爱情小说《傲慢与偏见》英语读后感（精彩20篇）

When I was a middle school student, I’ve finished this book in Chinese.But when I read it in English,I really gain something new both in the way of expression and the spirit it shows to us.May be different ages to read the same book we will learn different things from it.At least, for my part, that is true.

Firstly,I would like to review some information about this book.Such as the background,major characters and the topic of it.

The Old Man and the Sea is a story by Ernest Hemingway, written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingway and published in his lifetime. One of his most famous works, it centers upon Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.

The Old Man and the Sea served to reinvigorate Hemingways literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers confidence in Hemingways capability as an author. Its publisher, Scribners, on an early dust jacket, called the novella a "new classic," and many critics favorably compared it with such works as William Faulkners "The Bear" and Herman Melvilles Moby-Dick.

This book gives me a deep impression especially the description about the man’s braveness and persistence.

In this book, in order to suggest the profundity of the old man’s sacrifice and the glory that derives from it, Hemingway purposefully likens Santiago to Christ, who, according to Christian theology, gave his life for the greater glory of humankind. Crucifixion imagery is the most noticeable way in which Hemingway creates the symbolic parallel between Santiago and Christ. When Santiago’s palms are first cut by his fishing line, the reader cannot help but think of Christ suffering his stigmata. Later, when the sharks arrive, Hemingway portrays the old man as a crucified martyr, saying that he makes a noise similar to that of a man having nails driven through his hands. Furthermore, the image of the old man struggling up the hill with his mast across his shoulders recalls Christ’s march toward Calvary. Even the position in which Santiago collapses on his bed—face down with his arms out straight and the palms of his hands up—brings to mind the image of Christ suffering on the cross. Hemingway employs these images in the final pages of the novella in order to link Santiago to Christ, who exemplified transcendence by turning loss into gain, defeat into triumph, and even death into renewed life.

The major characters in this book are also vivid and lively.

Santiago?,the old man of the novella’s title, Santiago is a Cuban fisherman who has had an extended run of bad luck. Despite his expertise, he has been unable to catch a fish for eighty-four days. He is humble, yet exhibits a justified pride in his abilities. His knowledge of the sea and its creatures, and of his craft, is unparalleled and helps him preserve a sense of hope regardless of circumstance.

The marlin?,Santiago hooks the marlin, which we learn at the end of the novella measures eighteen feet, on the first afternoon of his fishing expedition. Manolin?,a boy presumably in his adolescence, Manolin is Santiago’s apprentice and devoted attendant. The old man first took him out on a boat when he was merely five years old. Due to Santiago’s recent bad luck, Manolin’s parents have forced the boy to go out on a different fishing boat. Manolin, however, still cares deeply for the old man, to whom he continues to look as a mentor.

Joe DiMaggio, although DiMaggio never appears in the novel, he plays a significant role nonetheless. Santiago worships him as a model of strength and commitment, and his thoughts turn toward DiMaggio whenever he needs to reassure himself of his own strength. Perico ?,Perico, the reader assumes, owns the bodega in Santiago’s village. He never appears in the novel, but he serves an important role in the fisherman’s life by providing him with newspapers that report the baseball scores. This act establishes him as a kind man who helps the aging Santiago.

Martin,like Perico, Martin, a café owner in Santiago’s village, does not appear in the story. The reader learns of him through Manolin, who often goes to Martin for Santiago’s supper. As the old man says, Martin is a man of frequent kindness who deserves to be repaid.

From the very first paragraph, Santiago is characterized as someone struggling against defeat. He has gone eighty-four days without catching a fish—he will soon pass his own record of eighty-seven days. Almost as a reminder of Santiago’s struggle, the sail of his skiff resembles “the flag of permanent defeat.” But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. He lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless.

Because Santiago is pitted against the creatures of the sea, some readers choose to view the tale as a chronicle of man’s battle against the natural world, but the novella is, more accurately, the story of man’s place within nature. Both Santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. As Santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: “man is not made for defeat . . . [a] man can be destroyed but not defeated.” In Hemingway’s portrait of the world, death is inevitable, but the best men (and animals) will nonetheless refuse to give in to its power. Accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an old man’s trophy catch.

The novel suggests that it is possible to transcend this natural law. In fact, the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. It is precisely through the effort to battle the inevitable that a man can prove himself. Indeed, a man can prove this determination over and over through the worthiness of the opponents he chooses to face. Santiago finds the marlin worthy of a fight, just as he once found “the great negro of Cienfuegos” worthy. HSantiago, though destroyed at the end of the novella, is never defeated. Instead, he emerges as a hero. Santiago’s struggle does not enable him to change man’s place in the world. Rather, it enables him to meet his most dignified destiny.

While it is certainly true that Santiago’s eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman, and that his attempt to bear out his skills by sailing far into the gulf waters leads to disaster, Hemingway does not condemn his protagonist for being full of pride. On the contrary, Santiago stands as proof that pride motivates men to greatness. Because the old man acknowledges that he killed the mighty marlin largely out of pride, and because his capture of the marlin leads in turn to his heroic transcendence of defeat, pride becomes the source of Santiago’s greatest strength. Without a ferocious sense of pride, that battle would never have been fought, or more likely, it would have been abandoned before the end.

Santiago’s pride also motivates his desire to transcend the destructive forces of nature. Throughout the novel, no matter how baleful his circumstances become, the old man exhibits an unflagging determination to catch the marlin and bring it to shore. When the first shark arrives, Santiago’s resolve is mentioned twice in the space of just a few paragraphs. Even if the old man had returned with the marlin intact, his moment of glory, like the marlin’s meat, would have been short-lived. The glory and honor Santiago accrues comes not from his battle itself but from his pride and determination to fight.

Santiago dreams his pleasant dream of the lions at play on the beaches of Africa three times. The first time is the night before he departs on his three-day fishing expedition, the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin, and the third takes place at the very end of the book. In fact, the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. Because Santiago associates the lions with his youth, the dream suggests the circular nature of life. Additionally, because Santiago imagines the lions, fierce predators, playing, his dream suggests a harmony between the opposing forces—life and death, love and hate, destruction and regeneration—of nature.

This book gives me courage of conquering all kinds of difficulties .And I have the belief that the most beautiful thing is the process that we make our best to achieve our dream,and never say give up .

不经一番寒彻骨，怎得梅花扑鼻香。

——题记

童年每个人都经历过，童年是美妙的，是幸福的，是快乐的，是值得回忆的……而他的童年却是恐怖、悲惨、令人不敢想象的。不经历风雨，怎么见彩虹，高尔基用尽拼搏的一生诠释了这句话。

阿廖沙那悲惨、令人怜悯、令人同情的童年故事生动地再现了19世纪俄罗斯下层人民的生活状况。阿廖沙的童年十分艰苦，幼年时期父亲就去世了，然而他的母亲因经济的缘故无法养活他，所以只好送到他外祖父家度过童年。 在这本书中，我很敬佩善良慈祥的外祖母，她胸怀宽阔，她如同一盏明灯，照亮了阿辽沙孤独的心，外祖母对阿辽沙的爱，给予了阿辽沙坚强不屈的性格，让阿辽沙感觉到自己的存在。如果在我们这个世界里谁都能关心别人、帮助别人，那还会出现争吵、打架之类的事件?他只上过三年学，十一岁便自己闯荡，开始了自食其力的生活。但是这一切都没有影响到他对美好生活的无限向往，他依然在艰苦的环境中苦苦追求自己的理想，艰苦的条件使他意志磨练得更加坚强。他热爱学习，在工作之余，他利用这些时间自学，阅读了大量的书籍，最终通过自己的努力成为一名令人尊敬、受人敬仰的伟人。高尔基真实地描述了自已苦难的童年，我为自己庆幸——没有出生在那个时代，没有受到这种苦，自己没有失去父母……我感到很幸福，因为我有一段美好的童年。

记得鲁迅说过：“珍惜时间是我成功的最大秘诀。”所以，我开始认认真真地学好每一门课。俗话说的好“只要功夫深，铁棒磨成针”，“滴水穿石”也是一天一天慢慢积累而来的。都是要一点一点地克服困难，才能看到黎明的曙光和人生的灿烂。

时代在不断进步，但人们却越发变得懦弱了，遇到困难就想要退缩、逃避或者走捷径。屠格涅夫说过：“想要得到幸福，你首先要学会吃得起苦。”美好的生活必须有所付出，才会长久，有所争取，才会得到。

高尔基在作品的开头就写到：“有时连我自己也难以相信，竟然会发生那样的事，有很多事情我很想辩驳，否则，因为在那‘一家子蠢货’的生活中，残酷的事情太多了。”但是，与此同时，我们在黑暗的那一边也看到一种叫光明的东西隐隐发光。只要对光明有希望，那一点点光明就会变成无限大，直至占据一切黑暗。我想，这也是高尔基所想表达的情感。

在快乐中，在悲伤中，高尔基的童年匆匆走过。高尔基用他充满苦难的童年向我们诠释一个真理：只要不对任何不堪的现实失去信心，光明总会来临。在人生中总会有一些事情令您感到痛苦甚至绝望，但眼前的黑暗总会过去，光明总会到来，只要保持不灭的信心，做一个善良、乐观、富有同情心的人，光明必会到来。看完了《童年》后，我感到一个人无论在什么样的年代，什么样的社会，只要他具备纯洁的灵魂、积极向上的态度和向命运抗争的精神，就一定会成为一个真正的伟人。

A tale of two cities is one of Dickenss most important representative works.The novel profoundly exposed the society contradiction before the French Revolution,intensely attacks the aristocratic social class is dissolute and cruel,and sincerely sympathizes with the depressed classes.The novel also described many magnificent scenes like the revolt people attacked Bastille and so on,which displayed peoples great strength.

The novel has portrayed many different people. Doctor Manette is honest and kind but suffers the persecution actually ， Lucie is beautiful and gentle ，Charles is graceful and noble，Lorry is upright and honest ，Sydney is semblance of indifferent, innermost feelings of warm,unconventional but also selfless and lofty，Miss Pross is straightforward and loyal，vremonde brothers are cruel and sinister......The complex hatred is hard to solve, the cruel revenge has made more hatreds, loves rebirth in the hell edge,but take the life as the price.

As an outstanding writer,in Dickenss work,the language skill is essential.ach kind of rhetoric technique,like the analogy,the exaggeration,the contrast,the humorous,and the taunt are handled skillfully,and the artistry of the work is also delivered the peak.A tale of two cities has its difference with the general historical novel, its character and the main plot are all fictionalizes.With the broad real background of the French Revolution,the author take the fictional character Doctor Manettes experience as the main clue,interweaves the unjust charge, love and revenge three independences but also incident cross-correlation stories together,the plot is criss-crossed,and the clue is complex.The author use  narrates,foreshadowing,upholstery and so many techniques,causes the structure integrity and strictness,the plot winding anxious and rich of theatrical nature,it displayed the remarkable artistic skill.the style A tale of two cities is solemnity and melancholy,fills indignantion,but lacks the humor of the early works.

也许是因为考试的原因，《平凡的世界》我没有认真去看，好的作品总发着金光，期末考试完后，我就打开这本厚厚的书开始阅读。

这本厚度大于1.5厘米的书总给人一种说不出来的感觉，给人一种读也读不完的感觉，可是读了一页，这情节就把我深深的吸引住了，这讲的是中国城市，乡村生活，孙少安、孙少平等人间发生的事，矛盾、挫折、爱情、欢乐，每个人的日常中的选择……

在现实生活中，每个人的选择都有所不同，高调、严谨、平凡，在这本书中，主人公孙少平选择了平凡。

这位主人公的出生十分平凡——农民，贫穷使他羞涩腼腆，但没有使他变得消极，经过一些磨练，他由一个羞涩的贫困少年变成了一个男子汉，在这之间，他也经历了许多波折，离乡打工，远离亲友去挖煤，田晓霞与他凄美的爱情，挖煤时的意外，这困难比我们所遇到的强几百倍，是我们无法挺住的，但他胜我们一筹，他挺住了。最后他童年时的玩伴，金波的妹妹向他表白，但他又拒绝了，他需要他自己的平凡生活。

一本名著，带来我们需要的知识，让我们好好理解每一句话。

平凡，是生活的本色。这个世界也是平凡的，悲与欢、生与死、穷与富、世事的变更，对于历史的长河来说，无非是些平凡事。直到读了这本书《平凡的世界》，才恍然大悟。

这是一部伟大的巨著，为我们解说了平凡和苦难，阐释了生活的意义。书中为我们描述的是一个平凡的世界，一个黄土地上的世界。这里生活着一群世世代代面朝黄土背朝天的普通人，他们演绎着一幕幕生老病死、悲欢离合、贫穷与富裕、苦难与拼搏、世事变更的戏剧。在这本书里，没有华丽的辞藻、没有惊险离奇的情节，没有惊天动地的场面，有的只是平凡的人，平凡的生活，平凡的感情，平凡的故事。

书中给我印象最深的人物是孙少平。这是一位对苦难有着深切的认识，对生活有着深邃的理解，对精神世界有着深刻追求的人。他有铮铮铁骨，有强大的精神力量，有巨大的勇气。从学生时代的“非洲人”到成年时代的“揽工汉”，他经历的是艰苦卓绝的人生奋斗，然而在痛苦与磨砺中，他形成了一种对苦难的骄傲感、崇高感。我欣赏他的苦难的哲学，钦佩他对劳动的认识，羡慕他对生活的理解。其实他也就是一个平平凡凡的人，一个比普通农民多读了几本书，一个对生活的意义有着更高层次追求的人。

在这个平凡的世界中，平凡人的一生，有着平凡的感动，有着对执着的追求和渴望，我们应该像孙少平那样，学会在逆境中历练心智、寻找坚强、战胜自我，找一个坚强的理由让人奋进。

“他不怕吃苦，也没有一般车夫的可以原谅的恶习。”“他确实有一点像一棵树，坚壮，沉默，而又有一点生气。祥子是个乡下人，口齿没有城里人那么灵便。”作者率先就对祥子做了大概的介绍，也从而使我们对他产生浓烈的兴趣，想看看在他的身上到底发生了什么事。

“有理想的人，就是大写的人。”这句话正好写出了祥子富有理想，勇敢追求理想的品质。这也正是我所想到学习的人，但是，我们不能学习他的结局：他最终还是放弃了梦想，成为了一滩泥水。

祥子初来到城市时是从车行租车来拉，但他迫切地希望拥有一辆属于自己的洋车。他把全部精力都用来拉车，甚至不惜拉下面子与下等车夫抢客人，甚至连一口好茶都舍不得喝，就为了攒钱买车。在他的不懈的努力下，他终于换来第一辆属于自己的洋车。可正值混战时期，北平乱作一团，祥子的车被抢走。不久，孙侦探有勒索了他的全部财富。失去工作的苦闷与虎妞无法给予，又无法逃脱的“爱情”使他备受煎熬。但命运又不想让他就此罢手，虎妞难产死亡使祥子不得不变卖家产为他办理丧事，而小福子的自杀让祥子彻底地丧失了对生活还残余的任何乞求和幻想，他渐渐沦陷到一滩烂泥中去。

祥子就像一个费尽力气旋转的陀螺，忙碌了一辈子，到头来还是一场空。

北平，战乱，车夫，苦难，屈服，这所有的词融在一起，那就是——祥子。

对于骆驼祥子，我感到遗憾，感到惋惜，也感到无奈，但也感到敬佩。我敬佩他那乐观向上、坚持不懈的精神。只可惜最终他没有战胜自己，没能战胜社会，最终还是被打败成为了社会的累赘。对于这个社会，感到悲哀，感到痛苦，感到耻辱。祥子在社会的影响下经过三起三落成为垃圾。这个社会，在排除垃圾，却又在大量制造垃圾，这个社会又有什么本事?我只能说：这个社会是一个腐败的社会，是一个没有能力的社会。而那些促使社会腐败的人，却压迫着那些勤劳的人，那些努力的人，那些坚持不懈的人。这就是这个社会的现实：残酷、悲哀、无可奈何。

一个人，不管生活在什么样的社会，如果没有目标有理想，轻易放弃，永远报着消极的心态，不去闯，不去拼，最终只能容易失去自我，迷失方向，甚至堕落。所以，我们应该有理想，有目标，有积极向上的心态，才能立足于社会。也许只有自己树立信心才能胜过一切吧!自己必须有着目标才能打造出自己的理想、未来。这一切只有靠自己的努力!

窗外天色阴沉，狂风卷着乌云在天际掠过。风吹过树梢，一阵沙沙作响之后，又有几片树叶落了下来。

今天下午没有选修的课，应该可以轻松一下了。丛容蜷缩在她的椅子上——幸亏MAGCIE送给了她这块绣着漂亮花纹的厚座垫作为圣诞礼物，不然这冷得像冰一样的椅子叫人连坐都不敢坐的。面前的电脑打开着，却因为有一段时间没去碰它，已经开始自动屏幕保护。

这是一间4人合住的学生公寓。寝室里的格局和别的大学稍稍有些不同——所有的床铺都是上铺，床下留出来的空间足可以放一张书桌、—把椅子、一个大箱子和一个书架。这也就等于是隔成了一个小房间，每个人都有自己的私密空间——丛容已经在这里住了两年了。

两年的时间对每个人都会有所改变，丛容也不例外：她变得成熟开朗，也自信了。更主要的是，她学会了把握住自己想要的东西。想想中学生那会儿的自己，老是希望得到老师的表扬，做师长的好学生，从来不敢坦白地表达自己心中的愿望。也许，每个人在自己的生命中总会有那么一段青涩的时期吧。在这个时期里，会觉得自己是那么无能，又如此害羞，心中纵有太多的想法，却从不敢去实现——只是不断地挣扎、反复、自闭。

丛容自嘲地笑了：也许，当时周围所有的人都不会料到“优等生”丛荣的内心，也如同一只丑小鸭吧。——除了，除了叶峰。叶峰的名字一涌上心头，丛容就觉得自己的心忽然像是被人塞进了无数的海绵一样，柔软而又充实。可才一会儿，又忽然像是被人掏空了，变得空落落的。

“怎么，又在想情郎啦!”一个促狭的声音从靠近门那边的上铺传来，打破了一屋的寂静。

那是朱丽叶，和丛容一起被称为法语系系花的女孩，与她同住一间公寓。

“你醒啦?”丛容并不回头。朱丽叶昨天，不，应该说是今天早上三点才回来，要不是丛容给她开窗，把床单放下去让她爬上来，她不但要冻一个晚上，若被发现了说不定还会换个记过处分。

“再不起来，前胸就要贴到后背了。本来是想就当减肥来着，可是又想想要是该减的地方不减，不该减的地方倒下去了，那多不划算呀。”

丛容笑了，她回头看着朱丽叶从床上手脚灵活地爬下来。朱丽叶天生丽质、明眸皓齿，惟有一处美中不足，她自己也知道，所以常常抢在别人面前先喊起自己“太平公主”来。

“Linda和小兰又去图书馆啦?”她问的是另外两个室友，她们两个素有“读书狂人”的外号，在教室和图书馆呆的时间远比寝室多。

“她们去参加学习小组了。你昨天怎么那么晚才回来，要是被舍监发现就惨了。”

“还不是那个埃塞俄比亚语系的白痴，死缠着不让我走。最近我一直都在想一个问题，我们学校是不是什么人读什么专业?”朱丽叶边说边拿着放在桌上的小镜子走到窗边来，仔细而又怜爱地照着自己镜中的容颜。

“还好我午饭吃得早。”丛容笑着说。

朱丽叶送给了丛容一个大大的卫生球：“什么意思?否则饭就吃不下了是不是?”她注意到了丛容桌上的电脑，“又收过信了?”

丛容的笑容渐渐消失，点了点头。

“还是没有他的MAIL?”

丛容再度点了点头，心中一片茫然。

“哼，我说吧，男人就是靠不住。”朱丽叶翘起了鼻子，“早叫你不要一棵树上吊死。怎么样，要不要我从我的后备役里边挑一两个不错的给你?”

虽然取名叫朱丽叶，但是此朱丽叶绝对不是那个为情而死的痴情女子。她号称自己有一打男朋友(还没算上后备役)，每天和不同的男生去电影院、图书馆、阶梯教室，每两周轮换一次，周日休息一天。

想想朱丽叶后备役里那些尼日利亚语、阿拉伯语系的男生，丛容不由一阵哆嗦：“算了吧。”

“我也算是仁至义尽啦，”朱丽叶放下镜子，“你就继续收你的信吧! ”

她刚要转身，却看见了窗外的什么人，近视眼的她眯着眼看清楚后，脸色沉了下来：“顺便告诉你一声，你的老朋友来了。”

丛容一愣，老朋友?再看看朱丽叶阴沉得像要杀人似的脸色，顿时明白了——一定是她来了。

朱丽丽走在这所名牌外国语学院的林荫道上，心中充满了景仰——名校就是名校，你看看这些男生，个个气宇轩昂，风度翩翩，不是帅哥，就是酷弟，真叫人哈拉子如黄河之水天上来那样流之不尽啊!

再想想自己那个破学校，打从进校门第一天起，朱丽丽就想逃出来。

至今还记得那天的情景：原指望进了大学，生活就会充满浪漫，充满自由，充满帅哥哥，可是一整天在学校里逛了又逛，所见的男生却个个都是“衰哥哥”，不是发育不良就是四眼田鸡，就连COOKIE这样的后备小帅哥都不见一个。好不容易碰上了一个背影看上去高大威猛，叫人忍不住想“犯罪”的男生，正面却直让朱丽丽想“自卫”——他竟然长了一脸的青春痘。更可悲的是，这个青春痘居然还被当选为朱丽丽她们班的班长，丽丽决定从此叫他——沸腾的赤豆汤。

当天晚上，朱丽丽就在丛容的怀中大哭了一场——哭自己告别了南华高中的美男时期，哭自己该出手时没出手，当年就是抓住了COOKIE这个小弟弟也好啊，却在叶峰和楚天歌这两大帅哥中犹豫不定，彷徨左右，结果一个帅哥都没捞上不说，还浪费了大好的青春——真是人生的一大悲剧啊!

就在丽丽眼泪鼻涕一大把、丛容手足无措不知如何安慰的时候，“悲极生乐”的是朱丽叶进来了——应该说是四五个足够让丽丽“惊为天人”的男生进入到这间女生宿舍来了。他们一人拎着一个大箱子，争先恐后地在学生公寓里那惟一还空着的单元忙碌着：擦桌子、放椅子、铺床、叠被、打水、整理……不到十分钟，便“大功告成”了。直到这时，朱丽叶方才施施然走进来，一边还在磕着瓜子。

丛容和朱丽丽看得目瞪口呆，不过看的东西不一样啦.丛容是被男生们的速度和朱丽叶的号召力所惊呆，而朱丽丽则已经开始为这几个帅哥流起了口水。

“你好!我叫朱丽丽。”朱丽丽一个箭步窜上前去，向朱丽叶伸出手去。虽然话是同面前的女孩说的，眼睛却瞥向了旁边的帅哥们。

朱丽叶也不得不伸出手同她握了一下：“你好，我是朱丽叶。”

“哇，我们的名字就差一个字耶，真是有缘!”丽丽恨不得给她一个大拥抱，“我是你室友的老朋友，以后也就是你的老朋友了。你能不能先给我介绍一下你的朋友们?”

一阵发呆之后，朱丽叶这才明白朱丽丽的话，勉为其难地向她介绍起来：“我和他们也是刚刚在校园里才认识的，好像这位叫阿发、这位叫阿贵……”

才介绍完，瞬息之间，朱丽叶和丛容这两位“老朋友”就被朱丽丽抛到脑后了，她的矛头直指那几位帅哥，睡沫横飞：“你们好，我是你们朋友的老朋友，以后也就是你们的老朋友了……”直到人家落荒而逃。

从此，朱丽丽把有“帅哥军团”的朱丽叶看作是认识美男子的跳板;而朱丽叶则视朱丽丽为洪水猛兽，每次看到必逃之夭夭，天知道她逃得有多辛苦，也难怪她会有想杀人的冲动了。

“朱丽叶呢?”

“吃饭去了。”

“怎么每次来她不是吃就是拉的，老是碰不上。”

“我怎么知道?”

丛容一边回答，心中一边暗暗好笑。刚刚朱丽叶出逃的时候，连隐形眼镜都来不及戴，以至于才出门就撞了墙。

“唉!”朱丽丽长长地叹了口气，“本来还想让她多介绍几个帅哥给我的，看来今天又白跑啦!”

“原来你来都不是为了看我，是找男朋友的!”丛容道。

丽丽舒舒服服地占据了丛容的位子：“当然是找你为主啦!我是特地来诉你一个天大的秘密——你可是最先知道的哦!”

“又出什么事啦?”

“据可靠消息说，MAGGIE现在在同仁大学混得很不好耶——”话才说到一半，丽丽的注意力却转移了，“你这里有没有吃的?”

丛容一惊：“MAGGIE混得怎么不好了?”

丽丽找出一包方便面，把干面条往嘴望塞去：“你想，她明明应该进艺术系的，却进了建筑系——她哪懂什么建筑呀，当然功课就不好啦。偏偏建筑系的人功课都好得要死，而且个个都是最看重分数的势利眼，麦云洁就吃不开了。要我说呀，那种地方，你去最合适了，她去干什么呀?”

“真的假的呀，你从哪儿听来的?”丛容还是有些不相信。

“阿盖那儿。他成天在同大寻找漂亮MM，有一天，听到有两个建筑系男生在议论MAGGIE，说她光有一副好外表，其实脑袋空空，还说她绣花枕头一包草。气得阿盖当场就想冲上去揍那两人一顿——当然他没敢啦，人家都是校篮球队的——啊呀，忘了问他，那两人帅不帅了。起码身材一定很好，篮球队的嘛……”朱丽丽说着说着就忘了自己原先的话题了。

丛容想起了圣诞节前的聚会——在所有的人中间，MAGGIE仍然是最亮丽、最引人注目的那一个。在她的睑上看不出丝毫的不如意、不开心。那天，她也是笑容最多的人之一。难道，MAGGIE，你也学会了把烦恼藏在心中?

“叮”的一声，把丛容和朱丽丽的心思都拉了回来。原来是丛容的电脑每过一小时自动收一次MAIL——又有新MAIL过来了。

丛容连忙收信，全是些广告的垃圾邮件。失望再次笼罩在丛容的心头。

朱丽丽凑着头一起看邮件，看着丛容把垃圾E-mail一封封删掉。虽然明知没有丛容想要的邮件，却仍忍不住问道：“叶峰还是没有消息?”

“没有。”丛容回答着，尽量让声音中少一些苦涩。

“那你呢?”

“我还是每天给他写一封信。通过邮局寄信我也试过了，但是那些信都退回来了，都说查无此人。”丛容删掉了最后一封邮件。

“叶峰到底怎么了?都半年了，怎么一点音讯也没有?难不成……”朱丽丽忽然大惊小怪地想到了什么，“难不成，他被曰本女人给拐走了?日本女人就连中学生都会搞援助交际，说不定看到叶峰那么酷就想办法来个中日友好援助，就把我们大帅哥给援助跑啦!”

丛容不作声，默默地关上电脑。

“唉，”朱丽丽想起来就悲从心中起，“当初的两大帅哥都飞走啦。

天歌去了英国，叶峰也不知所踪，害得我只能求着朱丽叶给我介绍几个勉强看得过去的男生看看。”

丛容仍是不说话，背对着丽丽。

朱丽丽凑到丛容跟前：“喂，你说——”

话还没说完，她看到了丛容的表情，便把下面的话吞了回去。

眼泪慢慢地从丛容的眼睛中滑下，无声地滴落在电脑键盘上。一颗又一颗，晶莹而易碎。

“丛容，你别哭呀!”朱丽丽着急了，“叶峰一定会有消息的，你别急呀!”

“可是，可是我真的很担心!”丛容再也忍不住了，已经有了那么多天的思念、那么多天的盼望和那么多天的失望，再加上焦虑、担心以及胡思乱想，若再不倾诉一番，她真的要崩溃了，“叶峰为什么那么突然地不给我回信了呢?本来他都是每天都有MAIL给我的，可现在那么多天过去了，电话、MAIL、信件通通都没有。他会不会出了什么事?”

朱丽丽连忙猛力地拍击丛容的背，拍得丛容咳嗽不止：“怎么会呢?你想到哪儿去了?我刚才说援助交际什么的是乱说的，你可千万别当真啊!”

咳出声来了，泪水也止住了。丛容一把扯过纸巾擦了擦脸：“我知道。但是，我现在应该怎么办呢?”

“我知道啦，”朱丽丽一声尖叫，大脸盘朝向了丛容的电脑，“——在网上登寻人启事呀，就这么写：现找一特级酷哥，身高一米八，长相绝对酷，若有线索，必有重赏。如何?”

“这……有用吗?”丛容疑惑着。

“死马当活马医呗!”朱丽丽摇着椅子，“总比你这么干等着好吧。”

忽然，她停下了摇摆，仔细地倾听着什么。

丛容也听到了，寝室的门正轻轻地吱呀着被推开——有人小心翼翼地探头进来。

“呀!朱丽叶!”朱丽丽兴奋地跳起来，“我可等到你了!”

朱丽叶吓得一个转身就想往回跑，却因为深度近视眼，再次撞到了墙上。踉跄之间，被朱丽丽以迅雷不及掩且的速度逮了个正着。可怜花容月貌经过了两度撞击，已经鼻青脸肿，却还摆脱不了朱丽丽的“追杀”。

正所谓两“朱”相争，必有一伤。朱丽叶也认命了：“好，今天你要认识几个?”

“你有几个?我通吃!”朱丽丽狮子大开口。

看着门边的这一场闹剧，丛容又是好气又是好笑。站起身，她来到了窗边。

窗外，下午的风渐渐吹开了阴沉的云，有一些阳光透过云层射过来，虽是淡淡的，却仍透出一股暖意。即使在冬天，只要有阳光，人的心里也会暖洋洋的吧。

尽管耳边传来的是两朱的吵闹声，丛容却仍不由自主地回想起了送叶峰到机场的那一天——那天，有着就像现在这样淡淡的，时隐时现的阳光。从容清楚地记得自己当时的心情，如同阳光时不时地照射到身上一样，一会儿温暖，一会儿却又有些凉意。

她摸了摸胸前的项链，这是叶峰的，却已经在丛容身上戴了两年。

那天，在机场大厅中，叶峰摘下了从不离身的项链，套在了丛容的脖子上：“这是我妈妈送给我的，我希望你能戴着它，它会让你想着我。”

那天，也是丛容和叶峰第一次手牵着手走在一起。

手和手的接触也许这并不是第一次。一起过马路时、一起郊游爬山时，他们都曾经拉着手互相照应。丛容印象最深的是那一次：“OPEN”乐队参加又一次音乐比赛，赛前走台彩排的时候，叶峰忽然冲着台下的丛容微微一笑，就对她伸过手来。丛容茫然地伸出了手，叶峰猛地一拉，她就像踏上云端一样踏上了舞台。站在叶峰的身边，站在灯光下，刹那间，世界仿佛忽然消失了，只剩下她和叶峰，在舞台追光灯的照射下，他俩在彼此的眼中找到了自己。直到叶峰放开手，丛容这才感觉到自己的心跳已经过快，以至于双膝都有些发软。但是，这些都是电光火石的瞬间，应该算不上真正的牵手。

离别的那天，叶峰再度拉起了丛容的手，就再没有放开，直到飞机即将起飞。牵着手的感觉是那么的默契，那么的温暖，似乎这两只手生来就是连在一起的，当它们渐渐，渐渐分开的时候，丛容真的有种生生被割断的不舍。

这，就是喜欢了吗?

“等我。”叶峰说。他从来不是话多的人，就算面对着别离。

而丛容却始终记着这两个字，仿佛这就是承诺。只是——

叶峰，你会回来吗?在日本究竟发生了什么，让你如此的无声无息无情?

最近有部电影很火，叫《哪吒之魔童降世》，姐姐带我去看了。在回家的路上，姐姐在开车，我在车后边啃巧克力边思考。

《哪吒之魔童降世》（由于名字过长，以下简称《哪吒》）讲述的是一颗灵丹与一颗魔丸，灵丹被认为会造福苍生，魔丸被认为会导致生灵涂炭。天尊在魔丸上布下了天劫咒，三年后会被一道雷劈得渣都不剩，而灵丹则转世作李靖的儿子。谁知，由于申公豹的暗算，魔丸转世为李靖的儿子哪吒，而灵丹则落入看守海底炼狱（其实等同于把自己也锁住了）的龙族，转世为敖丙。后来，由于一个偶然的机会，他们成为了朋友。可在最后，为了龙族，“灵丹”反而成了想活埋村子的“恶棍”，“魔丸”反而成了“英雄”。

我忽然想到申公豹的一句话：“人心的成见，是一座大山。”是呀，就像在我们心中，英雄总是英俊强壮的人，而恶棍总是一脸胡子拉碴。还有“三岁看大，七岁看老”，难道习惯不可以改变吗？这句充满成见的话，却被无数人奉为经典……这样的例子，数不胜数。

所以，我们一定要抛弃那些成见，正如申公豹所说，“人心的成见是一座大山”。只有完全放下成见，我们才能真正地见到每个人的优点与缺点，公正客观地评价一个人，而不是被成见蒙蔽了双眼，导致作出了错误的判断与决定！

车忽然熄火了。“怎么了？”我把脑袋凑上前。“到家了。”姐姐说。

Many people simply regard Pride and Prejudice as a love story, but in my opinion, this book is an illustration of the society at that time. She perfectly reflected the relation between money and marriage at her time and gave the people in her works vivid characters.

许多人认为这只是一个爱情故事傲慢与偏见，但在我看来，这本书是对当时社会的例证。她完美地体现了金钱与婚姻关系时，给她的时间在她的作品生动的人物形象的人。

The characters have their own personalities. Mrs. Bennet is a woman who makes great efforts to marry off her daughters. Mr. Bingley is a friendly young man, but his friend, Mr. Darcy, is a very proud man who seems to always feel superior. Even the five daughters in Bennet family are very different. Jane is simple, innocent and never speaks evil of others. Elizabeth is a clever girl who always has her own opinion. Mary likes reading classic books. (Actually she is a pedant.) Kitty doesn’t have her own opinion but likes to follow her sister, Lydia. Lydia is a girl who follows exotic things, handsome man, and is somehow a little profligate. When I read the book, I can always find the same personalities in the society now. That is why I think this book is indeed the representative of the society in Britain in the 18th century.

书中的人物有自己的个性。班纳特太太是一个女人谁使大力女儿嫁出去。彬格莱先生是位很友好的年轻人，但他的朋友，达西先生，是一个非常骄傲的人谁似乎总是感觉优越。即使是班纳特家的五个女儿有很大的不同。简是简单，天真，从不说别人的恶。伊丽莎白是一个聪明的女孩谁总是有她自己的意见。玛丽喜欢阅读古典书籍。 (其实她是一个学究。)小鹰没有她自己的意见，而是喜欢跟她的妹妹，莉迪亚。莉迪亚是一个女孩谁如下异国情调的东西，英俊的男子，并在某种程度上有点挥霍。当我读的书，我总能在社会上找到相同的人物了。这就是为什么我觉得这本书确实是在英国社会在18世纪的代表。

The family of gentleman in the countryside is Jane Austen’s favourite topic. But this little topic can reflect big problems. It concludes the stratum situation and economic relationships in Britain in her century. You can find these from the very beginning of this book.

The first sentence in this book is impressive. It reads: “It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”. The undertone is very clear: the foundation of the marriage at that time is not emotion but possession.

在农村家庭是简奥斯汀先生最喜欢的话题。但是，这个小问题都可以反映大的问题。它总结了地层情况和英国的经济关系，她的世纪。你可以找到从一开始这本书。

在这本书的第一句话让人印象深刻。它写道：“这是众所周知的，在世界上的一大笔财富占有未婚男子必须在妻子需要一个真相“。该底色是非常明确的：当时的婚姻的基础是感情，但不占有。

People always think that Austen was an expert at telling love stories. In fact, the marriage in her book is not the result of love, but the result of economic needs. After reading this book, I know the truth is that a poor woman must be in need of a husband, a wealthy man.

I couldn’t forget how eager Mrs. Bennet wants to marry off her daughters. If you want to know why she is so crazy about these things, I must mention the situation in Britain at that time. Only the eldest son had the privilege of inheriting his father’s possessions. Younger sons and daughters who are used to luxurious lives have no choice but marry a man or woman in possession of a large fortune to continue their comfortable lives. Thus, we can see that getting married is a way to become wealthier, particularly for women without many possessions. Jane Austen told us that money and possession determined everything, including marriage and love in her century.

成语作为古人智慧的结晶，汉语言中的精华，传承了中华几千年丰富的历史文化。我爱中国的文化，爱它的历史悠久，博大精深！

《中华成语故事》是宝贵的文化遗产，每个成语故事都包含的内容极为丰富，它反映了政治.军事.文化.道德和理想......我们可以通过成语故事去了解中华民族悠久的历史文化并且可以得到教育意义的启示。

其中我比较喜欢勤能补拙的故事，它讲了白居易的故事，他不仅是唐朝一位杰出的现实主义诗人，而且也是为官清廉.深得民心的好官。这与他的个人做事的态度和原则有关。他认为：一个人天生的资质是很重要的，但是后天的努力更重要。这告诉我们：一个人天资差一点没有关系，关键要勤奋，勤奋了就能弥补笨拙的缺憾！现实生活中，笨并不代表成绩不好，聪明也并不代表成绩好，我们要知道自己的不足之处，才能通过不懈的努力，刻苦学习，弥补自己的不足，提高学习成绩！

古人好学求知的精神，是我值得学习的优秀榜样。我要“勤能补拙”，认真学习，不负父母的期望！

看完《中外名人故事》这本书，我不禁感慨万分。历史上的这些名人，每个人都有他的丰功伟绩，真是让人敬佩！但是我知道他们能取得成功，并不是因为他们是天才，而是他们付出了常人难以想象的努力

例如贝尔是电话的发明者。他小时候是一个淘气包，自从在爷爷那儿受到影响，他并开始努力学习，等到了高中时，他已经是学校里的优等生了。一次偶然的实验启发了贝尔想发明电话，许多人都说贝尔是痴心妄想，可贝尔并没有因此灰心丧气，反而坚定了自己制造电话的决心。他深信世上无难事，只怕有心人。虽然贝尔在实验的过程中烧坏了裤子，把大腿烧的火辣辣，但最后还是成功了。成功是在他勤奋，执着和顽强进去的精神上得来到。

除了贝尔，这本书里还介绍了许多其他的名人，如：孔子。孙武。屈原。韩信。张衡。华佗。王羲之。居里夫人。爱因斯坦。爱迪生······他们都是靠着自己的勤奋努力而成为名人的，他们都值得我们学习和尊敬。

没有谁的生活会一直完美，但无论什么时候，都要看着前方，满怀希望就会所向披靡。

《撒野》是我偶然读到的一本小说，它不似名著那样蕴含着深刻的道理，也不像其他小说讲述的情感那么强烈，在我看来，它就是一本特别朴素却又写尽了人间真实的耐人寻味的书。

往往会有人认为这本书是救赎，它救赎了一个个在深夜无处安放的灵魂，撞破了世俗的一切偏见，只为将待在谷底的人们拼命拽上岸。

人就是这样的，想来想去，犹豫来犹豫去，觉得自己没有准备好，勇气没攒够，其实只要迈出去了那一步，就会发现其实所有的一切早就准备好了。也许在生活中，我们都会纠结于某一件事情，一次次认为自己做不到，或者不想去尝试，但我们只是缺乏足够的勇气，有很多时候，不是我们不去努力，不去勇敢，很多人都会贪恋不存在的美好，而一次次想逃避现实，殊不知，该来的始终躲不掉。

蒋丞同学在离开养父母，回到自己亲生父亲身边后，他发现这个小小的钢厂也许并不如他以前的生活条件好，但他还是接受了现实，并且不断努力着，坚持刻苦的学习着，一心想逃离这个地方。同样想逃离这个地方的还有他的同桌顾飞，可是顾飞因为迫于生活压力，最后想自我放弃，他觉得自己的生活没有光了，但是他希望至少蒋丞可以向着光去，他感觉自己像是一脚踏空，向上看是迷茫，向下听这世界是空荡荡。

日子总是往前走，人总是在变，不知道是淡忘还是适应。最可怕的莫过于你心甘情愿的堕入深渊，不是没有人拉你起来，而是你已经适应了深渊的生活，你不必逼自己一把，你永远也不会知道，其实在你身上蕴藏着多么大的潜能，没有谁生来比谁差，只有你自己不够努力罢了。

书看了一定会有用，不一定非要有什么具体的改变，人往前走的时候未必会一直数着一二三，但无论多少岁，都是一二三累积起来的。每个人都有自己的故事，或喜或悲或无奈，不接触深了，你永远都不知道这一个个经过的人心里装着的事，亮着灯的一扇扇窗里有没有在叹息。

人这一辈子，可能会放弃很多东西、很多人。但最可怕的，就是放弃自己。每当觉得自己失去动力的时候想想蒋丞，每当觉得自己被生活打压的不行的时候想想顾飞，他们都是这样过来的。

我想抬头看见暖阳春草

你给我简单的拥抱

我想踩碎了迷茫走过时光

睁开眼你就会听到

我想左肩有你右肩微笑

我想在你眼里撒野奔跑

我想一个眼神就到老

今天，我读了一本名叫《伊索寓言》的书，里面有很多的故事，我最感兴趣的是《生金蛋的母鸡》这个故事。

从前，有一对懒夫妻，不愿意靠劳动致富，就每天向神祷告、求福，让夫妻俩过上好日子，神答应给他们一只母鸡。夫妻他们心里想：一只母鸡有什么用，还不够吃一天的，明天中午把它杀掉算了。

第二天中午，丈夫拿着刀，去鸡舍杀鸡时，却吓了一跳，便大叫一声。妻子以为丈夫出了什么事情，所以便去鸡舍一看，她也吓了一跳，因为那只母鸡的鸡窝里有一颗金灿灿、沉甸甸的金鸡蛋。后来，夫妻俩用金蛋卖掉的钱，为鸡做了最舒服的窝，给它喂最好的食物。当母鸡吃好住好后，每天晚上都给他们生一个又大又沉的金蛋。他们发了大财，买了田地，雇了许多佃户，又盖起了大房子。

有一天，妻子说：“干脆把那只母鸡杀了，把肚子里的金蛋都掏出来，省的每天伺候它，给它这么多食物吃。”丈夫听了有理，便立即动手。谁知，剖开肚子一看，根本没什么金蛋。

他们再也没有金蛋了。没过几年，家产就被夫妻俩败光了。

读过这个故事后，我得到了很多启发：人们应该满足自己有的东西，如果贪得无厌，最后会一无所有；利欲熏心、不仁不义的人，必遭报应。

《平凡的世界》是一本书的名字，是妈妈在几周前买给我的，这本书一直被我遗弃在书桌的一角。直到前天，我才翻开它布满了灰尘的封面。它的内容如它的名字一般，真的只是平凡的世界，平凡的农民，平凡的生活，平凡的爱情。可这本书却让我荡气回肠，不忍释卷，已经让我连续熬夜三个晚上了。第一次，感受到了文人骚客废寝忘食读书的举动。不得不说它的确是一部令人疯狂的作品。

《平凡的世界》一共有三部，讲的是农民子弟孙少平和孙少安的故事，少平到原西县高中读书，高中毕业后，回到家乡做了一名教师。但他并没有消沉，他与县革委副主任田福军女儿田晓霞建立了友情，在晓霞帮助下关注着外面世界。少平的哥哥少安一直在家劳动，与勤劳善良的秀莲相亲并结了婚。少安进城拉砖，用赚的钱建窑烧砖，少平则到外面去闯荡世界，他从漂泊的揽工汉成为正式的建筑工人，最后又当成了煤矿工人，他的女友晓霞从师专毕业后到省报当了记者。孙少平到了煤矿，尽心尽力干活，成了一名优秀工人。可是，就在孙少平与田晓霞产生强烈感情的时候，田晓霞却因在抗洪采访中为抢救灾民光荣献身了，少平悲痛不已。少安的砖窑有了很大发展，通过几番努力，终于成了当地社会主义建设的领头人。

但是少安的妻子秀莲，口吐鲜血确诊肺癌。少平也在一次事故中为救护徒弟而受了重伤，英俊面容尽毁，但他并没有被不幸压垮，少平从医院出来，面对了现实，又充满信心地回到了矿山，迎接他新的生活与挑战。

这本小说中“平凡的世界”里那些平凡的人却有着“不平凡”的经历。作者朴实的.文字里掺杂了很多的情感，有对旧社会强烈的讽刺;有对农村人民穷苦生活的同情;也有对生活在社会最底层而面对艰难困苦却仍然坚持不懈、坚韧不拔的穷人的赞美。读完这本书，你会感觉到自己的灵魂也得到了升华。会为他们轰轰烈烈的爱情所感动，为质朴的亲情所感动，为朴素深沉的友情所感动。

纵观全书，我觉得可以用四个词来概括：苦难与奋斗，平凡和伟大。冰心曾说：爱在左，情在右。走在生命的两旁。随时散播，随时开花。将这一路长径点缀得花香弥漫，使穿枝扶叶的行人，踏着荆棘不觉痛苦，有泪可落，却不凄凉!

因为有爱，有了温情，有了力量，世界变得如此美丽!生活在平凡世界的人们应该感到平凡世界的美好!

On summer vacation of this year, I studied in novel " old man and sea " of Hemingway , famous writer of U.S.A. ,. I admire the old fishermans will in the novel very much, he lets me understand that a person must have unremitting spirit, could succeed . What the novel is described is an old fisherman almost the sixty years old, when go to sea and fish alone once, have angled to a big fish, but can not draw. After tough fisherman and fish have socialized for a few days, just find this is a big Malins fish which exceeds several times of ones own fishing boat, though know perfectly well that it is very difficult to win , does not give up yet.

"Notre Dame DE Paris" is a 19th century French writer Victor Hugos masterpiece. Quirky 15th century novel describes the life in Paris, the author depicts a group of personality with contrast gimmick bright vivid, extremely rich artistic appeal of the character image, with complicated conflicts and contradictions between rich tragic fate analyzes the complex world of humanity.

First of all, a set of characters is a gypsy girl esmeralda and bell ringers Quasimodo. 16 esmeralda beauty unsurpassed, pure good, good, but in the society at that time, so that the life like a flower are extremely conservative decaying ordered the destruction of the power of the church people sadly collapse too. More than 20 card seamus look ugly, severe disability makes him a came to the world from the first the family, which in turn is the abandonment of the whole society. However, he has a beautiful appearance ugly clean and pure heart, he does not mix of impurities in pure love guarded the esmeralda, trying to keep her from all harm. But in front of the strong social prejudice and evil forces, personal strength is tiny, powerful seamus, finally also only choose partiality this sad ending. The two characters have intertwined misfortunes, unable to hide their appearance on the huge contrast of pure good nature, in their perfect nature of the light, other characters in the novel are revealed the essence of the mean.

Notre Dame vice bishop eph rollo also fell in love with the beautiful esmeralda, but he love is very different from the ones with Quasimodo, eph rollo covered with halo of clergy, clean-cut, inside because of the conflict, until the destruction of the twisted soul, full of evil desire, eventually destroyed esmeralda, also destroyed himself. Hugo deeply analyze the characters with the attitude of compassion, dark twisted soul.

《巴黎圣母院》是法国19世纪着名作家雨果的代表作。小说描写了15世纪光怪陆离的巴黎生活，作者用对比的手法刻画了一群性格鲜明生动、极富艺术感染力的人物形象，以之间错综复杂的矛盾纠葛和悲剧命运剖析了丰富复杂的人性世界。

首先一组人物形象是吉卜赛少女爱斯梅拉达和敲钟人卡西莫多。16岁的爱斯梅拉达美貌绝伦、纯真善良、能歌善舞，但在当时社会，这样一朵鲜花般的生命却在极端保守腐朽的教会势力的摧残下令人惋惜地陨灭。20岁的卡西莫多外貌奇丑无比，严重的残疾使他一来到世界上便遭到了先是亲人，继而是整个社会的遗弃。然而外貌丑陋的他却有着一颗美丽纯洁的心灵，他以纯真得不掺一丝杂质的爱情守护着爱斯梅拉达，试图使她远离一切伤害。可在强大的社会偏见和邪恶势力面前，个人的力量实在微不足道，强悍的卡西莫多，最后也只有选择徇情这一悲剧结局。这两个主人公有着纠结在一起的不幸身世，外貌上的巨大反差无法掩盖他们共有的纯真善良的天性，在他们这种至善至美的天性的照耀下，小说中的其他人物皆露出了卑劣的本质。

圣母院副主教弗罗洛也爱上了美丽的爱斯梅拉达，但是他与卡西莫多的爱却有着天壤之别，弗罗洛披着神职人员的神圣光环，道貌岸然，内心却因冲突无法自拔，直至灵魂扭曲、充满了邪恶的毁灭欲，最终毁灭了爱斯梅拉达，也毁灭了自己。雨果以悲天悯人的姿态深刻剖析了这个人物阴暗扭曲的灵魂。

最近，无缘无故迷上了《荆棘鸟》。我无法理解梅吉对拉尔夫的痴迷，他是那么的自私。

其实，这个世上有很多只孤独的荆棘鸟，不知幸福在何方，只能在迷茫中寻寻觅觅，无数次寻找，无数次等待，却一直没有等来属于自己的幸福，终以伤心度日。

至于其中到底有什么意义，我也无法言表。只是觉得这样很美，很美。

可旭旭不太喜欢这本书，她总是爱看一些杂志。所以，当她兴致勃勃地拿走，又愁眉苦脸地还给我，还抱怨到：“全是写景的，再说，实在太厚了!”我一点也不惊讶。旭旭就是这样，做事不能坚持到底，半途而废，但这也正是她的可爱之处，我喜欢她的天真与活泼，不像我，总是看起来很孤僻似的，也只有旭旭懂，这也是我和她成为朋友的原因。其实我只是无法融入班级，把自己与同学们用一层薄膜隔离开了，这是旭旭对我的评价。

或许我是该考虑考虑自身存在的这种他人不易接近的性格了。毕竟，有时，我也会感到孤独、无助。

旭旭的其他朋友，还悄悄跟她说：“你没事别跟颜荀伊在一起了，看她有点阴暗。”可旭旭总是摇摇头说道：“你不懂她。”

旭旭果然是我的好朋友，永远不会因为别人的流言蜚语而抛弃我这个好朋友。

路遥围绕着主人公孙少安与孙少平兄弟两个在这个平凡的世界中不断冲破困难的阻碍，最终获得生命中的成功，谱写了一曲充满活力、激情的生命之歌，以一幕幕催人泪下的苦难所向人们揭示了人生的自强与自信、奋斗与拼搏、挫折与追求、痛苦与欢乐。

Lu Yao around the master Gongsun less and Sun Shaoping two brothers in the ordinary world, constantly breaking the obstacles, finally get success in life, wrote a vibrant, passionate song of life, with a curtain of the copy from rolia suffering reveals the life of self-reliance and self-confidence, struggle and hard work, and the pursuit of setbacks, pain and pleasure.

少平与少安两兄弟同为黄土地的儿子，在“平凡的世界”中，他们以各自不同的方式探索着人生。以孙少安为例，在冲破贫困束缚、实现自身价值过程中，他曾遭遇到不断的挫折和打击。如在第一次扩大砖场时，因骗子烧砖师的缘故，他的砖全部烧砸了;为了扩大社员自留地，他曾被当作“走资本主义道路”的反面典型来批判;曾因为进行承包责任制的改革而遭到县委的严厉批评;经营破败，无力归还贷款和被村中劳力追堵。

Shao Ping and two brothers with little yellow land for son, in the "ordinary world", they explore life in different ways. In the case of Sun Shaoan, to break through the bondage of poverty, realize their own value in the process, he suffered to blow. As in the first expansion brick, brick by fraud divisions sake, his brick all burned badly; in order to expand the membership private plots, he was regarded as a "reverse the capitalist road" typical to criticism; once because of the reform of the contract responsibility system and the county was severely criticized; management dilapidated, unable to pay loans and is the village labor chases.

这个世界是不完美的，困难、挫折是拜访我们的常客，即使有时我们还没有做好迎接他们的准备。和主人公孙少安、孙少平相比，我显然是幸运的，没有艰涩的生存条件、没有咄咄逼近的重大挫折，我想我没有理由对这个世界抱怨什么。直面生活，我要做的只能是：乐观迎接、坚强面对，活出自己的精彩。

This world is not perfect, difficulties, setbacks is visiting our regulars, sometimes even if we havent prepare for their preparation. Compared with the master Gongsun Shaoan, Sun Shaoping, obviously I was lucky, there are no hard living conditions, no major setbacks harsh, I think I have no reason to complain about what the world. Always to look life in the face, I want to do is only to meet: optimistic, strong face, live out their own wonderful.

Recently, I read the attempt to write a novel: "root bird". I read a book, suddenly suspicious: root bird is a name, or a bird? I dont understand and cant wait mood, open the book...

Ah! I found the answer: a bird is a boy, his home in chrysanthemum slope. One day he was out hunting alone, accidentally shot by a white eagle. White eagle leg have a piece of paper, it read: "my name is purple smoke, when I was in flowers fell into the valley, come and save me!" That night, the root bird nook near the valley with his father after nothing, duty-bound to root bird on the road to the west to find purple smoke. On the way, root bird met board Mr Kim. Board Mr Kims family got a super surprise, all the family man, at the age of 18, then suddenly cant dream. Mr Kim to follow a dream, walk to the west. Sheet metal and root birds are all in order to reach own purpose, continuous efforts, even if, on wheels, so be it.

Board Mr Kim arrived at warbler shop, his life is about to come to an end. His deathbed, he told the root bird: to walk to the west, to persevere, be sure to find the grand canyon. Root bird has experienced all sorts of difficulties, these difficulties. Finally, he arrived at the full of the grand canyon of the lilies, see white eagle flying in the air...

Root bird is a boy who dared to pursue their dreams! After reading this book, let me know the person on the way to pursue your dream, will encounter various difficulties, frustration, confusion, but must not give up. Like root birds, although the money lost, but he still go forward; Although being hired, he was still trying to come up with various way; Despite his illness had a high fever, but he still wont stop down, clinging to go forward!

In fact, persistence is a kind of power, but also the steps of success and victory! I think it is the same and we are learning, no matter how far from ideal, as long as our goal towards their own unremitting efforts, is likely to get the final success.

最近，我读了曹文轩写的一本小说：《根鸟》。我一看书名，顿时起了疑心：根鸟是一个人名，还是一只鸟?我怀着不解而迫不及待的心情，翻开了书……

呀!我找到了答案：根鸟是个男孩，他家在菊坡。有一天他独自外出打猎的时候，无意中射到了一只白鹰。白鹰的腿上有一张纸条，上面写着：“我叫紫烟，我在采花的时候掉进了峡谷里，快来救救我呀!”当晚，根鸟与父亲寻遍了附近的山谷毫无收获后，根鸟义不容辞地踏上了西寻紫烟之路。途中，根鸟结识了板金先生。板金先生的家族得了一种超级奇怪的毛病，凡是这个家族的男子，一到十八岁，便突然不能做梦。板金先生为了追随梦，一直向西走。板金和根鸟都是为了达到自己的目的，不断努力，就算上刀山、下火海，也在所不惜。

板金先生到达莺店时，他的人生就要走到尽头了。临终时，他告诉根鸟：要一直往西走，要坚持不懈，一定要找到那个大峡谷。根鸟经历了各种困难，这些困难磨练了他。终于，他到达了开满百合花的大峡谷，看见白色的鹰在空中飞翔……

根鸟是一个敢于追求梦想的男孩!读完这部书，让我知道了人在追求自己梦想的道路上，会遇到各种困难、挫折、迷惑，但一定不能放弃。要像根鸟一样：尽管钱丢了，但他还是勇往直前;虽然被人雇佣了，但他还是努力想出各种办法;尽管生病发高烧，但他仍不会停歇下来，执着地往前走!

其实，坚持是一种力量，更是获得成功与胜利的脚步!我想这和我们学习是一样的，不管理想有多远，只要我们向着自己的目标坚持不懈的努力，才有可能获得最后的成功。

第三章

背叛 第一节

渐渐的，兔觉得龙对她没有像以前那样好了。兔心里想：他会像舟一样吗?不会的，是他亲口对我说他喜欢我的，他不会背叛我的，他不是那种人!可是，事实常常是事与愿违的，你不要他这个结果，他还非要给你这个结果：像往常一样，龙和妍一起走进了教室，他们有说有笑，像这种情况，兔已经见得多了，她也见怪不怪了。

兔正在写作业，龙和妍好象在商量着什么：“讲?”“不讲?”兔催他们说：“要讲什么?快说吧!”互相推辞了半天，龙才吞吞吐吐的丛牙缝里挤出几个字“我们分手吧!我现在喜欢上了妍。”一个犹如轰炸机似的消息把兔的脑袋炸开了花!“啪!”的一声，龙的脸上出现了五个手指印，“这几天你好假，连你的承诺都是假的!”就这样，兔和龙分手了。

第二节在一个星期天的下午，兔听着《爱在西元前》，看着手里的《心的二分之一》，伤心的哭了，没想到她的这两次的恋爱这么失败! 兔决心以后的一年不再谈恋爱，她真的会做到吗? 当然不会!!! 从此，兔变的消沉了，她向班主任提出了调位子，班主任答应了，兔调到了古的后面，她几乎对生活失去了所有的希望。可是每每前面的成绩班上最差的古逗她笑时，她便有一种说不出的欣慰。 不会吧!!!!...... 应该不会!古对兔真的是很好，可是兔总有一种学习的念头，告戒自己不要再谈恋爱了! 阿K的出现是在一个风雨交加的夜晚，兔像往常一样站在公共汽车上，这时，车猛的一刹车，兔倒在了阿K的怀里，兔脸红了，她看到一个超级帅男正在看着自己。事情往往就是这么巧，阿K是兔隔壁班的，两个经常遇到，只是没有在意罢了。兔最后的一道心理防线被攻破了!!!!! 第四章

马拉松爱情从此以后，阿K就经常找借口来兔这个班来借书。然而，洁喜欢阿K。可是阿K自从那天看到了兔以后，就再也忘不了她。不仅是他，兔也忘不了他。 洁当然不会罢休，当阿K每次出现在班门口时，第一个迎出去的就是洁。兔知道他找的是她自己，所以她就等着洁每次哭丧着脸进来喊她。“兔，有人找!!!”好浓的火药

味。兔高兴的出去了。正当他们在热恋中时，龙找来了。“兔，当时是我不对，原谅我吧!我们再继续吧!”兔看了看身边的阿K，摇了摇头，说：“怎么，妍不要你了就来找我，想得到是天真，可我没有那么傻。”说着，兔拉着阿K的手，指给龙看，说：“我们靠的是缘，不是你那肮脏的爱情!!!!”便拉着阿K走了，只留下龙一个人独自站在那儿发愣。

Oliver Twist, one of the most famous works of Charles Dickens’, is a novel reflecting the tragic fact of the life in Britain in 18th century.

The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.

The hero of this novel was Oliver Twist, an orphan, who was thrown into a world full of poverty and crime.

He suffered enormous pain, such as hunger, thirst, beating and abuse.

While reading the tragic experiences of the little Oliver, I was shocked by his sufferings.

I felt for the poor boy, but at the same time I detested the evil Fagin and the brutal Bill.

To my relief, as was written in all the best stories, the goodness eventually conquered devil and Oliver lived a happy life in the end.

One of the plots that attracted me most is that after the theft, little Oliver was allowed to recover in the kind care of Mrs.

Maylie and Rose and began a new life.

He went for walks with them, or Rose read to him, and he worked hard at his lessons.

He felt as if he had left behind forever the world of crime and hardship and poverty.

How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness.

I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty.

Although I don’t think goodness is omnipotent, yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.

For me, the nature of goodness is one of the most necessary character for a person.

Goodness is to humans what water is to fish.

He who is without goodness is an utterly worthless person.

On the contrary, as the famous saying goes, ‘The fragrance always stays in the hand that gives the rose’, he who is with goodness undoubtedly is a happy and useful person.

People receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.

To my disappointment, nowadays some people seem to doubt the existence of the goodness in humanity.

They look down on people’s honesty and kindness, thinking it foolish of people to be warm-hearted.

As a result, they show no sympathy to those who are in trouble and seldom offer to help others.

On the other hand, they attach importance to money and benefit.

In their opinion, money is the only real object while emotions and morality are nihility.

If they cannot get profit from showing their ‘kindness’, they draw back when others are faced with trouble and even hit a man when he is down.

They are one of the sorts that I really detest.

Francis Bacon said in his essay, ‘Goodness, of all virtues and dignities of the mind, is the greatest, being the character of the Deity, and without it, man is a busy, mischievous, wretched thing, no better than a kind of vermin.’

That is to say a person without goodness is destined to lose everything.

Therefore, I, a kind person, want to tell those ‘vermin-to-be’ to learn from the kind Oliver and regain the nature of goodness.