《一千零一夜》英语读后感【合集20篇】
导语:相信每个人都经历过校园生活,你觉得你的校园生活怎么样呢?下面是开学吧小编为大家整理了优秀英语作文经典模板,欢迎阅读与借鉴,谢谢!
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1000《父与子》读后感
全文共 775 字
+ 加入清单这个暑假,我读了《父与子》这本漫画书,虽然这本书没有文字,只有彩色的图片,但是这本书还是让我看了许多遍,非常受我的欢迎。说真的,第一次看到这本书时,刚翻了几页,心里就想:这本书就单单一些图片,没什么好看的。可妈妈说这是这本书是好书,应要出38元钱买,没办法“母命难违”。
回到家,我开始看起了这本书。书中的这位父亲长着大胡子,光秃秃的脑袋瓜儿,下面长着一个与头不相称的身子,身上穿着一件黑马甲和一条的白裤子。一双圆圆的眼睛里,张着两只比芝麻还要小的眼珠。只要看一眼这位长相滑稽的父亲。我突然醒悟到,我之前的感觉是错的,这的确是一本好书。因为这里面的小故事,都是我们身边的事儿,作者用艺术把它给夸张化了!
如《引书如室》这个故事:傍晚,该吃晚饭了,父亲、母亲都坐在了饭桌前,可儿子哪儿去了?于是,母亲便命令父亲去找儿子。父亲挺着大腹便便的肚皮,去卧室找儿子。这时候,儿子正趴在地上看有趣的书呢!看到父亲的来临,儿子仿佛接到了“圣旨”,马上便走出了房间。咦?餐厅怎么又缺了个人?哦,正在书的前面趴着的父亲还沉浸在书中呢。这时候的父亲像一个老顽童,全然不顾妻子和儿子正在餐桌前饿得“咕咕”叫。沉浸在书里,看到精彩之处,还在地板上飞快地跺几下脚呢!肥肠满肚的肚子把屁股压得老高,拖着腮帮子的双手,这可真有趣。
在看这本书时,我不时发出咯咯的笑声。我也可以说出其中大概的内容,这就说明我可以看懂了。说到这,你们肯定会问,不是说这书没文字,你是怎么知道的呢?是的,正因为这书没文字,才让我看着上的生动形象的画面,发挥自己的想象。这不仅培养了我们的观察能力,而且还能把他的语言在画中转述给别人听,真是一举两得。书中很多故事都能使读者在幽默的同时体会出更深的寓意。使人明理。这就是我喜欢这本书的原因。
读书,要读能读懂,有意义的书。《父与子》这本书,让我的假期有了许多欢乐。
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篇1:英语读后感写作技巧
全文共 2507 字
+ 加入清单What can I say about Pixar? Amazing?? Perfect?? Got to see this at the Cannes Film Festival in France (went>【扩展阅读篇】
所谓“感”
可以是从书中领悟出来的道理或精湛的思想,可以是受书中的内容启发而引起的思考与联想,可以是因读书而激发的决心和理想,也可以是因读书而引起的对社会上某些丑恶现象的抨击、讽刺。读后感的表达方式灵活多样,基本属于议论范畴,但写法不同于一般议论文,因为它必须是在读后的基础上发感想。要写好有体验、有见解、有感情、有新意的读后感,必须注意以下几点:
首先,要读好原文
“读后感[1]”的“感”是因“读”而引起的。“读”是“感”的基础。走马观花地读,可能连原作讲的什么都没有了解,哪能有“感”?读得肤浅,当然也感得不深。只有读得认真,才能有所感,并感得深刻。如果要读的是议论文,要弄清它的论点(见解和主张),或者批判了什么错误观点,想一想你受到哪些启发,还要弄清论据和结论是什么。如果是记叙文,就要弄清它的主要情节,有几个人物,他们之间是什么关系,以及故事发生在哪年哪月。作品涉及的社会背景,还要弄清楚作品通过记人叙事,揭示了人物什么样的精神品质,反映了什么样的社会现象,表达了作者什么思想感情,作品的哪些章节使人受感动,为什么这样感动等等。
其次,排好感点
只要认真读好原作,一篇文章可以写成读后感的方面很多。如对原文中心感受得深可以写成读后感,对原作其他内容感受得深也可以写成读后感,对个别句子有感受也可以写成读后感。总之,只要是原作品的内容,只要你对它有感受,都可能写成读后感,你需要把你所知道的都表示出来,这样才能写好读后感。
第三、选准感点
一篇文章,可以排出许多感点,但在一篇读后感里只能论述一个中心,切不可面面俱到,所以紧接着便是对这些众多的感点进行筛选比较,找出自己感受最深、角度最新,现实针对性最强、自己写来又觉得顺畅的一个感点,作为读后感的中心,然后加以论证成文。
第四、叙述要简
既然读后感是由读产生感,那么在文章里就要叙述引起“感”的那些事实,有时还要叙述自己联想到的一些事例。一句话,读后感中少不了“叙”。但是它不同于记叙文中“叙”的要求。记叙文中的“叙”讲究具体、形象、生动,而读后感中的“叙”却讲究简单扼要,它不要求“感人”,只要求能引出事理。初学写读后感引述原文,一般毛病是叙述不简要,实际上变成复述了。这主要是因为作者还不能把握所要引述部分的精神、要点,所以才简明不了。简明,不是文字越少越好,简还要明。
第五,联想要注意形式
联想的形式有相同联想(联想的事物之间具有相同性)、相反联想(联想的事物之间具有相反性)、相关联想(联想的事物之间具有相关性)、相承联想(联想的事物之间具有相承性)、相似联想(联想的事物之间具有相似性)等多种。写读后感尤其要注意相同联想与相似联想这两种联想形式的运用。
编辑本段如何写读后感
格式
一、格式和写法
读后感通常有三种写法:一种是缩写内容提纲,一种是写阅读后的体会感想,一种是摘录好的句子和段落。题目可以用《读后感》;还可以用自己的感受(一两个词语)做题目,下一行是——《读有感》,第一行是主标题,第二行是副标题。
二、要选择自己感受最深的东西去写,这是写好读后感的关键。
三、要密切联系实际,这是读后感的重要内容。
四、要处理好“读”与“感”的关系,做到议论,叙述,抒情三结合。
五、叙原文不要过多,要体现出一个“简”字。
六、要审清题目。
在写作时,要分辨什么是主要的,什么是次要的,力求做到“读”能抓住重点,“感”能写出体会。
七、要选择材料。
读是写的基础,只有读得认真仔细,才能深入理解文章内容,从而抓住重点,把握文章的思想感情,才能有所感受,有所体会;只有认真读书才能找到读感之间的联系点来,这个点就是文章的中心思想,就是文中点明中心思想的句子。对一篇作品,写体会时不能面面俱到,应写自己读后在思想上、行动上的变化。
八、写读后感应以所读作品的内容简介开头,然后,再写体会。
原文内容往往用3~4句话概括为宜。结尾也大多再回到所读的作品上来。要把重点放在“感”字上,切记要联系自己的生活实际。
九、要符合情理、写出真情实感。
写读后感的注意事项
①写读后感绝不是对原文的抄录或简单地复述,不能脱离原文任意发挥,应以写“体会”为主。
②要写得有真情实感。应是发自内心深处的感受,绝非“检讨书”或“保证书”。
③要写出独特的新鲜感受,力求有新意的见解来吸引读者或感染读者。
④禁止写成流水账!
编辑本段要写关于学习的读后感应该读什么有感
(1)引——围绕感点 引述材料。简述原文有关内容。
(2)概——概括本文的主要内容 ,要简练,而且要把重点写出来。
(3)议——分析材料,提练感点。亮明基本观点。在引出“读”的内容后,要对“读”进行一番评析。既可就事论事对所“引”的内容作一番分析;也可以由现象到本质,由个别到一般的作一番挖掘;对寓意深的材料更要作一番分析,然后水到渠成地“亮”出自己的感点。要选择感受最深的一点,用一个简洁的句子明确表述出来。这样的句子可称为"观点句"。这个观点句表述的,就是这篇文章的中心论点。"观点句"在文中的位置是可以灵活的,可以在篇首,也可以在篇末或篇中。初学写作的同学,最好采用开门见山的方法,把观点写在篇首。
(4) 联——联系实际,纵横拓展。围绕基本观点摆事实讲道理。写读后感最忌的是就事论事和泛泛而谈。就事论事撒不开,感不能深入,文章就过于肤浅。泛泛而谈,往往使读后感缺乏针对性,不能给人以震撼。联,就是要紧密联系实际,既可以由此及彼地联系现实生活中相类似的现象,也可以由古及今联系现实生活中的相反的种种问题。既可以从大处着眼,也可以从小处入手。当然在联系实际分析论证时,还要注意时时回扣或呼应“引”部,使“联”与“引””藕”断而“丝”连这部分就是议论文的本论部分,是对基本观点(即中心论点)的阐述,通过摆事实讲道理证明观点的正确性,使论点更加突出,更有说服力。这个过程应注意的是,所摆事实,所讲道理都必须紧紧围绕基本观点,为基本观点服务。
篇2:父与子读后感小学作文200字
全文共 201 字
+ 加入清单昨天晚上我看了《父与子》这本漫画非常搞笑,讲的是一对父子在生活里好玩的事情。
我最喜欢的一篇是《痛苦的自责》它画的是儿子缠着爸爸给他买玩具,爸爸不同意,但儿子再三恳求爸爸,最后爸爸就勉强的答应了,等儿子走后,爸爸就站在镜子前自己打了自己。
我想起我小时候和爸爸也是这样的,我也是让爸爸给我买玩具,爸爸总是经不住我的哭闹,买玩具给我,然后他也后悔太惯我。
这本书给我留下了很多我和爸爸的回忆,我非常喜欢这本书。
篇3:《老人与海》读后感
全文共 826 字
+ 加入清单今年寒假,我读了美国著名作家海明威的小说《老人与海》。我十分佩服小说中老渔夫的意志,他让我懂得了一个人定要有坚持不懈的精神才有可能成功。
“一艘船越过世界的尽头,驶向未知的大海,船头上悬挂着一面虽然饱经风雨侵蚀却依旧艳丽无比的旗帜,旗帜上舞动的云龙一般的四个字闪闪发光——超越极限。”作者海明威是这样评价他的作品《老人与海》的。
小说塑造了一个经典硬汉形象,古巴的一个名叫桑地亚哥的年近六旬的老渔夫,这是一次单身出海打鱼时,在一无所获的84天之后,钓到了第一条大鱼,老渔夫同鱼周旋了两天后才发现这是一条超过自己渔船数倍的大马林鱼,虽然明知很难取胜,但绝不放弃,与拖着小船游了整整两天两夜,老人经历了前所未有的艰难考验,终于把大马林鱼刺死在船头,而大马林鱼伤口上的鱼腥味却引来了好多群鲨鱼抢食,老人又与鲨鱼进行了殊死搏斗,在遇到鲨鱼的第五次袭击后,大马林鱼还是被鲨鱼吃光了,让他驾驶小船回到港口时,只剩下了一副大白骨架。
刚开始我不明白为什么如此坚强的人却会面临失败的结局,当我再阅读时,我恍然大悟,用小说中的话来说:一个人并不是生来就要被打败的,人可以被毁灭,但绝不能被打败,这表明了海明威的人生观和价值观。人生在世,每个人都会有缺点,每个人都可能面临失败,让一个认真尝试着去做好一件事情去战胜对手,重要的并不在于结果,也不在于成功和失败。只要他曾经奋斗过,努力过,那么它就是一个强者,就是一个胜利者 。
从表面看,老渔夫他是可悲的,并且不是最后的胜利者,因为尽管他捕获了大马林鱼,但是最终大马林鱼还是让鲨鱼吃了,只是带着大马林鱼的白骨架子回到了岸上,也就是说鲨鱼才是胜利者,可是老渔夫并不可怜,并不可悲。在海明威的世界里,只有这拥有真正向艰难困境挑战的人,才配拥有胜利的荣誉称号,而老渔夫正拥有了这些。
同时我也很喜欢那里面的那个孩子,在老人困难时给予帮助,在受伤时给予医药,在伤心时给予安慰……他是一个真正善良的人。
掩卷沉思,《老人与海》给的启示真的太多了!
篇4:《小妇人》读后感初中优秀作文
全文共 570 字
+ 加入清单一本你喜爱的书就是一位朋友,也是一处你随时想去就去的故地。最近,我读的一本好书《小妇人》就像一个朋友一样天天陪伴在我身边。
《小妇人》的作者是美国著名的女作家路易莎梅奥尔科特。作者以平实清新的笔调,讲述了马奇家四姐妹的成长故事。
马奇家虽然不富裕,但很注重道德教育。马奇太太经常与四姐妹谈心,每时每刻教导她们要积极向上,乐于助人。在善良的马奇太太的引导下,四姐妹在亲情中成长,她们内心充满了爱,整个家庭十分幸福。
母亲是世界上最亲爱的人,马奇太太这位善良坚强又富有爱心的母亲通过合理的教育和引导,培养出了拥有美好品质的女儿们。《小妇人》中处处都有爱:四姐妹中最大的美格爱自己的丈夫、孩子们;主人公乔卖去秀发为重病的父亲筹钱,在妹妹贝丝重病时寸步不离地照顾她;四姐妹中的老三,乔最疼爱的贝丝心里总是装着别人,却染上了猩红热,她说:“人间的爱是我们离开时唯一能够带走的东西。”艾美是四姐妹中最小的,长大后虽然生活富裕了,但她心理装的满满都是爱。
书中让我特别敬佩的是故事的主人公乔,她也是作者的化身。她个性活泼,追求自由和独立,始终清楚自己想要什么。她永远把家人放在第一位,为了家庭甘愿奉献一切,值得我们学习。
这样一个美好的家庭,充满爱的家庭使我心里满是“嫉妒”。尽管成长路上障碍重重,但有志者事竟成。原来,在这个世界上,家是最美好的,美好的爱来自家!
篇5:推荐好书《伊索寓言》读后感作文
全文共 424 字
+ 加入清单最近,我读了一本书,叫《伊索寓言》,这本书有350余篇小故事,每个故事都蕴藏着一个个小小的又深刻的大道理。
我印象最深的是一篇《蚊子与狮子》,这篇寓言描写了蚊子认为它能战胜狮子,想和狮子比赛,它飞到狮子面前,专叮它没有毛的地方,狮子想抓蚊子,可蚊子太小怎么也抓不到,狮子只好认输了。当蚊子吹着喇叭,唱着凯歌,得意扬扬飞走的时候,却不小心粘到了蜘蛛网上,被蜘蛛给抓住了,成了蜘蛛口中的美餐。这则寓言告诉我们骄傲不会有好下场,虽然打败了强大的对手,但最终也会被弱小打败。
在每一个小故事背后,都有一个大道理,等着我们探索与发现,《伊索寓言》里有的小故事让我们知道那些一心想伤害别人的人,最后必定使自己受到伤害——《农夫和狐狸》;有的小故事让我们知道不要一味地陶醉于别人的夸奖中,对自己要有必要的认知——《乌鸦和狐狸》;有的小故事让我们知道有些人即使外表改变,本性却始终不会改变——《蚂蚁》。
读了《伊索寓言》,我感受颇深,收获颇丰,受益扉浅,这本书值得一看!
篇6:中外名人故事读后感
全文共 383 字
+ 加入清单看完《中外名人故事》这本书,我不禁感慨万分。历史上的这些名人,每个人都有他的丰功伟绩,真是让人敬佩!但是我知道他们能取得成功,并不是因为他们是天才,而是他们付出了常人难以想象的努力
例如贝尔是电话的发明者。他小时候是一个淘气包,自从在爷爷那儿受到影响,他并开始努力学习,等到了高中时,他已经是学校里的优等生了。一次偶然的实验启发了贝尔想发明电话,许多人都说贝尔是痴心妄想,可贝尔并没有因此灰心丧气,反而坚定了自己制造电话的决心。他深信世上无难事,只怕有心人。虽然贝尔在实验的过程中烧坏了裤子,把大腿烧的火辣辣,但最后还是成功了。成功是在他勤奋,执着和顽强进去的精神上得来到。
除了贝尔,这本书里还介绍了许多其他的名人,如:孔子。孙武。屈原。韩信。张衡。华佗。王羲之。居里夫人。爱因斯坦。爱迪生······他们都是靠着自己的勤奋努力而成为名人的,他们都值得我们学习和尊敬。
篇7:名著《一千零一夜》读后感
全文共 579 字
+ 加入清单在这一学期里,我们读了一本书,叫做《一千零一夜》,这本书由二百三十四个故事组成,它是世界上最具生命力、最负盛名、拥有最多读者和影响力最大的作品之一。《一千零一夜》的资料奇幻诡异,包罗万象,大小故事盘根错节,具有浓郁的浪漫主义色彩,情节错综复杂,结构灵活简洁,心理描述细致入微,合情合理,所以深受我们中小学生的喜爱。
在这本书中,有很多令我佩服的人物,比如拯救了千千万万个女子的桑鲁卓、勇敢机智的马尔基娜、酷爱旅行的辛巴达、聪明的小姑娘、热心肠的小姑娘和善良的冬爷爷等众多人物。但最令我佩服的还是马尔基娜:从前,波斯王国有兄弟俩,哥哥叫卡西姆,弟弟叫阿里巴巴,有一天,阿里巴巴出去砍柴,他看见一群人念着咒语进了石洞,又念着咒语出来,于是,他跟着念了咒语芝麻开门进去装了一些财宝出来,并送给了嫂子一些,嫂子很嫉妒,于是卡西姆来到阿里巴巴家,向弟弟说明一切,阿里巴巴把咒语告诉了他,当他明白后,也去拿财宝,结果忘了怎样出来,于是他被强盗杀死了。之后,强盗要去抓其他明白咒语的人,一个强盗明白是谁了,于是便在他家的门上用小刀做了标记,女仆马尔基娜发现了,将每个人的房子上都走了标记,之后,一个强盗什么标记都没做,只是记住了那房子长什么样貌,于是,他带这其他人伪装成贩油的,进入到了他的家中,聪明的马尔基那用热油烫死了那些强盗。
这告诉了我们,只要机智勇敢,就必须能成功。
篇8:《傲慢与偏见》英语读后感
全文共 1691 字
+ 加入清单Love seems to be the perpetual theme all over the world. But actually what is love? For most girls in 20s, love may mean everything to them. They seek for love bravely no matter what difficulties they may face. In their eyes, love is pure or even holy. However, those are just an ideal situation, n real life; people tend to find a balance between love and property.
Pride and prejudice is Austin’s great work. Through the discussion of the different marriages and love, the writer demonstrates her concept about love and marriage: love and marriage is closely associated with property and society, however, love and marriage can not only be decided by the property and social status. An ideal marriage should be based on mutual affection, respect and the same interest. She rejects the marriage based only on wealth.
Different people have different ideas upon marriage. By the description and discussion of the four marriages in the novel, we can see that Austen fully expresses her views on love and marriage. Only by appreciating the marriage founded on the basis of mutual understanding and true love, but also by satirizing the marriage founded on the basis of origin and desire.
The marriage based on social position and money can’t bring happiness in life. Aimless marriage and love are unpractical.
Everything goes wrong for poor couples. Marriage based on wealth is not a fault. At least, it can offer us a better condition of life. Property is not everything in the life but without it, we can do nothing. This is called reality. But if you only married for wealth, you sell your liberty. The rest of your life might be miserable, and your marriage will filled with endless bitterness.
篇9:羚羊木雕的读后感初中
全文共 492 字
+ 加入清单文中向我们介绍了:“我”把爸爸从非洲带回的羚羊木雕送给了从小到大的好朋友——万芳。但爸爸妈妈却强迫我问万芳要回羚羊木雕。迫不得已,我从万芳那拿回了羚羊木雕。万芳原谅了我,并说:“我们永远是好朋友!”
这个故事让我想起了斯托贝说过的名言:“财富不是朋友,而朋友却是财富。”但在大人心中,这句话却恰恰相反,在他们心中个人利益永远第一,友情却是倒数第一。这不禁让我想起生活中发生的一件事。
一天,朋友小雨向我借一本《三十六记》。我满口答应了。回答家,我便问妈妈把我的《三十六记》放哪了。妈妈惊讶的问我:“你也会看?你可是只爱看童话的啊!”我听了,急忙解释:“今天,小雨问我借,我答应明天带给她。”妈妈听了,果断的说:“不行,这本书你自己也没好好看过,并且这本书是我们送你的生日礼物,借她万一不还呢?”我摇摇手说:“小雨不是这种人,而且我都答应她了。”“人心难测啊!她问你要,你就说借别人了。”妈妈严肃地说。
第二天,我对高兴的小雨说,这本书借表弟了。小雨听了,十分失望的走了。我骗了她,心理也十分难过。
哎!我真希望大人能理解我们,不要只坚持自己的意见。
篇10:《人间失格》读后感800字
全文共 1492 字
+ 加入清单《人间失格》是躺在书架里好久的一本书,翻了几页,深感压抑,便再没有读起。直到前几天学弟说他在读,又恰好成立读书小组,便又和这书重逢。
坦白说,读这本书的时候,我不是在看叶藏的故事,而更像在回顾和剖析过去的我。这一过程是痛苦而艰难的,却也是刺激而痛快的。以至于在读的过程中,我一直都在问自己:我们该以什么样的态度去面对过去?假若你也曾有过一段晦涩孤寂的时光的话。
叶藏从小生活在一个古板的旧式乡下家族,“大家都板着面孔吃饭,就俨然成了一种仪式。全家老小,一日三餐,在规定的时间内聚集到阴暗的屋子里,井然有序地摆好饭菜,即便没有食欲,也得低着头,一声不吭地嚼着饭粒”,如此压抑的气氛导致他对用餐时刻充满了恐惧。而那时的他,还只是个小孩子。一直在想是什么让小叶藏如此敏感,对与人交往充满了恐惧和渴望?也许是因为生来就体弱多病,天生的性格阴郁,以及少与人接触,让他只画地为牢在自己的小小世界里。人之初,性本善,他从书本中学到的绝对的善恶是非中为自己戴了枷锁。当他看到世间与他所想并不一样甚至完全相反时,(例如当他看到大人们若无其事的虚伪做作时),他的价值观开始动摇,他不知道怎么做才是对的,正常的。他从一个旁观者的角度去看待芸芸众生,一方面以高尚的道德要求鄙视人间,一方面又害怕自己不正常,渴望融入人间。他的潜意识里希望自己变成一个俗人。而不是活的如此挣扎而痛苦。颇有种众人皆醉我独醒的自负,可这只不过是他自以为的。
如果用一个词去评价叶藏的话,那就是“混沌”。如叶藏一样的人的共同点是:敏感多疑,玻璃心,害怕受伤,极度恐惧人际关系以至于处理时战战兢兢,自我认同感低。然而,在面对与自己价值观全然不同的人间,有的人选择了极端对抗,可想而知撞得头破血流;而叶藏选择了伪装自己,讨好别人,努力做一个能够融入人间的正常人。而正是这种伪装和偏执,让他始终游离于人间之外,且日日挣扎灵魂难以救赎。苏格拉底说,要认识你自己,这真的是人生中最重要的一个课题。而叶藏,很可悲,他无法认识自己,也无法客观的认识世界。他不知道自己喜欢什么,也不知道自己饿不饿,他的一切都依附于别人的喜欢,别人的要求。可怜,可悲,可叹。
可我也曾有过那样一段艰难的时光。只不过我选择的是对抗,固执己见。现在看来,大概年少时多一些坎坷和碰撞,未必是坏事。若不残酷,哪得顿悟。若是像叶藏一样不断地伪装和逞强,终有一天会不堪负累。许是和叶藏有过相似的经历或者说心路历程,读书笔记·所以阅读手记的过程中我十分理解他,但我却不能同情他。哀其不幸,怒其不争,大概就是这样的感觉。叶藏只把自己拘禁在一个小圈子里,他的所有痛苦挣扎都是真实的,痛彻的。可是,在外人看来那就是一种不知所云的矫情,甚至当你走过那一段路再回望的时候,也会骂自己一句傻比啊我当时都在想些什么。可我也明白走出来有多么不容易,那是一段多么黑暗无助的时光。
我很遗憾,叶藏没有和这个世界和解。叶藏最后感慨他失去作人的资格,是他在做出了那么多努力之后发现,他终究还是无法做一个正常人,他的灵魂依然无法得到救赎。更可悲的是,这些并非是别人的过错,而是他自己。是他的灵魂出了问题,难以修补。这无疑是最绝望的事情。就好像一个完美主义者看到自己忽然残缺的身体,难以挽回的那种悲恸。他再也没有勇气,也找不到办法去融入人间了。
而我,以一个曾经的病友,现在的胜利者的姿态,不能去尽更大善意的理解和心疼叶藏,多了些许漠然,这也是我的悲哀。可我也庆幸,有时的漠然也是我性格的一部分,我坦然接受它,并不以它为耻。毕竟,我只是芸芸众生中的一俗人啊。
愿所有迷茫的人,坚定的做自己,都能够与这个世界和解。快乐的生活。
篇11:《骆驼祥子》读后感500字
全文共 820 字
+ 加入清单轻轻地合上书,闭上眼睛,脑海里便浮现出两个影子……
一个叫祥子,生活在社会的底层,做一个毫不起眼的洋车夫。虽是如此,但他却不同于别的车夫,他老实,健壮,肯吃苦,肯出力,他拥有梦想一一拥有一辆自己的车!
另一个也叫祥子,但他迷失了善良和梦想,他的爱,他的希望,都被残酷的社会磨灭了。变得麻木,贪财,潦倒,他,彻底堕落了。
祥子的改变,也许是众多的车夫,下层人民所经历过的。他们生活在一片黑暗之中,阳光无法照进他们的心灵,即便拥有一盏灯,拥有善良,又能改变什么?又能逃脱什么?灯总会燃尽,善良也会被无情的黑暗所吞没。
祥子生在乡间,十八岁的他,独自来到了北京,他选择做一个洋车夫,因为挣钱多,而且他有的是力气,身体也很健壮,拉起车来不仅快,跑法也很漂亮。他有自己的计划,自己的梦想,他要有一辆自己的车,一辆崭新的车!
三年的努力后,这个梦想实现了,他有了一辆属于自己的车,他梦想着还要再买很多辆,开一个车厂子!可是这个梦想又破灭了:他的车在兵荒马乱中丢了!一切归零!
每一个人都被命运掌控着,祥子当然也不例外。三年辛勤换来的车,眨眼间便没有了,等待他的,还会有什么?
祥子丢了车,但没有丢掉他的梦想,他要重新再来,他相信,只要付出辛劳,付出力气,就会有回报,他依然早出晚归地拉车。但是命运却偏偏捉弄祥子,他的积蓄被孙侦探敲诈一空。而他又不得以娶了虎妞。此时的祥子走到了悬崖。虎妞难产,小福子自杀,这一连串的打击使他再也攀不住,坠入深渊。他的希望没有了,梦想也早已随之而去,他失去了一切,只剩下一具空洞的身体。他和众多人一样苟活在这世上。黑暗使祥子迷失了自己,忘记了自己的追求。
“雨下给富人,也下给穷人;下给义人,也下给不义的人。其实,雨并不公道,因为下落在一个没有公道的世界上。”我可怜祥子,生活在黑暗社会中,我又庆幸自己,拥有美好的生活。
被阳光照耀的我们,应该不忘自己的追求,带着一颗善良的心,去实现自己的梦想!让我们永远记住那个勤奋,善良,老实的祥子吧!
篇12:成语故事读后感
全文共 475 字
+ 加入清单老师布置我们暑假里好好读书,写好读书笔记,我就找了一本《成语故事》细细品读起来。
在成语世界里,我认识了心口不一的叶公;明白了“刻舟求剑”的愚蠢;领略了“守株待兔”的迂腐;见证了“掩耳盗铃”的可笑......但令我印象最深的还是那位“闻鸡起舞”的祖逖。
祖逖是我国晋朝时候的人,他年轻的时候想为国家效力,夜里翻来覆去睡不着觉,听到鸡叫声,受到启发,决心练就过硬的本领,报效国家。于是他和好友刘琨一起练习武艺。这样,无论是凌烈的寒冬,还是炎热的酷暑,他们都坚持练习。
由于本领高强,祖逖当上了将军,实现了他报效国家的愿望,他带领的队伍纪律严明,作战勇敢,打了不少胜仗,得到了老百姓的支持和拥护。
这就是祖逖,一个“闻鸡起舞”的青年,一个勤学苦练的模范,一个值得我们学习的人。对于我们这些小学生来说,或许还不需要“闻鸡起舞”,但是我们需要“闻鸡起舞”的这种精神。
这就是成语的魅力,简简单单一个小故事,却蕴含了深刻的道理,反映了我们中国文化的博大精深。
以上就是小编为大家准备的中华成语故事读后感,希望能够帮助到你们。
篇13:《一千零一夜》小说读后感
全文共 522 字
+ 加入清单这几天,我看了一本书名叫《一千零一夜》,讲了许多神话故事,现在我就讲一两篇吧。
第一篇是这样的,有一天一个名叫阿里巴巴的人上山赶牛,看到了强盗,于是跟了进去,然后发现了宝藏,后来哥哥问他哪里有那么多的宝藏,阿里巴巴告诉了他,接着哥哥在去取宝藏的时侯被杀了,阿里巴巴为了给哥哥报仇,在路上碰到了一位小姑娘,最后在小姑娘的带领下杀死了强盗,从此,阿里巴巴过着富有的生活。这个故事告诉我们不要象阿里巴巴的哥哥一样贪财,要有一个平常心。
另一篇故事是这样的,古时侯,有三个人到皇宫里娶三个公主,第一个与第二个都通过了,到第三个的时侯,国王问他带的这是什么,那个人说:“是乌木马,可以骑着它随便到哪里。”国王叫着他的儿子试试,还真的到了另一个地方,在那里王子认识了一位公主,他们相互相爱,可不久公主被人抢走了,王子为了找公主,走啊走啊,终于找到了公主,并用了机智救出了公主,这个故事告诉了我们,要勇敢机智、聪明,爱上一个人,就应该在一起幸福的生活。
在现实生活中,我们一定也要那么机智勇敢,有错就改,不要为了玩,而忘记了做作业,整天无所事事,成天不学习,不做事,在遇到困难时不退缩,要勇敢地面对现实,敢于挑战困难。
怎么样,想知道更多的内容,那就拿起这本书看吧。
篇14:《爷爷一定有办法》读后感
全文共 310 字
+ 加入清单我很喜欢《爷爷一定有办法》这个绘本,书中主要讲了约瑟从小就和爷爷建立起深厚的感情,他相信爷爷一定有办法把旧的东西变成新的东西……
我还特别喜欢这本书的图画,因为在这个故事的每一幅图下空有一个小老鼠的家庭,画面上的他们没有脏乎乎的下水道,他们每一只小老鼠都有自己的房间,每间房间都很漂亮,哪里的一切都充满生活气息,那么温馨,那么幸福,最主要是它们也忙忙碌碌着,在用爷爷剪下来的零碎布做床单,窗帘,桌布,还有衣服等等,用勤劳的双手把自己的家庭装扮得漂漂亮亮,看上去真甜蜜。真是美妙极了!
这本书告诉我们,凡事要多动脑筋、想办法,才能充分利用现有的资源,变废为宝,把不能用的东西变成有用的东西,因此我喜欢《爷爷一定有办法》这本书。
篇15:《傅雷家书》读后感
全文共 1198 字
+ 加入清单【山一样的爱】
《傅雷家书》让我感觉自已仿佛坐在阳光下听着一家人在拉家长一般,那么有趣,那么深情。
先说一下孩子吧,处在异国他乡,却是父母的自豪与骄傲。虽然只在是一个人生活,但是仍然能让自己进步,在他小的时候,就有过一两年的独立生活,我认为这种独立,自主的精神需要我们去学习,无论是生活中还是学习中,还有一点, 是当他发现自己不如别人时,他会每天花几个小时去弹琴,如果让我每天画几个小时的画,我或许会坚持不下去。正因为他的不懈努力,使他取得了更大的进步,获得了更多的肯定,收获和付出是分不开的,这种坚持不懈的精神更值得我们每一位同学学习。
对于父亲,有说不完的话,他不仅是翻译家还是心理学家、教育家,从孩子的家信他可以看出很多东西,如:一个人的品质、心情,从照片中看出孩子最近是否瘦了、睡眠如何,可见他对孩子的关心之至。他让孩子写信时用纸要簿,字小纸簿就省一点儿邮费了,我认为他也是一个节约的人,他既严历又慈祥。
对于为人之母,给我的第一印象就是贤妻良母。孩子生活中的每一件事都考虑到,她总是把自己喜欢的书和曲目等等告诉孩子,甚至把书递给孩子。“已所不欲,勿施于人”她总是把自己喜欢的给别人。
写到这儿,我眼睛已经湿润,我觉得天天在我身边的母亲既有文中父亲的精神又有母亲的精神。是啊!妈妈真是又当爸来又当妈,而我则有点像文中的傅聪,记得今年2月份去北京参加了书画大赛后直到暑假,妈妈都在为我去韩国的事犯愁,要说不去吧,又错过了一次这么难得的机会,要说去吧,又怕一个人不安全(我是一个人去的)担耽了学习,但是最后妈妈还是决定让我去,因为她认为去了就是去锻炼自己的自主能力,而且也是代表中国去的,机会难得,如果现在不去,接下来的几年一定会很忙,到了大学,每个人都有机会去,我也就没有优势了。即使姑妈们都反对我去,说又费时间又费钱,说老实话,我们家并不富裕,那些钱也不过是妈妈每天省下来的。以前妈妈上班的地方离家近时总是中午一个人在家里吃一些剩菜剩饭,有时没有剩菜剩饭就吃点面条。生活上不到迫不得已她不会为自己买什么,妈妈经常会对一些自己喜欢的东西只看不买,因为她不舍得花钱。感冒了总是吃几颗药硬挺着,不到医院去,因为她知道就她的情况而言是要挂盐水的,这样她就不能照顾我和弟弟了。可是她总是给我和弟弟买最好的。她对我也是有要求的,她既是我们的严父,又是我们的慈母。而我呢?想来这些年却总是让妈妈生气,让妈妈操碎了心。要知道当初到杭州来读初中也是妈妈一个人坚持的。家里人都说大城市费用高,一个人在异乡供养我们俩,太累了,我们和爸爸在家乡的话,她好舒服点。毕竟爸爸在家乡的事业也是不错的,日子过得也宽裕。可妈妈就是坚持要让我们到大城市来,多学多见识。
妈妈对我的爱如同大山一般,由一块一块的小石子堆积而成,日积月累,她用自己的母爱去译我的心,又用她的陡峭来教育我,用她的绿色来感染我,她的爱如同常青的山,永远不会变色。
篇16:《美国之梦》英语读后感
全文共 1724 字
+ 加入清单Novel describe and buy to sell through perfect art form wine upstart" American dream" that Gatsby pursue unreal the twenties Kill , has announced the tragedy of the American society. Gatsby falls in love with Daisy and departure is actually a very ordinary love story. But the author makes skilful opening moves, regard girl whom Gatsby loved the symbols of the youth, money and status deeply as, Regard U.S.A. as by means to pursue rich material life" Dream of". For pursue Gatsby Daisy exhaust own emotion and ability and intelligence, ruin ones own life. He thought innocently : Can revive an old dream after having money, redeem the lost love. Its a pity , he is wrong. He has misunderstood this one of Daisy Vulgar and shallow woman . He has misunderstood the boring society on the surface dissipated and luxurious and hollowly on spirit. Whether it live he the dreamlike China, is abandoned by Daisy, treats for the society coldly, Cast the tragedy that cant retrieve at last.
Gatsby is the typical American youth in the twenties. Experience of him whether joyous song smile at portrayal in" knights times" of dance. Sweetheart Daisy of ones early years such as Gatsby marry rich and life dissolute Tom. For win Daisy, by buy to sell he wine accumulate first a large sum of wealth again He thought innocently : Can revive an old dream after having money, redeem the lost love .But he fails to gain Daisys heart finally, has exhausted ones own emotion and ability and intelligence in order to pursue Daisy, Ruin ones own life finally. The illusion that Gatsby revived an old dream has gone for ever. The author composes a chilly and disappointed sad melody with the multicoloured note, leave somebody limitless thinking.
篇17:《羊脂球》英语读后感
全文共 4266 字
+ 加入清单Guy de Maupassant(18501893), one of the greatest critical realist writers in the world, is considered as one of three kings of world short story。 Maupassant created six novels and 359 medium forms during his brief lifetime, engendering a momentous effect on the later literature. And it’s his maiden work, Suet Ball that won him world-wide prestige.
In1870, with the outbreak of the Franco-Prussian War, the real-based story Suet Ball happened. The heroine of the story is a humble harlot called Suet Ball. With a group of French residents of Rouen, recently occupied by the Prussian army, the 11 travelers are on their way fleeing to Le Havre in a stagecoach. In virtue of the appalling weather, the stagecoach moves rather slowly and has just covered a few miles by midday. Initially, those occupants snub Suet Ball whereas their attitudes alters with the emergence of a basket filled with scrumptious food and she caters for those hungry travelers selflessly.
The carriage doesn’t stop until they blunders into a Prussian-held territory called T?tes. A Prussian officer detains the coach with no definite reasons. In the next two days, the occupants wait with barely concealed impatience and eventually Suet Ball tells that they will be detained perpetually unless she approves of sleeping with the officer. Out of her patriotism, Suet Ball gives him a point-blank refusal. As it should be, those travelers behave furiously to the officer"s arrogance while during the next two days, they exemplify logic and morality in diverse ways to convince Suet Ball of its validity. What a kind-hearted girl! Finally Suet Ball gives up and sacrifices her body for everyone’s freedom.
The next morning, they are permitted to leave. But those "representatives of Virtue" totally neglect Suet Ball, casting scathing sights on the poor young woman while even disdaining talking to her and rejecting sharing their food with her in the same way that she did at the beginning. From their perspectives, Suet Ball turns out to be no more utilizable and should be condemned for her ashamed conduct. As the stagecoach travels deeper into the night, she seethes with rage against those hypocrites, and ultimately weeps for her lost dignity.
In this story, Maupassant highlighted the intense comparison between Suet Ball and the so-called nobles. Rapacity, hypocrisy, sexuality and nobility intertwine in the spotlight,eulogizing the underclass’ patriotism and lampooning the sham of the aristocracy. Maupassant portrays the inhabitants of the stagecoach in varied disparaging ways. The most luminous character belongs to the two nuns. At first they are portrayed as tranquil and subservient to Lord and demonstrate their fiery patriotic desire to dedicate to their motherland rather than a sordid intention like the other passengers: the nuns profess to haste to a military hospital to heal the wounded French soldiers, hence presenting the argument towards instigating Suet Ball to abandon her resistance. How absurd it is! Nuns are supposed to take strait vows and treat others benevolently. They fill Suet Ball"s head with arguments, arguing that it is not morally wrong to sleep with the officer in order to let the travelers leave, and that the longer she waits, the more young French soldiers will die as the nuns are not there to look after them. Superficially, they claim that it is for the good of the country but indeed they’re just taking advantage of her. Suet Ball"s resistance to the officer"s sexual advances again indicate her patriotism. Cruel wars have stripped all the external stuffs. In contrast to all of these is Suet Ball, a prostitute, revealed to be the most fiercely patriotic, virtuous, and morally admirable character, which Maupassant contrasts with the hypocrisy and snobbery of the others.
It is arguably Maupassant’s most famous short story. The carriage constitutes a microcosm of French society as a whole. And the narrative techniques of this story are rather sophisticated and carefully conceived. On balance, a real noble person like Suet Ball can’t be judged by the appearance or the occupation, his/ her moral quality will glitter when confronting the real ordeal. Consequently, I deem that Suet Ball is worth reading lingeringly, savoring every word.
篇18:《三国演义》读后感小学优秀作文400字
全文共 406 字
+ 加入清单天哪!我终于有了一本四大名著之一的《三国演义》!嘻嘻!这是我的老爸买给我的哦!我迫不及待的想要开始欣赏,可是已经是晚上了,好歹也要先把晚饭给吃了再看吧。
吃完了饭, 我立刻将书一把捧了过来,聚精会神的看了起来。看着看着,我慢慢的明白了大义:汉灵帝腐败无能,不问政事,老百姓过不上温饱的生活,于是爆发了黄巾起义,刘备,关羽和张飞结拜为异姓兄弟,一同去参军,之后王允使用计谋,杀死了董卓,刘备又三顾茅庐请来了诸葛亮,夺了荆州,刘备又和孙权共同抗击曹操,黄盖使苦肉计,假降了曹操,赤壁之战大败曹军,后来诸葛亮却又气死了周瑜,张飞又先后打败了严颜,马超,又劝降了他们。后,关羽又单刀赴会,张飞治取瓦口隘,可是回来关羽又大意一不小心失去了荆州,忍痛让华佗为他刮骨疗毒,可不久,关羽又被孙权杀死了。
这些人中,我最敬重关羽,因为他武功高强,为人厚重。
“高天!九点钟啦!睡觉!”
“哎呀!我看的太人神,忘了时间了!再见,我睡觉了!”
篇19:老人与海英语读后感
全文共 9113 字
+ 加入清单When I was a middle school student, I’ve finished this book in Chinese.But when I read it in English,I really gain something new both in the way of expression and the spirit it shows to us.May be different ages to read the same book we will learn different things from it.At least, for my part, that is true.
Firstly,I would like to review some information about this book.Such as the background,major characters and the topic of it.
The Old Man and the Sea is a story by Ernest Hemingway, written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingway and published in his lifetime. One of his most famous works, it centers upon Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.
The Old Man and the Sea served to reinvigorate Hemingways literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers confidence in Hemingways capability as an author. Its publisher, Scribners, on an early dust jacket, called the novella a "new classic," and many critics favorably compared it with such works as William Faulkners "The Bear" and Herman Melvilles Moby-Dick.
This book gives me a deep impression especially the description about the man’s braveness and persistence.
In this book, in order to suggest the profundity of the old man’s sacrifice and the glory that derives from it, Hemingway purposefully likens Santiago to Christ, who, according to Christian theology, gave his life for the greater glory of humankind. Crucifixion imagery is the most noticeable way in which Hemingway creates the symbolic parallel between Santiago and Christ. When Santiago’s palms are first cut by his fishing line, the reader cannot help but think of Christ suffering his stigmata. Later, when the sharks arrive, Hemingway portrays the old man as a crucified martyr, saying that he makes a noise similar to that of a man having nails driven through his hands. Furthermore, the image of the old man struggling up the hill with his mast across his shoulders recalls Christ’s march toward Calvary. Even the position in which Santiago collapses on his bed—face down with his arms out straight and the palms of his hands up—brings to mind the image of Christ suffering on the cross. Hemingway employs these images in the final pages of the novella in order to link Santiago to Christ, who exemplified transcendence by turning loss into gain, defeat into triumph, and even death into renewed life.
The major characters in this book are also vivid and lively.
Santiago?,the old man of the novella’s title, Santiago is a Cuban fisherman who has had an extended run of bad luck. Despite his expertise, he has been unable to catch a fish for eighty-four days. He is humble, yet exhibits a justified pride in his abilities. His knowledge of the sea and its creatures, and of his craft, is unparalleled and helps him preserve a sense of hope regardless of circumstance.
The marlin?,Santiago hooks the marlin, which we learn at the end of the novella measures eighteen feet, on the first afternoon of his fishing expedition. Manolin?,a boy presumably in his adolescence, Manolin is Santiago’s apprentice and devoted attendant. The old man first took him out on a boat when he was merely five years old. Due to Santiago’s recent bad luck, Manolin’s parents have forced the boy to go out on a different fishing boat. Manolin, however, still cares deeply for the old man, to whom he continues to look as a mentor.
Joe DiMaggio, although DiMaggio never appears in the novel, he plays a significant role nonetheless. Santiago worships him as a model of strength and commitment, and his thoughts turn toward DiMaggio whenever he needs to reassure himself of his own strength. Perico ?,Perico, the reader assumes, owns the bodega in Santiago’s village. He never appears in the novel, but he serves an important role in the fisherman’s life by providing him with newspapers that report the baseball scores. This act establishes him as a kind man who helps the aging Santiago.
Martin,like Perico, Martin, a café owner in Santiago’s village, does not appear in the story. The reader learns of him through Manolin, who often goes to Martin for Santiago’s supper. As the old man says, Martin is a man of frequent kindness who deserves to be repaid.
From the very first paragraph, Santiago is characterized as someone struggling against defeat. He has gone eighty-four days without catching a fish—he will soon pass his own record of eighty-seven days. Almost as a reminder of Santiago’s struggle, the sail of his skiff resembles “the flag of permanent defeat.” But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. He lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless.
Because Santiago is pitted against the creatures of the sea, some readers choose to view the tale as a chronicle of man’s battle against the natural world, but the novella is, more accurately, the story of man’s place within nature. Both Santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. As Santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: “man is not made for defeat . . . [a] man can be destroyed but not defeated.” In Hemingway’s portrait of the world, death is inevitable, but the best men (and animals) will nonetheless refuse to give in to its power. Accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an old man’s trophy catch.
The novel suggests that it is possible to transcend this natural law. In fact, the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. It is precisely through the effort to battle the inevitable that a man can prove himself. Indeed, a man can prove this determination over and over through the worthiness of the opponents he chooses to face. Santiago finds the marlin worthy of a fight, just as he once found “the great negro of Cienfuegos” worthy. HSantiago, though destroyed at the end of the novella, is never defeated. Instead, he emerges as a hero. Santiago’s struggle does not enable him to change man’s place in the world. Rather, it enables him to meet his most dignified destiny.
While it is certainly true that Santiago’s eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman, and that his attempt to bear out his skills by sailing far into the gulf waters leads to disaster, Hemingway does not condemn his protagonist for being full of pride. On the contrary, Santiago stands as proof that pride motivates men to greatness. Because the old man acknowledges that he killed the mighty marlin largely out of pride, and because his capture of the marlin leads in turn to his heroic transcendence of defeat, pride becomes the source of Santiago’s greatest strength. Without a ferocious sense of pride, that battle would never have been fought, or more likely, it would have been abandoned before the end.
Santiago’s pride also motivates his desire to transcend the destructive forces of nature. Throughout the novel, no matter how baleful his circumstances become, the old man exhibits an unflagging determination to catch the marlin and bring it to shore. When the first shark arrives, Santiago’s resolve is mentioned twice in the space of just a few paragraphs. Even if the old man had returned with the marlin intact, his moment of glory, like the marlin’s meat, would have been short-lived. The glory and honor Santiago accrues comes not from his battle itself but from his pride and determination to fight.
Santiago dreams his pleasant dream of the lions at play on the beaches of Africa three times. The first time is the night before he departs on his three-day fishing expedition, the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin, and the third takes place at the very end of the book. In fact, the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. Because Santiago associates the lions with his youth, the dream suggests the circular nature of life. Additionally, because Santiago imagines the lions, fierce predators, playing, his dream suggests a harmony between the opposing forces—life and death, love and hate, destruction and regeneration—of nature.
This book gives me courage of conquering all kinds of difficulties .And I have the belief that the most beautiful thing is the process that we make our best to achieve our dream,and never say give up .
篇20:《假如给我三天光明》读后感300字
全文共 420 字
+ 加入清单在十九世纪中有一个传奇人物,她就是海伦 . 凯勒。我最近读了一本海伦的自传《假如给我三天光明》 。读完这本书之后,我的心就被海伦的精神给震撼了。
“苦难对于天才是一块垫脚石……”正是先天的残疾所带来的苦难造就了海伦 . 凯勒无比坚强的品格。海伦虽然身体上有缺,但她感悟到“水”后,就开始了她对知识的渴求。她又在常人难以想象的枯燥中学会了多国语言。
有位哲学家说过:“勇敢寓于灵魂之中而不是一副强壮的躯体。”这是对海伦的真实写照。海伦凭着一颗坚强,有毅力,善于欣赏美的心,在黑暗的世界中发现光明,在无声的世界中找到天籁,在逆境中努力向前,不畏艰难。海伦好像在攀登奇山险峰,跌到了再爬起来,知难而上,不回头,最终一定能登上在璀璨的云端,蓝天深处的那成功的山峰。海伦 . 凯勒用她艰苦却幸福的一生解释生命的意义。我们因该向她学习,学习她的毅力,坚强和要用美丽的心灵看一切事物。
读了这本书,它给我了巨大的感悟。让我要努力学习,用乐观和毅力面对一切困难。