《追风筝的人》读后感英文汇总20篇

"Gullivers Travels," the author of Swift was born in Dublin, Ireland, his father was a British settlement in Ireland. He is a posthumous child, dependent adult by his uncle. His masterpiece "Gullivers Travels," published in 1726, was regarded as a childrens literary works, but it is actually attacked, the British social degradation and corruption of satirical writing.

In this book, write a hero, a surgeon, Gullivers adventures, some of them breathtaking. In Lilliput, he became a monster, invulnerability, a few dozen head of cattle are still Liantun famished stomach; in a giant country, he became a giant peoples dolls, was played in between the palm of your hand, and with flies and bees fight against the child; later, he came to a mysterious flying island, where people use the lower part of the birds natural magnet and bottom magnet under the power of arbitrary move, which was also ready to summon the ghost of a dialogue, specially engaged in some baffling The study of strange countries;

also deeply embarrassed the country of the Hui Yin, in the Sagittarius-turvy world, there are many incredible stories. Reading reading, I would like, together with the Gulliver walked into that fantasy world. Of those doll-like villain, the tall and mighty giant, looked like flying fish, island residents and Hui Yin and Yehuda who gave me left a deep impression.

I think the most special to the number of flying island residents. Their eyes are longer on one side, but also a music-loving nation, in their clothes also have their favorite instrument. Where the attendants will have to keep beating their heads ministers, or they love to good to be true. ... ...

After reading this book, I admire Gullivers wisdom, courage and adventurous spirit, he was a unique man, he saw the sea on the adventure could not suppress his impulses. As a doctor, he specialized in travel to travel around the vessel, that the grounds crew doctor, go around the world, everywhere adventure.

After reading this book, I feel that these books is very interesting, and will not do not see into, but after reading a few times, more and more in love with these books. The book is that peoples progress, and in the world of surf is everyones dream. Open the hands of the book, go headlong into a one day will find the fun.

阿米尔这个富家少爷所犯下的罪行，不也是一样。在面对自己人性中的怯懦、说谎、虚伪、善嫉、矫情、邪恶、自私、自大时，他选择的是逃避，这是一个懦弱无知少年的错误选择。他也为此付出了一生，来自心灵鞭挞、愧疚、恐惧的沉痛代价。

少年之间的友谊就本是微妙的，因身份地位不同而相互之间小心翼翼的试探。可能，这就像一个巨大的命运轮盘。因为社会地位的差距，阿米对于哈桑有种先天上的优势，因此两人永远不可能成为真正意义上的朋友。阿米便能将性格中的“恶”暴露在哈桑的面前。通过有意无意的欺负，阿米在哈桑身上抒发生活中来自父亲的甚至是来自哈桑的压力。但哈桑又带给了他这么多的快乐和认同，似乎一切都是因为自己不够好。最后，为了得到父亲的认同，他甚至眼看哈桑被人强暴，而仅仅是为了保住他的蓝风筝。他对哈桑感到愧疚，想让哈桑打还他，想让他们就此扯平，可哈桑还是什么都不做，甚至把烂果子抹在自己的脸上，哈桑还是如此深的在包容他，信任他，爱他。他平静的外表下掩藏着一股找不到出口的洪水，愧疚和怕人发现的寝食不安在折磨着他。但他依旧将他的恶发泄到哈桑身上，只因为他是仆人，他是弱势的。尔后，哈桑被他逼走了，他似乎找到了平静。

那一幕发生在追风筝大赛后的一场意外的背叛，是因为胆怯的自私性格，导致一段真切友谊的逝去。在阿米尔成年后，辗转回到饱经战火摧残的阿富汗之后，发现在种族和宗教的自我本位主义下，在政权更迭的动荡下，践踏生命都变得那般的毫不起眼。

在多年以后，有人告诉他，哈桑是他同父异母的兄弟。是父亲和仆人的妻子通奸生下的不能承认的儿子。这本来还有理可循的事就变得如此荒诞不经。 父亲的隐瞒和有意无意的比较，哈桑和阿米之间不平等的地位，阿米的自卑自怜自伤自傲，哈桑所受的屈辱痛苦，在那个身份地位等级的社会里，还有多多少少这样的故事?可能这就是在社会背景下那个叫做命运的东西。 因为阶级和一段不可告人的秘密成为主仆，因为种族的对立和迫害酝酿了最终的悲剧…… 那个与他如影随形的哈桑，那个愿意为他付出一切代价的哈桑，那个在他耳边说着“为你，千千万万遍”的哈桑，此生却无缘再见。

A simple story, an ordinary man, an ordinary big marlin, in the vast sea happened seemingly ordinary and extraordinary experience.

This book is about a Cuban old fisherman named diego, a man fishing alone, in the 84 days after nothing caught a big marlin. This is the old man never seen nor heard of than his boat two feet longer a big fish. Big fish strength is big, dragging the boat drifted for two days and two nights, the old man has experienced in the past two days and two nights have never suffered tough test, finally put the big shark fin die, tied to the bow. At this time, however, encountered a shark, the old man and the shark dogfight, result the big marlin was shark ate up, old man finally dragged home only a pair of bare fish skeleton.

After reading this novel, I found that the old mans story is not only a symbol of the relationship between human and nature, and a symbol of the whole human spirit indestructible. In reality, though he failed, but in spirit, he is the winner. Here, the old man is not only represents a person, but to represent a force, a kind of spirit, that is to let a person admire perseverance, the spirit of never yielding. I also very admire the novel old fishermans will, he let me know how a man must be strong, cant meet the frustration is losing, that will never be a one thing.

一个简单的故事，一个平凡的老人，一条普通的大马林鱼，在茫茫大海上发生了看似平凡而又不平凡的经历。

这本书讲了古巴的一个名叫桑地亚哥的老渔夫，独自一个人出海打鱼，在一无所获的84天之后钓到了一条无比巨大的马林鱼。这是老人从来没见过也没听说过的比他的船还长两英尺的一条大鱼。鱼大劲也大，拖着小船漂流了整整两天两夜，老人在这两天两夜中经历了从未经受的艰难考验，终于把大鱼刺死，拴在船头。然而这时却遇上了鲨鱼，老人与鲨鱼进行了殊死搏斗，结果大马林鱼被鲨鱼吃光了，老人最后拖回家的只剩下一副光秃秃的鱼骨架。

读完这篇小说，我发现，老人的故事不仅象征着人与自然的关系，而且象征着整个人类坚不可摧的精神。在现实中，他虽然失败了，但在精神上，他却是胜利者。在这里，老人不仅仅是代表着一个人，而是代表了一股力量，一种精神，那是让人敬佩的坚韧不拔，永不服输的精神。我也十分佩服小说中老渔夫的意志,他让我懂得了一个人一定要坚强，不能遇到一点挫折就败退，这样永远也做不成一件事。

好几次看到热泪盈眶，喉处哽咽。好的故事，总是让人忘记一切，全心投入其中，深受感动。我想我看到了一个一直勇敢、忠诚、宽厚的哈桑，一个懦弱、胆小最后变得勇敢，成为一个好人的阿米尔，童年生活的风筝不仅仅是儿时的游戏，在无形中早已是亲情、友情、爱情的象征。

最初的懦弱与谎言让阿米尔与自己的内心越走越远，就像他的爸爸一样是被拆成两个的人，即便远离故土，也没有走出内心的牢笼。那个记忆中总是对他“为你，千千万万遍”的人，是阿米尔心头永远抹不去的愧疚与想念，而我相信，他们是个伟大的民族，相信真主的惩罚，相信谎言的罪过，战火纷飞之中，阿米尔仍然义无反顾地踏上能再次成为好人的路，最后为索拉博(哈桑的儿子)成为一个追风筝的人。

在谎言与秘密、背叛与宽恕的世界里，为哈桑感动，为阿米尔感动，为爸爸感动，为拉辛尔感动，他们不是完美的人，但身上都有让人钦佩的地方，他们具有人性中最美好的品质。

书中的时间从上个世纪七十年代到如今的新世纪伊始，故事的发生仿佛就在眼前，社会等级，战争连天，主仆关系，种族清扫，国与家的关系，动荡的岁月里受苦的百姓，距离我们不远，却又像另外一个世界，这种真实存在未免让人太过心痛。只愿世界和平，战争不再有~

《追风筝的人》讲述了12岁的阿富汗富家少爷阿米尔与他父亲的仆人之子哈桑之间的友情故事。小说的文字细腻温暖，就像是书的橘黄色封面上如火的晚霞。绚烂的空中，一只带着两条长长尾巴的风筝在轻轻飞舞，它的牵绊所在，就是那个追风筝的人。

故事的开始，从阿米尔和哈桑两小无猜的童年写起。爬树，摘桑葚，恶作剧，这跟所有调皮捣蛋的男孩子们的童年没什么两样。他们朝夕相处，他们疯玩笑闹，他们一起成长。本以为这是个关于男孩子间的伟大友情的故事，但文中提到哈桑会说的第一个词时，我意识到，哈桑对阿米尔，不只是哥们儿义气，那是对友谊的绝对忠诚。

哈桑嘴边的第一句话必是：“阿米尔。”

他们的共同爱好在于风筝，阿米尔是放风筝能手，而哈桑是追风筝能手，他俩无疑是黄金搭档。然而在现实里，他们并不是并肩前进的。因为他们一个是少爷，一个是仆人的儿子。他们注定不是一个世界的人。这让我想到阿来的《尘埃落定》，即使在和仆人索郎泽郎玩得亲密无间时，麦其家的这个傻瓜少爷也很清楚：“即使是奴隶，有人也有权更被宠爱一点。”或许之于阿米尔，哈桑只是他“宠爱的仆人”，说到底还只是仆人。所以在哈桑信守承诺为朋友追到风筝而受到凌辱时，懦弱的阿米尔并没有站出来，他安慰自己：哈桑只是仆人。他以“少爷”的姿态掩盖了他的无能，也扼杀了一段友情。

而哈桑，倔强到固执地相信着这段友情。他从来不会对阿米尔说“不”，他小心地鼓励着有些自卑的阿米尔，甚至为他的一句话就可以“吃烂泥”。记得有这样的细节，在哈桑受辱前，阿塞夫试图说服哈桑把蓝风筝让给他，然而哈桑不答应，只因给阿米尔的承诺。于是，伴着古尔邦节宰杀绵羊的情节，哈桑的悲剧犹如那只黑耳朵绵羊的悲剧，他眼睛里有着为了崇高目的而牺牲的坚定。

在神的面前他们同是人，但在现实中，他们的出身就是他们友谊的最大障碍。王子与庶民永远站在不同的位置，他们最初的一点点差异，在社会、教育、舆论的推搡下，犹如蝴蝶效应般渐渐有了千差万别。友谊，经受不起这巨大裂痕而被撕裂——阿米尔偷偷地把钱放在哈桑枕头底下。

哈桑知道阿米尔的想法，他最后一次成全阿米尔的心意——永远离开了阿米尔的家。

长大后生活在如天堂般的美国，远离硝烟弥漫的阿富汗，阿米尔仍然有着挥之不去的愁绪，仍然想着那令他魂牵梦绕的故土，是哈桑，那个最忠于他的奴仆，不，是童年的伙伴，是他最愧对的人，让他的心灵永远处在忏悔与不安中。到后来阿米尔获悉哈桑竟是自己同父异母的兄弟时，悔恨与伤痛纠结于心。

中年的阿米尔偶然得知了哈桑的消息，不顾危险，前往家乡阿富汗，开始了救赎。然而哈桑却再也没有机会听到阿米尔的忏悔了，他死了。

阿米尔最后救回哈桑的儿子索拉博，以之来救赎自己的灵魂。

不论之后阿米尔怎样愧疚怎样赎罪，伤害依然发生过。赎罪唯一改变不了的事实就是罪。而后来哈桑与他同父异母的事实被揭露，不可谓不是一个讽刺。

那么我们，活在相对平等的社会里的我们，是不是就可以坦诚地举起右手发誓自己从未辜负一段友情呢?有些情感并非无法逾越身份等级的鸿沟，而是无法逾越人心。

Recently,I read Helen Kellers autobiography "If I give a bright day," I am emotionally.

"If I give a bright day," a book in between the lines,all filled with Helen.Qin Kais passion for life,shes warm attitude towards the people of the world should value the present exhortation to all.She has three days to the bright hope to experience this world,so that all who are familiar with her,Helen.Qin Kai would like to see is too many things too much,but this is just a beautiful beautiful dream.

"Suffering is a stepping stone for the genius……" is the suffering created by Helen.Qin Kai strong character.She as a blind deaf people with disabilities has a more than ordinary peoples psychological health.She can feel with their own,can imagine the scene,expressing their desire for knowledge and sincere love for humanity.She warned his personal feelings of others,the psychological health of human beings is the most basic conditions for success,a healthy physical and psychological health of the people did not,is not a cause of achievement.Mental health of the people,although physical disability is not complaining about fate,and the desire not to accept other peoples mercy,they will with a strong self-determination at the other side of the ideal.

A philosopher once said:"courageous resides in the soul,rather than a strong body." This is the true portrayal of Helen.Helen with a strong heart,eventually rising in the face of adversity,is physically disabled-no residue.The sound of my medical students,it has good conditions for learning,but not for lack of perseverance and resilience.Therefore,the article gave me the biggest inspiration is:

First,to complete every thing.A celebrity once said:"What is not easy?the daily is not easy to do things every day,do persist.What is not simple is not simple to have done everything the best."

Second,there must be optimistic and uplifting good mentality.Helen and the huge blow to the face of difficulties,not Yuantianyouren,but with an optimistic attitude to face up to get their confidence.Below is a story,illustrates this point.Two results of a scholar,Beijing Gankao,Ganlu the middle of the night,the team event of mourning,and the coffin Cajianerguo,the former very worried,that this is not a good sign.The latter would like to:coffin coffin,another official earnings.Therefore the latter examinations of the champion.While the former is Bangshangwuming,this story can be more optimistic that the upward good mentality,is an important factor in the success.

I have this good book to do my mentor,I believe I will live beyond the day more colorful.

作为阿米尔的好友兼忠实的仆人，哈桑清楚地知道阿米尔的愿望，深知这个风筝对阿米尔的意义。因此，在风筝比赛的当天早上，看着阿米尔紧张而手足无措的样子，大字不识一个的哈桑反倒给阿米尔讲了一个关于游泳与鬼怪的故事，并通过这个故事安慰过度紧张的阿米尔，这次的比赛没有鬼怪拦路，我们依然会像往常那样一路过关斩将，赢得最后的胜利。

正是有了哈桑的鼓励和协作，紧张的阿米尔终于能够放松心情、心无旁骛地投入比赛，直至将空中最后一个对手——那个漂亮的蓝色风筝斩于麾下。面对欣喜若狂的阿米尔和围观的人群，哈桑不忘自己的使命，开始追寻那个蓝色的风筝，阿米尔今天的战利品。本以为以哈桑的追逐本领，他一定可以顺利拿到这个战利品，然后双手虔诚的交给他的主人和好友，让阿米尔在人前一展雄风，在父亲面前扬眉吐气。

可是，正如文中所说：“美丽的故事都是悲伤的”，哈桑在成功追到风筝的途中，遇到了他俩的死对头，一个有着反社会主义倾向最终走向塔利班政权的邪恶少年阿塞夫。

面对阿塞夫的要挟和恫吓，哈桑为了捍卫阿米尔的战果，拼死护住了这个风筝，代价却是被阿塞夫性侵，牺牲了自己的尊严与清白。不幸的是，这一幕恰被前来寻找哈桑的阿米尔亲眼目睹，可是生性懦弱的阿米尔为了自保，没胆量站出来阻止阿塞夫的暴行，也不情愿跳出来让哈桑把那个蓝风筝让给阿塞夫。虽然赢得了比赛，获得了父亲的重视与疼爱，可是内心愧疚、自责不已的阿米尔却像被一道无形的枷锁紧紧束缚。

《追风筝的人》，讲述的是个残忍而又美丽的故事，关乎背叛和救赎。一瞬间，那些温暖细腻、伤感美好的文字如潺潺细流涌入心灵，泪水一再决堤。

放风筝，追风筝。两个少年的友情由这里开始。风筝那飘摇的脆弱恰似两人关系的写照：一主一仆，身为仆人的哈桑对阿米尔少爷的忠诚让人感动。他坐在树下满心仰慕地认真听少爷阿米尔念故事;他为了帮少爷捡回那个蓝风筝，被一群恶霸孩子堵在巷子里，遭受无声的欺侮;他明知被栽赃“偷窃”，却还是不肯说出真相，只是不住地掉泪。

有人说，他这是愚忠。我更愿意相信这是一个孩子的赤子之心：无关种族、无关宗教、无关地位、无关身份，只因单纯的他一直把阿米尔认作“朋友”。他脱口而出的那句“为你，千千万万遍”，成为阿米尔永恒的牵挂，更柔软和浸润了数十亿读者的心。

拉辛汗说：“这里有你做回好人的路”。多年后，当阿米尔在良师益友拉辛汗的指引下，终于唤醒了内心的良知，决意回到阔别已久的故乡，去寻找哈桑、去完成对自己年少懦弱和卑劣而犯下过错的救赎时，我甚至看到了我们自己的影子。

阿米尔的内心世界从狭隘、幼稚走向完整、成熟的过程，又何尝不是我们每个人成长历程的一种浓缩：在漫长的岁月长河中，我们内心埋藏了多少不为人知的秘密，伤害了几多不该伤害的人，有过多少不为人知的卑劣往事……在一番又一番的背叛与忏悔、遗失和追寻中，也许留下的只是深深的懊恼和难以挽回的遗憾。不得不说，每一次成长都是个艰难的过程。我们善于在时间长河的洗涤中净化和忘却很多东西，可内心的救赎只能依靠我们自己来完成。

等到后来，当阿米尔喜欢的女子在婚前告诉他关于自己的往事，问他还能不能接受她时，阿米尔果断地回答说“当然”，禁不住让人再次唏嘘，得要经历多少苦难与折磨，一个人才能逐渐将棱角抹去，丢掉执拗与自私，学会忍耐，学会平静地接受遗憾，接受不完美。成长的得与失，如人饮水，冷暖自知。

“当罪行导致善行，那就是真正的获救”。恐怕，也只有索拉博(哈桑之子)嘴角那一抹微笑，才能抹去阿米尔内心深处的悔恨与自责吧。失去了哈桑的阿米尔是不幸的，却又有着一丝幸运。当他为了心爱的索拉博抛却大人身份，混在一群少年中，雀跃着去追逐那只跌落的风筝时，他已重新找到了生活的意义——不是苟且偷生，不是自我保护，而是将爱与希望传递。

或许，越是深沉的爱，就越该随着时间的流逝而沉淀，在血液中渗透，在时光里雕刻，即使生命燃尽，也仍叫人对这个失望的世界充满眷恋。

但愿，每人心中都有个属于自己的风筝，全力以赴去追寻，并乐意把它献给自己所爱的、全心全意珍惜的人。

Joy depicts the crisis of faith that overes Rabbi Banish of Komarov， who， having buried his four sons and two daughters. Only through the mercy of the God he has denied， manifest in a radiant vision of the dead Rebecca， his beloved youngest daughter， is the rabbi’s belief restored. The sense of wonder and the touch of heavenly joy that linger after the vision dissolves convince Rabbi Banish of the folly of judging God’s actions by human standards. The rabbi has interpreted the apparent tragedy of his children’s premature deaths as evidence of God’s alienation， forgetting that God is by definition inscrutable. That God’s purpose transcends man’s ability to prehend it is made clear to the expiring rabbi when the family dead approach his deathbed with arms outstretched to enfold him among them. For theirs is the kingdom of heaven to which a loving God has called them; and their deaths have evidenced not God’s wrath but his grace.

A version of Rabbi Banish’s deathbed revelation appears to Rabbi Nechemia in Something Is There. At twenty-seven he is already racked by the doubts that torment Rabbi Banish. So shaken is his belief in God that he deserts his rabbinical post in provincial Bechev for the flesh-posts of Warsaw. Although the prostitutes， unclean food， and shady business dealings which he witnesses there hold no attraction for the erstwhile rabbi， they intensify his revulsion from the world created by God and therefore his alienation from God himself. Unlike Rabbi Bainish， whose intimations of immortality and consequent rededication to God precede his radiant deathbed vision， Rabbi Nechemia cannot allay his doubts until the very moment of death， when a light he never knew was there flickered in hid brain.

While his dying words—something is there—resolve his crisis of faith， they e too late to affect the spiritual renewal attained by Rabbi Banish. No explicit promise of immortality， let along of salvation， attends Rabbi Nechemia’s vision. Perhaps grace is accorded Rabbi Banish because his doubt is triggered by devastating personal losses， and withheld from Rabbi Nechemia because his despair is the bitter fruit of idle speculation about the unknown. Whatever the reason， relatively few of Singer’s characters are granted at the moment of death the transcendent vision of unity between man and God that appears to Rabbi Banish in Joy. For the fortunate few， release from time into eternity is affected by a divine visitation which obliterates distinctions between past and present， living and dead.

These kinds of characters are lost in their world because of the seducement of the material world. They doubt their formal faith and gradually give up what they believed. But after they have experienced so much hardship， they realize that they cannot adapt to the life of the outer world so they regress to the former life with formal faith. They realize the importance of God and they begin to think seriously about the relationship between man and God. At last they find their right way of their life.

近来，读了一本名叫《追风筝的人》的小说，那种残酷与救赎在脑海中交织成无法磨灭的绚丽画面，以致于万千事物都显得苍白，而当哈桑蓦然转身对阿米尔说出：“为你，千千万万遍”时，我的眼泪潸然而落，一切仿若被烟雾朦胧。

我想，是怎样一种强烈的情感赋予他如此执着不悔的信念，而我漫长的生命中，又是谁轻喃这份浓烈?我轻叹，铭记，原来只有父母。

儿时，当我们清脆的啼哭第一次划过天际，就决定了父母一生无悔的付出。

我在草坪上蹒跚学步，夕阳绚烂弥漫长空，爸爸轻轻地弯下腰，抓住我幼嫩的小手，仿佛捧着世间珍宝，慢慢地引领我前进的步伐，草坪上遗留着阳光般的暖意。我幻想爸爸那漆黑的眸子，定然盛满奇异的色泽。

时光翩飞而过，但爸爸却一直握着我的手，一如当年般坚韧而执着。

后来，我上了中学。

我没有如父母所期待的那般阳光灿烂，有时一点点的伤害也能将我切割得体无完肤。我不安，恐惧，总是不停地问妈妈“我真的可以成为儿时渴望的样子吗?”妈妈总是安慰我说她相信我。可我总能看见她眸子里日益加深的担忧和那份浅浅的忧愁。我知道，她并不是担心我的成绩，她只是担心我过重的思虑是否会毁了我的快乐，是否会让我渐渐忽视这个世界所给予我的美好。我都明白，但却无法忘记。

那天，冰雪漫天，我终于对妈妈问出了压抑许久的一句话：“你会后悔吗?后悔为我付出了这么多，即使我并不那般优秀。”她一瞬间有些诧异，但过后却展露了一丝笑颜，将早已与她一般个头的我搂在怀中，手掌轻轻滑过我颤动的背脊，有火焰燃烧的温度。她说：“这是我的选择。”泪水刹那浸透我的眼眶，融化了初冬寒冷的冰雪。我感受到妈妈的发丝滑过我的面颊，是那大地的芳香。

“为你，千千万万遍”是父母对我们一生的承诺与誓言，亦是上天给予我们最好的礼物。

“我睁开眼睛，望见蓝风筝猛然扎下，好像轮胎从高速行驶的轿车脱落……”

空中的风筝，那仅剩一只的风筝——我想它是橙色的，那是一种富足、快乐而幸福的颜色，或许是黄色的，它是骄傲的象征。他换来的是爸爸嘴角边亮起的一丝笑容，阿米尔把脸埋在爸爸温暖的胸膛上，这种感觉真好，爸爸终于以他为荣。

那只蓝风筝，从空中飘落，那只牵动心弦的风筝，也从阿米尔内心消逝。小巷的死胡同中，那个与阿米尔情同手足，甚至为了他可以拼命的哈桑，正以自己卑微的身世与能力与阿塞夫斗争。很遗憾，命运在他的身体与心灵上刻下了永远的烙印，不过他完全可以把蓝风筝给他，回去告诉阿米尔“对不起，阿塞夫……”但他没有，永远不会也不可能这样做，他像一只哈巴狗，永远忠诚的跟随着阿米尔少爷。然而亲眼目睹这一切的阿米尔，什么都没有做，挺身而出?呼救?不，都没有。最终，阿米尔的自责与痛苦逼走了“为他千千万万遍”的哈桑。心中的风筝落了，留下的只有自私、懦弱与背叛。

“我侧过手臂，一阵急剧的抖动之后，我们的风筝逆时针划出一个半圆。我突然占据了上面的位置……”

多少年后，阿米尔带着哈桑的儿子——索拉博，再次放起风筝。他俨然成为了哈桑——破裂的嘴唇——就像哈桑的兔唇。被阿塞夫打得脾脏破裂，牙齿脱落，肺被刺穿，眼框裂开。这些肉体上的痛苦，换回了索拉博的自由，也摆脱了心灵的折磨。不再逃避，用自己的行动挽回曾犯下的错误。此刻，他放飞的是风筝，也是积压的忧郁，自责与遗憾。他追的是风筝，也是索拉博嘴角微微的翘起，更是原谅与解脱。

我们总喜欢给自己找很多理由去解释自己的懦弱，总是自欺欺人的去相信那些美丽的谎言，总是去掩饰自己内心的恐惧，总是去逃避自己犯下的罪行。但事实总是，有一天，我们不得不坦然面对那些罪恶，给自己心灵予救赎。

I first read "Jane Eyre" in eighth grade and have read it every few years since. It is one of my favorite novels, and so much more than a gothic romance to me, although thats how I probably would have defined it at age 13. I have always been struck, haunted in a way, by the characters - Jane and Mr. Rochester. They take on new depth every time I meet them...and theirs is a love story for the ages.

Charlotte Brontes first published novel, and her most noted work, is a semi-autobiographical coming-of-age story. Jane is plain, poor, alone and unprotected, but due to her fierce independence and strong will she grows and is able to defy societys expectations of her. This is definitely feminist literature, published in 1847, way before the beginning of any feminist movement. Perhaps this is one of the reasons why the novel has had such a wide following since it first came on the market. It is also one of the first gothic romances published and defines the genre.

Jane Eyre, who is our narrator, was born into a poor family. Her parents died when she was a small child and the little girl was sent to live with her Uncle and Aunt Reed at Gateshead. Janes Uncle truly cared for her and showed his affection openly, but Mrs. Reed seemed to hate the orphan, and neglected her while she pampered and spoiled her own children. This unfair treatment emphasized Janes status as an unwanted outsider. She was often punished harshly. On one occasion her nasty cousin Jack picked a fight with her. Jane tried to defend herself and was locked in the terrifying "Red Room" as a result. Janes Uncle Reed had died in this room a little while before, and Mrs. Reed knew how frightened she was of the chamber. Since Jane is the narrator, the reader is given a first-hand impression of the childs feelings, her heightened emotional state at being imprisoned. Indeed, she seems almost like an hysterical child, filled with terror and rage. She repeatedly calls her condition in life "unjust" and is filled with bitterness. Looking into the mirror Jane sees a distorted image of herself. She views her reflection and sees a "strange little figure," or "tiny phantom." Jane has not learned yet to subordinate her passions to her reason. Her passions still erupt unchecked. Her isolation in the Red Room is a presentiment of her later isolation from almost every society and community. This powerful, beautifully written scene never fails to move me.

Mrs. Reed decided to send Jane away to the Lowood School, a poor institution run by Mr. Brocklehurst, who believed that suffering made grand people. All the children there were neglected, except to receive harsh punishment when any mistake was made. At Lowood, Jane met Helen Burns, a young woman a little older than Jane, who guided her with vision, light and love for the rest of her life. Janes need for love was so great. It really becomes obvious in this first friendship. Helen later died from fever, in Janes arms. Her illness and death could have been avoided if more attention had been paid to the youths. Jane stayed at Lowood for ten years, eight as a student and two as a teacher. Tired and depressed by her surroundings, Jane applied for the position of governess and found employment at Thornfield. The mansion is owned by a gentleman named Edward Fairfax Rochester. Her job there was to teach his ward, an adorable little French girl, Adele. Over a long period the moody, inscrutable Rochester confides in Jane and she in him. The two form an unlikely friendship and eventually fall in love. Again, Janes need for love comes to the fore, as does her passionate nature. She blooms. A dark, gothic figure, Rochester also has a heart filled with the hope of true love and future happiness with Jane. Ironically, he has brought all his misery, past and future, on himself.

All is not as it seems at Thornfield. There is a strange, ominous woman servant, Grace Poole, who lives and works in an attic room. She keeps to herself and is rarely seen. From the first, however, Jane has sensed bizarre happenings at night, when everyone is asleep .There are wild cries along with violent attempts on Rochesters life by a seemingly unknown person. Jane wonders why no one investigates Mrs. Poole. Then a strange man visits Thornfield and mysteriously disappears with Mr. Rochester. Late that night Jane is asked to sit with the man while the lord of the house seeks a doctors help. The man has been seriously wounded and is weak from loss of blood. He leaves by coach, in a sorry state, first thing in the morning. Janes questions are not answered directly. This visit will have dire consequences on all involved. An explosive secret revealed will destroy all the joyful plans that Jane and Rochester have made. Jane, once more will face poverty and isolation.

Charlotte Brontes heroine Jane Eyre, may not have been graced with beauty or money, but she had a spirit of fire and was filled with integrity and a sense of independence - character traits that never waned in spite of all the oppression she encountered in life. Ms. Bronte brings to the fore in "Jane Eyre" such issues as: the relations between men and women in the mid-19 century, womens equality, the treatment of children and of women, religious faith and hypocrisy (and the difference between the two), the realization of selfhood, and the nature of love and passion. This is a powerhouse of a novel filled with romance, mystery and passions. It is at once startlingly fresh and a portrait of the times. Ms. Bronte will make your heart beat faster, your pulse race and your eyes fill with tears.

这是一本令人震撼的小说，看完后也让我有很多感想，其实，我们每个人的心里都应该有一个属于自己的风筝，它可以代表亲情、友情、爱情，也可以是正直、善良。

对阿米尔来说，风筝隐喻他人格中必不可少的部分，只有追到了，他才能成为健全的人，成为他自我期许的阿米尔。小说开头和结尾重叠在一起，成为两幅相似的画面：广漠的天空，雪花飘落，空气寒冷而清澈，追风筝的孩子们欢笑着奔跑，追逐飞逝的光影。这一幕在不同的地域，不同的两代人之间反复地上演着，但每一次的重复之间，生活都发生着剧烈的变化，这幅画面也随着主人公命运的变化被不断染上新的颜色，从孩童天真的视野堕入世事变迁的悲哀之中。

《追风筝的人》讲述了12岁的阿富汗富家少爷阿米尔与他父亲仆人儿子哈桑之间的友情故事，作者并没有很华丽的文笔，他仅仅是用那淡柔的文字细腻 的勾勒了家庭与友谊，背叛与救赎。当仆人哈桑——阿米尔最好的伙伴，被其他富家少爷围困在角落里施以暴力与侮辱时，阿米尔——哈桑最信任的朋友，却蜷缩在阴暗的角落里默默注视，直到泪流满面却仍不敢挺身帮助哈桑时，我听到了心碎的声音，可命运的指针并没有停止，阿米尔因为懦弱而极端害怕直至惭愧不已，无法面对哈桑。最后甚至栽赃他，让他永远离开了这个家。到后来阿米尔获悉哈桑竟是自己同父异母的兄弟时，悔恨与伤痛纠结。当中年的阿米尔偶然得知哈桑的消息时，他却不顾危险，前往家乡阿富汗，开始了救赎。但时间是可怕的，因为它可以让一切都改变。终于回到家乡的阿米尔，目睹了家乡的变化，战乱不断，民不聊生。同时也见到了儿时的老管家，见到了荒废的家，也得知了，哈桑的死讯。哈桑死了，阿米尔的救赎却没有停止，哈桑唯一的儿子索拉博落入了阿米尔儿时的宿敌手中，儿时的懦弱和愧疚缠绕着中年的阿米尔……。

一场救赎再次开始。故事的最后，阿米尔救回了索拉博，可此时的索拉博却因精神上的伤痛至以完全失去感情，唯有说起风筝——那哈桑和阿米尔童年最喜爱的玩物时，才会不知觉的笑起来……书的后半段写得是主人公心灵的救赎。他费尽周折找到了哈桑的儿子索拉博，追到了心中漂移已久的风筝，重新成为一个堂堂正正的男子汉，生活的大门终于又向他敞开了。阿米尔的结局，相比较而言，是幸福的。他终于明白了彼此的意义——以生命为代价。

作者用细腻平淡的笔触，为我们真实的还原了阿富汗喀布尔，娓娓道来一段人性的救赎。语言平实而力透纸背，感强烈真挚而不造作，仿佛一位老朋友向你诉说他曾经的故事。“为你，千千万万遍！”铭刻在心底的声音是永恒的忠诚誓言，哈桑坚定澄澈洞察一切的眼神从一个少年的眼中直达另一个少年的心扉二十多年来不停歇地煎熬拷问着懦弱的灵魂。亲情、友情，欢笑、背叛，汗水、血水，树荫倾泻的阳光，顺窗而下的雨水，最珍贵的感情，最鄙夷的沉默，独自咽下的泪水，难以置信的身世，执着奉献的生命，连同风筝和那张带着兔唇的圆脸在阿富汗这片被宗教信仰与真诚热情缠绕，被战火摧残的土地上交织成震撼人心又回味悠长的交响曲：“为你，千千万万遍”……

书中的情感不仅仅是亲情，不仅仅是友情，只要是能够沉下心来阅读的人，都会被其中直指人心的情感打动，也会从中折射出自己曾经有过的心绪，比如伤害别人时的快意和犹疑；危机关头的懦弱无助；亲人面临危险时的慌乱无措；爱情乍到时的浮躁不安；失去亲人时的悲伤孤独；应该担当责任时的自私推诿，以及时常涌上心头的自责、自卑和赎罪的冲动……这样的情感没有任何的虚伪做作，是一个人在面临变化的那一刻来不及思索的真实反应，是一个人在夜深人静时最私密的扪胸自问。胡赛尼的笔犹如一把尖利的刻刀，将人性的真实刻画得近乎残酷，却又毫不哗众取宠。

也许故事的结局并不完美，也许有些许苦涩与酸楚。但人生就是这样，犯错，错过，再用一生来挽回。

Scarlett , a very personality figures ，the two mans she love ,neither does she know about.To her, I was compelled to admire, admire her strong and brave, admire her to lay down in the environment, farm workers previously suffered education, admire her to disregard the community to create their own expression of the cause .She is in the whole story, all a person full of fighting will full of vitality . I appreciated most , it is this " Tomorrow is another day of hers. " . Promising forever, full of fighting will , will never give up, never desperate. I think Im moved by her.So, whenever I meet difficulty, the mood is not good, I will tell oneself : " Tomorrow is another day. " Gone with the Wind is absolutely a good book that is worth sampling repeatedly, the characters are graceful , the plot rises and falls, exciting boldly and unconstrainedly, though the subjective factor because of the author among them , the appraisal on U.S.A.s Civil War is not objective and overall, but as to angle of literature, this one fine piece of writing generation definitely absolutely, worth visiting.

Author: Antoine de St-Exupery

Main Characters: The little prince, the pilot, the rose, the fox, the snake, etc.

Despite I’ve not in my childhood yet, I still prefer reading fairy-tale stories. The tales, which accompany with me in my old days, often make me think of some precious experience and sensation which only belong to children. This summer I’ve review this kind of tale, which was published in 1940. It’s the world-famous fairy-tale by the French author, Antoine de St-Exupery, The Little Prince.

As many other fairy-tales, the outline of The Little Prince is not very complex. “I”, the narrator of the story, is a pilot whose plane has something wrong and lands in the Sahara. In this occasion, the pilot makes the acquaintance of the little prince, a little boy from another planet, the Asteroid B612. The little prince has escaped from his tiny planet, because he has some quarrel with a rose, which grows on his planet. In that case he left his own planet and took an exploration at some neighbor asteroids.

On his all-alone journey, the little prince meets different kinds of people, which includes a king, a conceited man, a tippler, a businessman, a lamplighter and a geographer. From these people he gets a conclusion that the grown-ups are very odd. Following the instruction of the geographer, he descends in the Sahara, on the earth.

The novel opens with the famous line, "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.". and ends with two marriages: Jane and Bingleys, as well as Darcy and Elizabeths. Both couples are assumed to live happily ever after.

Elizabeth (Lizzy) Bennet is the core of the family. Elizabeth is the second of Mr. and Mrs. Bennets five daughters, and is an intelligent, bold, attractive twenty-year-old when the story begins. In addition to being her fathers favourite, Elizabeth is characterized as a sensible, yet stubborn, woman. Misled by his cold outward behaviour, Elizabeth originally holds Mr. Darcy in contempt. However, she finds that Mr. Darcy improves on acquaintance, more so than she would expect.

Fitzwilliam Darcy (commonly known as Mr. Darcy) is the central male character and Elizabeths second love interest in the novel. He is an intelligent, wealthy, extremely handsome and reserved 28-year-old man, who often appears haughty or proud to strangers but possesses an honest and kind nature underneath. Initially, he considers Elizabeth his social inferior, unworthy of his attention, but he finds that, despite his inclinations, he cannot deny his feelings for Elizabeth. His initial proposal of marriage is rejected because of his pride and Elizabeths prejudice against him; however, at the end of the novel, after their relationship has blossomed, he is happily engaged to a loving Elizabeth.

在未阅读本作品之前，看过本书翻拍的电影，也因为那句‘为你，千千万万遍’便让我泪湿衣襟。也使我在某种程度上满足了，我对阿富汗的好奇心，让我感受到那片充满死亡，暴力，血惺的土地上‘爱’依旧无处不在。书中讲述了一段不平衡的友谊和一场跨越20年的赎罪，以及一生的怀念。

阿米尔是阿富汗一个富家的少爷，他的父亲是一个卖地毯的商人，生意做的很好，人也颇有男子气概，哈桑是他家仆人的儿子，两个小男孩年龄相仿，身份却是那么悬殊。我认为阿米尔父亲这个角色人物，一生中充斥着隐瞒与期骗，他是真相的守护者，也是真相的延续者。也许人生中谎言，无处不在，你信任的人，你不信任的人，你爱的人，你不爱的人，甚至包括你自己，都有秘密。秘密是为了保护自己的利益，保护自己的面子，保护自己的一切。但欺骗就跟盗窃一样可恶，它剥夺了他人知晓真相的权利，真相大白的时间点，对命运的方向影响太大了。

哈桑勇敢、聪明，阿米尔在哈桑的映衬下显得懦弱不堪。父亲对哈桑越发称赞，使得阿米尔心里产生嫉妒。在一次斗风筝的比赛中，阿米尔决心要拿到冠军向父亲证明自己，他如愿获得了冠军，哈桑帮忙捡掉落的风筝。临走前，哈桑说出了那句感动千万读者的话“为你，千千万万遍。”这句话也是本书的灵魂，并为后来阿米尔心灵的救赎留下铺垫。

在他为阿米尔捡风筝时遇到小混子阿塞夫，要求他交出风筝，哈桑竭力保护属于好朋友风筝，在哈桑被阿塞夫强暴的时候阿米尔就在旁边亲眼目睹这一切却选择逃避。哈桑对阿米尔忠心耿耿,无论是阿米尔做了什么,他总是一味的信任跟包容，在阿米尔遭受坏孩子的欺负的时候,他也是挺身而出，为朋友两肋插刀。可是，在阿米尔的内心深处却清楚的感觉到，自己并没有把这个出身低贱，目不识丁的哈桑当作自己的朋友。在阿米尔身上我们可以看到他的柔弱胆怯、欺骗诬陷、自私妒忌，在他的身上我们看到人性中丑恶的一面，而哈桑虽然出身卑微并遭人唾弃却忠诚勇敢、善良正直、宽容并具有自我牺牲精神，有着全心全意爱的决心和能力，我们从他身上看到人性美善的一面。

哈桑装作什么都没发生过，依旧如从前一样跟在阿米尔身边，而阿米尔则无法面对他，甚至要求父亲开除他们。当然，父亲是不会同意的。无奈之下，阿米尔在13岁生日那天陷害了哈桑，诬告他偷了自己的礼物，而聪明的哈桑也温和地承认自己是小偷，这并不表示哈桑逆来顺受而是因为他知道阿米尔的目的，他知道阿米尔在巷子里看到了当天发生的事情，不敢面对自己。

随后战争到来，阿米尔一家搬去了美国。他们在美国定居生活逐渐忘记了原来那土地上的人和事。与此同时我们从他们两个人身上都看到了阶级性，在一个特定的社会背景之下，这是无可避免的，作为社会里的一份子我就得按照那个社会的方式来生存。作为人我们都不是完美的，我们不可避免的会犯一些错误。阿米尔曾违背自己的良心犯了很多错误。

通过一通来自阿富汗来的电话打破阿米尔的生活，重新撕开了那段往事。并也因此得知哈桑是父亲的私生子，是他的亲兄弟。阿米尔决定应该回到那片土地来弥补自己的过失。只是在这时哈桑已不在人世，留下了一个儿子却被卖给当年那个小混混阿塞夫为奴，阿米尔救出了他，哈桑的儿子索拉博。

本书故事的最后，阿米尔陪着哈桑的儿子索拉博在美国的广场上放风筝，追着风筝开心的喊着当年哈桑说的那句“为你，千千万万遍。”完成了自己心灵的救赎。

读完这本书，一个愈发清晰的理念回荡在我脑海里，相信会伴我终生：过去的事虽然不可以改变，但犯过的错可以弥补。我们不仅要勇于承认错误，更要积极的迈出弥补的步伐。愿你我在这世间都能勇敢的直面黑暗，坚信黑暗终归会过去，奋力地去追逐光明。待归来时，还是如哈桑般纯情的少年。

Based on Mark Twains novel, The Millionaire Pound Note takes an interesting satirical look at the hypocrisy stemming from class distinction in the 50s England. England is a country where class and wealth are given extreme significance, especially among the rich. The film shows the hypocrisy that existed among these people, how the rich are quick to change face when in an instant they find out that youre a man of wealth and how within the next moment they revert back to their condescending selves when all wealth is lost.

Interestingly, The Millionaire also briefly looks at how the English perceived Americans in that era. Rich Americans were welcomed as outsiders and the poor were quickly shunned away. The fact that hes an outsider either makes him more appealing or the complete opposite. The story sticks to the main theme by emphasizing on the hypocrisy of the upper class society but at the same time it also creates a balance that prevents the movie from being a mockery of the British society. The movie drags at some point but the love story appears at the right time and there is plenty of comedy to keep one entertained. A charming Gregory Peck totally nails the part and the luminous Jane Griffiths is a treat. Reginald Beckwith, as Pecks sidekick Rock is amusing. The ending is a little predictable but the director does an overall good job by rounding it up and presenting his points.

百万英镑读后感英文【3】

Mark Twains short story of "one million pounds" is a very good work. The article on the "money is everything," "money is omnipotent," the idea of a satire, to expose the ugly face of capitalist society.

"One million pounds" is about a poor, honest man, that is, the heroine of this story has received a pair of brothers, the letter sent to him inside one million pounds. The brothers had made a bet, gambling, if a poor, honest people who come knocking on the door received the one million pounds, he will be what kind of results? Brother that he would starve to death because he could not prove that the money was his own, will be subject to other peoples doubts, and even the banks do not let him save money. His younger brother that he would lead a very good, and therefore they have the brothers of one million pounds will be loaned to check the poorest people, and spent 30 days abroad. Did not expect that during this period of time, people have the rare fortune suddenly rich, has tried to cozy up to him, from the free food, buy clothes, free accommodation, like a beggar, like to please him, and continue to improve his social status until the exception of the highest outdoor Wang Duke on! Not only that, he also has been a good wife and 30,000 pounds of bank interest, and finally from two brothers got a very good job. Lived a very, very happy life.

See here, I am so envious of the "lucky" the heroine, but at the same time I would like to: people reason to curry favor with him, not just because when people value money too it? Worship of money is shameful and should not be reaping more! Money is not omnipotent, the world than money, there are many more important things … …

看了《追风筝的人》这篇文章对我来说是一个沉下心来读书的开始，一个深入思考的开始，不得不承认，在之前的很长一段时间里，我几乎对读书丧失了兴趣。经常是拿起一本书——放下。看起来，我与书无缘了。但总会有一个转折点的。当我看到《追风筝的人》这个书名，引发了我无限的联想。又看到它的封面——黄昏的天空。一层层斑斓云彩中有一片蔚蓝天空，仿佛把人带到更深更广远的世界。一只拖着长长尾巴的风筝在天空中翩翩起舞。因为一个书名，因为一个梦境，我买下了它。

故事的开始，在阿富汗。说起这个我们的邻国，并不是一个太平世界。我们总会把它与战争、难民、死亡联系在一起。让我们想起的.总会是一张张惊恐的脸，没有轻松，更不会有笑容。这不是什么童话故事，也并非喜剧。

似乎一切都是注定的。阿米尔和哈桑，是一对从小一起长大的主仆，或者说伙伴。阿米尔少爷会说的第一个词是爸爸，而哈桑会说的第一个词是阿米尔。那将是他们一生最重要人的名字。阿米尔为了得到爸爸全部的爱，不惜陷害哈桑一家;哈桑为了自己的主人，受尽耻辱，最终奉献出生命。

是阿米尔错了吗?他胆小、懦弱、自私，看到哈桑被阿塞夫一群人欺负，却装不知道。但他在逃跑的那一刻，心里是多么复杂。最终他确定“为了赢回爸爸，也许哈桑只是必须付出的代价，使我必须宰割的羔羊……他只是个哈扎拉人，不是吗?”事实不是这样的，哈桑还是阿米尔同父异母的亲弟弟。然而这个被爸爸一生深埋的秘密揭开时，哈桑已经死在战争的枪下。

是他错了吗?当我们读完这本小说，无不为他的不幸所悲伤，为他的忠诚、纯真、善良所感动。但经历了一系列事情，看到主人对他的态度，哈桑还会认为这一切值得吗?他为什么还要一次次的献身?难道他也认为自己只不过是一个低贱的仆人吗?还是为了朋友阿米尔，他情愿付出一切，我们不得而知。这也许对他来说是一个美好的结局吗?

但有一点可以确定，无论是阿米尔还是哈桑，都没有错，他们原本都是纯真善良的孩子。因为种族，使他们有了高低贵贱之分，被逼向世界的两极。这个故事震撼了每一个人的心灵，他向我们再一次发出最深的呐喊：我们要和平!我们要平等!

A Tale of Two Cities is one of Dickens’s masterpieces; the story is an exposure of the contradiction before France Revolution-the appealing of “Liberty, Equality, Fraternity” by France lower class.

The main clue of the novel is based on the terrible experience of Dr. Manette, the plot is very complex, attracting, and exciting. Lying at the heart of which we can see the themes from different people.

Sydney Carton

When I read the chapter pertaining to interrogation on Charles Darney, intuition tells that the lawyer assistant who feels at ease with his eyes fixed on the ceiling must be a very special man, which turned out to be right when I finished the whole book. He seems indifferent about everything, even his love. He is brilliant but he thinks otherwise, or rather, he thinks he is inferior to others. Even his master thinks that if he worried about this or that, he would make a great success. Feeling of humbleness is the fatal point leading the loss of his beloved one. If Lucie Manette lives with him, he thinks, she would sustain much hardship. At the end of the story, he sacrifices his life for his love willingly.

Many people say that love is selfish and egocentric, but the temperament of Sydney Carton tells us that love can be sublime and pure. Through this, Dickens tells us loving someone doesn’t mean you should live together with him or her. You can help your beloved one silently, even sacrifice for love. This is universal fraternity, I think, which is the sublimation of normal love. And also, Dickens may indicate that true love really exists, regardless of the situation is full of commotion or not.

Charles Darney

He’s born at a family of royal lineage-the son of Marquis. Regret and abomination fill in his mind for the cruelty and the crime his family have done to the poor. He determines to quit the right of inheritance of his family and moves to England to acting as a French teacher. When he comes back to France, his notorious and sadistic uncle who holds the succession of the family doesn’t welcome him. His uncle is doomed to death because of his cruelty. When he returns to England, he proposes marriage to Lucie Manette. He knows his proposal may not be accepted by Dr.Manette, for he is the son of the enemy of Dr.Manette. After the France Revolution breaks out, he returns to France again to save a servant. But unfortunately, he’s cast into prison.

Lucie Manette

She goes to France with Jarvis Lorry to take her father back, she shows great sympathy to Sydney Carton, and she prayed his husband would get an early deliverance from captivity.

She is a kind-hearted lady made of love and sympathy; she is also the incarnation of elegance.

Dr.Manette

As a victim of the gloom society, he lives a miserable and contradictory life. After releasing from prison, the only thing he does is making shoes, which become worse when he comes across a harsh situation. He loves his daughter just as she does to him, even when he knows that Charles Darney is the son of his enemy, he allow the proposal. And when he notices his daughter was totally down to know the fact that her husband was put into prison, he promise to her that he will rescue him out. He spares no effects to do that, in vain, though.

From this person, Dickens may tells that love between the lower-class family members are as pure as crystal.

Jarvis Lorry

An elderly manager at Tellsons Bank and a dear friend of Dr. Manette. He is very loyal to Dr. Manette. He accompanies them all the time without considering his own life.

Couple Defarge

They’re the leader of the revolution. Ernest Defarge, to some extent, is a good man. He was the servant of Dr.Manette, he provides accommodation for him. But his wife, Madame Defarge, is really a wicked woman. She knits all the time, she wants to kill all the people who lead a richer or happier life just out of envying and revenge. The result turns out to be dramatic: she’s killed by herself as a consequence that the gun goes off by accident.

Resurrection maybe is the main theme in the novel. Dickens here implied that he doesn’t agree the upper class treat the poor badly, meanwhile, he doesn’t agree the lower-class to overthrow the upper class. He hopes that they can live in harmony with each other. Underneath the lines, Dickens wants his readers to be careful that the same sort of revolution that so damaged France wont happen in Britain, which is shown to be nearly as unjust as France. But his warning is addressed not to the British lower classes, but to the aristocracy. He repeatedly uses the metaphor of sowing and reaping; if the aristocracy continues to plant the seeds of a revolution through behaving unjustly, they can be certain of harvesting that revolution in time. The lower classes do not have any agency in this metaphor: they simply react to the behavior of the aristocracy. In this sense it can be said that while Dickens sympathizes with the poor, he identifies with the rich: they are the books audience, its "us" rather than its "them". Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious license and oppression over again and it will surely yield the same fruit according to its kind.

Children, Pinocchio, was an Italian astronomer carol. Shes magnum opus, published in 1880.

The fairy tale of the protagonist is a naughty puppet Pinocchio, his innocence, purity, simplicity, integrity, courage, he capricious, naughty, confusion, do not behave, sometimes also like to sprinkle some panic. He is not bad to a hopeless, or is not good to the impeccable, but like many children in real life, has a kind heart, smart, but a lot of shortcomings. In addition, he also lack ideas, no perseverance, couldnt resist the temptation. Because of that, he experienced a lot of things.

He in order to buy off the theatre at textbooks, on the way home from the fox and the cats cheating almost hanged by them. After fairy was saved, he was a fool the judge in the city of in prison. After prison, he was forced to as a watchdog. At night, he help master catch weasels and regain freedom. He bent on becoming a good boy, studied hard but couldnt resist the temptation, egged on by the bad students, play truant to the beach to see the shark. Later, he was sold to toy kingdom, and turned into a donkey. In the end, he on the sharks belly accidentally reunited with his father, and tried to escape. From then on, the puppet every day go to work, have time to learn, finally become a real boy.

And Pinocchio together, we will experience an adventure, but also with him gradually learn how to be brave, honest, has the sense of responsibility, love of learning, respect for others...

Pinocchio story gives us beneficial edification and infection of art. Through Pinocchio story of twists and turns, bizarre experience, showed his love of justice, hate evil, pure quality, and education each and every one of us children to resist the temptations, do an honest, obedient, love learning, love Labour, good boy.

A thin, Pinocchio, brings up so much truth, is really make people benefit, unforgettable! Remember forever, forever, forever......

《木偶奇遇记》是意大利的儿童文学家卡洛.科洛迪的代表作，发表与1880年。

这部童话的主人公匹诺曹是个调皮的木偶，他天真无邪、纯洁朴实、正直勇敢，他任性、淘气、搞乱、不守规矩，有时候还喜欢撒点慌。他既没坏到无可救药，也没好到无可挑剔，而是和现实生活中的许多孩子一样，心地善良，聪明伶俐，但又缺点多多。另外，他又缺乏主见、没有恒心、禁不住诱惑。正是因为这样，他经历了很多事情。

他为了看戏不惜买掉课本，在回家的路上受狐狸和猫的欺骗差点儿被它们吊死。被仙女救了之后，他又被傻瓜城的法官投进监狱。出狱后，他被迫当看家狗。夜里，他因帮助主人抓住黄鼠狼而重新获得自由。他一心想成为一个用功读书的好孩子，可是又禁不住起诱惑，在坏同学的怂恿下，逃学到海边看鲨鱼。后来，他又被卖到玩具国，变成一头驴子。最后，他在鲨鱼腹中意外与父亲重逢，并设法逃了出来。从此，小木偶每天去做工，有空还要学习，终于成为了一个真正的好孩子。

和匹诺曹在一起，我们会体验一次冒险之旅，同时也与他一起逐渐学会勇敢、诚实、有责任心、爱学习、尊重他人……

匹诺曹的故事给我们以有益的教诲和艺术的感染。故事通过匹诺曹的种种曲折、离奇的经历，表现出他热爱正义、痛恨邪恶、天真纯洁的品质，并借此教育我们每一个儿童要抵御种种诱惑，做一个诚实、听话、爱学习、爱劳动的好孩子。

一本薄薄的《木偶奇遇记》引出了那么多的道理，真是让人受益无穷、难以忘怀啊!直到永远记住，永远、永远……

"A tale of two cities" is one of Dickenss most important representative works.The novel profoundly exposed the society contradiction before the French Revolution,intensely attacks the aristocratic social class is dissolute and cruel,and sincerely sympathizes with the depressed classes.The novel also described many magnificent scenes like the revolt people attacked Bastille and so on,which displayed peoples great strength.

The novel has portrayed many different people. Doctor Manette is honest and kind but suffers the persecution actually ， Lucie is beautiful and gentle ，Charles is graceful and noble，Lorry is upright and honest ，Sydney is semblance of indifferent, innermost feelings of warm,unconventional but also selfless and lofty，Miss Pross is straightforward and loyal，Evremonde brothers are cruel and sinister......The complex hatred is hard to solve, the cruel revenge has made more hatreds, loves rebirth in the hell edge,but take the life as the price.