飞屋环游记英文观后感(经典20篇)
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130英文电影观后感英文傲慢与偏见电影英文观后感
全文共 1486 字
+ 加入清单Film Review of Pride and Prejudice
Pride and Prejudice is a famous classic written by Jane Austen. I was attracted by the characters and plots of the film adapted from the novel.
Elizabeth is the heroine of the story. When she meets Darcy, a handsome, rich but arrogant man, on the party for the first time, she is dissatisfied with the proud manner of Darcy. Darcy looks down on those who are in a lower social class,
including Elizabeth. However, after getting to know the courage, independence and confidence of Elizabeth, he almost falls in love with her. But Elizabeth believes the lies of Wickham which causes her great prejudice to Darcy. She rejects Darcy’s propose marriage to protect her self-respect. Finally, Darcy goes away because he couldn’t tolerate Elizabeth’s sisters’ vulgar manners. He writes a long letter to explain his thoughts and love to Elizabeth. After reading it, Elizabeth feels guilty about
misjudging Darcy and regrets turning him down. As time goes away, Darcy gradually improves his pride and keeps helping Elizabeth’s family out from troubles. At last, Elizabeth removes the prejudice to Darcy and accepts his propose marriage.
From the film I learn that we can’t judge a man immediately by the first impression. If we are controlled by our subjective senses, it will easy cause prejudice and
misunderstanding and probably influent the developments of many events. To avoid this situation, we need more communication to understand others deeply by ourselves.
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篇1:寻梦环游记观后感400字
全文共 411 字
+ 加入清单梦想是什么?梦想是愿意为了它你不惜一切代价去实现。当你有了自己的梦想,而家人视你的梦想为猛虎豺狼,你如何抉择?看了《寻梦环游记》这部影片,我对梦想有了新的看法。
电影主要讲述了:自幼有个音乐梦的小男孩米格,因为机缘巧合踏上了亡灵土地。在那里经历一番冒险终于找到自己的曾曾祖父,收获了亲情,踏上了寻梦之路。
电影中最令我感动的画面是:家人百般阻挠小米格尔接触音乐,并且想尽一切办法让他远离音乐,而小米格尔始终坚持追求自己的梦想。米格尔小小年纪为了梦想有如此大的信心,我感受到了米格尔的坚持不懈,永不放弃的心。一个人要实现梦想,和他坚持不懈的精神是分不开的。
在我们生活中,有许多人像米格尔这样拥有如此大的信心。贝多芬,他双耳失聪后,不是一味的怨天尤人,而是坚持他的音乐创作,耳朵聋了又听不见,就用筷子插进钢琴的发声器,以震动来辨别音调,最终创作出了著名的《第九交响曲》。
现在我知道了,只要你坚持,并付诸努力,就会有梦想成真的一天。
篇2:楚门的世界英文观后感
全文共 1239 字
+ 加入清单When I first saw The Truman Show I came out of the theatre amazed. This is your first clue that you are watching something different from your normal Jim Carrey movie. I love the dialogue, camera shot, performances, direction, music, and running time of this movie. There is nothing I would do to change it. I came away from The Truman Show feeling inspired which is the goal of good filmmaking Jim Carrey was outstanding as Truman, underplaying him, not making him too comic or too dramatic, but giving true sincerity when asked. He deserved an Oscar nomination. Ed Harris has always been a good actor, but in this movie hes a great actor. He plays Christof with such arrogance and bullheadedness that you dont know whether hes helping or destroying Truman. He and the director, Peter Weir, deserved their Oscar nods.
Weir, who directed the great Witness, uses different camera angles to make you feel like youre actually watching The Truman Show and not a movie. He ends it before you get tired of the concept and helped Carrey and Harris give immaculate performances. Andrew Niccol script is a real star in the movie too because of its inventiveness and ingenuity. Overall, The Truman Show is what I like to call a true American classic.
篇3:英文电影《口是心非》观后感
全文共 830 字
+ 加入清单When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out from under everything. Gilroy, with an adroitness Hitchcock might admire, works admirably in this arena, turning in a screenplay thats more diabolical and pulpy than his convoluted directorial debut, Michael Clayton, but no less fun. He maximizes his assets, and considering the wattage of his stars, they are considerable. Although one could not consider the plot for Duplicity to be air-tight, the holes are small enough for things to remain afloat until after the proceedings have ended. A post-movie dissection on the way home in the car will reveal some obvious plotting problems.
篇4:英文电影——谈美国电影“当幸福来敲门”的观后感
全文共 491 字
+ 加入清单只要今天够努力,幸福明天就会来临。
这是一个根据黑人投资专家Chris Gardner的传记性图书《The pursuit of happyness》这一真实的故事改编的电影主人公克里斯·加德纳的成长过程并没有父亲的陪伴,28岁才第一次见到父亲。于是当他也做了父亲的时候,他发誓要做一个称职的好爸爸。然而天不遂愿,这位单身父亲屡遇不顺,遭遇失业等不幸,和年幼的儿子相依为命、流离失所。为了儿子的幸福,加德纳咬紧牙关重新振作,处处向机会敲门,并毛遂自荐进入一家证券公司工作,从最底层的员工做起。终于皇天不负苦心人,他最后成为知名的金融投资家。之后,他慷慨解囊,热心捐助公益活动,成为全美知名的慈善人物。而过程中支持他咬紧牙关的最大动力,除了宝贝儿子外,就是他始终相信:只要今天够努力,幸福明天就会来临。
幸福从那里来?当一个人屡屡遇到不幸的时候,你是否坚持了你的梦想,你是否为了幸福而坚持不懈了呢?
影片开始时克里斯·加德纳在人潮涌动大街上迷失在一张张笑脸中茫然地伫立“为什么人人都快乐,我却不能这样呢”。片尾当克里斯·加德纳通过试用再次来到那里时,他为自己鼓掌振臂。
你要幸福,那就去追求。
篇5:西游记观后感
全文共 403 字
+ 加入清单《西游记》是一部古老的神话故事,我很喜欢看《西游记》。在暑假里我又看了一遍动画片《西游记》。
《西游记》中唐僧、孙悟空、猪八戒和沙和尚大家都十分了解。其中,我最喜欢的就是孙悟空啦!因为他总是聪明过人、助人为乐、能分辨好人与坏人,来守护唐僧和弟兄们。他就像我们现在的人民警察一样,火眼金睛,抓坏人救好人,时刻保卫着我们。
我也很喜欢猪八戒,他是个性格单纯但很可爱的人。他不会`想出一些好方法,但却有正义感。只要他想做的事,他就一定会去做。他会奋不顾身地保护师傅的安全,而不考虑自己的安危。看上去他有些笨不动脑筋,但是人们觉得他笨的可爱。我们要学习他那种不怕敌人的胆量。不过有些事在做之前要仔细考虑,分清楚哪些可以做哪些不可以做,要凭自己的实力去做。
师徒四人每人都有长处和短处,正所谓“三人行,必有我师”。我们应该学习他们的长处,哪怕是他们的短处也必须看看自己是否拥有,如果有的话,要努力改正,成为一个没缺点的人!
篇6:西游记之大圣归来观后感
全文共 2369 字
+ 加入清单【动漫电影《大圣归来》概要】
“故事发生在唐僧十世轮回中的一世,此时唐僧年龄尚小,俗名江流儿,在市井集头玩耍打闹;悟空还压在五行山下,对如来又恨又怨,抱着能够逃脱翻身的渺茫期望;世界演进到了唐都长安城时代,城头常有山妖来袭,一个偶然机会,江流儿误入五行山,解开了英雄符咒,开始一段奇异的冒险之旅。”
【大圣归来电影观后感】
从制作上来看,大圣归来确实比起国产动画要良心精致许多,但是感觉剧情节奏混乱、逻辑稍显不畅,并非一部完美的影片,回来上网一查,说是删减了半个多小时的内容,这广电总局也真能折腾,一部动画片都不放过,我也是真真无语了,千言万语汇成一句话:法克鱿!
上一次让我比较期待的动画还是秦时明月的电影版,但是期望越高失望越高,看完秦时明月谈不上失望,但是的确没有惊喜,而且我还真是睡着了。大圣归来不一样,一开始看来想笑,往后看了想哭,深度是达到了,缺点也有,但是我主观的把缺点推给广电总局,再说一句:草泥马!
动画的优点就是不限制想象力,只要你想得到都能做出来,所以动画中可以充斥着各种想象力的产物,各种真人电影里无法出现的场景都可以在动画中展现。这一点让人很感动,不知不觉国产动画的实力已经到了这么高的水平。八零后是看着日本动画长大的,也经历了太多的垃圾国产动画,我们总是自觉不自觉的拿国产动画和日本动画对比,今天很幸运,我终于觉得我们的动画终于可以拿出来和别人正面PK而不落下风。
大圣的确是我们心中的英雄,至少是很多八零后儿时的英雄,我记得我上高中时还追着看央视西游记的动画。这部大圣归来很赞,但我只担心会不会昙花一现。毕竟有广电总局这坑货在,题材,创意还是很受限制,动画低龄化的大环境也不是一时半时可以完全扭转的,因此我写下这篇不是影评的影评,做一个自来水,在新盐城这个平台上支持国产良心制作,不能让低口碑高票房的鬼现象在我国电影市场上蔓延下去,否则我们只会看到更多滥造空洞低俗的电影!
【大圣归来观后感2000字】
我想这两天唯一能跟北京炎热的天气相提并论的,恐怕就是一部名叫《大圣归来》的国产3D电影了,朋友圈里看到各种关于它的文章,什么情怀,自来水,偷票房,没有细看,却让我对它产生了某种好奇心。所以大热天兴冲冲跑到电影院看看它的庐山真面目。
简单粗暴的来说,对于这次观影有两点遗憾:一是电影屏幕不够大,导致这部3D电影的精良特效没有被展现到极致,建议有条件的小伙伴去看巨幕,效果应该会更赞;二是旁边坐了一个汗味儿比较大的男生,那销魂的气味防不胜防,影响了我的审美体验。
言归正传,对于影片本身来说,还是有许多可以指摘的毛病。比如推动故事发展的线索不够明确也不够具有说服力,为啥那个大boss就非得抓江流儿救回的小姑娘做祭祀?猪八戒对于情节的发展也没起到什么实质的推动作用,他的存在就是纯为了搞笑吧。至于那条白龙就更是显得形迹可疑,它不但是条龙,还是个十足的龙套。此外,仓促的结尾也让观众有点摸不着头脑,戛然而止做好了余味无穷,做不好就是当头棒,硬生生的把观众从梦里叫醒。《大圣归来》的结尾无疑是第二种。
上一部让我赞不绝口的国产动画片是《宝莲灯》,如果我的年龄和心智还停留在那个阶段,那我一定会成为齐天大神的脑残粉,也会被小江流儿萌的一脸血。但我已不是从前的我,所以站在一个成人的角度上,当我看到“Hero Is Back”这个英文名时,确实在心中升起了某种情怀,想要跟着导演感叹一把,找回如导演在主题曲歌词中所写的那个“从前的我”。我们终会长大,那个不可一世,扮演者叛逆者角色的齐天大圣,在被压在五行山下五百年后,纵然没死,也只能带着镣铐活着,失去了当年的锋芒,身影变得落寞。可我不得不承认,这些情怀在片中表现的还不够强烈。远远没有我听的那首《悟空》启发思绪、触动心弦。故事情节也比较老套,一只外冷内热的臭猴子,被一个心地善良单纯但又絮絮叨叨的萌娃撬开了心门,最后正能量爆棚,开了外挂,打死了妖怪,重振了雄风。如果把这个萌娃换成萌妹子,那《大圣归来》就是个爱情故事,不错,这个爱情故事叫做《大话西游》。
不过话又说回来,为什么一定要给一部动画片强加一种情怀呢,它就不能是一部热热闹闹让人看得开心又带劲的精彩的动画片吗?如果从这个角度来说,我觉得这部动画片非常棒,节奏打得很流畅,特效做的很精彩,笑点做的很到位,很多细节也做得很用心,把一些蹩脚又庸俗的喜剧电影甩出好几条街。据说田晓鹏导演为了这部作品牺牲了很多,苦耗八年时间,还倒贴了很多钱,就现在交出的答卷来说,完全配的起“诚意之作”这四个字。我想他承受的苦不比那只压在五行山下五百年的猴子少,电影的最后,齐天大圣冲破了封印能量的手铐,在将妖怪打的落花流水之后,留下了一个披着红披风的华丽背影。我想导演又何尝不是冲破了种种束缚,克服了种种困难,才交出了这部作品。而导演华丽的背影,却需要观众去成全。不管导演的情怀在影片中实现了多少,这种情怀本身,在这个烂片当道,爆米花横飞的电影市场里,就值得我们掏腰包力挺一下,何况它也真的值那个钱。我们不期望每个人都像田导演一样有追求又有骨气,就像不能让每只猴子都成为叛逆的孙悟空一样,但当我们低着头,摔、甩着两条泥腿子在世俗的大泥坑里辛苦耕耘时,有个人却饿着肚子坐在田垄上画画。而且他的画,还会让我们偶尔直起身子看看。我们可以不理解这个人想干什么,也可以不知道这幅画的价值到底有多大,但这偶尔的一起身,起码可以缓解缓解腰痛和颈椎病吧。
也许这部作品没有想象中的完美,也不能说一下子就能赶超英美,但它却让我们看到,我们的动画电影不是毫无希望,只要凭良心下狠心,相比于过去,还是有成长和进步的,这也正是我看完《大圣归来》最实际的感受。田导演寻找的那个“从前的我”是什么样我不知道,但我知道,“优于别人,并不高贵,真正的高贵,是优于过去的自己”(海明威)。
篇7:飞屋环游记观后感
全文共 444 字
+ 加入清单上个星期天,我参加了乐学小记者的活动——观看《飞屋环游记》。可有意思了,就让我来告诉你吧!
故事主要讲了,一个从小有着飞行梦想的小男孩和一个有着同样梦想的小姑娘,他们一起长大,一起结婚,一起变老。直到女主人艾利死了也没有完成飞行到仙境瀑布的梦想。终于有一天,78岁的卡尔先生打造了会飞的房屋,飞到仙境瀑布,并在那里发生了许多惊人、感动的故事。
看完这个影片,它深深的印在我的心里,它的每一个情节都是那么扣人心弦,让我忍不住与影片一起感动,一起大笑,一起着急。我仿佛成了影片中的一个人物,和主人公同呼吸,共命运。
这部影片,告诉我三个道理,让我记忆犹新。首先,人要有梦想,要有追求。只有这样的人才会有精神,因为对梦想的执着追求,锲而不舍,人才有斗志。其次,困难不是不可战胜的,而是你有没有胆量去面对、去挑战。我相信只要勇敢面对,就一定能取得胜利和成功。最后,什么力量都没有亲情的力量大,我们在最最困难的时候,只有亲情,让我们团结起来,让我们无所畏惧,从而取得胜利。
看了这部影片,真让我受益非浅啊!
篇8:飞屋环游记观后感
全文共 5097 字
+ 加入清单In its opening stretch the new Pixar movie “Up” flies high, borne aloft by a sense of creative flight and a flawlessly realized love story. Its on-screen and unlikely escape artist is Carl Fredricksen, a widower and former balloon salesman with a square head and a round nose that looks ready for honking. Voiced with appreciable impatience by Ed Asner, Carl isn’t your typical American animated hero. He’s 78, for starters, and the years have taken their toll on his lugubrious body and spirit, both of which seem solidly tethered to the ground. Even the two corners of his mouth point straight down. It’s as if he were sagging into the earth.
Eventually a bouquet of balloons sends Carl and his house soaring into the sky, where they go up, up and away and off to an adventure in South America with a portly child, some talking (and snarling and gourmet-cooking) dogs and an unexpected villain. Though the initial images of flight are wonderfully rendered — the house shudders and creaks and splinters and groans as it’s ripped from its foundation by the balloons — the movie remains bound by convention, despite even its modest 3-D depth. This has become the Pixar way. Passages of glorious imagination are invariably matched by stock characters and banal story choices, as each new movie becomes another manifestation of the movie-industry divide between art and the bottom line.
In “Up” that divide is evident between the early scenes, which tell Carl’s story with extraordinary tenderness and brilliant narrative economy, and the later scenes of him as a geriatric action hero. The movie opens with the young Carl enthusing over black-and-white newsreel images of his hero, a world-famous aviator and explorer, Charles Muntz (Christopher Plummer). Shortly thereafter, Carl meets Ellie, a plucky, would-be adventurer who, a few edits later, becomes his beloved wife, an adult relationship that the director Pete Docter brilliantly compresses into some four wordless minutes during which the couple dream together, face crushing disappointment and grow happily old side by side. Like the opener of “Wall-E” and the critic’s Proustian reminiscence of childhood in “Ratatouille,” this is filmmaking at its purest.
The absence of words suggests that Mr. Docter and the co-director Bob Peterson, with whom he wrote the screenplay, are looking back to the silent era, as Andrew Stanton did with the Chaplinesque start to “Wall-E.” Even so, partly because “Up” includes a newsreel interlude, its marriage sequence also brings to mind the breakfast table in “Citizen Kane.” In this justly famous (talking) montage, Orson Welles shows the collapse of a marriage over a number of years through a series of images of Kane and his first wife seated across from each other at breakfast, another portrait of a marriage in miniature. As in their finest work, the Pixar filmmakers have created thrilling cinema simply by rifling through its history.
Those thrills begin to peter out after the boy, Russell (Jordan Nagai), inadvertently hitches a ride with Carl, forcing the old man to assume increasingly grandfatherly duties. But before that happens there are glories to savor, notably the scenes of Carl — having decided to head off on the kind of adventure Ellie and he always postponed — taking to the air. When the multihued balloons burst through the top of his wooden house it’s as if a thousand gloriously unfettered thoughts had bloomed above his similarly squared head. Especially lovely is the image of a little girl jumping in giddy delight as the house rises in front of her large picture window, the sunlight through the balloons daubing her room with bright color.
In time Carl and Russell, an irritant whose Botero proportions recall those of the human dirigibles in “Wall-E,” float to South America where they, the house and the movie come down to earth. Though Mr. Docter’s visual imagination shows no signs of strain here — the image of Carl stubbornly pulling his house, now tethered to his torso, could have come out of the illustrated Freud — the story grows progressively more formulaic. And cuter. Carl comes face to face with his childhood hero, Muntz, an eccentric with the dashing looks and frenetic energy of a younger Kirk Douglas. Muntz lives with a legion of talking dogs with which he has been hunting a rare bird whose gaudy plumage echoes the palette of Carl’s balloons.
The talking dogs are certainly a hoot, including the slobbering yellow furball Dug and a squeaky-voiced Doberman, Alpha (both Mr. Peterson), not to mention the dog in the kitchen and the one that pops open the Champagne. And there’s something to be said about the revelation that heroes might not be what you imagined, particularly in a children’s movie and particularly one released by Disney. (Muntz seems partly inspired by Charles Lindbergh at his most heroic and otherwise.) But much like Russell, the little boy with father problems, and much like Dug, the dog with master issues, the story starts to feel ingratiating enough to warrant a kick. O.K., O.K., not a kick, just some gently expressed regret.
篇9:西游记的观后感作文
全文共 1245 字
+ 加入清单人生是一杯香浓的苦茶,瑟瑟的味道耐人寻味;人生是一片枯黄的枫叶,年老的样子让人怜惜;人生是一盏明亮的蜡烛,燃近的时刻让人昏暗。人生何尝不是这样呢?我的第一部启蒙书籍是《西游记》至今还让我受益匪浅。
我感觉孙悟空才是《西游记》的主角,他虽然是一个石猴,但他在高官面前不服输,不受压迫,大闹天空的壮举令人感叹,难道你不想给他点个赞嘛?之后他被释迦牟尼压在了五行山下,等待着唐僧的到来,在五行山下的五百年,他笑吃铁胆,喜喝铜汁。以乐观向上的心态面对前方的路。有的人遇到困难,可以从哪跌倒哪里爬起。哈哈!这句话相信你一定很熟悉吧!而有的人面对困难,就会被这困难永久性的击倒,丧失斗志。如果,孙悟空是这第二种人,那么后来斗战胜佛又从何而来的哪?
猪八戒和孙悟空是一对黄金搭档,如果没有猪八戒的傻大憨色,根本就表现不出孙悟空的聪智灵慧。猪八戒的诞生其实就是为了衬托孙悟空,作为一个配角,他没有自暴自弃,积极的配合孙悟空,将自己的角色发挥的淋漓尽致。这让我明白憨态可拘的配角也可以给人源源不断的笑声。每个人都有自己存在的价值,从容的面对,不计较上天给的你的多少,以领航者的风范引领自己的人生,让人生充满自信,是金子总会发光的!
沙僧因在蟠桃会上打碎了王母娘娘的琉璃盏被贬下凡,在重多的人眼睛里,他是一个性格内向,做事没有主见的人。大概吧!虽然他平时只有三句话,是这样说的:“大师兄,师傅被抓走了。”;“大师兄,师傅和二师兄被妖怪给抓走了”;“师傅,大师兄说的对啊!”但是也不能改变我对他的看法。我觉得他是一个任劳任怨,勤劳肯干,不记个人得失,心胸宽广的人,每天只是在后面挑着担子。现代社会有多少人为了自己名和利,背信弃义,忘了最本质的东西。多学学沙僧吧!别记较的太多,让每个人乐善好施,勤劳努力,用自己的双手打出属于自己的一片天!
孙悟空虽然是最厉害的,但是唐僧间接的说是这部剧的老大,因为他有降服孙悟空的能力,那就是紧箍咒。他命运曲折悲惨,俗家姓陈。在西天路上,因为他太善良,常常被妖精欺骗,而孙悟空不是这样,他眼睛里容不下一点沙子,只要路见不平,掏出金箍棒扫除一切障碍。这样俩人就起了一层隔膜,常常误会孙悟空,孙悟空是有苦无处吟,有冤无处申哪!所以我管他叫做“太善良”,善良的让人觉得可怕,哎!怎么一点脑子都没有啊!他励志普度众生,让天下国泰民安!在西天路上困难重重,但他没有退缩,仍日以继往的向着自己的目标前进。人生就应该有善良的灵魂,一定要出淤泥而不染,不自私,时刻为他人着想,目标明确,柔韧倔强。这种人在现代社会还没有灭绝吗?啊!“盛唐僧人溢德品,现代吾生愧不如。”
《西游记》是中国文学史上的一颗璀璨的明珠,作为他的一名读者,我骄傲,我自豪,我觉得人生就应该有孙悟空的乐观;猪八戒的自信;沙僧的心胸和唐僧的大公无私,这样人生才能过得精彩,活的漂亮。如果常把人生与名着所相连,那我们的世界将会变成美好的人间。多读一些中国古典名着吧!去开发丰富的人生宝藏,去品味中国语言艺术的博大精深!
[西游记的观后感作文
篇10:飞屋环游记观后感500字
全文共 655 字
+ 加入清单影片开头的十几分钟就已经泪流满面。只觉得平平淡淡值得珍贵。
从两小无猜到相濡以沫,无子无嗣又如何,不离不弃的相伴一生就已经是最美的童话了。
人年纪越大,自己就越不是自己的了,而是为在乎你和你在乎的人活着。守着满屋子和爱人的回忆终了余生,本就是他最大的心愿,翻起亡妻未了的余愿,我想Carl是满心的内疚,只恨不能为她多做一点,早做一点。但眼看连最后承满了回忆的房子都要被人夺去的时候,Carl逃了。没错,他是为了实现爱人的遗愿,但更重要的是,他没法想象连活在回忆中都不能的生活,于是就带着所有的回忆-房子,逃向了回忆的起点。一个老头,把自己关在对至爱的记忆里,不肯面对现实,不愿正视自己的生活,用最浪漫和疯狂的方式赌上了自己的余生。这是爱和执着,更是绝望和偏执。
等到我们的脸上都布满皱纹,你是否还会亲吻我。一如初遇。
谁用幼稚的笔迹写下我们的梦想,谁一边伤感一边温暖,谁在我们死后静静的怀念。
“I like you.”
太多的书籍,暗色调的电影,低哑的音乐,他们说要做聪明而理智的人,男人是靠不住的,女人亦不可信,爱情是含笑饮毒酒,婚姻是无关感情的生活。有人爱一阵子,有人玩到过了火。是在玩弄爱情还是爱情在玩弄我们?就这样,谁还相信爱情?
还好,还有这些温暖的动画。
执着,信任,希望和爱,是皮克斯电影里永恒的主题,它们并不是要告诉人们这些理念有多么伟大,而是让观众随着主人公们的经历一起重新理解这些被过分滥用甚至扭曲,但却无时无刻不在左右我们生活的人性。这份真诚,不会让人失望的。
谢谢你,Carl。是你告诉我们,爱始终在。
篇11:动物园游记英文北京动物园游记
全文共 625 字
+ 加入清单Beijing zoo is the largest zoo in asia and one of the largest zoo in the world. There are hundreds of different kinds of animals in it. We can see yellow,green,orange and brown birds,which can sing nice songs.
The elephants have a long nose and big ears and they are kind to humans. We can also see big and little monkeys running and dancing,just like happy children. Pandas,with good manners,are very friendly and polite to visitors. We will certainly have a good time there.
北京动物园亚洲最大的动物园,也是世界上最大的动物园之一。这里有数百不同种类的动物。我们可以看到黄色、绿色、橙色和棕色的会唱唱好听歌曲的小鸟。
大象有一个长鼻子和大耳朵,它们对人类很友善。我们还可以看到大的、小的猴子跑步和跳舞,就像快乐的孩子。很有礼貌的熊猫对游客非常友好。我们肯定会度过一段美好的时光。
篇12:西游记之大闹天宫观后感
全文共 1114 字
+ 加入清单今天,我看了新拍的、动画版的、3D版的《大闹天宫》。
五百年前得道的猴精——孙悟空在花果山上成为了大王,孙悟空来到宝座上,大吼:“孩儿们,操练起来!”
小猴们纷纷进行对对方的攻击(这就是他们的操练),孙悟空乐得眉开眼笑,于是用自己的大环刀(那时还没有金箍棒)给小猴们演示,结果把大环刀折断了,一只老猴建议去向龙王接一件称手兵器。老龙王的所有兵器孙悟空都觉得轻。老龙王听从了海龟的建议,让孙悟空去拿禹王治水时的定海神针(也就是金箍棒),许诺只要孙悟空拿得动,就给他。孙悟空拿动了,可是老龙王反悔,还向玉帝告状。玉帝听了太白金星的话让孙悟空上天做官,可是马天君太嚣张,让孙悟空打伤了他,捣毁御马监,逃回了花果山,并且在花果山上挂起了“齐天大圣”的名字。李天王怒火冲天,去捉拿“妖猴”,可是大败而归。于是,玉帝给了孙悟空“齐天大圣”的空名,又一次他上天,去看管蟠桃园。可是因为七个仙女在采摘仙桃的时候说没有齐天大圣的名字,开蟠桃盛会也没有他的座位的时候,让孙悟空大发雷霆,把蟠桃会搅得一团糟,并且偷吃了太上老君练的金丹。
但是,这部影片的结尾是孙悟空打败了玉帝,继续在花果山上称王称霸。并没有像西游记上那样被如来压在五行山下。
这部影片真精彩!但是,这与以前的《大闹天宫》可大不相同。
首先,哪吒、李天王和太上老君的声音都变了——哪吒的声音在老版《大闹天宫》中是稚嫩的,而在这里,声音却变成了一个十多岁、二十多岁的小伙子的声音;李天王的声音变得大、粗鲁;太上老君的声音这是由妖媚变成了成熟男子的声音。
其次,老版的《大闹天宫》中,孙悟空只是说要给孩儿们开一个鲜酒会可是并没有去做,去开。而新版《大闹天空》中,孙悟空真的去做了,让花果山中的水帘洞里一片欢歌笑语。同时小猴先给老猴,看出猴子也孝敬长辈。
在十万天兵天将来征服孙悟空的时候,我看到了花果山猴子们团结的一面——连小猴子也积极想办法,打败天兵天将。当天兵天将来的时候,一只小猴大叫:“冲啊!”,于是,从水帘洞里面就喷射出了大水,天兵天将一下子就落入水中。我还看出孙悟空让小猴子们操练是很有用的——很多小猴与天兵天将面对面地斗争,还有很多小猴跳入水里,从水里弄出泥巴来投向天兵天将。这些情节是那么有趣,我乐得捧腹大笑,这可是老版《大闹天宫》中没有的情节。
通过看这部电影,我知道,不论你是一个官职怎样高的人,面对身份卑贱的人,也要对他(她)怀有尊敬。不要像《大闹天宫》中的马天君和采摘仙桃的七仙女那样对孙悟空的不尊敬,让孙悟空恼羞成怒,从而犯下大罪,如果没有,孙悟空也会一直在天上做官,一直安然无恙,一直和好如初。同时,我还知道,即使是小小的猴子,团结起来仍然可以打败天兵天将。团结的力量可真大!
篇13:楚门的世界英文观后感
全文共 4393 字
+ 加入清单Truman was a man, ordinary, like the life around us. He has many desires, and very easy to meet. Therefore, he sometimes ecstatic, sometimes Rusangkaobi, most of the time the loss depressed, overwhelmed. At this time, there has been a director of genius useless, and he constantly create new stimuli, so that he becomes ups and downs in the long drama, appetizing. Truman happy he would give him time to create some trouble, when in its depressed, then seize the opportunity to open it alive. He made such romantic novels as blonde suddenly appeared in the sight of Truman, his erotic valve open, letting her sudden departure, so the mind fall into a bottomless abyss; he had never met before to Truman "late father" suddenly appeared, to recognize exaggerated comic scenes make it in your eyes, but also make the TV viewing audience tears; he brought Trumans close friends in their emotional bad time to care for him, enlighten He, so that it felt the "Oasis in the Desert" and rebirth of confidence, although the friend is an actor, and is carrying a large segment of lines ... ...
Who admire the film brilliant and arrogant genius director, he leads people to think of God, also saw the weak, tired, helpless and confusion Truman was the hypocrisy of the play again, or for life and the future with optimism when the waves in my heart to sorrow and grief, I could not bear to face - can not bear to face a real "us"!
"Life is like a play, movie is like life," so lamented philosopher, but the actors on the stage of life - we, is not always an act of consciousness has it? Or deception and the arrangement of God, selflessly doing meaningless things? Happy, do not
Enough to make us love this world; setbacks, not enough to make us abandon this world. God is like the genius as a director, holds a very good degree, he knew that when a blow to us, when we gave a warm fire burned, he allows us to maintain hope in pain, in hope endure pain, the pain making the story as waves, but also making the ratings, the hope is to train and gave us the appearance fees, so we are not so half-way stop play.
The end of the movie, Truman is awake, and he told the camera, really the "God" strike played out. Panic talented director, he will lose the audience, he strove to retain Truman, the director told him to leave the control of the world is very dangerous, but Truman was out of that door, walks over to the dark unknown world, he said that the world waiting for him no matter what, he did not care. Buddhism, the "epiphany" one said, and that a complete self-sufficiency of human nature is dead in the dust covering it, it lost. Truman is the insight it seems, he should get back the lost self, the self-contained complete and carefree nature.
"Diamond Sutra" language: "Where all the phases are all false, if seen in the phase of non-relative, then see the Tathagata." Costume sooner or later to fade, set to be removed sooner or later, when the act is performed in a lively manner, but Do not forget to watch a movie than ever addiction, feel free to let another "I" - the I, off the stage, in the audience, sipping tea, take a look at the stage of "I" and "them", a few drum Under the palm, a few drops of tears flow, understand this, that will insight a. In fact, we not taken the door across what is the relationship? Because our hearts have been cross-out.
译文:
楚门是个普通人,普通得就像生活在我们身边。他有许多的欲望,又很容易满足。因此,他有时欣喜若狂,有时如丧考妣,大多的时候则彷徨郁闷,不知所措。这时,天才的导演又有了用武之地,他不断地制造新的刺激,使他的长剧变得波澜起伏,吊人胃口。他在楚门快乐的时候便给他制造些麻烦,在其沮丧的时候,则不失时机地给其开启一线生机。他让金发女郎如言情小说般突然出现在楚门的视线中,开启他爱欲的阀门,又让她突然离去,使其心灵坠入无底的深渊;他让楚门从未谋面的“已故父亲”突然现身,夸张滑稽的相认场面令其热泪盈眶,同时也赚取了电视观众的热泪;他又让楚门的知心朋友在其情绪恶劣的时候去关怀他、开导他,令其感受到这“荒漠中的甘泉”而重生信心,虽然那位朋友只是一个演员,而且正背着大段台词……
很佩服电影中那位才华横溢、不可一世的天才导演,他让人想到了上帝,同时看到那个软弱、疲惫、徨惑的楚门被一次次的虚伪所玩弄,还是对生活和前途充满了乐观时,我的内心就一阵阵地酸楚,我不忍面对——不忍面对一个真实的“我们”!
“人生如戏,戏如人生”,哲人如此感叹,但人生舞台上的演员——我们,是不是时刻都有一种演戏的自觉呢?还是在上帝的欺瞒和安排下,忘我地做着无意义的事呢?快乐,不
足以使我们热爱这个世界;挫折,不足以使我们抛弃这个世界。上帝就像那个天才的导演一样,掌握着很好的度,他知道该在何时给我们当头一棒,何时又给我们烧起暖暖的火炉,他使我们在痛苦中保持希望,在希望中忍受痛苦,因为痛苦制造着剧情的波澜,也制造着收视率,希望则是赏给我们的出场费,使我们不至于中途罢演。
电影的末尾,楚门是觉悟了的,他对着摄影机,真的向“上帝”罢演了。天才的导演恐慌了,他将失去观众,他竭力挽留楚门,告诉他离开了导演控制的世界是很危险的,但楚门还是走出了那扇门,走向那个黑漆漆的未知世界,他说不管那个世界中等待他的是什么,他都不在乎。佛家有“顿悟”一说,并说人的本性自足圆满,是人世的尘埃覆盖了它,使它迷失。看来楚门是顿悟了,他要找回那个失去的自我,那个自足圆满、自由自在的本性。
《金刚经》语:“凡所有相,皆是虚妄,若见诸相非相,则见如来。”戏装迟早要褪去,布景也迟早要撤下,演戏的时候则生龙活虎地演一场,只是别忘了过过看戏的瘾,随时让另一个“我”——本我,走下舞台,在观众席上,呷一口茶,看看戏台上的“我”和“他们”,鼓几下掌,流几滴泪,明白了这一点,便接近顿悟了。其实,我们跨不跨出那扇门又有什么关系?因为我们的心灵已经跨了出去。
篇14:飞屋环游记观后感
全文共 427 字
+ 加入清单影片讲的是卡尔和爱丽从小一起长大,然后结婚,一起变老。他们俩有共同的爱好是冒险。可惜,在有生之年他们没能实现梦想。爱丽去世后,卡尔很孤单也很后悔。眼看着爱的小屋要被拆掉,自己得进养老院,他突发奇想:给房子系上成千上万的气球,让房子飞起来,带他去爱丽梦想的仙境瀑布,完成爱丽的愿望:把小屋建在在仙境瀑布旁。卡尔对爱丽的挚爱,执着,对承诺的坚守,智慧和积极勇敢让我深受感动。
卡尔的冒险之旅中有活泼善良的小罗、调皮机灵的怪鸟凯文、还有忠诚的小狗豆豆的陪伴与帮助。小罗非常勇敢,在遇到雷雨天时,是小罗保护了房子和卡尔。凯文被抓走后,正是有了他的坚持,感染了卡尔。卡尔一直努力保护着大家,他对小罗的爱,对凯文的爱,对豆豆的爱,令人敬佩。正是因为爱,帮助他们打败了蒙茨。在卡尔把房子里的家具都扔出来的时候,卡尔已经懂得了放下。看着房子掉下悬崖,卡尔明白了是时候迎接新的生活。
这部电影让我体会到爱的力量,它能帮助我们战胜一切困难。人要有梦想,更要坚持不懈地去实现梦想。
篇15:寻梦环游记观后感450字
全文共 351 字
+ 加入清单星期天的上午,我和爸爸一起参加了西安晚报小记者活动,观赏了3D动画电影《寻梦环游记》。电影讲述了小男孩米格从小酷爱音乐,在亡灵节的前夕,米格误入了奇幻的亡灵世界,发现了一个惊天秘闻:原来歌神德拉库斯是一个欺世盗名的伪君子,而真正的歌神是米格的曾曾祖父埃克托。
电影里,小格对音乐坚持不懈的努力是我学习的好榜样。无论做什么事我也要像他一样不能轻易放弃。只要坚持下去,就一定能有所收获。
埃克托对女儿可可的苦苦思念,深深地感动了我,我也要爱自己身边的亲人,孝敬他们。我的爸爸、妈妈、爷爷、太奶奶他们一直都很关爱我,我想给爸爸妈妈过一次生日,给爷爷捶捶背,给90岁的太奶奶洗洗脚……
电影里说:“在爱的记忆消失前,请记得我。”爸爸告诉我,世上最有力的情感,就是不要忘记自己的亲人。我要记住每一位亲人,爱每一位亲人!
篇16:动画片飞屋环游记观后感
全文共 1460 字
+ 加入清单78岁的老人卡尔,与亡妻艾丽自童年相识,一直相亲相爱。他们有共同的梦想——去位于南美洲的天堂瀑布探险。可惜由于一直为生计奔波,直到爱妻去世,这也只是一个梦想。
城市每天都发生着变化,开发商要收购卡尔家所在的地皮,卡尔因不肯将房子出卖而屡次与开发商发生冲突,矛盾不断被激化,最终,卡尔被要求前往居住在老人之家。
卡尔舍不得和艾丽一共建造并生活过的老房子,在当天夜里下定决心,要带着老房子飞向蓝天,目标天堂瀑布……
“飞屋环游记”是2010年奥斯卡最佳动画长片奖的获奖作品。它讲述了一个重建自我的故事。
艾丽与卡尔二人没有孩子,所以艾丽早亡,留给卡尔的,只有两人的房子以及几十年的回忆。卡尔在回忆中生活,并逐渐衰老。若不是要被迫离开老房子,卡尔也许很快就会孤独而平静的死去。从这个角度讲,与开发商的冲突,又在某种程度上成全了卡尔,让他义无反顾带着老房子起飞,去实现他与艾丽多年的梦想。
飞翔,其实就是这么简单。却迟到了几十年。
朋友讲了个故事,说有两个和尚见面了,闲聊中发现,两人都想去南海。二人决定分头实现这一共同目标。其中一个和尚开始造大船,并准备各种所需,一晃就是两年。两年后,另一个和尚从南海回来了,给还在做准备工作的和尚讲述各种见闻。讲的人眉飞色舞,听的人呆住了。
“你没有钱,没有行李,没有食物,什么都没有,你怎么可能去了南海?你怎么去的?”
“用我的双脚,加手中的钵盂。”
多少年来,艾丽与卡尔为生活所困,对梦想望而却步,却原来,到天堂瀑布可以很简单。我们不需要过多的金钱,不需要豪华的交通设施,只要用一晚上的时间来吹气球,便可以带着我们的房子一飞冲天!
回首儿童时代,我们都曾做过飞翔的梦。
西方世界的孩子比我们的孩子更幸福,他们会相信圣诞老人;也会相信自己是天使曾送给爸爸妈妈的一颗爱的种子,在阳光下发芽、长大。相对来说,我们的孩子们更早的被世俗所污染,在他们很小的时候就知道神话都是“骗人的”,童话都是“瞎编的”。孩子们心灵的翅膀,早已被唯物主义理论所折断,永远不可能飞翔了。
卡尔的倔强,拯救了老房子。但是他依然生活在失去爱妻的痛苦中。他不喜欢那个名叫罗素的同行男孩,不喜欢罗素捡来的巨鸟和那只佩戴着高科技翻译器的狗。他只想带着房子靠近天堂瀑布,哪怕不得不拖着房子一步一步走过去。
卡尔和罗素拖着房子前行的狼狈局面就像是蜗牛。在卡尔为了老房子而迈向梦想的途中,老房子成为了他新的绊脚石。很多现代人都有这样的负担,即使再艰难,也要拖着虚无的包袱走下去。或许有人说,这老房子是卡尔和艾丽爱情的象征,梦想的象征,是不一样的。其实所谓的象征,都是让人看的。卡尔和艾丽几十年的爱情和梦想早已不需要这些没有实际意义的象征。房子本就是房子,并不是建好就有意义的,所谓的意义,只是人们赋予它的。
曾经有一个在杭州买了房子的外地人好意劝我也在杭州买房。我说我暂无打算。她说,“你没有房子,你就没有家。”我笑了。“英语中,房子是house,家是home,不一样的。”卡尔的老房子也同样如此。应该说,到卡尔认识到罗素他们对于自己的重要性,最终为了救罗素而放弃了老房子,卡尔完成了一次重生,他重新找到了生命的意义。艾丽已经去世,卡尔要做的不是在凭吊中等死,而是心中装着艾丽,快乐健康的生活下去。
值得一提的,是在卡尔拖着老房子前行时,处处为老房子所困,几乎永远失去将老房子带到天堂瀑布的机会;而在卡尔放弃老房子之后,老房子却不偏不倚,刚好落在了天堂瀑布的平顶之上。就像卡尔与艾丽一直梦想的那样。
只有放开怀抱,才能拥抱世界。
实现梦想、获得幸福,就是这么简单。
篇17:英文电影观后感英文当幸福来敲门观后感英文版
全文共 2783 字
+ 加入清单A review of the Pursuit of Happiness
“The Pursuit of Happyness” was released on the 15th of December 2006. It is a dramatic story based on a biography of Chris Gardner’s nearly one-year struggle with homelessness. Directed by Gabrielle Muccino, the film stars Will Smith as Chris Gardner, and co-stars Jaden Smith playing Chris’ son, Christopher Jr. For Will Smith’s performance in the film, he was nominated for an Academy Award and a Golden Globe for Best Actor. The ‘different’ spelling of the title, ‘Happyness’ is seen by Chris Gardner on the building outside the play centre is son attends, which Chris reminds the owners of the building multiple times that it is spelt with an ‘I’.
The film shows us the struggles Chris Gardner has with homelessness. He is bankrupt because he invested his life savings in portable bone-density scanners, which he thought hospitals would be interested in buying, but in the end hardly any doctors wanted one, as they considered it an ‘expensive luxury’. During the struggles, his wife Linda leaves to go to New York and Chris and his son are left in San Francisco with no income and living in a motel. Chris sees interest in become a stockbroker, but to become one he has to go through an internship. Meanwhile, Chris and his son are evicted because they can’t pay rent, and they are forced to go to a homeless shelter, and even one night had to sleep in the bathroom of the underground rail system. During his internship, he never once mentions his financial struggles and at one point he is asked to give one of his bosses 5 dollars for a cab, a sum that he can’t afford. After an intense six months, Chris is taken into the bosses’ office, and is offered a job as a stockbroker, the final scene shows him being in unbelief of the position he was offered and showing his happiness and gratefulness for the opportunity, Chris realises that his financial struggles are over as he now has a job with a regular income.
Christ was unfortunate, for he got a wife who was not understandable at all (though she has her own difficulties) and was in bad luck with his business. But he was very fortunate also, for he got a son who was very thoughtful and, I think, tough life experiences always make a great person. It is said that this movie is inspired by a true story, and I want to say, this movie does inspire me a lot. What impressed me most are: Christ’s wife left him because of life pressure; Christ’s love to his son and Christ’s strong belief towards life. Through these, I know that it is not easy to be a good husband and a good Papa, since in reality, only love cannot only make everything. And I also learn that one has to strongly believe in himself, no matter how difficult the situation is, but of course, hard-working is indispensable.
篇18:寻梦环游记观后感500字
全文共 514 字
+ 加入清单在选择偶像和家人的分岔路口,有人选择了偶像,有人选择了家人,但这部电影里的主人公选择了家人,他是那么喜爱音乐,而他的家人都不同意让他碰任何音乐。
米格尔因为喜爱音乐,所以参加了墨西哥一年一度的亡灵节的亡灵歌唱比赛,因为被他妈妈发现了他有把吉它,所以就用了一种暴力把吉它给弄坏,而米格尔不服气还是想参赛,但他没有乐器怎么才能参赛呢?他就向别人借,别人都不借给他,他就去墓园,去偷歌神德拉科鲁斯的那一把吉它,意外进入了亡灵国度。而他在他家人的灵坛上看见了高祖母和曾祖母和他的高祖父,而高祖父手上的那把吉它和他手上的吉它一样,他怀疑歌神德拉科鲁斯是他的高祖父,高祖父曾经犯了一个天大的错误,他抛家弃子,所以他的家人都不让家人玩音乐。
他在亡灵国度里面渐渐得变成了骷髅,在天黑之前一定要回来人间,不然他会永远变成骷髅,回不到活人的世界。在这里他为了避开他在亡灵国度的家人不让他去找歌神,所以在途中遇到埃克托,埃克托说以前也是歌神德拉科鲁斯的搭档,米格尔非常信任他。
他在高塔上找到了歌神,并说出自己是歌神德拉科鲁斯的曾曾孙子,让他祝福他,回来人间,而歌神把他扔入地窑,在地窑中找到了埃克托,知道他才是自己的高祖父。
在家人的祝福下,回到了人间。
篇19:飞屋环游记观后感800字
全文共 626 字
+ 加入清单2010年第82届奥斯卡金像奖获奖动画片《飞屋环游记》建议大家有空值得一看。动画片《飞屋环游记》故事情节离奇怪诞,但不失生活元素,内容丰富,寓意深刻,从故事性到艺术性来看都是一部不错的作品,有时代性。时间也将证明《飞屋环游记》是一部不朽的作品。
影片是从童话般的故事开始,生活中的夫妻或钟情、或浪漫、或好奇,或探险。并有着与一般人所共有的生活经历和喜怒哀乐。在面临一次生活中的住房“拆迁”之事,主人公固执、倔强,怀着对爱人的感情执着与忠诚,还有怀旧心里,他坚守在高楼林立的一个空间,与环境形成了强烈的反差。面对时尚和法律的威逼,老人自此开始了梦幻般的故事。从这里就有看头了.......特别是最后的的结尾,更让我看出点什么,也知道了点什么。不管从故事情节,还是人物造型和背景与画面都极为准确的表现故事。影片的音乐很有特点,具有爵士乐的味道,其中交融古典与时尚的韵味形成了强烈对比,音乐配器也非常巧妙,和影片故事内容搭配贴切,给人以仙境般的幻觉和体验与精神升华。音乐有效的配合了人们的欣赏过程,对理解和欣赏有很大的帮助。希望朋友们在欣赏影片的同时,也可重点品尝一下影片音乐给我们带来的享受。真的不错啊!
《飞屋环游记》从故事内容,到音乐配器,到动漫人物设计精巧,到画面效果感官,到艺术性和观赏性,它的确是一部不朽的作品,历史会验证的。
影片虽是动画片,动画片不惟属孩童,这个影片《飞屋环游记》也唤醒了老年人的喜好,动画片《飞屋环游记》实属老少皆宜啊!个人观点。
篇20:西游记之大闹天宫观后感
全文共 628 字
+ 加入清单前几天,我和妈妈一起到影城观看了《大闹天宫》这部3d影片。
这部电影主要讲了美猴王大闹天宫的故事。看完这部影片,我觉得,美猴王既是一个喜欢让人夸奖、爱当官,又是一个非常勇敢,十分喜爱小猴子的齐天大圣。
我记得,当美猴王得知玉皇大帝让它上天去当弼马温时,高兴不已。当它和太白金星一起到天上后,才知道弼马温就是管天马的。当时,它还以为弼温在天宫上是一个很大的官,直到后来,美猴王才知道,弼马温是天宫上的七品芝麻官,后来,美猴王生气的回到了花果山,并封自己为“齐天大圣”,和玉皇大帝平起平坐。太白金星征得玉皇大帝的同意后,再一次来到花果山,请它上天去当“齐天大圣”,还请它去管王母娘娘的蟠桃园。刚开始,美猴王不同意,太白金星说了许多夸奖它的好话,美猴王又能被引诱住了,跟着太白金星上天去了。
美猴王也十分勇敢,当十万天兵天将来临时,天空黑压压一片,而美猴王却独自一人站在山顶上,一手掐着腰,一手拿着金箍棒,威风凛凛,没有一点害怕的意思。当它们每次大战时,我都十分担心,幸好,每一次美猴王都机智勇敢,打败了天兵天将。
美猴王还十分疼爱小猴子们。有一次,小猴子们正在花果山中摘葡萄。突然,一只小黑猴从悬崖上摔了下来。同伴们都很着急,正在这时,一个棒子托住了小黑猴。原来,那是如意金箍棒呀!美猴王当上齐天大圣后,得知蟠桃会上并没有请它,它来到开蟠桃宴的地方,自己吃饱喝足后,并没有忘记花果山上的小猴子们。它又变出一个大袋子,把好吃的东东都放了进去,带到花果山,让小猴子们品尝。