亲人身边,即使不被看到,也要默默守候。当现实中人的感恩诚心与已逝之人的爱之执念同框的时候,那种由亲情羁绊所带来的独有感动,是会让所有观众动容的。毕竟,谁没有爸爸妈妈爷爷奶奶呢,谁没有亲人呢,谁没有几个要永远记住名字的所爱之人呢?
世界上真正拥有永恒生命力的节日一定是关于家庭和信仰的。《寻梦环游记》用动画的语言,实现了这一个个家庭的朴素愿望与虔诚祷告,赋予墨西哥亡灵节的初心以生命。这是一个关于家庭与亲情的桃花源。
当《请记住我》的歌曲再次响起时,你不由得记住了那个旋律,因为你发自内心地想要记住、也想要被记住,知道自己有所爱、所关心的那些人,也知道自己同时被人爱着和关心着。在这个桃花源里,即使亲人之间发生了再大的矛盾,也是因为爱,也是充满爱,也一定会因为那心底的爱而化解,变成在万寿菊桥上的牵手,变成用菊花瓣完成的没有任何附加条件的祝福,变成在真正危难时刻到来时那并肩的坚守与莫名的默契。
《寻梦环游记》不是歌舞片,却对音乐情有独钟,因为音乐是梦想。不知为什么,墨西哥这个国家的名字就让人感到会有很有地域特色的音乐孕育在那里。流浪音乐在墨西哥非常流行,是被纳入世界文化遗产的墨西哥国粹艺术,恰如影片所描述的歌神一样,在流浪过程中演出、创作,用生命感受生活,用音乐表达生活。小男孩米格出生在音乐世家,血液里都有流浪歌手的基因,家庭的禁锢是无法抑制他每个细胞都在感受生活和追求艺术的天赐本能的。
虽然米格认识到音乐没有家人重要,但他最后还是用音乐挽救了家人。所以呢,梦想是能与家庭统一的。这是一个关于音乐与梦想的桃花源。
在《寻梦环游记》的助推下,或许墨西哥亡灵节真的要火了。影片能够如此刻画一具具本该令人感到可怕的骷髅,敢于把温情脉脉的祖先和家人赤裸裸地用骷髅表现,恰恰是因为亡灵节美化骷髅意象的传统。就像万圣节的南瓜、圣诞节的驯鹿一样,亡灵节的骷髅是必备的,是幽默诙谐的,甚至是快乐的化身。
这不就是我们苦苦追求的对传统文化的创造性转化和创新性发展么?《寻梦环游记》用一种桃花源式的想象对墨西哥亡灵节的文化进行了再现,以梦想的名义,以亲情的主题。这样的桃源仙境,我真的还想再进入一次,如果有幸的话,下次就请让我在真实生活里进入吧。
篇11:寻梦环游记观后感800字
全文共 911 字
+ 加入清单漫天飞舞的花瓣,似是命运的手掌,冥冥中,将米格推入一场亦真亦幻的奇妙之旅。也倒映着米格追寻梦想与亲情的脚步。在那个奇迹的墓园,他与已逝去的长辈们相遇,相识,并且,他们还将米格带入一个神奇的国度。那里,是亡灵们的天地,亡灵可以在亡灵节那一天,通过花瓣桥重返人间,与家人团圆。
当亡灵城浮现在荧幕上时,那里的繁华与和平便将我震撼到了,心底处有着一丝欣慰:在天国亲人们,你们生活也一定好吧?这样我就放心了。而在荧幕内的米格同样也被震撼到了,呆呆地欣赏着。他在入口,遇到了一位出不去亡灵之城的亡灵。那位性格古怪的亡灵想尽一切办法,却终是被花瓣阻挠。那时的米格,在与他擦肩而过的同时,也并不知道,那位亡灵,将会是他生命中的一个重要的转折点。因为家人对他梦想的阻拦,米格并不想接受曾曾祖母对他的祝福,于是与长辈们发生了冲突,决心找到自己的曾曾祖父——歌神德拉库斯。
于是,他结识了那位性格古怪的亡灵,并与他做了交易,亡灵助他找到歌神,而他,则在回到人间后将这位亡灵的照片放在灵台上——生前照片未被供奉在灵台上的亡灵,是不可以回到人间的。米格在与一众亡灵的邂逅中,得到了许多帮助——原来亡灵城的亡灵们并不是一堆堆没有感情的骨头,他们也会哭,也会笑,也有喜怒哀乐。米格在那一位亡灵的帮助下,在一个落魄的村庄中借到了吉他,但也目睹了吉他的主人——朱皮哥的终极死亡。“当那个世界上再也没有人记得你时,你就会面临终极死亡……”
在经历一系列的波折后,米格不仅重拾了梦想,还成功见到了歌神,当一切马上就要“圆满”时,米格却偶然发现,歌神,并不是自己想象中的那样。隐藏了几十年的真相也随之浮出水面……一首‘请记住我’唤起了可可奶奶对父亲的记忆,使她的父亲终于实现了拥抱女儿的梦想,近乎断裂的亲情终于在那一刻延续。来年的亡灵节,一家人终于可以团圆了。
在那画面逐渐消失在眼前后,起身离座的那一刻,恍惚间,耳畔又响起那一曲‘请记住我’在那动人的旋律中看见护主心切的丹丹,唯一被人们遗忘的朱皮哥,热心的乐队“疯狂恰恰”,家人对米格的祝福,米格对梦想的追求以及可可奶奶与父亲之间的亲情……
纵使面前是千山万水,天人永隔,也无法阻止我拥抱你,无法阻止我奔向亲情的脚步。
篇12:肖生克的救赎英文观后感
全文共 4783 字
+ 加入清单Hope is the whole theme of the movie.
Before Andy went into the Shaw shank, the topic here is nothing but metamorphosis, fighting or killing time. Confusion, dirty, fear, despair gathered together to create a harsh environment. The prisoners have no human rights at all. They are free to sell the warden their cheap labor. After Andy’ coming, although this unwilling banker can not change the oppression and abuse of prisoners, he at least brought hope, a breath of life, even liberty. This hope is different from the verbal warden said, "I am the light of the world. I would not have you follow the dark" because he is a downright "false Christ" by the name of Christ. He is just a matter of the devils trip. His brutal disposition is to let the prisoners succumbed to "discipline and the Bible", and even "Want you to eat you eat, want you to pee you pee ". Everyone in Shaw shank is institutionalized, resulting in the death of the Brooks, leading to Red’s still having no rights and intendance to bring the" instructions "of the brand, losing hope that his life will not always be like a normal person. The warden is precisely to completely obliterate the hope of Shaw shank prisoners for the future.
“The Shaw shank Redemption” is successful and impressing in the territory of moralizing audiences. All virtuous quality of every role make us happy from the bottom of our hearts., Moreover, the background music in company with the plot also delight us at the same time. To sum up, it is not only a movie, but also a flawless display directing us to freedom and goodness.
It is the first time that I have watched “The Shaw shank Redemption”, which is said to be one of the most meaningful movies in the world. At the beginning of the movie, I felt embarrassed about the sexual scene. Then, with the plot developing, I found that this is a movie almost all actors of which are female. However, it is still full of warmth and touch. I indulged in it at once.
I am moved by Andy’s willing self-punishment. He knew he is innocent, but he was actually sorry for that he dismissed his wife and didn’t give her enough love and care, which led to her death indirectly. Therefore, he undertook the seventeen-year experience in jail without any complaints. It is a behavior out of redemption, which is magnanimous in fact.
At the same time, the negative roles also impress me a lot. The warden is so greedy and vicious that he compels Andy to assist him in wealth accumulation and tax evasion, otherwise Andy would be violated by a bunch of gays. And the guard was extremely selfish and cruel. He can punish any prisoner in any way at any time without a guilty conscience. The most common punishment is brawl. There’ no need worrying about taking responsibility of the prisoners’ death. For another thing, prisoners do not dare and have no access to sue them/ For another, they can make up the causes of their death to cover the truth. The prisoners’ lives are actually in their hand. To some extent, they are like some governors.
Why does it impress me a lot? Firstly, it is institutionalizing which wrecks humanity. In the prison, no doubt that Red lives a relatively easy life, and also, he is very wise. He can meet anyone’s needs. He knows the nature of the life in the prison clearly. He said to Andy, “Hope is dangerous”, which is intellectual man’s tongue. In real life, people will say, "Red is very seasoned" and so on. But, as these so-called "wise men", Red had never thought of fighting, let alone influencing or changing others. He just conforms to the rules in order to protect himself. He doesn’t change until Andy’s appearance, which eventually leads him to the freedom.
Brooks, of course, the librarians, is another most shocking role. His whole life is a profound reflection of the "institutionalized" servants life. Brooks spent a lifetime in the prison. After he was finally released on parole, got free, and left the familiar surroundings, familiar people, he felt loss of his value, and he can not find his place. He had the freedom of the body but in fact, his soul had been strangled. The world belonging to him has been compressed to a minimum. Eventually he can only choose to end his life. Why should arrange such a role as Brooks? I think the director is trying to tell us, if Andy doesn’t appear, the vast majority of prisoners, including Red, can be Brookes in the near future. Isn’t Brooks like too many people in real life?
Andy imparted other prisoners some useful knowledge, which created a positive atmosphere. That went a long way in their redemption. That is to say, Andy’s atonement had a great impact on others and made them feel regretful sincerely. Just as Red put it, It takes a strong man to save himself, and a great man to save another. Andy is great.
篇13:肖生克的救赎英文观后感
全文共 5924 字
+ 加入清单Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artists opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.
The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andys demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.
By creating the films firm foundation, the meticulously chiseled screenplay paved the way for this films success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen Kings equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.
While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a films score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the films needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to individualism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newmans score never once intrudes on your concentration or distracts from the film.
With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.
With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.
This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and production facilities. These artists show their capability to produce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.
篇14:飞屋环游记观后感500字
全文共 655 字
+ 加入清单影片开头的十几分钟就已经泪流满面。只觉得平平淡淡值得珍贵。
从两小无猜到相濡以沫,无子无嗣又如何,不离不弃的相伴一生就已经是最美的童话了。
人年纪越大,自己就越不是自己的了,而是为在乎你和你在乎的人活着。守着满屋子和爱人的回忆终了余生,本就是他最大的心愿,翻起亡妻未了的余愿,我想Carl是满心的内疚,只恨不能为她多做一点,早做一点。但眼看连最后承满了回忆的房子都要被人夺去的时候,Carl逃了。没错,他是为了实现爱人的遗愿,但更重要的是,他没法想象连活在回忆中都不能的生活,于是就带着所有的回忆-房子,逃向了回忆的起点。一个老头,把自己关在对至爱的记忆里,不肯面对现实,不愿正视自己的生活,用最浪漫和疯狂的方式赌上了自己的余生。这是爱和执着,更是绝望和偏执。
等到我们的脸上都布满皱纹,你是否还会亲吻我。一如初遇。
谁用幼稚的笔迹写下我们的梦想,谁一边伤感一边温暖,谁在我们死后静静的怀念。
“I like you.”
太多的书籍,暗色调的电影,低哑的音乐,他们说要做聪明而理智的人,男人是靠不住的,女人亦不可信,爱情是含笑饮毒酒,婚姻是无关感情的生活。有人爱一阵子,有人玩到过了火。是在玩弄爱情还是爱情在玩弄我们?就这样,谁还相信爱情?
还好,还有这些温暖的动画。
执着,信任,希望和爱,是皮克斯电影里永恒的主题,它们并不是要告诉人们这些理念有多么伟大,而是让观众随着主人公们的经历一起重新理解这些被过分滥用甚至扭曲,但却无时无刻不在左右我们生活的人性。这份真诚,不会让人失望的。
谢谢你,Carl。是你告诉我们,爱始终在。
篇15:楚门的世界英文观后感
全文共 1409 字
+ 加入清单Unusually intelligent Jim Carrey movie - a provocative and prescient media satire. Puts Big Brother and the current spate of docu-soaps firmly into perspective Truman Burbank (Carrey) is a happily married insurance salesman living a normal life in a small American town so perfect that he has never felt the need or desire to leave it. He has a loving wife (Linney), and a loyal best buddy (Emmerich). Life is good until one morning a stage light drops from the skies and shatters on the ground perilously close to him. It is the trigger that sets him questioning everything around him. What is behind the facades of the buildings he has never entered? Why do people seem to be travelling around him in a perfectly synchronized loop? What is going on outside his home-town? Truman is, it turns out, the unwitting star of a top-rated 24-hour-a-day TV docu-soap. Under the careful critical scrutiny to which it has been subjected, the plot turns out not to be watertight. This is to miss the point of what is a hilarious and breathtakingly conceived satire which also allows Carrey to edge away from broad comedy. The Truman Show is also oddly moving and has, as you would expect from a Weir film, a pronounced metaphysical slant with Ed Harris playing the shows archly named producer/creator Christof. Verdict One of the cinematic highlights of the 1990s, The Truman Show is up there with Weirs very best work.
篇16:英文电影《功夫熊猫》观后感
全文共 231 字
+ 加入清单还是一贯的梦工场的高水准,画面精致细腻,人物生动传神,故事情节曲折动人,最重要的是它以最简单易解的方式说明白了一个道理,那就是——世界上没有任何捷径和秘籍,唯一的制胜法门就是相信自己。
不想再说更多的剧情,因为它真的很出色。看的过程中,频频出现人们会意的笑声,整个氛围相当的轻松和惬意。这个片子做得非常地道,一点儿也没有是由西方人演绎的感觉,不论是故事还是其中传达的意境,不论是画面还是其中的细节,都是东方式的;唯一特别的可能就是出现的现代的口语,比如ok之类的。
篇17:英文电影——谈美国电影“当幸福来敲门”的观后感
全文共 491 字
+ 加入清单只要今天够努力,幸福明天就会来临。
这是一个根据黑人投资专家Chris Gardner的传记性图书《The pursuit of happyness》这一真实的故事改编的电影主人公克里斯·加德纳的成长过程并没有父亲的陪伴,28岁才第一次见到父亲。于是当他也做了父亲的时候,他发誓要做一个称职的好爸爸。然而天不遂愿,这位单身父亲屡遇不顺,遭遇失业等不幸,和年幼的儿子相依为命、流离失所。为了儿子的幸福,加德纳咬紧牙关重新振作,处处向机会敲门,并毛遂自荐进入一家证券公司工作,从最底层的员工做起。终于皇天不负苦心人,他最后成为知名的金融投资家。之后,他慷慨解囊,热心捐助公益活动,成为全美知名的慈善人物。而过程中支持他咬紧牙关的最大动力,除了宝贝儿子外,就是他始终相信:只要今天够努力,幸福明天就会来临。
幸福从那里来?当一个人屡屡遇到不幸的时候,你是否坚持了你的梦想,你是否为了幸福而坚持不懈了呢?
影片开始时克里斯·加德纳在人潮涌动大街上迷失在一张张笑脸中茫然地伫立“为什么人人都快乐,我却不能这样呢”。片尾当克里斯·加德纳通过试用再次来到那里时,他为自己鼓掌振臂。
你要幸福,那就去追求。
篇18:飞屋环游记观后感
全文共 576 字
+ 加入清单昨日是周六,央视电影频道的佳片有约经常有好看的电影。时光指到晚上10点,电视机遥控器频道一个个地打过去,竟然发此刻放《飞屋环游记》。
自从肉包出生后,小红就没去电影院看过电影,有些电影在电脑上看的,也是匆匆忙忙的。飞屋环游记是去年就听说的,本想买碟片,被大树以省钱为理由给制止了。没想到央视在放这么新的电影,又是肉包爱看的动画片,自然全家被吸引,一口气看到12点。电视机关掉后,肉包躺下,小红都没哄,5分钟后就自我睡着了。
迪斯尼的片子,制作精细、画片漂亮,又很温情。制作精细,是说每个细节都做得很到位。比如,费迪逊在到了目的地几天以后,白胡子都长出来了,而之前是没有的,体现了旅程的艰辛,没空刮胡子。这种细节让人忍俊不禁。
片子的整个让人感觉很温馨。后半部分费迪逊的所有工作都是为了实现妻子年少时、也是后面他们结婚后共同的梦想。而前半部分,流畅的笔触阐述了他们夫妻两的幸福生活。他们没有孩子,费迪逊安慰妻子,他们找到了新的目标:将家安在峡谷旁,并燃起了生活的期望。妻子温柔的手在给丈夫打领带,领带换了一根又一根,他们由青年变成了白发苍苍的老年人。妻子去世后,费迪逊孑然一身,孤苦伶仃。一幕一幕,夫妻情深,让人唏嘘不已。
我能想到最浪漫的事,就是和你一齐慢慢变老。人生漫漫,真正白头到老的又有几个。小红常对大树说,将来我必须要走在你前面,因为走在前面的人最幸福
篇19:西游记之大圣归来观后感700字
全文共 715 字
+ 加入清单周末的晚上,我观看了一部有趣的动画电影——《西游记之大圣归来》。电影中精彩的打斗场面令人印象深刻,而整个故事也让我领悟到许多道理。
孙悟空是一个斩妖除魔的英雄,大闹天宫也是因为天庭侮辱了他,一时恼怒所为。那么,为什么要把他压在五行山下呢?天宫被毁坏了,孙悟空是解了心头之恨,可对很多人来说,简直就是灭顶之灾。所以,你自认为的好事,对其他人来说,可能并不好,甚至是一件坏事。在做事之前,一定要想一想,这件事是不是对大家都有益,不要像孙悟空一样,为了自己“泄愤”,而给别人带来了灾难。同样,当别人做了你认为不好的事情,不要简单判断是非,无端指责,要知道,很多事情都会有两面性。孙悟空正是因为没有做到这些,所以才会被压在五行山下,接受惩罚。
在电影中,主角江流儿解开了五行山的符咒,可是孙悟空的手上还留下了一把锁,为什么会这样呢?其实,每个人的心中都有一把“锁”。我们努力追求自由,希望达到自己的目的,而这把“锁”却一直在限制我们。所谓“自由”,并不是为所欲为,想干什么就干什么,那将会是一片混乱。孙悟空一开始送江流儿回家,只是觉得自己欠他的人情,并不觉得铲除妖魔是自己的责任。但在旅途中,他被江流儿感动,找到了正义的本心,真正认识了自己,解除了心魔。自由,也是需要承担责任的,正因为这样,大圣才打开了封印,最终归来。
另外,影片一开始,我发现江流儿的师父法明经常训斥他,好像很凶的样子。可是当江流儿不见了之后,法明却四处寻找他,不惜跋山涉水,最后还冒着生命危险去妖洞里找。这告诉我们,虽然父母师长平时对我们要求很严格,其实他们的内心是很爱我们的,正是因为关心,他们才会及时指出我们的错误。
一部电影,给我带来轻松快乐,更教给我许多生活的道理。
篇20:楚门的世界英文观后感
全文共 4393 字
+ 加入清单Truman was a man, ordinary, like the life around us. He has many desires, and very easy to meet. Therefore, he sometimes ecstatic, sometimes Rusangkaobi, most of the time the loss depressed, overwhelmed. At this time, there has been a director of genius useless, and he constantly create new stimuli, so that he becomes ups and downs in the long drama, appetizing. Truman happy he would give him time to create some trouble, when in its depressed, then seize the opportunity to open it alive. He made such romantic novels as blonde suddenly appeared in the sight of Truman, his erotic valve open, letting her sudden departure, so the mind fall into a bottomless abyss; he had never met before to Truman "late father" suddenly appeared, to recognize exaggerated comic scenes make it in your eyes, but also make the TV viewing audience tears; he brought Trumans close friends in their emotional bad time to care for him, enlighten He, so that it felt the "Oasis in the Desert" and rebirth of confidence, although the friend is an actor, and is carrying a large segment of lines ... ...
Who admire the film brilliant and arrogant genius director, he leads people to think of God, also saw the weak, tired, helpless and confusion Truman was the hypocrisy of the play again, or for life and the future with optimism when the waves in my heart to sorrow and grief, I could not bear to face - can not bear to face a real "us"!
"Life is like a play, movie is like life," so lamented philosopher, but the actors on the stage of life - we, is not always an act of consciousness has it? Or deception and the arrangement of God, selflessly doing meaningless things? Happy, do not
Enough to make us love this world; setbacks, not enough to make us abandon this world. God is like the genius as a director, holds a very good degree, he knew that when a blow to us, when we gave a warm fire burned, he allows us to maintain hope in pain, in hope endure pain, the pain making the story as waves, but also making the ratings, the hope is to train and gave us the appearance fees, so we are not so half-way stop play.
The end of the movie, Truman is awake, and he told the camera, really the "God" strike played out. Panic talented director, he will lose the audience, he strove to retain Truman, the director told him to leave the control of the world is very dangerous, but Truman was out of that door, walks over to the dark unknown world, he said that the world waiting for him no matter what, he did not care. Buddhism, the "epiphany" one said, and that a complete self-sufficiency of human nature is dead in the dust covering it, it lost. Truman is the insight it seems, he should get back the lost self, the self-contained complete and carefree nature.
"Diamond Sutra" language: "Where all the phases are all false, if seen in the phase of non-relative, then see the Tathagata." Costume sooner or later to fade, set to be removed sooner or later, when the act is performed in a lively manner, but Do not forget to watch a movie than ever addiction, feel free to let another "I" - the I, off the stage, in the audience, sipping tea, take a look at the stage of "I" and "them", a few drum Under the palm, a few drops of tears flow, understand this, that will insight a. In fact, we not taken the door across what is the relationship? Because our hearts have been cross-out.
译文:
楚门是个普通人,普通得就像生活在我们身边。他有许多的欲望,又很容易满足。因此,他有时欣喜若狂,有时如丧考妣,大多的时候则彷徨郁闷,不知所措。这时,天才的导演又有了用武之地,他不断地制造新的刺激,使他的长剧变得波澜起伏,吊人胃口。他在楚门快乐的时候便给他制造些麻烦,在其沮丧的时候,则不失时机地给其开启一线生机。他让金发女郎如言情小说般突然出现在楚门的视线中,开启他爱欲的阀门,又让她突然离去,使其心灵坠入无底的深渊;他让楚门从未谋面的“已故父亲”突然现身,夸张滑稽的相认场面令其热泪盈眶,同时也赚取了电视观众的热泪;他又让楚门的知心朋友在其情绪恶劣的时候去关怀他、开导他,令其感受到这“荒漠中的甘泉”而重生信心,虽然那位朋友只是一个演员,而且正背着大段台词……
很佩服电影中那位才华横溢、不可一世的天才导演,他让人想到了上帝,同时看到那个软弱、疲惫、徨惑的楚门被一次次的虚伪所玩弄,还是对生活和前途充满了乐观时,我的内心就一阵阵地酸楚,我不忍面对——不忍面对一个真实的“我们”!
“人生如戏,戏如人生”,哲人如此感叹,但人生舞台上的演员——我们,是不是时刻都有一种演戏的自觉呢?还是在上帝的欺瞒和安排下,忘我地做着无意义的事呢?快乐,不
足以使我们热爱这个世界;挫折,不足以使我们抛弃这个世界。上帝就像那个天才的导演一样,掌握着很好的度,他知道该在何时给我们当头一棒,何时又给我们烧起暖暖的火炉,他使我们在痛苦中保持希望,在希望中忍受痛苦,因为痛苦制造着剧情的波澜,也制造着收视率,希望则是赏给我们的出场费,使我们不至于中途罢演。
电影的末尾,楚门是觉悟了的,他对着摄影机,真的向“上帝”罢演了。天才的导演恐慌了,他将失去观众,他竭力挽留楚门,告诉他离开了导演控制的世界是很危险的,但楚门还是走出了那扇门,走向那个黑漆漆的未知世界,他说不管那个世界中等待他的是什么,他都不在乎。佛家有“顿悟”一说,并说人的本性自足圆满,是人世的尘埃覆盖了它,使它迷失。看来楚门是顿悟了,他要找回那个失去的自我,那个自足圆满、自由自在的本性。
《金刚经》语:“凡所有相,皆是虚妄,若见诸相非相,则见如来。”戏装迟早要褪去,布景也迟早要撤下,演戏的时候则生龙活虎地演一场,只是别忘了过过看戏的瘾,随时让另一个“我”——本我,走下舞台,在观众席上,呷一口茶,看看戏台上的“我”和“他们”,鼓几下掌,流几滴泪,明白了这一点,便接近顿悟了。其实,我们跨不跨出那扇门又有什么关系?因为我们的心灵已经跨了出去。