《阿甘正传》观后感英文【实用20篇】

Mr. A Gan has his own perseverance, keeping on running without of any reason, JUST RUNS. He said: “Man has t look forward, and never encumbered by foretime. I thank thats the meaning of my running.” Say goodbye to foretime and dont stay in-place. Although so many people in the world are used to follow others and few people can stick to one thing, Mr. A Gan does and becomes “GOD”. There is another character Captain Dan. Dan lost his legs in Vietnarm War. He said that his fate is death in war. However, Mr. A Gan saved him and let him be alive. After losing legs, Dan was decadent and disgusted with life, complaining that A Gan shouldnt save him. When he adjusted his mind, living on fishing with A Gan, he started to enjoy the wonderful life and thank A Gans help. The movie is intended to tell people that life is wonderful by this character. Rainbow is always after cloud. The key point is that whether we have a good mind and an opportunity to ourselves to change bad situation. The movie is also sent such a message to us: do well what we should do, and life will return us well. There will be a miracle if only there is perseverance.

Hope is the whole theme of the movie.

Before Andy went into the Shaw shank, the topic here is nothing but metamorphosis, fighting or killing time. Confusion, dirty, fear, despair gathered together to create a harsh environment. The prisoners have no human rights at all. They are free to sell the warden their cheap labor. After Andy’ coming, although this unwilling banker can not change the oppression and abuse of prisoners, he at least brought hope, a breath of life, even liberty. This hope is different from the verbal warden said, "I am the light of the world. I would not have you follow the dark" because he is a downright "false Christ" by the name of Christ. He is just a matter of the devils trip. His brutal disposition is to let the prisoners succumbed to "discipline and the Bible", and even "Want you to eat you eat, want you to pee you pee ". Everyone in Shaw shank is institutionalized, resulting in the death of the Brooks, leading to Red’s still having no rights and intendance to bring the" instructions "of the brand, losing hope that his life will not always be like a normal person. The warden is precisely to completely obliterate the hope of Shaw shank prisoners for the future.

“The Shaw shank Redemption” is successful and impressing in the territory of moralizing audiences. All virtuous quality of every role make us happy from the bottom of our hearts., Moreover, the background music in company with the plot also delight us at the same time. To sum up, it is not only a movie, but also a flawless display directing us to freedom and goodness.

It is the first time that I have watched “The Shaw shank Redemption”, which is said to be one of the most meaningful movies in the world. At the beginning of the movie, I felt embarrassed about the sexual scene. Then, with the plot developing, I found that this is a movie almost all actors of which are female. However, it is still full of warmth and touch. I indulged in it at once.

I am moved by Andy’s willing self-punishment. He knew he is innocent, but he was actually sorry for that he dismissed his wife and didn’t give her enough love and care, which led to her death indirectly. Therefore, he undertook the seventeen-year experience in jail without any complaints. It is a behavior out of redemption, which is magnanimous in fact.

At the same time, the negative roles also impress me a lot. The warden is so greedy and vicious that he compels Andy to assist him in wealth accumulation and tax evasion, otherwise Andy would be violated by a bunch of gays. And the guard was extremely selfish and cruel. He can punish any prisoner in any way at any time without a guilty conscience. The most common punishment is brawl. There’ no need worrying about taking responsibility of the prisoners’ death. For another thing, prisoners do not dare and have no access to sue them/ For another, they can make up the causes of their death to cover the truth. The prisoners’ lives are actually in their hand. To some extent, they are like some governors.

Why does it impress me a lot? Firstly, it is institutionalizing which wrecks humanity. In the prison, no doubt that Red lives a relatively easy life, and also, he is very wise. He can meet anyone’s needs. He knows the nature of the life in the prison clearly. He said to Andy, “Hope is dangerous”, which is intellectual man’s tongue. In real life, people will say, "Red is very seasoned" and so on. But, as these so-called "wise men", Red had never thought of fighting, let alone influencing or changing others. He just conforms to the rules in order to protect himself. He doesn’t change until Andy’s appearance, which eventually leads him to the freedom.

Brooks, of course, the librarians, is another most shocking role. His whole life is a profound reflection of the "institutionalized" servants life. Brooks spent a lifetime in the prison. After he was finally released on parole, got free, and left the familiar surroundings, familiar people, he felt loss of his value, and he can not find his place. He had the freedom of the body but in fact, his soul had been strangled. The world belonging to him has been compressed to a minimum. Eventually he can only choose to end his life. Why should arrange such a role as Brooks? I think the director is trying to tell us, if Andy doesn’t appear, the vast majority of prisoners, including Red, can be Brookes in the near future. Isn’t Brooks like too many people in real life?

Andy imparted other prisoners some useful knowledge, which created a positive atmosphere. That went a long way in their redemption. That is to say, Andy’s atonement had a great impact on others and made them feel regretful sincerely. Just as Red put it, It takes a strong man to save himself, and a great man to save another. Andy is great.

When I first saw The Truman Show I came out of the theatre amazed. This is your first clue that you are watching something different from your normal Jim Carrey movie. I love the dialogue, camera shot, performances, direction, music, and running time of this movie. There is nothing I would do to change it. I came away from The Truman Show feeling inspired which is the goal of good filmmaking Jim Carrey was outstanding as Truman, underplaying him, not making him too comic or too dramatic, but giving true sincerity when asked. He deserved an Oscar nomination. Ed Harris has always been a good actor, but in this movie hes a great actor. He plays Christof with such arrogance and bullheadedness that you dont know whether hes helping or destroying Truman. He and the director, Peter Weir, deserved their Oscar nods.

Weir, who directed the great Witness, uses different camera angles to make you feel like youre actually watching The Truman Show and not a movie. He ends it before you get tired of the concept and helped Carrey and Harris give immaculate performances. Andrew Niccol script is a real star in the movie too because of its inventiveness and ingenuity. Overall, The Truman Show is what I like to call a true American classic.

Up is a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carls life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.

I know----thats a interesting trip!

When I first saw this movie I didnt appreciate it like I do now. Because I was so young that I didnt get the main idea when I first saw it. Just recently I saw the movie again. What an amazing and moving story. That movie teaches you so much about life and the meaning of it. That life isnt as bad as most people feel. Forrest Gump, the innocent man can impact so many lives with his innocence. The meaning of the movie to me is that everyone needs to have a better outlook on life. That we need to appreciate more of the little things and not let the big things hold us back. Although life may throw us trials and tribulations like a box of chocolates, we just have to bite into it and get through it even if we dont like it. I just love this movie. And anyone who hasnt seen it or who thinks that dont like it I seriously suggest seeing it or seeing it again. It truly is amazing…

在我看过的所有影片中,《肖申克的救赎》是最能打动我的一部影片。特别是剧中的男主人公在一个风雨交加的黑夜，冲破监狱的围墙越狱成功后，伸出双臂拥抱自由的经典画面，更是深深的震撼着我的心灵。这是对自由的渴望，更是对生命的致敬!

影片《肖申克的救赎》一般被认为是一部励志片。但是，在我看来，它不仅仅是一部励志片，更是一部探讨生命，自由以及人处于逆境中所迸发出来的超乎想象的潜能的影片。

影片故事集中发生在一个叫肖申克的监狱中，四面都是高墙栅栏，只有抬头仰望天空时，才会发现外面还有另一个世界。主人公因为法庭的的误判而被监禁在这里。或许，许多观众都会认为主人公的后半生都会在这里度过了。对于监狱里的其他犯人来说，这里或许就是他们以后的归宿。他们好像已经接受了命运的安排，整天就是打架，赌钱，丝毫不在意大墙内外的不同世界。在他们的内心深处，已经不存在监狱这堵墙了。他们已经放弃了对生命和自由的渴望，但是，对于主人公来说，他没有放弃……

起初，主人公表现的与其他犯人没有两样，只是一直比较沉默寡言。然而，不再沉默中爆发，就在沉默中灭亡。孰知这长久的沉默是为那最后瞬间的爆发而积蓄着巨大的能量。主人公凭借自己的聪明才智给监狱长洗钱而受到重用，而后又坚持每周给监狱上级写信，要求拨款在监狱建图书馆。在坚持了几年的每周写信后，监狱上级终于同意拨款建图书馆。就这样，主人公一步一步，悄无声息的实施着自己的计划，终于在一个雷雨交加的黑夜，主人公终于冲破了监禁他20年的监狱.。当监狱长看到那幅画底下的那个大窟窿时，一切都真相大白了。观众无不为主人公的聪明智慧所折服，真是大快人心!

20年的时间足以摧毁一个人的意志，消磨一个人的耐心。但是，影片中主人公却没有被时间所摧毁，却显示出了更强的生命斗志。当人处于逆境中时，人的潜能到底有多大，谁也不知道。但是，当你对生命和自由有强烈的渴望和追求时，积聚在你内心深处的巨大潜能就会迸发出来，这就是生命的力量，让我们向生命致敬!

阿甘出生在上世纪中叶，美国南部阿拉巴马州的绿菌堡镇，由于父亲早逝，他的母亲独自将他抚养长大。阿甘的智商只有75，但凭借跑步的天赋，使他顺利地完成大学学业并参了军，随后开赴越南战场。

在军营里，他结识了“捕虾迷”布巴和精神兮兮的丹中尉。步巴在越战中丧失了性命，丹中尉失去了双腿，阿甘则用跑步的天赋救了人，成了战斗中的大英雄。后来，渐渐的，阿甘又发现了自己有打乒乓球的天赋之后，又成了名人。

我觉得，每个人都有天赋，就看你善不善于去发现，阿甘就听了一个女同学的话：快跑!快跑，着会儿就发现到了自己跑步的天赋。之后，在军营中，阿甘虽然在战场上使身上受了许多伤，但是在军营中，他最要好的朋友，让他去打乒乓球，结果阿甘又发现了自己的天赋。而我就不像阿甘，我还没发现自己的天赋。但我会努力去发现。

这部电影告诉我们，每人都有天赋，就看你去不去发现了。

"Paddington bear" is the weinstein companys 2014 production reality animation films.Film directed by Paul Kim, Ben visa, nicole kidman and Hugh shaw bonnet Willie, Sally Hawkins, etc.The story of the film revolves around a young bear Peru, story tells the story of this only like to eat jam bear lost after landing in London from dark Peru, a series of special experience and human story.Film on November 28, 20** in the UK premiere, on March 5, 20** in mainland China.

《阿甘正传》这部片子我连续看了两遍，每看完一遍都有不同的认识。我觉得可爱的福雷斯·甘先生真的是很值得我们学习或者说应该让我们好好的反思反思了。

智商仅为75分的低能儿福雷斯·甘先生在现实中绝对是一位事业有成的成功人士，那为什么这么一个低能的人会走向如此的巅峰呢？我认为其中的真谛就在于他在思考问题时的那种"简单"，对待问题时的那种"执着"。当然这里面缺少不了他那伟大的母亲对他的谆谆教导。这给了他多大的精神上的帮助，使他不自卑，反而很自信。"人生就像一盒各式各样的巧克力，你永远不知道下一块会是那种味"。既然知道自己不聪明就不要想得那么远，要安守本分。"做傻事的才是傻瓜"这句台词影片里面出现过多次，多么经典！不要嘲笑别人傻，只有做了傻事的人才是真正的笨蛋。

福雷斯·甘先生的这种"简单"的思维方式和"执着"行事作风让他一次又一次的大出风头，但他自己却"简单"的不以为然》。踢美式足球时，它能够进入明星队，受到总统接待；参加越战时，为了救好友数次穿梭于枪林弹雨，救出若干名战友，使他又成为战斗英雄，总统亲自为他授奖。纵然这一切的一切有偶然的存在，但是最最难能可贵还是他的那份坚毅，和不屈不挠的精神以及那份超强的责任感。他的这种良好心态不单单成就了他自己更感染了身边的人，像失去下肢的丹中尉；一而再，再而三的对不起他，但仍然是他一生最爱的女人珍妮。丹中尉在失去下肢后非常自卑，精神极度脆弱，处在崩溃边缘。因为阿甘的出现，阿甘的他的那份坚毅，和不屈不挠的精神以及那份责任心。又唤醒了丹中尉，使他重拾希望，最终他们一起成就了一番大事业。并支付给了他内心中的合伙人、他的已故好友布巴一家不菲的分红。对于珍妮阿甘从来就没有舍弃过，那永远是他心中的女神。激情过后，珍妮又一次偷偷的溜走了，这件事对阿甘的打击太大了，他像是被抽空了，失去了所有，阿甘那种无法释怀的心里的痛楚找不到了发泄的方式。"你得丢开以往的事，才能不断继续前进"，他那伟大的母亲就是这样教育他的。于是漫无目的的长跑开始了，3年2月14天16小时的长跑让他跑遍了整个美国，这种无私的爱也深深打动了珍妮，使他们走到了一起，组成幸福家庭。

我真的很佩服你，福雷斯·甘先生，你的简单，执着，是最我们值得学习的，也是这个复杂的社会上最最缺少的。以不变应万变，不需要太高的目标，只要走好脚下的每一步；简单的问题不要因为我们的思维而复杂化；也许做不到心里想什么就做什么的境界，但心里觉得充实，人生才会有乐趣。人就是要常知足，常知不足。

这就是我在福雷斯·甘先生身上体会到的。谢谢你！福雷斯·甘先生！您给了我们这么精彩的故事。更要谢谢那伟大的母亲，是您创造了奇迹！

Gua Sha is a movie about the differences between American and Chinese culture. Xu datong is a video games designer in St. Louis. When his father visits from China, he performs Gua Sha (a Chinese traditional treatment) on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. In the court, Datong loses his mind so that finally he loses custody of his son. I think this scene is shocking and thought-provoking to most of the Chinese audiences. But the most impressing scene to me is the ending. Datong wants to see his son in Christmas eve, he has to climb a pipe to the ninth floor which his son lives. I think the pipe is not only a pipe, but also a gap, a deep gap between American and 5000-year Chinese culture. He wants to climb over the gap and he will never succeed, perhaps no Chinese people really could succeed.

It’s about assimilation into American culture, and not assimilation in an “International” city, like SF or NY or LA or Chicago, but St. Louis, MO (actually shot there). Really great acting, interesting story.

Gua Sha is a treatment in traditional oriental medicine in which a wooden board repeatedly slides across the patient’s acupuncture acupressure massage points. It works in similar principles like that of acupuncture acupressure massage. This method would inevitably leave bruise on the skin, and the story begins here, when the visiting grandpa who does not speak any English used this traditional practice to treat the grandson when both son and daughter-in-law were at work.

Sadly, in US, this is a story that repeats itself many times in the area where many oriental immigrants lives and all of these are due to simple misunderstanding between cultures.Gua Sha: Step-by-Step, by Arya Nielsen.If an acupuncturist is trained in Classical Chinese medicine, they will do this technique in their practice for pain, and for acute or chronic illness.

只要今天够努力，幸福明天就会来临。

这是一个根据黑人投资专家Chris Gardner的传记性图书《The pursuit of happyness》这一真实的故事改编的电影主人公克里斯·加德纳的成长过程并没有父亲的陪伴，28岁才第一次见到父亲。于是当他也做了父亲的时候，他发誓要做一个称职的好爸爸。然而天不遂愿，这位单身父亲屡遇不顺，遭遇失业等不幸，和年幼的儿子相依为命、流离失所。为了儿子的幸福，加德纳咬紧牙关重新振作，处处向机会敲门，并毛遂自荐进入一家证券公司工作，从最底层的员工做起。终于皇天不负苦心人，他最后成为知名的金融投资家。之后，他慷慨解囊，热心捐助公益活动，成为全美知名的慈善人物。而过程中支持他咬紧牙关的最大动力，除了宝贝儿子外，就是他始终相信：只要今天够努力，幸福明天就会来临。

幸福从那里来?当一个人屡屡遇到不幸的时候，你是否坚持了你的梦想，你是否为了幸福而坚持不懈了呢?

影片开始时克里斯·加德纳在人潮涌动大街上迷失在一张张笑脸中茫然地伫立“为什么人人都快乐，我却不能这样呢”。片尾当克里斯·加德纳通过试用再次来到那里时，他为自己鼓掌振臂。

你要幸福，那就去追求。

A review of the Pursuit of Happiness

“The Pursuit of Happyness” was released on the 15th of December 2006. It is a dramatic story based on a biography of Chris Gardner’s nearly one-year struggle with homelessness. Directed by Gabrielle Muccino, the film stars Will Smith as Chris Gardner, and co-stars Jaden Smith playing Chris’ son, Christopher Jr. For Will Smith’s performance in the film, he was nominated for an Academy Award and a Golden Globe for Best Actor. The ‘different’ spelling of the title, ‘Happyness’ is seen by Chris Gardner on the building outside the play centre is son attends, which Chris reminds the owners of the building multiple times that it is spelt with an ‘I’.

The film shows us the struggles Chris Gardner has with homelessness. He is bankrupt because he invested his life savings in portable bone-density scanners, which he thought hospitals would be interested in buying, but in the end hardly any doctors wanted one, as they considered it an ‘expensive luxury’. During the struggles, his wife Linda leaves to go to New York and Chris and his son are left in San Francisco with no income and living in a motel. Chris sees interest in become a stockbroker, but to become one he has to go through an internship. Meanwhile, Chris and his son are evicted because they can’t pay rent, and they are forced to go to a homeless shelter, and even one night had to sleep in the bathroom of the underground rail system. During his internship, he never once mentions his financial struggles and at one point he is asked to give one of his bosses 5 dollars for a cab, a sum that he can’t afford. After an intense six months, Chris is taken into the bosses’ office, and is offered a job as a stockbroker, the final scene shows him being in unbelief of the position he was offered and showing his happiness and gratefulness for the opportunity, Chris realises that his financial struggles are over as he now has a job with a regular income.

Christ was unfortunate, for he got a wife who was not understandable at all (though she has her own difficulties) and was in bad luck with his business. But he was very fortunate also, for he got a son who was very thoughtful and, I think, tough life experiences always make a great person. It is said that this movie is inspired by a true story, and I want to say, this movie does inspire me a lot. What impressed me most are: Christ’s wife left him because of life pressure; Christ’s love to his son and Christ’s strong belief towards life. Through these, I know that it is not easy to be a good husband and a good Papa, since in reality, only love cannot only make everything. And I also learn that one has to strongly believe in himself, no matter how difficult the situation is, but of course, hard-working is indispensable.

人生就像各种各样的朱古力，你永远不会知道那一块属于你。”阿甘母亲的这一理解，向我们阐明了：每一个人的生命轨迹都是存在，而且是独一无二的

阿甘，正是听着这样的教诲，一步一个脚印地踩出属于自己的生活的奇迹。从智商只有75分而不得不进入特殊学校，到橄榄球健将，到越战英雄，到虾船船长，到跑遍美国，阿甘以先天缺陷的身躯，达到了许多智力健全的人也许终其一生也难以企及的高度。

在影片的开头和结尾你都会看到：在广阔的蓝天下，一根轻盈而洁白的羽毛从天而降，缓缓地降落在阿甘的脚下。这其实是影片在暗示：这个世界上，如果有人把生命看得像羽毛般纯洁，平淡而美丽，那么，这个人一定是阿甘。

阿甘天生就注定不是一个出类拔萃的人。但上天又是如此公平，往往，它会令起点不高的人比天生优越感十足的人更早，更深刻地认识到生活的真实。幼年的阿甘腿有残疾，阿甘的母亲不得不为儿子套上一个笨重的铁架子，以辅助行走。放学后，同伴们在路上讥笑他，玩弄他，追赶着扔石头。女同学珍妮喊道：“阿甘，快跑。”阿甘惊慌，拔腿就想跑，跌倒了挣扎着爬起。渐渐地，铁架子不在束缚着他，他奔跑如飞。同伴们追不上他，眼睁睁的束手无策。这是阿甘人生中的第一个奇迹。

跑得快真是好世界。凭着惊人的奔跑速度，阿甘进了橄榄球队，以后又进了大学并最终顺利毕业。不久，他参加了越战。在越南战场上，阿甘的部队中了埋伏，一声撤退令下，阿甘记起珍妮的嘱咐：“打不过，就跑。”阿甘于是转头就跑。他成了唯一幸免的人。看到这里，观众大概都会发笑。阿甘如果不是跑得快，就不可能后来返回去救出负伤的战友;阿甘如果不回去拯救战友，那么阿甘也就不是阿甘了。

阿甘因战功显赫而受到总统接见。这是导演为我们准备的一幕喜剧，但我们却不会为此而觉得夸张，可笑。有的人常感觉生活负担过重，面前困难重重，因此整天垂头丧气，郁郁不欢。阿甘的信念这样的单纯，目标这样的清晰，即便先天不足，前有穷山恶水，他也以平常心视之，并最终一一跨过，这并不是说愚人之福，保持这种态度和意志的人，信念能减轻他许多关于生命的重负，而使他达到生命之巅。

阿甘一生中只有一种爱支撑人生，那就是母爱;阿甘一生只爱一个女孩珍妮，除此他永远心如止水;他可以为了纪念死去的战友布巴，而干起自己并不熟悉的捕虾业(仅仅是由于布巴的一句话)。。。。。。在生命的每一个阶段，阿甘的心中只有一个目标在指引着他，他也只为此而踏实地，不懈地，坚定地奋斗，直到目标的完成，新的目标的出现。没有单纯的抉择就不会没有心灵的杂念;而没有心灵杂念的人，大概才能够在人生中举重苦轻。

阿甘的一生中出现了许多奇迹，但这些奇迹没有、也绝不会引导你去羡慕他，你只会欣赏和阿甘一起的那些岁月、生命和历史，体味个中的苦甜，以期“跨越缺陷，完美人生”

最近，我看了一部极具“人情味”的动画片，它的名字就是《玩具总动员》。

它讲述的是：

胡迪是小主人安弟最喜欢的传统牛仔玩偶，他和其他玩具趁主人不在时，便会“活”起来一起玩闹。可是好景不常，最新奇的热门玩具巴斯光年来了，他让胡迪备受冷落。失宠的胡迪为了巩固自己的地位，只好处心积虑地想要赶走巴斯。最后，胡迪和巴斯不幸化敌为友的故事。

看完此片，我想到了那些以前被我丢弃的玩具，它们在黑暗的垃圾桶，废弃堆里，是否会伤心，是否会抱怨?我想是的，因为它们不仅仅是玩具，它们也是有思想的，当你的玩具被你遗忘的时候，他们也会难过的。

或许，你现在觉得那些老玩具已经不潮了，但是你在抛弃他们的时候，没有怀念过曾经与他们在一起度过的美好时光吗?

When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out from under everything. Gilroy, with an adroitness Hitchcock might admire, works admirably in this arena, turning in a screenplay thats more diabolical and pulpy than his convoluted directorial debut, Michael Clayton, but no less fun. He maximizes his assets, and considering the wattage of his stars, they are considerable. Although one could not consider the plot for Duplicity to be air-tight, the holes are small enough for things to remain afloat until after the proceedings have ended. A post-movie dissection on the way home in the car will reveal some obvious plotting problems.

还是一贯的梦工场的高水准，画面精致细腻，人物生动传神，故事情节曲折动人，最重要的是它以最简单易解的方式说明白了一个道理，那就是——世界上没有任何捷径和秘籍，唯一的制胜法门就是相信自己。

不想再说更多的剧情，因为它真的很出色。看的过程中，频频出现人们会意的笑声，整个氛围相当的轻松和惬意。这个片子做得非常地道，一点儿也没有是由西方人演绎的感觉，不论是故事还是其中传达的意境，不论是画面还是其中的细节，都是东方式的;唯一特别的可能就是出现的现代的口语，比如ok之类的。

“I’m not a smart man ,but I now what love is.”

是的，剧中能触动到我灵魂深处的并不是傻傻阿甘通过努力获得了多少的成就和荣兴，而是电影里第一百零八分钟当阿甘问珍妮的时候，这一句“I’m not a smart man ,but I now what loveis.”就那么的平铺直述,让我想就这么着了吧，对! 就是这一句，

把人的荣誉团队的荣誉甚至是一个国家的荣誉一遍一遍颁发给一位智力仅75的成年男人阿甘身上 ??多么讽刺啊??!的确，限入自满状态下年轻的老的灵魂统统被这不朽的阿甘讽刺到了。似乎是一件神奇的事情。但通过电影，阿甘做到了。轻轻地，如随风飘舞的羽毛般，他用75的智力嘲笑着当下社会的人。是啊，75的智力的确不够，不够他去恨，不够他去埋怨，不够他去攀比，没得选择，于是他只能去爱，用他全部的智力去爱，爱珍妮，爱他的妈妈，爱朋友，爱上司，哪怕是说他傻子、讨厌他、打他的人，因为他的智力让他永远也学不会怎样去恨、去算计，包括了他后天能跑的双腿，意外能打乒乓的双手，甚至于被枪击中的屁股，他是爱自己的，他也在乎自己所拥有的，哪怕是披荆斩棘，乘风破浪，哪怕是雨水太阳和星辰，他只知道如何爱，

而爱是世界上最伟大的力量，爱使人打开了心扉，平息了愤怒，化解了仇恨，安抚了孤独，振作了绝望 ，坚持了目标 总之， 爱的力量太强大了，就像太阳能溶化了冰川一样，就像傻阿甘跑进大学，被破格碌取，被历任总统接见，被代表着国家荣誉一样，是不可思议的。爱是人人都在向往和追求的精神领域，而物质社会却常常让人因为文字的精辟而忽略了内容的深沉。。于是在电影中的阿甘用爱表达一切时，世界都向他低了头。

智者说“行为的状态大多时候是通过精神或思想过滤后表现的”。是我们，太聪明了，知道什么叫好与不好，知道什么叫妒忌，知道什么叫欲望，什么叫膨胀，什么叫聪明，可我们知道得太多了，占用了自己智力太多的百分比，而爱就望尘莫及。所以，好多人向世界低了头，因为怎么也学不够爱的艺术。喜欢阿甘是他因为不如好多人聪明却取得中此非凡成就与财富吗?哈哈，，，我更清楚的知道我才没有他那么傻。。

只有充满爱 才能获得新生。

人生就像各种各样的朱古力，你永远不会知道那一块属于你。”阿甘母亲的这一理解，向我们阐明了：每一个人的生命轨迹都是存在，而且是独一无二的。阿甘，正是听着这样的教诲，一步一个脚印地踩出属于自己的生活的奇迹。从智商只有75分而不得不进入特殊学校，到橄榄球健将，到越战英雄，到虾船船长，到跑遍美国，阿甘以先天缺陷的身躯，达到了许多智力健全的人也许终其一生也难以企及的高度。

在影片的开头和结尾你都会看到：在广阔的蓝天下，一根轻盈而洁白的羽毛从天而降，缓缓地降落在阿甘的脚下。这其实是影片在暗示：这个世界上，如果有人把生命看得像羽毛般纯洁，平淡而美丽，那么，这个人一定是阿甘。

阿甘天生就注定不是一个出类拔萃的人。但上天又是如此公平，往往，它会令起点不高的人比天生优越感十足的人更早，更深刻地认识到生活的真实。幼年的阿甘腿有残疾，阿甘的母亲不得不为儿子套上一个笨重的铁架子，以辅助行走。放学后，同伴们在路上讥笑他，玩弄他，追赶着扔石头。女同学xx喊道：“阿甘，快跑。”阿甘惊慌，拔腿就想跑，跌倒了挣扎着爬起。渐渐地，铁架子不在束缚着他，他奔跑如飞。同伴们追不上他，眼睁睁的束手无策。这是阿甘人生中的第一个奇迹。

跑得快真是好世界。凭着惊人的奔跑速度，阿甘进了橄榄球队，以后又进了大学并最终顺利毕业。不久，他参加了越战。在越南战场上，阿甘的部队中了埋伏，一声撤退令下，阿甘记起xx的嘱咐：“打不过，就跑。”阿甘于是转头就跑。他成了唯一幸免的人。看到这里，观众大概都会发笑。阿甘如果不是跑得快，就不可能后来返回去救出负伤的战友；阿甘如果不回去拯救战友，那么阿甘也就不是阿甘了。

阿甘因战功显赫而受到总统接见。这是导演为我们准备的一幕喜剧，但我们却不会为此而觉得夸张，可笑。有的人常感觉生活负担过重，面前困难重重，因此整天垂头丧气，郁郁不欢。阿甘的信念这样的单纯，目标这样的清晰，即便先天不足，前有穷山恶水，他也以平常心视之，并最终一一跨过，这并不是说愚人之福，保持这种态度和意志的人，信念能减轻他许多关于生命的重负，而使他达到生命之巅。

阿甘一生中只有一种爱支撑人生，那就是母爱；阿甘一生只爱一个女孩xx，除此他永远心如止水；他可以为了纪念死去的战友布巴，而干起自己并不熟悉的捕虾业（仅仅是由于布巴的一句话）……在生命的每一个阶段，阿甘的心中只有一个目标在指引着他，他也只为此而踏实地，不懈地，坚定地奋斗，直到目标的完成，新的目标的出现。没有单纯的抉择就不会没有心灵的杂念；而没有心灵杂念的人，大概才能够在人生中举重苦轻。

阿甘的一生中出现了许多奇迹，但这些奇迹没有、也绝不会引导你去羡慕他，你只会欣赏和阿甘一起的那些岁月、生命和历史，体味个中的苦甜，以期“跨越缺陷，完美人生”……

Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harrys struggle against the evil wizard Lord Voldemort, who killed Harrys parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.

初恋50 First Dates

What would it feel if I can wake up everyday forgetting what happened for the last whole year?

Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always

appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.

In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and

treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.

What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of

balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.

飓风Taken

What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brains to his daughter must be one of the best ones.

His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.

No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a fathers love.

魔术师THE ILLUSIONIST FACTS

When word of the famed Eisenheims (Ed Norton) illusions reaches Crown Prince Leopold (Rufus Sewell), the ruler attends one of the magicians shows in order to debunk the performance. But when the princes intended, Sophie von Teschen (Jessica Biel), assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon theyre totally hot for each other. As the clandestine romance continues, the princes best cop (Paul Giamatti) is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.

一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palmas "Raising Cain" and "Snake Eyes."

Ellis seems to have unwittingly spliced together two different films with

mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evanss performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.

Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in

flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the songs lyrics ("...where you gonna run to?") literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along). (The song is even reprised during the closing credits, which itself is misbegotten in conception.)

And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults

在我精神极度空虚寂廖之时，友人没有长篇大论的说教，而是不无关爱的建议：“去看看《阿甘正传》吧!”，我真的在夜深人静的时候，找出影碟一个人“读”完了他，是指“阿甘”。

我惊诧于美国人的影视作品的绝妙所在，如果说《乱世佳人》、《魂断蓝桥》以及《罗马假日》等一系列经典之作已经是影视作品中的极品，让全世界的观众魂牵梦盈;那《阿甘正传》就是涓涓细流，令人滴荡心脾，感悟至极!怎会如此直观地表达出如此深奥的人生哲理;怎会如此平白地刻画出如此多彩的人生呢!这就是“匠心”所在，正所谓“淋漓尽致”!绝对不是崇洋媚外，而是一个平台上公平竞争后的公论。之所以说“读”完了他———阿甘，是因为“读”是感观和心灵共同完成的活动，这一活动的完成需要品味和感悟。

在外人的眼里，童年的阿甘就是一个智商只有75(而正常孩子的标准是80以上)的弱智儿，他没有朋友，交谈的唯一对象是妈妈，后来结识了有着心灵重创的小女孩“珍妮”——他整个童年的唯一朋友，这部作品里，“珍妮”是贯穿始终的一条线，他窜起了阿甘简单而多彩的人生。

阿甘的童年，做的最多的就是为了躲避同龄伙伴的凌辱，在“珍妮”的鼓励下不断地“跑”，“跑”成了阿甘的本能活动，他不抱怨，不自卑，就是一味的跑，跑，到哪里都是跑，终于，他跑到了极致，他跑的“像风”一样，他跑至青年，跑进大学，跑进橄榄球队，球场上，他从不思想，场外的人都在喊：“傻子，快跑!”他不介意别人的喊叫，跑得淋漓尽致，就连喊他傻子的人都不得不佩服他的奔跑速度，他成了了不起的傻子，还得到了总统的召见。

青年的阿甘参加了越战，在阿甘的眼里，事情就是事情，没有大小轻重之分，打仗就是打仗，他没有高尚到去想战争的意义是什么，他只记住临行珍妮的嘱托。阿甘的朝前跑又一次派上了用场，跑，不仅救了他自己的命，还救了他多位战友的命，救人时的阿甘，仍然是什么也没想，他的目的很简单，就是要救他在这只队伍里的唯一朋友——“步巴”，寻找“步巴”过程中遇到的所有战友他都一一救出，但他还是无力回天，他的好朋友没有逃离战争的厄运，临终留下不能等到战争结束作虾船船长的遗憾，死在阿甘的怀里，从此，作虾船船长就是阿甘的下一个人生目标，似乎，此时的阿甘是唯一在行动之前有动机的一次，但这也是笔者牵强相加的，他旨在做眼前的事————救战友!并为此负伤，驻进医院。

影片里，阿甘的执卓无处不在，在医院里，病友教会阿甘打乒乓球，从此，阿甘练球到痴迷，终于他又把乒乓球练到极致，代表美国参赛，且再次受总统的召见。

退役后的阿甘，没有常人所必经阶段——空虚、失落等等，而是用他所有的积蓄买下一艘船去完成战友的临终遗愿。并不是阿甘的生活里都是一帆风顺，没有挫折，而是阿甘的执卓使挫折不成其为障碍，初时捕虾，都是网网落空，如换了常人，也许早已灰心丧气，明锣收兵，但阿甘不会，他只知道向前“跑”，在阿甘的信念里就没有向后退缩的概念，无论如何，就是向前，向前!这也正是简单的阿甘的不平凡之所在，也正是我们这些所谓的正常人要学习和借鉴的“阿甘精神”。终于有一天，执卓的阿甘撒下的网装满了鱼虾，从此他的虾业公司蒸蒸日上，发展壮大。而此时的阿甘却抽身离去，一心一意的做起了修剪草坪的工作。这又是“阿甘精神”的另一个方面——永远是一颗平常心，可以说这是常人无法或很难做到的。

阿甘的执卓在影片里还有隐晦的一条线在体现，那就是阿甘对爱情的追求，于阿甘，“珍妮”早已走进了他的生命，尽管对方多次走出他的视野和生活，但她从未走出过阿甘的心里，阿甘对珍妮的爱，是一种超脱和大气，优秀而帅气的阿甘完全有另一种选择，但那就不是阿甘了，不是纯粹的阿甘了，而编者也正是要坚定观众心向执卓的理念，所以阿甘赢得了幸福甜美的爱情，尽管它是那样短暂，但却是永恒，是生命的延续，是“阿甘精神”的发扬。

影片是从阿甘，这个所谓的“傻子”的视角，用简单的方式演绎复杂多变的百态人生，没有说教式的情节堆砌，而是用人性化的平白直述，引人入情入理，感悟人生。

影片的高明之处还在于，从阿甘这一平民的角度记录了美国的历史发展进程，从肯尼迪总统的被暗杀，到越战，以至于后来的里根被刺。在阿甘的世界里，以上的所谓国家大事发生就是发生了，影片没有多施半点笔墨去渲染，相反只是以阿甘之口平平淡淡一带而过，从而说明一个道理，写就历史的不仅仅是人所瞩目的 “大人物”们，我们每个人都是一个时期一段历史的主人公和见证人，影片推崇的就是阿甘的执卓精神和平淡心镜，做好眼前的事，一直朝前跑，灰心沮丧无济于事(影片里的丹少校就是从反面来衬托阿甘的)，以积极的心态面对一切，不知不觉中你的言行便是生活中的一道美丽的风景，进而影响带动你身边的人，形成一种精神，影响整个民族，推动历史的进程，这就是影片中阿甘跑，最后随着他往前跑的人越来越多的寓意所在。

阿甘的境界不是每个人都能达到的，但正因为如此，才更体现了这部作品的积极作用，阿甘精神就是我门生活中应该尊崇的信条，向这个方向所做的努力，就是积极人生的体现，也许言过其实，但确是有感而发!感悟阿甘的过程，其实就是一次灵魂的净化过程，也许还会空虚，也许还有寂廖，但毕竟没有沉沦下去，毕竟有过积极的修正和努力，至于结局，会有千种万种，但那很重要吗?看看阿甘就知道了。此时，我很满足，毕竟不是每个人都有机会感悟“阿甘”，领略净化，小结人生。所以还要感谢那位友人，愿你一切都好，充实快乐!另外还要感谢在我生命历程中所有给予我关爱的人们，谢谢你们!我会一直向前，努力做好自己的事!