《阿甘正传》观后感英文通用20篇
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58楚门的世界英文观后感
全文共 4393 字
+ 加入清单Truman was a man, ordinary, like the life around us. He has many desires, and very easy to meet. Therefore, he sometimes ecstatic, sometimes Rusangkaobi, most of the time the loss depressed, overwhelmed. At this time, there has been a director of genius useless, and he constantly create new stimuli, so that he becomes ups and downs in the long drama, appetizing. Truman happy he would give him time to create some trouble, when in its depressed, then seize the opportunity to open it alive. He made such romantic novels as blonde suddenly appeared in the sight of Truman, his erotic valve open, letting her sudden departure, so the mind fall into a bottomless abyss; he had never met before to Truman "late father" suddenly appeared, to recognize exaggerated comic scenes make it in your eyes, but also make the TV viewing audience tears; he brought Trumans close friends in their emotional bad time to care for him, enlighten He, so that it felt the "Oasis in the Desert" and rebirth of confidence, although the friend is an actor, and is carrying a large segment of lines ... ...
Who admire the film brilliant and arrogant genius director, he leads people to think of God, also saw the weak, tired, helpless and confusion Truman was the hypocrisy of the play again, or for life and the future with optimism when the waves in my heart to sorrow and grief, I could not bear to face - can not bear to face a real "us"!
"Life is like a play, movie is like life," so lamented philosopher, but the actors on the stage of life - we, is not always an act of consciousness has it? Or deception and the arrangement of God, selflessly doing meaningless things? Happy, do not
Enough to make us love this world; setbacks, not enough to make us abandon this world. God is like the genius as a director, holds a very good degree, he knew that when a blow to us, when we gave a warm fire burned, he allows us to maintain hope in pain, in hope endure pain, the pain making the story as waves, but also making the ratings, the hope is to train and gave us the appearance fees, so we are not so half-way stop play.
The end of the movie, Truman is awake, and he told the camera, really the "God" strike played out. Panic talented director, he will lose the audience, he strove to retain Truman, the director told him to leave the control of the world is very dangerous, but Truman was out of that door, walks over to the dark unknown world, he said that the world waiting for him no matter what, he did not care. Buddhism, the "epiphany" one said, and that a complete self-sufficiency of human nature is dead in the dust covering it, it lost. Truman is the insight it seems, he should get back the lost self, the self-contained complete and carefree nature.
"Diamond Sutra" language: "Where all the phases are all false, if seen in the phase of non-relative, then see the Tathagata." Costume sooner or later to fade, set to be removed sooner or later, when the act is performed in a lively manner, but Do not forget to watch a movie than ever addiction, feel free to let another "I" - the I, off the stage, in the audience, sipping tea, take a look at the stage of "I" and "them", a few drum Under the palm, a few drops of tears flow, understand this, that will insight a. In fact, we not taken the door across what is the relationship? Because our hearts have been cross-out.
译文:
楚门是个普通人,普通得就像生活在我们身边。他有许多的欲望,又很容易满足。因此,他有时欣喜若狂,有时如丧考妣,大多的时候则彷徨郁闷,不知所措。这时,天才的导演又有了用武之地,他不断地制造新的刺激,使他的长剧变得波澜起伏,吊人胃口。他在楚门快乐的时候便给他制造些麻烦,在其沮丧的时候,则不失时机地给其开启一线生机。他让金发女郎如言情小说般突然出现在楚门的视线中,开启他爱欲的阀门,又让她突然离去,使其心灵坠入无底的深渊;他让楚门从未谋面的“已故父亲”突然现身,夸张滑稽的相认场面令其热泪盈眶,同时也赚取了电视观众的热泪;他又让楚门的知心朋友在其情绪恶劣的时候去关怀他、开导他,令其感受到这“荒漠中的甘泉”而重生信心,虽然那位朋友只是一个演员,而且正背着大段台词……
很佩服电影中那位才华横溢、不可一世的天才导演,他让人想到了上帝,同时看到那个软弱、疲惫、徨惑的楚门被一次次的虚伪所玩弄,还是对生活和前途充满了乐观时,我的内心就一阵阵地酸楚,我不忍面对——不忍面对一个真实的“我们”!
“人生如戏,戏如人生”,哲人如此感叹,但人生舞台上的演员——我们,是不是时刻都有一种演戏的自觉呢?还是在上帝的欺瞒和安排下,忘我地做着无意义的事呢?快乐,不
足以使我们热爱这个世界;挫折,不足以使我们抛弃这个世界。上帝就像那个天才的导演一样,掌握着很好的度,他知道该在何时给我们当头一棒,何时又给我们烧起暖暖的火炉,他使我们在痛苦中保持希望,在希望中忍受痛苦,因为痛苦制造着剧情的波澜,也制造着收视率,希望则是赏给我们的出场费,使我们不至于中途罢演。
电影的末尾,楚门是觉悟了的,他对着摄影机,真的向“上帝”罢演了。天才的导演恐慌了,他将失去观众,他竭力挽留楚门,告诉他离开了导演控制的世界是很危险的,但楚门还是走出了那扇门,走向那个黑漆漆的未知世界,他说不管那个世界中等待他的是什么,他都不在乎。佛家有“顿悟”一说,并说人的本性自足圆满,是人世的尘埃覆盖了它,使它迷失。看来楚门是顿悟了,他要找回那个失去的自我,那个自足圆满、自由自在的本性。
《金刚经》语:“凡所有相,皆是虚妄,若见诸相非相,则见如来。”戏装迟早要褪去,布景也迟早要撤下,演戏的时候则生龙活虎地演一场,只是别忘了过过看戏的瘾,随时让另一个“我”——本我,走下舞台,在观众席上,呷一口茶,看看戏台上的“我”和“他们”,鼓几下掌,流几滴泪,明白了这一点,便接近顿悟了。其实,我们跨不跨出那扇门又有什么关系?因为我们的心灵已经跨了出去。
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篇1:电影《阿甘正传》观后感
全文共 2238 字
+ 加入清单在我精神极度空虚寂廖之时,友人没有长篇大论的说教,而是不无关爱的建议:“去看看《阿甘正传》吧!”,我真的在夜深人静的时候,找出影碟一个人“读”完了他,是指“阿甘”。
我惊诧于美国人的影视作品的绝妙所在,如果说《乱世佳人》、《魂断蓝桥》以及《罗马假日》等一系列经典之作已经是影视作品中的极品,让全世界的观众魂牵梦盈;那《阿甘正传》就是涓涓细流,令人滴荡心脾,感悟至极!怎会如此直观地表达出如此深奥的人生哲理;怎会如此平白地刻画出如此多彩的人生呢!这就是“匠心”所在,正所谓“淋漓尽致”!绝对不是崇洋媚外,而是一个平台上公平竞争后的公论。之所以说“读”完了他———阿甘,是因为“读”是感观和心灵共同完成的活动,这一活动的完成需要品味和感悟。
在外人的眼里,童年的阿甘就是一个智商只有75(而正常孩子的标准是80以上)的弱智儿,他没有朋友,交谈的唯一对象是妈妈,后来结识了有着心灵重创的小女孩“珍妮”——他整个童年的唯一朋友,这部作品里,“珍妮”是贯穿始终的一条线,他窜起了阿甘简单而多彩的人生。
阿甘的童年,做的最多的就是为了躲避同龄伙伴的凌辱,在“珍妮”的鼓励下不断地“跑”,“跑”成了阿甘的本能活动,他不抱怨,不自卑,就是一味的跑,跑,到哪里都是跑,终于,他跑到了极致,他跑的“像风”一样,他跑至青年,跑进大学,跑进橄榄球队,球场上,他从不思想,场外的人都在喊:“傻子,快跑!”他不介意别人的喊叫,跑得淋漓尽致,就连喊他傻子的人都不得不佩服他的奔跑速度,他成了了不起的傻子,还得到了总统的召见。
青年的阿甘参加了越战,在阿甘的眼里,事情就是事情,没有大小轻重之分,打仗就是打仗,他没有高尚到去想战争的意义是什么,他只记住临行珍妮的嘱托。阿甘的朝前跑又一次派上了用场,跑,不仅救了他自己的命,还救了他多位战友的命,救人时的阿甘,仍然是什么也没想,他的目的很简单,就是要救他在这只队伍里的唯一朋友——“步巴”,寻找“步巴”过程中遇到的所有战友他都一一救出,但他还是无力回天,他的好朋友没有逃离战争的厄运,临终留下不能等到战争结束作虾船船长的遗憾,死在阿甘的怀里,从此,作虾船船长就是阿甘的下一个人生目标,似乎,此时的阿甘是唯一在行动之前有动机的一次,但这也是笔者牵强相加的,他旨在做眼前的事————救战友!并为此负伤,驻进医院。
影片里,阿甘的执卓无处不在,在医院里,病友教会阿甘打乒乓球,从此,阿甘练球到痴迷,终于他又把乒乓球练到极致,代表美国参赛,且再次受总统的召见。
退役后的阿甘,没有常人所必经阶段——空虚、失落等等,而是用他所有的积蓄买下一艘船去完成战友的临终遗愿。并不是阿甘的生活里都是一帆风顺,没有挫折,而是阿甘的执卓使挫折不成其为障碍,初时捕虾,都是网网落空,如换了常人,也许早已灰心丧气,明锣收兵,但阿甘不会,他只知道向前“跑”,在阿甘的信念里就没有向后退缩的概念,无论如何,就是向前,向前!这也正是简单的阿甘的不平凡之所在,也正是我们这些所谓的正常人要学习和借鉴的“阿甘精神”。终于有一天,执卓的阿甘撒下的网装满了鱼虾,从此他的虾业公司蒸蒸日上,发展壮大。而此时的阿甘却抽身离去,一心一意的做起了修剪草坪的工作。这又是“阿甘精神”的另一个方面——永远是一颗平常心,可以说这是常人无法或很难做到的。
阿甘的执卓在影片里还有隐晦的一条线在体现,那就是阿甘对爱情的追求,于阿甘,“珍妮”早已走进了他的生命,尽管对方多次走出他的视野和生活,但她从未走出过阿甘的心里,阿甘对珍妮的爱,是一种超脱和大气,优秀而帅气的阿甘完全有另一种选择,但那就不是阿甘了,不是纯粹的阿甘了,而编者也正是要坚定观众心向执卓的理念,所以阿甘赢得了幸福甜美的爱情,尽管它是那样短暂,但却是永恒,是生命的延续,是“阿甘精神”的发扬。
影片是从阿甘,这个所谓的“傻子”的视角,用简单的方式演绎复杂多变的百态人生,没有说教式的情节堆砌,而是用人性化的平白直述,引人入情入理,感悟人生。
影片的高明之处还在于,从阿甘这一平民的角度记录了美国的历史发展进程,从肯尼迪总统的被暗杀,到越战,以至于后来的里根被刺。在阿甘的世界里,以上的所谓国家大事发生就是发生了,影片没有多施半点笔墨去渲染,相反只是以阿甘之口平平淡淡一带而过,从而说明一个道理,写就历史的不仅仅是人所瞩目的 “大人物”们,我们每个人都是一个时期一段历史的主人公和见证人,影片推崇的就是阿甘的执卓精神和平淡心镜,做好眼前的事,一直朝前跑,灰心沮丧无济于事(影片里的丹少校就是从反面来衬托阿甘的),以积极的心态面对一切,不知不觉中你的言行便是生活中的一道美丽的风景,进而影响带动你身边的人,形成一种精神,影响整个民族,推动历史的进程,这就是影片中阿甘跑,最后随着他往前跑的人越来越多的寓意所在。
阿甘的境界不是每个人都能达到的,但正因为如此,才更体现了这部作品的积极作用,阿甘精神就是我门生活中应该尊崇的信条,向这个方向所做的努力,就是积极人生的体现,也许言过其实,但确是有感而发!感悟阿甘的过程,其实就是一次灵魂的净化过程,也许还会空虚,也许还有寂廖,但毕竟没有沉沦下去,毕竟有过积极的修正和努力,至于结局,会有千种万种,但那很重要吗?看看阿甘就知道了。此时,我很满足,毕竟不是每个人都有机会感悟“阿甘”,领略净化,小结人生。所以还要感谢那位友人,愿你一切都好,充实快乐!另外还要感谢在我生命历程中所有给予我关爱的人们,谢谢你们!我会一直向前,努力做好自己的事!
篇2:英文电影《肖申克的救赎》观后感
全文共 818 字
+ 加入清单在我看过的所有影片中,《肖申克的救赎》是最能打动我的一部影片。特别是剧中的男主人公在一个风雨交加的黑夜,冲破监狱的围墙越狱成功后,伸出双臂拥抱自由的经典画面,更是深深的震撼着我的心灵。这是对自由的渴望,更是对生命的致敬!
影片《肖申克的救赎》一般被认为是一部励志片。但是,在我看来,它不仅仅是一部励志片,更是一部探讨生命,自由以及人处于逆境中所迸发出来的超乎想象的潜能的影片。
影片故事集中发生在一个叫肖申克的监狱中,四面都是高墙栅栏,只有抬头仰望天空时,才会发现外面还有另一个世界。主人公因为法庭的的误判而被监禁在这里。或许,许多观众都会认为主人公的后半生都会在这里度过了。对于监狱里的其他犯人来说,这里或许就是他们以后的归宿。他们好像已经接受了命运的安排,整天就是打架,赌钱,丝毫不在意大墙内外的不同世界。在他们的内心深处,已经不存在监狱这堵墙了。他们已经放弃了对生命和自由的渴望,但是,对于主人公来说,他没有放弃……
起初,主人公表现的与其他犯人没有两样,只是一直比较沉默寡言。然而,不再沉默中爆发,就在沉默中灭亡。孰知这长久的沉默是为那最后瞬间的爆发而积蓄着巨大的能量。主人公凭借自己的聪明才智给监狱长洗钱而受到重用,而后又坚持每周给监狱上级写信,要求拨款在监狱建图书馆。在坚持了几年的每周写信后,监狱上级终于同意拨款建图书馆。就这样,主人公一步一步,悄无声息的实施着自己的计划,终于在一个雷雨交加的黑夜,主人公终于冲破了监禁他20年的监狱.。当监狱长看到那幅画底下的那个大窟窿时,一切都真相大白了。观众无不为主人公的聪明智慧所折服,真是大快人心!
20年的时间足以摧毁一个人的意志,消磨一个人的耐心。但是,影片中主人公却没有被时间所摧毁,却显示出了更强的生命斗志。当人处于逆境中时,人的潜能到底有多大,谁也不知道。但是,当你对生命和自由有强烈的渴望和追求时,积聚在你内心深处的巨大潜能就会迸发出来,这就是生命的力量,让我们向生命致敬!
篇3:帕丁顿熊英文观后感
全文共 1114 字
+ 加入清单Not until I arrived at home after watching the movie ”Peddington Bear” with my family when a feeling of warmth and strength suddenly came to me. It’s about love, it’s about family.
The plot of the movie is really simple, even predictable and a little bit cliche. However, it’s so rare for me to meet such a snug film. Maybe there’s some resonance between the core topic ---- family and myself, or, it’s just relaxing and touching, depending on how you look at it.
The film has little input and obvious theme (dream, kindness, tolerance, trust, and love... Americans love that!), and you can even see it as an advertising video made by the U.K. Government! But, things always act like that---- the simpler the emotion is, the easier we forget. The film has it’s meaning to arouse something ignored by us. And treasure everyone, everything you have.
You can either imagine family as a gasoline station, or the safest harbor. Family won’t mind your lose, your excuse, your fault, it will give you a hand, and ask you to have a rest. Family is the most supportive one behind you, forever and always.
Good luck to everyone!
篇4:灰姑娘2024观后感英文
全文共 3583 字
+ 加入清单简单的故事屡次被搬上大银幕却依然有着经久不衰的魅力。也许是因为很多人都有童话梦,却很少能把温暖的童话照进现实……
Few people aren’t familiar with the Brothers Grimm’s Cinderella, afairy tale about a kind-hearted country girl who enduresmistreatment at the hands of her cruel and jealous stepmother.The girl never loses hope or becomes jaded by hercircumstances, and eventually she wins the heart of a dashing prince. Now this classic story hasreturned to the big screen.
《格林童话》中灰姑娘的故事可谓无人不知无人不晓:善良的乡下姑娘惨遭妒忌心强、性情残暴的后妈虐待,却并未对生活失去希望,最终,她赢得了英俊王子的心。不久前,这部经典童话再一次登上了大荧幕。
Disney has a history of targeting female audiences with stories that elicit the nostalgia of theirchildhood years. With dazzling costumes and lavish set design, everything in this latest live-actionversion of Cinderella is accomplished with this goal in mind.
用童年时代故事吸引有怀旧情结的女性观众一直是迪士尼的传统。这部最新的真人版《灰姑娘》也不例外:华丽的服饰、奢华的背景设计无不显示他们目标观众锁定为女性。
How many girls can resist the story of a young servant who transforms into a beautiful princess,complete with an extravagant blue ball gown and shining crystal glass slippers, all designed throughthe magic of a charming fairy godmother?
电影里,“女仆”灰姑娘在仙女教母的魔法下,穿上奢华蓝色礼服长裙、熠熠夺目的水晶鞋,变成美丽公主。这样梦幻的场景,哪个姑娘能抗拒?
Movies adapted from fairy tales are nothing new. But in recent years, many of these stories havebeen revised, even flipped on their heads, to appeal to modern audiences. The 2014 musicaldrama Into the Woods, for example, combined the stories of Cinderella, Rapunzel, Little Red RidingHood, and Jack and the Beanstalk to create an ironic tale that would appeal to adults. StarringAmerican actress Angelina Jolie, 3-D dark fantasy film Maleficent (2014) portrayed the SleepingBeauty story through the perspective of the villain rather than the cursed princess.
童话改编电影并不新鲜。近年来,很多童话故事都被搬上大荧幕。但是为了迎合现代观众,这些故事的情节都被大大改动过。2014年的音乐剧《魔法黑森林》就是由(格林童话中)的“杰克与豆茎”、“灰姑娘”、“小红帽”、以及“长发姑娘”四个故事汇集而成的讽刺成人童话。还有美国女星安吉丽娜•朱莉主演的3D黑色魔幻电影《沉睡魔咒》(2014),虽然根据《睡美人》改编而来,但却抛弃了原著中对女主:被下了咒的公主,而选择了恶毒女巫的视角来切入故事。
Cinderella, however, stays true to its source material. There isn’t much time invested in creatingnew plot elements, instead the creators focus on details that make the story more convincing andlogical.
相比之下,电影《灰姑娘》更加忠实原著。制片人们并没有在创造新情节上花费过多时间,而是将重点放在了刻画细节上,力求故事更有逻辑、更加可信。
This time, Cinderella and her prince don’t fall in love at first sight at the royal ball — they develop afamiliarity with each other after meeting by chance in a forest.
这一次,灰姑娘不再与王子在舞会上一见钟情,而是在那之前就已在森林相遇、相互熟悉。
We even feel a sense of pity for the malicious stepmother (Cate Blanchett) who overhears herhusband pouring his heart out about his love for his ex-wife. Two-time Academy Award winnerCate Blanchett’s elegance and formidable acting skills heighten the stepmother’s devilishness.
对于电影中恶毒的继母(凯特•布兰切特 饰),我们似乎都要心生怜悯了,特别是看到她无意中听到她的丈夫倾诉对前妻的爱意。而两获奥斯卡的凯特•布兰切特气质优雅、演技精湛,更是将后妈的恶毒表现得淋漓尽致。
If this new Cinderella didn’t update its formula for modern times, it’s quite possible that audienceswould reject it. Today people prefer to see heroines make the bad guy pay rather than easilyforgive them. Women with venomous tongues, like Max in 2 Broke Girls, always outshine theirmore forgiving counterparts.
这一版《灰姑娘》还与时俱进升级了故事“配方”,否则观众也许并不会买单。当今时代,相比轻易地原谅,人们更喜欢看到主人公“恶有恶报”的结局。而毒舌女相比于温柔的女角色通常更容易出彩,就像《破产姐妹》的主角麦克斯=。
Cinderella mostly aims to satisfy traditional fairytale lovers, and in this endeavor it succeeds. In thefilm’s simple world, it’s appearance, goodness and honesty that count most. In fact, no matterwhat situation we’re in, it’s never wrong to follow this adage from Cinderella: “Have courage and bekind.”
如其所愿,电影《灰姑娘》成功迎合了传统童话故事爱好者的口味。在电影中的简单世界里,外表、善良和诚实最为重要。而在现实中,不论我们身处怎样的境地,灰姑娘的名言也总不会错:“勇往直前、心怀善意。”
篇5:《阿甘正传》观后感
全文共 1558 字
+ 加入清单一年前的某一天,我的一个好友,给我讲了他很喜欢的一部电影。当时他先是问我有没有看过,而我看他兴致正浓,也就没太好意思扫他的兴说自己没看过,于是含糊地说自己貌似看过。于是,他就开始了他的长篇大论,跟我大谈特谈其中的精彩内容。说实话,依照当时他的那个劲儿,就是我说没看过,估计他也不会介意和我分享他的那份独特的感受的,因为他实在是太认可那部影片了。不过,说实话,现在想想,其实自己挺对不起他的。为什么这样说呢?因为当时尽管他很有激情,绘声绘色地给我分享那部影片的精彩瞬间,可我却一个字也没听进去,他完全是对牛弹琴。
直到今天,时隔一年,我才把他当时给我推荐的电影给看了。看到快结束的时候,我突然变得急不可耐起来,当时我唯一的想法就是等电影一结束,就给他打电话。说时迟,那时快,当电影就剩下最后的一分钟,而我也即将拿起电话拨打他电话时,突然他的头像亮了。于是,我们自然而然地就聊了起来。我兴奋地告诉他我终于看完了,他随即问我感觉怎么样,我没有说,而是把问题直接又抛给了他。本来以为他会将当年的话再说一遍,让我弥补过去的遗憾,怎奈,我想错了,这一次他并没有滔滔不绝,甚至连简短的评价都没有。问他,他只是说自己不知道该怎么说。好吧,我尊重他,所以我决定不再问他了。他不说,那就由我代言吧!其实,我很能理解他的感受,因为我自己也不知道该怎么评价这部影片。关于这部影片的影评,早在1994年,就铺天盖地,漫天飞舞了起来,各种专业影评人的观点遍地开花,包罗万象,似乎让后来人很难再挖出其他的任何更有意义的东西了。所以,今天我在此,并不是想写影评,只是就其中的某一点说说自己的观后感。
这部影片的大的背景,反映的主题,目的,意义,我都不是很了解,也不想了解,但其中的友情和爱情却让我的心久久也不能平静。
首先,阿甘和丹。中尉、阿甘与桑巴的那种情同手足的深情厚谊,让我深深地为之动容。在当今这个尔虞我诈,朋友虽多,真心没有几个的社会里,我尤以为阿甘能收获到那么两个交心的朋友,阿甘,无疑是最聪明,也是最幸福的的。
其次,阿甘与珍妮之间的爱情。对于阿甘,几乎所有人都是持支持态度的,这点是不容置疑的。但对于珍妮,褒贬不一似乎是注定的。很多人认为珍妮是个自甘堕落的女人,不配或者不值得阿甘这样一个真诚的老实人为之付出全部的感情。然而,我则对珍妮大家赞赏。我不仅欣赏珍妮追求自我的人生态度,也欣赏她敢作敢当的气魄。首先,不得不承认,有梦想,谁都了不起,而珍妮无疑是怀揣巨大梦想。她想在闪光灯下唱歌。为了实现自己的梦想,她不惜一切代价,甚至多次离开她的挚爱阿甘。有的人会怀疑珍妮到底对阿甘有没有真感情,我觉得这是一个不容置疑的问题,有,那是肯定的。我从来就没有怀疑过珍妮对阿甘的那份浓得化不开的爱意,否则珍妮就不会在阿甘还不懂男女之情时就想把最完美的自己无条件地给予阿甘;否则珍妮就不会在当自己已经不再纯洁如雪时说出那一句“我想你不会愿意娶像我这样的女人的”;否则珍妮就不会在阿甘极度思念自己时突然地出现,然后在第二天早晨一个人黯然神伤地离开。
整部影片看下来,好多人都会说一句话,那就是阿甘是个傻瓜。独于我,则不然。我一点已觉察不到阿甘哪点比别人傻,反而觉得阿甘特别的聪明,超出常人很多倍的聪明。否则他断不会取得那么多的成就,也不会收获那么真的友情与爱情。在阿甘身上,让我看到了洒脱人生的活法。他可以很爱很爱一个人,但是他只是那么远远地,深深地爱着,并不会去强行干涉对方的生活。他给予对方足够的自由,足够的私人空间,心中有着一份至真至诚的爱。他在任何时候,都只做最真的自己。他心里比谁都明白,何为笨蛋?做傻事的人才是笨蛋。显然他从没做过傻事,所以他从来就不是个笨蛋。就是这么个简单的问题,却让很多聪明人回答起来显得异常的笨拙。孰傻,孰不傻,由此可知已。
篇6:《阿甘正传》的观后感
全文共 740 字
+ 加入清单其实我看过很多遍这部影片了,每一次看总能或多或少有点收获。但是,在3月30日晚上在教学楼1310再一次观看这部影片后,我感觉收获的东西更多了。
影片以一片羽毛的飘落为影片的开始,以前我不太懂,但这次我感觉到了,这片羽毛的飘落不正是如同一个降落人间的生命,当这片羽毛在天空中飞行,经过高楼、树、汽车等,你不知道它要去哪里,会落在哪里,这不恰恰说明了人这一生如同羽毛的飘落一样都是未知数吗?最后这片羽毛飘落到了阿甘的脚下,开始了阿甘着传奇的一生。
阿甘生下来智商只有75,但他的母亲为了他以后的生活,于是想办法把他送进了正常人的学校。如同小时候的我们一样,总有坏孩子欺负人,阿甘也是常常受欺负,这时一辈子他喜欢的告诉他,跑。于是,他跑了起来,甩掉了追赶他的人,越跑越快,跑进了大学,跑成了橄榄明星,民族英雄,国会勋章获得者,乒乓球明星,百万富翁。
同样和阿甘命运(阿甘的智商缺陷)差不多的丹上尉(越战中失去了双腿)却总是抱怨生活,抱怨老天,甚至抱怨阿甘救了他,没有和他祖辈一样成为烈士,而是一个没有双腿的怪人。但是抱怨了半天,他改变了什么?没有,一点都没改变,丹上尉依旧过得天天喝酒买醉的生活,可见生活不会因为你无休止的抱怨改变。但是,后来他看见执着的阿甘为了完成好朋友巴布成为捕虾船长遗愿而忙碌的时候,他第一次被阿甘深深地感染了,决定和阿甘一起捕虾,正是这个改变,成就了丹上尉成为了百万富翁、娶了个漂亮老婆。我想,丹上尉如果仍然像以前一样抱怨生活的话,他永远不会成功。
影片又以一片羽毛结束,这或许是一种结束吧,对阿甘传奇人生画上了一个句点,但我猜想,它未尝不是一个开始,一个小阿甘的开始。
以上就是我对这部影片的个人看法,由于本人实力有限,肯定有写的不恰当、不完整的地方,还望老师给与指教。
篇7:飞屋环游记英文观后感
全文共 769 字
+ 加入清单Up is a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carls life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
I know----thats a interesting trip!
篇8:关于《阿甘正传》的观后感
全文共 1509 字
+ 加入清单记得还是90年代中期,我第一次看汤姆·汉克斯主演的《阿甘正传》,当时这部电影刚荣获奥斯卡最佳影片奖、奥斯卡最佳男主角奖、奥斯卡最佳导演奖等6项大奖。这也是我第一次“接触”汉克斯,震惊、感动于阿甘这个角色,后来我又专门找到《阿甘正传》这本书,认真进行了阅读,书中充满的正能量,给我私信打开了一扇窗,让我看到不一样了风景。
《阿甘正传》的讲述了阿甘的传奇一生:他于二战结束后不久出生在美国南方阿拉巴马州一个闭塞的小镇,他先天弱智,智商只有75,然而他的妈妈是一个性格坚强的女性,她要让儿子和其他正常人一样生活,她常常鼓励阿甘“傻人有傻福”,要他自强不息。在中学时,阿甘为了躲避同学的追打而跑进了一所学校的橄榄球场,因为经常躲避别人的欺负而练就了一双飞毛腿,被橄榄球教练相中,就这样跑进了大学。在大学里,他被破格录取,并成了橄榄球巨星,受到了肯尼迪总统的接见。大学毕业后,阿甘应征参加了越战。在一次战斗中,他所在的部队中了埋伏,阿甘不抛弃不放弃,凭借勇敢和飞毛腿,拯救了许多战友。战争结束后,阿甘作为英雄受到了约翰逊总统的接见。在疗养期间,苦练乒乓球的他作为乒乓外交的使者,到中国参加过乒乓球比赛,为中美建交立了功。退伍后,阿甘信守承诺,在捕虾业一批萧条情况下,买了一次艘捕虾船,阴差阳错地发了大财,成了亿万富翁,并把财富分了一半给战友。
一千个人心中有一千个哈姆雷特。对《阿甘正传》的解读有很多种,有哲学上的、有艺术上的、有意识形态上的,但我想的没有那么复杂,我只是欣赏阿甘的单纯与执着。
从智力上判断,阿甘无疑是一个普通人的代表,甚至是一个“撇”人代表,但他却比很多人都成功。我觉得他的成功否定了唯智商论、唯基因优秀论,他的成功反映的是内在的品质对于外在的成就的重要影响,阿甘就是“大智若愚”的代表,是内圣外王的生动写照。(“内圣”就是修身养德,要求人做一个有德性的人;“外王”就是齐家、治国、平天下,有所成就。)
同时,我也在思考,作为一个普通人应该从阿甘学习到什么呢?
我觉得一是要思想纯净,不要有那么多私心杂念。古人说:“邪生于无禁,欲生于无度。”“圣人之静,就是善于固守养静,万物不足以搅挠他的心志,所以能静。”阿甘75的智力是他的劣势,但也是他的优势,他如同璞玉浑金,自然而然就做到了心灵纯净。相反,智力正常的,比阿甘聪明一点的人,要做到思想纯净更难。就需要多读书,修身养性,减少内心的欲望,坚定理想,不忘初心。
二是要专注执着,有选准道路坚持到底的恒心。美国作家马克·吐温说过:人的思想是了不起。只要专注于某一项事业,那就一定会做出使自己吃惊的成绩来。古人说:大道三千,择其一而从之。流水三千,取一瓢而饮之。都是说的专注执着的道理。阿甘的一生虽然具有传奇性,但是他做的事都是很简单的事,不同的是他每一件事都做得很执着。其实我们的人生也应该这样,应该早一点规划好定好人生目标,应该做好的几件事,选择一条大道、正道,忽视小路、捷径,以享受人生路上美丽的风景的心态,坚定地走下去,持续走下去就一定能走得更远。
三是要用大智慧,不要耍小聪明。阿甘看似傻傻的,其实是有大智慧的,他具有诚实、守信、勇敢、忠贞等优秀品质,做实也是宁在直中取,不在曲中求。这些优良的品质与当时美国社会利己主义、社会环境有些格格不入,一时间也让他吃到了一些苦头,但这些优良品质是最终成功保证。也有人把阿甘的成功归功于运气,运气好才让他成功。我觉得不是,阿甘的运气好与平时的努力分不开的,他的成功是量变引起质变的结果。就是所谓的守正出奇。即小胜靠智,大胜靠德。对比我们的人生,我觉得也应该培养优秀品质,坚守大智慧,充满正能量,不断积累成长之量,激发成功之质。
篇9:、《阿甘正传》观后感
全文共 1129 字
+ 加入清单人生就像各种各样的朱古力,你永远不会知道那一块属于你。”阿甘母亲的这一理解,向我们阐明了:每一个人的生命轨迹都是存在,而且是独一无二的
阿甘,正是听着这样的教诲,一步一个脚印地踩出属于自己的生活的奇迹。从智商只有75分而不得不进入特殊学校,到橄榄球健将,到越战英雄,到虾船船长,到跑遍美国,阿甘以先天缺陷的身躯,达到了许多智力健全的人也许终其一生也难以企及的高度。
在影片的开头和结尾你都会看到:在广阔的蓝天下,一根轻盈而洁白的羽毛从天而降,缓缓地降落在阿甘的脚下。这其实是影片在暗示:这个世界上,如果有人把生命看得像羽毛般纯洁,平淡而美丽,那么,这个人一定是阿甘。
阿甘天生就注定不是一个出类拔萃的人。但上天又是如此公平,往往,它会令起点不高的人比天生优越感十足的人更早,更深刻地认识到生活的真实。幼年的阿甘腿有残疾,阿甘的母亲不得不为儿子套上一个笨重的铁架子,以辅助行走。放学后,同伴们在路上讥笑他,玩弄他,追赶着扔石头。女同学珍妮喊道:“阿甘,快跑。”阿甘惊慌,拔腿就想跑,跌倒了挣扎着爬起。渐渐地,铁架子不在束缚着他,他奔跑如飞。同伴们追不上他,眼睁睁的束手无策。这是阿甘人生中的第一个奇迹。
跑得快真是好世界。凭着惊人的奔跑速度,阿甘进了橄榄球队,以后又进了大学并最终顺利毕业。不久,他参加了越战。在越南战场上,阿甘的部队中了埋伏,一声撤退令下,阿甘记起珍妮的嘱咐:“打不过,就跑。”阿甘于是转头就跑。他成了唯一幸免的人。看到这里,观众大概都会发笑。阿甘如果不是跑得快,就不可能后来返回去救出负伤的战友;阿甘如果不回去拯救战友,那么阿甘也就不是阿甘了。
阿甘因战功显赫而受到总统接见。这是导演为我们准备的一幕喜剧,但我们却不会为此而觉得夸张,可笑。有的人常感觉生活负担过重,面前困难重重,因此整天垂头丧气,郁郁不欢。阿甘的信念这样的单纯,目标这样的清晰,即便先天不足,前有穷山恶水,他也以平常心视之,并最终一一跨过,这并不是说愚人之福,保持这种态度和意志的人,信念能减轻他许多关于生命的重负,而使他达到生命之巅。
阿甘一生中只有一种爱支撑人生,那就是母爱;阿甘一生只爱一个女孩珍妮,除此他永远心如止水;他可以为了纪念死去的战友布巴,而干起自己并不熟悉的捕虾业(仅仅是由于布巴的一句话)。。。。。。在生命的每一个阶段,阿甘的心中只有一个目标在指引着他,他也只为此而踏实地,不懈地,坚定地奋斗,直到目标的完成,新的目标的出现。没有单纯的抉择就不会没有心灵的杂念;而没有心灵杂念的人,大概才能够在人生中举重苦轻。
阿甘的一生中出现了许多奇迹,但这些奇迹没有、也绝不会引导你去羡慕他,你只会欣赏和阿甘一起的那些岁月、生命和历史,体味个中的苦甜,以期“跨越缺陷,完美人生”
篇10:英文电影观后感英文当幸福来敲门观后感英文版
全文共 2783 字
+ 加入清单A review of the Pursuit of Happiness
“The Pursuit of Happyness” was released on the 15th of December 2006. It is a dramatic story based on a biography of Chris Gardner’s nearly one-year struggle with homelessness. Directed by Gabrielle Muccino, the film stars Will Smith as Chris Gardner, and co-stars Jaden Smith playing Chris’ son, Christopher Jr. For Will Smith’s performance in the film, he was nominated for an Academy Award and a Golden Globe for Best Actor. The ‘different’ spelling of the title, ‘Happyness’ is seen by Chris Gardner on the building outside the play centre is son attends, which Chris reminds the owners of the building multiple times that it is spelt with an ‘I’.
The film shows us the struggles Chris Gardner has with homelessness. He is bankrupt because he invested his life savings in portable bone-density scanners, which he thought hospitals would be interested in buying, but in the end hardly any doctors wanted one, as they considered it an ‘expensive luxury’. During the struggles, his wife Linda leaves to go to New York and Chris and his son are left in San Francisco with no income and living in a motel. Chris sees interest in become a stockbroker, but to become one he has to go through an internship. Meanwhile, Chris and his son are evicted because they can’t pay rent, and they are forced to go to a homeless shelter, and even one night had to sleep in the bathroom of the underground rail system. During his internship, he never once mentions his financial struggles and at one point he is asked to give one of his bosses 5 dollars for a cab, a sum that he can’t afford. After an intense six months, Chris is taken into the bosses’ office, and is offered a job as a stockbroker, the final scene shows him being in unbelief of the position he was offered and showing his happiness and gratefulness for the opportunity, Chris realises that his financial struggles are over as he now has a job with a regular income.
Christ was unfortunate, for he got a wife who was not understandable at all (though she has her own difficulties) and was in bad luck with his business. But he was very fortunate also, for he got a son who was very thoughtful and, I think, tough life experiences always make a great person. It is said that this movie is inspired by a true story, and I want to say, this movie does inspire me a lot. What impressed me most are: Christ’s wife left him because of life pressure; Christ’s love to his son and Christ’s strong belief towards life. Through these, I know that it is not easy to be a good husband and a good Papa, since in reality, only love cannot only make everything. And I also learn that one has to strongly believe in himself, no matter how difficult the situation is, but of course, hard-working is indispensable.
篇11:英文电影《重回17岁》观后感
全文共 1312 字
+ 加入清单Mike ODonnells wife wants a divorce, his kids are remote, he didnt get the job promotion he expected, and everything else in his life has gone wrong since that magic year when he was 17, a basketball star, in love, and looked like Zac Efron instead of Matthew Perry. Hes obviously a case for treatment by a Body Swap Movie.Revisiting the trophy case at his old high school, Mike encounters a janitor who, from the way he smiles at the camera, knows things beyond this mortal coil. If only Mike could go back to 17 and not make all the same mistakes. In "17 Again," he can. He falls into a Twilight Zone vortex and emerges as Zac Efron. They say be careful what you wish for, because you might get it. Mike should have been more specific. Instead of wishing to be 17 again, he should have wished to go back 20 years in time.Yes, he becomes himself trapped inside his own 17-year-old body.
I attended a screening held by a radio station, which attracted mainly teenage girls who left their boyfriends behind. When Zac Efron took off his T-shirt, the four in front of me squealed as if there were buzzers in their seats. Now that hes a little older, Efron has a Tom Cruiseish charm, and a lot of confidence. Why Matthew Perry was cast as his adult self is hard to figure; does your head change its shape in 20 years?
篇12:《阿甘正传》观后感
全文共 1139 字
+ 加入清单老实说,我很赞同一句话。人一简单就快乐,一世故就变老。做个简单的人,享受阳光和温暖,生活就是如此。
在我眼里,我完全不觉得阿甘跟我们正常有什么差别?反而我更加的从他身上感受到了许多的我们正缺少而逐渐迷失的一切。是的,刚开始我不能不用着同情的心去看待他,智商这么低?给欺负也不还手?给当笨蛋看?后面逐渐的发现我内心一点一滴的给阿甘感动着。
我是被感动的,他对巴布与中尉的友情,纯洁的让人伤感。巴布死了,一个时阿甘最好的朋友,也跟阿甘是这么的纯洁单纯。然而阿甘还是做到了对巴布的承诺,买下了船做船长,完成巴布身前的愿望。中尉是个地地道道的大男人,愿意死在战场上也不要苟且偷生的过着残疾的生活。然而阿甘在后面用自己的行动让中尉懂得了活着的意义,也改变了中尉的一生。
我是被感动的,他对珍妮的爱情,从头到尾都是始终如一的专一而深沉。我并不认为一个智商低的人就会不懂得什么是感情什么是爱情。阿甘正好完全的诠释的告诉我们他的爱情,简单与那无法用语言表达的深沉。永远站在珍妮的身边支持保护,哪怕珍妮总是抛弃他,他仍然为珍妮的一句话努力做好自己,永远为珍妮而等待不改变,最后让流离的珍妮找到了自己最终想要的生活和自己的生活。
我是别感动的,他对他妈妈的亲情,乖巧而懂事,这份爱也是那么纯净的深沉。怎么说呢?内心给阿甘一点一滴的感动着温暖着。反而我真的觉得他是幸福与幸运的。就凭着他那份简单的头脑,让他的生活过的如此的幸福。我为他脱离脚器飞奔,进入美国大学橄榄队,拿到越南英雄章,练就了一手好的兵乓球技,拥有妈妈巴布中尉珍妮还有他的小儿子,拥有好的生活资金与追求者。不仅他在丰富自己的生活意义,也帮助了许多人明白自己寻找生活的意义。然而其实在阿甘的身上,有着我们都慢慢失去与迷失的东西。让我们真正的明白自己活着到底是为了什么?告诉我做人坚强勇敢,朝着自己的目标前进。不需要理会别人如何的看法,不必介意别人的针对。对。阿甘总在幸运之神中幸运的,然而不是他的巧合,而是他自己的人生价值在改变自己。似乎不用说的太明白清楚,我们也该自己知道自己该怎样做了?
阿甘很简单,却做出了许多成功让人感动的事迹。阿甘证明一个人的价值不是靠智商而决定。阿甘妈妈让我知道,爱是不分智商?珍妮让我明白再怎么追逐也不要迷失自己。巴布让我知道幸福就是这么简单。中尉让我明白到如何明确自己的人生价值。阿甘是幸福的,拥有好的生活与创造了不同的生活价值。然而又是不幸的。他爱的人都一个个的离开他而去。巴布走了,妈妈走了,珍妮走了。剩下的就是他与他的聪明小孩在夕阳西下湖里静静的钓鱼,温馨的两父子一致的小歪头背影,让人内心莫名的伤感。
从阿甘身上感受的实在太多了,然而我却词穷的不只如何去诠释阿甘带给我的震撼与那份感动那份激励。
阿甘,我敬佩你!
篇13:《蜘蛛侠》英文观后感
全文共 1482 字
+ 加入清单Tonight I watched the moviefor the third time. I really enjoy this film so much.
So whats your choice between being a common person or a hero with peoples respects? Most people will choose the latter. But what will be your choice if the cost is laying your lover among the risks? What will it be if the cost is you can never tell the girl, who you love so much, that you love her? The spider man had this contradiction. But finally he still chose the latter, not in order to be a hero, but to make this word peaceful.
I was so moved by the words the Aunt Mary said:
You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him.
The spider man got much from these words, so did I. And what about you? whats the hero lying in you?
篇14:《阿甘正传》观后感
全文共 1097 字
+ 加入清单《阿甘正传》这部片子我连续看了两遍,每看完一遍都有不同的认识。我觉得可爱的福雷斯·甘先生真的是很值得我们学习或者说应该让我们好好的反思反思了。
智商仅为75分的低能儿福雷斯·甘先生在现实中绝对是一位事业有成的成功人士,那为什么这么一个低能的人会走向如此的巅峰呢?我认为其中的真谛就在于他在思考问题时的那种"简单",对待问题时的那种"执着"。当然这里面缺少不了他那伟大的母亲对他的谆谆教导。这给了他多大的精神上的帮助,使他不自卑,反而很自信。"人生就像一盒各式各样的巧克力,你永远不知道下一块会是那种味"。既然知道自己不聪明就不要想得那么远,要安守本分。"做傻事的才是傻瓜"这句台词影片里面出现过多次,多么经典!不要嘲笑别人傻,只有做了傻事的人才是真正的笨蛋。
福雷斯·甘先生的这种"简单"的思维方式和"执着"行事作风让他一次又一次的大出风头,但他自己却"简单"的不以为然》。踢美式足球时,它能够进入明星队,受到总统接待;参加越战时,为了救好友数次穿梭于枪林弹雨,救出若干名战友,使他又成为战斗英雄,总统亲自为他授奖。纵然这一切的一切有偶然的存在,但是最最难能可贵还是他的那份坚毅,和不屈不挠的精神以及那份超强的责任感。他的这种良好心态不单单成就了他自己更感染了身边的人,像失去下肢的丹中尉;一而再,再而三的对不起他,但仍然是他一生最爱的女人珍妮。丹中尉在失去下肢后非常自卑,精神极度脆弱,处在崩溃边缘。因为阿甘的出现,阿甘的他的那份坚毅,和不屈不挠的精神以及那份责任心。又唤醒了丹中尉,使他重拾希望,最终他们一起成就了一番大事业。并支付给了他内心中的合伙人、他的已故好友布巴一家不菲的分红。对于珍妮阿甘从来就没有舍弃过,那永远是他心中的女神。激情过后,珍妮又一次偷偷的溜走了,这件事对阿甘的打击太大了,他像是被抽空了,失去了所有,阿甘那种无法释怀的心里的痛楚找不到了发泄的方式。"你得丢开以往的事,才能不断继续前进",他那伟大的母亲就是这样教育他的。于是漫无目的的长跑开始了,3年2月14天16小时的长跑让他跑遍了整个美国,这种无私的爱也深深打动了珍妮,使他们走到了一起,组成幸福家庭。
我真的很佩服你,福雷斯·甘先生,你的简单,执着,是最我们值得学习的,也是这个复杂的社会上最最缺少的。以不变应万变,不需要太高的目标,只要走好脚下的每一步;简单的问题不要因为我们的思维而复杂化;也许做不到心里想什么就做什么的境界,但心里觉得充实,人生才会有乐趣。人就是要常知足,常知不足。
这就是我在福雷斯·甘先生身上体会到的。谢谢你!福雷斯·甘先生!您给了我们这么精彩的故事。更要谢谢那伟大的母亲,是您创造了奇迹!
篇15:英文电影《玩具总动员1》观后感
全文共 309 字
+ 加入清单最近,我看了一部极具“人情味”的动画片,它的名字就是《玩具总动员》。
它讲述的是:
胡迪是小主人安弟最喜欢的传统牛仔玩偶,他和其他玩具趁主人不在时,便会“活”起来一起玩闹。可是好景不常,最新奇的热门玩具巴斯光年来了,他让胡迪备受冷落。失宠的胡迪为了巩固自己的地位,只好处心积虑地想要赶走巴斯。最后,胡迪和巴斯不幸化敌为友的故事。
看完此片,我想到了那些以前被我丢弃的玩具,它们在黑暗的垃圾桶,废弃堆里,是否会伤心,是否会抱怨?我想是的,因为它们不仅仅是玩具,它们也是有思想的,当你的玩具被你遗忘的时候,他们也会难过的。
或许,你现在觉得那些老玩具已经不潮了,但是你在抛弃他们的时候,没有怀念过曾经与他们在一起度过的美好时光吗?
篇16:阿甘正传观后感英文
全文共 882 字
+ 加入清单When I first saw this movie I didnt appreciate it like I do now. Because I was so young that I didnt get the main idea when I first saw it. Just recently I saw the movie again. What an amazing and moving story. That movie teaches you so much about life and the meaning of it. That life isnt as bad as most people feel. Forrest Gump, the innocent man can impact so many lives with his innocence. The meaning of the movie to me is that everyone needs to have a better outlook on life. That we need to appreciate more of the little things and not let the big things hold us back. Although life may throw us trials and tribulations like a box of chocolates, we just have to bite into it and get through it even if we dont like it. I just love this movie. And anyone who hasnt seen it or who thinks that dont like it I seriously suggest seeing it or seeing it again. It truly is amazing…
篇17:《阿甘正传》电影观后感
全文共 722 字
+ 加入清单最近看了一下《阿甘正传》感触很多,对于我们也很有现实意义。
我想说找不到一个贴切的词语来形容他,愚蠢、单纯、还是幸运?对他的感情以诉诸笔端,喜爱、怜悯还是羡慕?也许毋庸鳌言,他就是他,一个经历不凡,近乎奇特的美国人------福雷斯·甘。
阿甘的智商只有7。5,他的人生却因他的智商而阴差阳错地变得格外开朗起来。他毫无方向的奔跑到橄榄树球场上,被教练看中,成为了橄榄球明星。为了己故战友巴布的一句话;“打完仗我们就去捕鱼。”他筹集了钱买了一艘捕鱼船,天天漂泊在海,竟意外地而致富,成了远近闻名的富翁。
他的好运来的如此汹涌,与他从不起波澜的脸庞形成幽默而深刻成对比,大多数时候,他只有一种眼神,木然却不冷漠,似乎总有心事------简单而天真的心事。他用这种眼神应对一切。当黑人长宫冲他大吼时,当校车里面的同学一个个向他投来篾视的目光,当调皮的孩子向他投来石头时,他都是用这种眼神来面对。
面对长宫暴躁的命令,他不卑不吭地回答,“是,长宫。”人们笑他笨,他说“蠢人就做蠢事。”一切回应都是心平气和仿佛肯定对方的话,又不知不觉中让人一惊,竟而生出一丝敬意,敬佩他冷静和他宽阔的胸怀。
阿甘一生都在用小孩的思维。约翰逊总统接见越战退伍军人阿甘,给他颁发荣誉勋章时,总统开玩笑地说;“真想看看你屁股上的枪伤。”阿甘犹豫了一下,迅速转身,脱下裤子。他的天真让在场的所有人都乐不可及,仿佛又回到了小孩子的时代。
他的智商不高,却打下了高于普通人的基础,平淡而简单。这就是阿甘的人生,也是他的人生哲学。
死亡生命的一部分,我们的人生都会经历这种生离死别,我们应无所畏惧才对,我们的人生才会精彩。人生应该有目标,我们才会进步、才会取得成功。努力吧!我们就会战胜所有的困难。
篇18:肖生克的救赎英文观后感
全文共 5924 字
+ 加入清单Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artists opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.
The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andys demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.
By creating the films firm foundation, the meticulously chiseled screenplay paved the way for this films success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen Kings equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.
While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a films score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the films needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to individualism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newmans score never once intrudes on your concentration or distracts from the film.
With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.
With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.
This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and production facilities. These artists show their capability to produce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.
篇19:《阿甘正传》观后感
全文共 886 字
+ 加入清单《阿甘正传》给我们展现了一个虽然智商只有75,却是忠诚、守信、执着、友善的阿甘!而很多时候我们就象阿甘一样找不到做一件事的理由,很多时候我们都远不及阿甘,那些不知为何而做的事情总是非常轻易的半途而废了。而我们不得不承认,很多事情的成功是有其偶然因素的,它并不会因为你处心积虑而更接近终点,却会在你不经意时,给你做出的努力一个最恰当的褒赏。知道得少,反而有收获,知道得多,反而会迷惑。所以单纯的人容易成功!阿甘善于把所有的问题都简单化,简单单纯到了只剩下直奔成功。再聪明的人都无法完全认清世间万象,运转再快的头脑,也跟不上世界万物的变化。他把自己仅有的智慧、信念和勇气集中于前方,凭借直觉的指引无助的奔跑,在同龄人的石块下跑过了儿时的嘲笑,在教练的咒骂中跑过了大学的足球场,在枪林弹雨里跑过了越南的丛林,在冷战时期跑过了乒乓外教的战场,在众人的追随中跑遍了美国。
在书中,带着美国南方口音、智力有障碍的阿甘凝视着充满野性的珍妮,仿佛和美国小说大师福克纳的名著《喧嚣与骚动》中的笨蛋班吉是远亲。但二者显然有着根本的区别:班吉只是一个家庭衰亡的象征,是个真正的低能儿;而阿甘这个“笨蛋”却几乎代表了这个时代所缺少的所有美德:诚实守信,他答应战友布巴要共同买一艘捕虾船,但战友死了,他却在旁人不可思议的眼神中为他实现了遗愿;做事认真,在大学里,他被破格录取,并成了橄榄球巨星,受到了肯尼迪总统的接见;勇敢无畏,在越战中他独自脱离了危险的时候,他仍然跑回丛林中去找他的战友;重情轻财,他对珍妮的爱,不用多说了。反过来说则是具备这些美德便成了愚蠢,这真是对当今某些社会状况的一个莫大讽刺。
人的一生往往就是这样,大多数时候,我们也许都在随波逐流,这种飘浮没有具体的方向,平淡到令人厌倦。可是,一个腾挪一个转身,总还是可以由自己控制的,你只需尽力将它做得完满,不必计较你得到了多少,那么,你就可以越飞越高,到达属于自己的那片天地。
任何回报都是需要先予再取,可是我们常常需要一些理由,让自己能够放弃顾虑、全心投入、甘心付出。可理由往往不够充分,反而是有各种负面的理由让我们裹足不前,犹豫不决。
篇20:、《阿甘正传》观后感
全文共 908 字
+ 加入清单“I’m not a smart man ,but I now what love is.”
是的,剧中能触动到我灵魂深处的并不是傻傻阿甘通过努力获得了多少的成就和荣兴,而是电影里第一百零八分钟当阿甘问珍妮的时候,这一句“I’m not a smart man ,but I now what loveis.”就那么的平铺直述,让我想就这么着了吧,对! 就是这一句,
把人的荣誉团队的荣誉甚至是一个国家的荣誉一遍一遍颁发给一位智力仅75的成年男人阿甘身上 ??多么讽刺啊??!的确,限入自满状态下年轻的老的灵魂统统被这不朽的阿甘讽刺到了。似乎是一件神奇的事情。但通过电影,阿甘做到了。轻轻地,如随风飘舞的羽毛般,他用75的智力嘲笑着当下社会的人。是啊,75的智力的确不够,不够他去恨,不够他去埋怨,不够他去攀比,没得选择,于是他只能去爱,用他全部的智力去爱,爱珍妮,爱他的妈妈,爱朋友,爱上司,哪怕是说他傻子、讨厌他、打他的人,因为他的智力让他永远也学不会怎样去恨、去算计,包括了他后天能跑的双腿,意外能打乒乓的双手,甚至于被枪击中的屁股,他是爱自己的,他也在乎自己所拥有的,哪怕是披荆斩棘,乘风破浪,哪怕是雨水太阳和星辰,他只知道如何爱,
而爱是世界上最伟大的力量,爱使人打开了心扉,平息了愤怒,化解了仇恨,安抚了孤独,振作了绝望 ,坚持了目标 总之, 爱的力量太强大了,就像太阳能溶化了冰川一样,就像傻阿甘跑进大学,被破格碌取,被历任总统接见,被代表着国家荣誉一样,是不可思议的。爱是人人都在向往和追求的精神领域,而物质社会却常常让人因为文字的精辟而忽略了内容的深沉。。于是在电影中的阿甘用爱表达一切时,世界都向他低了头。
智者说“行为的状态大多时候是通过精神或思想过滤后表现的”。是我们,太聪明了,知道什么叫好与不好,知道什么叫妒忌,知道什么叫欲望,什么叫膨胀,什么叫聪明,可我们知道得太多了,占用了自己智力太多的百分比,而爱就望尘莫及。所以,好多人向世界低了头,因为怎么也学不够爱的艺术。喜欢阿甘是他因为不如好多人聪明却取得中此非凡成就与财富吗?哈哈,,,我更清楚的知道我才没有他那么傻。。
只有充满爱 才能获得新生。