双城记英语读后感(最新20篇)

Saw the Wolf dream king "this book, I cant help with emotion, it is not the same as the previous novels, because the animal novels the most easy to Pierce the shell of human culture and civilization of false appearance, can cover the direct expression of ugliness and beauty into one of the original expression of life.Human culture and social civilization will be continuously updated with the changes of The Times, but competition, tenacious survival in life and the pursuit of glory is the kernel spirit will never change.So, I just prefer animal novels.

The Wolfs Latin name is Canis lupus.Wolves belong to medium-sized beast of prey, although the physical medium, but many big animals saw are heading for the hills, so the Wolf in nature with the upper end of the food chain.

Shim suk hee formerly known as David shen, born in 1952 in Shanghai, originally from zhejiang cixi.His creation is given priority to with animal novels, has published more than five hundred words.

The book said purple haze for round black mulberry as the Wolf kings dream and trying to put the Wolf pups born into the next generation of the Wolf king, lost three children, at the end of the mei mei also betray purple haze, landed a often I want to end up with golden eagles: if the purple haze so not to exercise the black seed of courage, black son would not die;If violet haze so not want blue soul so brave, blue soul would not be dead;If purple haze less love too much black and blue soul, double would not die;If......Of course, this ability hatred purple haze?Cant, this is to blame, her mother long to herself.

In our real life might it not so?A lot of parents for their children can get in key middle school, senior high school, a key university, give the child to how many classes?Is child robot?Is everything?Dont only adult entertainment, children cant?Does the boy was not a bad place?Is adults expected is just report card on the threshold of 5, good, or out?Is in the childs childhood can "learn" the word, not in terms of happiness?Is a gold medal, a certificate?

Adults and children is not easy, why cant respect each other, understand each other?

Every Girl Can Be A Princess

A Little Princess is a touching novel written by Frances Hodgson Burnett—a famous novelist and dramatist. It obviously contains lots of fancied plots, but the parts it talks about creating miracles, can really reach the bottom of my heart. The book can bring me into a world that is more than reality while reading it. The extraordinary story makes me ponder a lot and gives me a deep impression that every girl can be a princess.

In my opinion, it is impossible for every rich girl to act like a well-behaved princess, but Sara, the heroine of the novel, did it! She was an imaginative little girl who had such intelligent small face and such perfect manners. Sara was a very nice girl who had a gentle, appreciative ways of saying, such as “If you please” “Thank you” which was very charming. So, not only her teachers and classmates liked her, but also her servants liked her. There was a time when Sara became a poor and pitiful servant insulted by the snobbish headmaster of the school. In spite of this, she had never complained to anyone about the horrible suffering she had endured. Sara was confident, brave, optimistic and kind-hearted just like before and she had never given up her enthusiasm of life. No matter when, Sara acted like a princess, and on account of this, she had accomplished a great deal of miracles over and over again.

After reading this outstanding book, I was shocked by Sara, a little girl who suffered such unimaginable pain and tortures, but still had an opposite attitude towards life. What impresses me most is that Sara put on her act of being a princess when she wore thin bottom shoes, wading in the street of London. From my point of view, her spirit of being so strong-minded when she was in hard times is worth admiring.

Truly, every girl is a princess coming into common life. The “princess” I mean is not a princess living in the palace and being regarded as the apple of everyone’s eye. As the matter of fact, the “princess” is at heart. I am in the belief that every ordinary girl in the world can be a princess. The way for a girl to be a princess is quite simple. Just suppose! You can suppose yourself to be a princess, and go about your business confidently without caring how the others would treat you. If you want to have more resemblance to a princess, be more kind and try your best to help the people in need. The most important thing you are supposed to do is that to feel like a real princess at any occasion, particularly when you are involved with enormous melancholy. Do not feel the conditions you faced are extremely wretched and attempt to get rid of the feeling of hopelessness and uneasiness. The less you look like a princess, the more you need to feel like a princess at heart.

Every girl can be a princess if she can do all I mentioned, no matter she is rich, beautiful or not. To speak truthfully, I cannot do as well as Sara. However, I will exert myself on being a princess mentally.

Do not feel depressed any more, to be a well-thought-of princess like Sara. You can do it, because Every Girl Can Be A princess.

When I was a middle school student, I’ve finished this book in Chinese.But when I read it in English,I really gain something new both in the way of expression and the spirit it shows to us.May be different ages to read the same book we will learn different things from it.At least, for my part, that is true.

Firstly,I would like to review some information about this book.Such as the background,major characters and the topic of it.

The Old Man and the Sea is a story by Ernest Hemingway, written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingway and published in his lifetime. One of his most famous works, it centers upon Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.

The Old Man and the Sea served to reinvigorate Hemingways literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers confidence in Hemingways capability as an author. Its publisher, Scribners, on an early dust jacket, called the novella a "new classic," and many critics favorably compared it with such works as William Faulkners "The Bear" and Herman Melvilles Moby-Dick.

This book gives me a deep impression especially the description about the man’s braveness and persistence.

In this book, in order to suggest the profundity of the old man’s sacrifice and the glory that derives from it, Hemingway purposefully likens Santiago to Christ, who, according to Christian theology, gave his life for the greater glory of humankind. Crucifixion imagery is the most noticeable way in which Hemingway creates the symbolic parallel between Santiago and Christ. When Santiago’s palms are first cut by his fishing line, the reader cannot help but think of Christ suffering his stigmata. Later, when the sharks arrive, Hemingway portrays the old man as a crucified martyr, saying that he makes a noise similar to that of a man having nails driven through his hands. Furthermore, the image of the old man struggling up the hill with his mast across his shoulders recalls Christ’s march toward Calvary. Even the position in which Santiago collapses on his bed—face down with his arms out straight and the palms of his hands up—brings to mind the image of Christ suffering on the cross. Hemingway employs these images in the final pages of the novella in order to link Santiago to Christ, who exemplified transcendence by turning loss into gain, defeat into triumph, and even death into renewed life.

The major characters in this book are also vivid and lively.

Santiago?,the old man of the novella’s title, Santiago is a Cuban fisherman who has had an extended run of bad luck. Despite his expertise, he has been unable to catch a fish for eighty-four days. He is humble, yet exhibits a justified pride in his abilities. His knowledge of the sea and its creatures, and of his craft, is unparalleled and helps him preserve a sense of hope regardless of circumstance.

The marlin?,Santiago hooks the marlin, which we learn at the end of the novella measures eighteen feet, on the first afternoon of his fishing expedition. Manolin?,a boy presumably in his adolescence, Manolin is Santiago’s apprentice and devoted attendant. The old man first took him out on a boat when he was merely five years old. Due to Santiago’s recent bad luck, Manolin’s parents have forced the boy to go out on a different fishing boat. Manolin, however, still cares deeply for the old man, to whom he continues to look as a mentor.

Joe DiMaggio, although DiMaggio never appears in the novel, he plays a significant role nonetheless. Santiago worships him as a model of strength and commitment, and his thoughts turn toward DiMaggio whenever he needs to reassure himself of his own strength. Perico ?,Perico, the reader assumes, owns the bodega in Santiago’s village. He never appears in the novel, but he serves an important role in the fisherman’s life by providing him with newspapers that report the baseball scores. This act establishes him as a kind man who helps the aging Santiago.

Martin,like Perico, Martin, a café owner in Santiago’s village, does not appear in the story. The reader learns of him through Manolin, who often goes to Martin for Santiago’s supper. As the old man says, Martin is a man of frequent kindness who deserves to be repaid.

From the very first paragraph, Santiago is characterized as someone struggling against defeat. He has gone eighty-four days without catching a fish—he will soon pass his own record of eighty-seven days. Almost as a reminder of Santiago’s struggle, the sail of his skiff resembles “the flag of permanent defeat.” But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. He lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless.

Because Santiago is pitted against the creatures of the sea, some readers choose to view the tale as a chronicle of man’s battle against the natural world, but the novella is, more accurately, the story of man’s place within nature. Both Santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. As Santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: “man is not made for defeat . . . [a] man can be destroyed but not defeated.” In Hemingway’s portrait of the world, death is inevitable, but the best men (and animals) will nonetheless refuse to give in to its power. Accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an old man’s trophy catch.

The novel suggests that it is possible to transcend this natural law. In fact, the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. It is precisely through the effort to battle the inevitable that a man can prove himself. Indeed, a man can prove this determination over and over through the worthiness of the opponents he chooses to face. Santiago finds the marlin worthy of a fight, just as he once found “the great negro of Cienfuegos” worthy. HSantiago, though destroyed at the end of the novella, is never defeated. Instead, he emerges as a hero. Santiago’s struggle does not enable him to change man’s place in the world. Rather, it enables him to meet his most dignified destiny.

While it is certainly true that Santiago’s eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman, and that his attempt to bear out his skills by sailing far into the gulf waters leads to disaster, Hemingway does not condemn his protagonist for being full of pride. On the contrary, Santiago stands as proof that pride motivates men to greatness. Because the old man acknowledges that he killed the mighty marlin largely out of pride, and because his capture of the marlin leads in turn to his heroic transcendence of defeat, pride becomes the source of Santiago’s greatest strength. Without a ferocious sense of pride, that battle would never have been fought, or more likely, it would have been abandoned before the end.

Santiago’s pride also motivates his desire to transcend the destructive forces of nature. Throughout the novel, no matter how baleful his circumstances become, the old man exhibits an unflagging determination to catch the marlin and bring it to shore. When the first shark arrives, Santiago’s resolve is mentioned twice in the space of just a few paragraphs. Even if the old man had returned with the marlin intact, his moment of glory, like the marlin’s meat, would have been short-lived. The glory and honor Santiago accrues comes not from his battle itself but from his pride and determination to fight.

Santiago dreams his pleasant dream of the lions at play on the beaches of Africa three times. The first time is the night before he departs on his three-day fishing expedition, the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin, and the third takes place at the very end of the book. In fact, the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. Because Santiago associates the lions with his youth, the dream suggests the circular nature of life. Additionally, because Santiago imagines the lions, fierce predators, playing, his dream suggests a harmony between the opposing forces—life and death, love and hate, destruction and regeneration—of nature.

This book gives me courage of conquering all kinds of difficulties .And I have the belief that the most beautiful thing is the process that we make our best to achieve our dream,and never say give up .

Today is Dragon Boat Festival. Dragon Boat Festival is a traditional festival in China. It is also the most solemn and characteristic festival in our local area.

Of course, on the day of Dragon Boat Festival, mothers wear five silk threads to their children, and five silk threads are full of their mothers yearning for their children, hoping that their children will live to the age of 100. My mother gave me the five thread long thread.

In the Dragon Boat Festival, people eat dumplings, in memory of Qu Yuan. More than two thousand years ago, in the early May, five, people stood on the Miluo River and threw food into the river so as not to let the fish and shrimp and other underwater animals eat Qu Yuans body.

After lunch today, my mother took me to the supermarket. My mother bought me a sachet as a gift for the Dragon Boat Festival.

I had a great time today!

最近，我和爸爸一起阅读了一本书：《励志故事全集》，使我和爸爸都深有感触。

这本书囊括了许许多多名人的励志故事。全书分为“亲手叩响机遇之门”、“给梦想一个支点”、“一路行去，春暖花开”等9个章节，有300余篇励志美文。故事虽短，但总能发人深省。其中最令我回味无穷的故事叫《一枚戒指》：一位小伙子觉得十分自卑，因为别人总说他又蠢有笨，便去向他的老师诉苦。

老师给了小伙子一枚戒指，让他把这枚戒指卖了，得到的钱不能低于1金币。他先来到集市，那里的人说戒指只值1银币。而他来到珠宝店时，珠宝商人却说它值70金币！这个故事告诉我们：每个人其实都是一件价值连城的宝贝，只有真正的“内行”，才能发现它耀眼光芒。同时，我们也要珍惜自己，并精心“打磨”，才能领世人瞩目。

这本书告诉了我“坚强、勇敢、自信、乐观…………”等做人的道理。它就像一碗心灵鸡汤调养我的身心。当我疲惫、困惑、烦恼的时候，它给了我心灵的洗礼。同时也让我知道要少小励志，就像一句名言所说“在人生中找到目标是‘志’，一鼓作气干下去是‘气’，二者合起来就是‘志气’”，人生的成败决定于此。

导语：《呼啸山庄》是英国女作家勃朗特姐妹之一艾米莉·勃朗特的作品，是19世纪英国文学的代表作之一。下面是yuwenmi小编为大家整理的英语读后感，欢迎阅读与借鉴，谢谢!

Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emilys sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature.

Even so, WUTHERING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written.

The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all.

WUTHERING HEIGHTS is a bit difficult to "get into;" the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.

As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond.

It is a stunning novel, frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe. Even if you do not like it, you should read it at least once--and those who do like it will return to it again and again

【翻译】

《呼啸山庄》于1847出版，受到了公众的好评，许多人谴责它是肮脏的，粗俗的，不自然的。作者艾米莉·简·勃朗特于1848年去了坟墓，认为她的唯一小说是失败的。直到1850，当呼啸山庄收到了艾米丽的妹妹夏洛特介绍的第二次印刷，吸引了广大读者。从那一刻起，这本书的名声就再也没有回来了。今天，它被公认为是英国文学的伟大小说之一。

即便如此，呼啸山庄仍在划分读者。这不是一个美丽的爱情故事;相反，它是旋转的基本上使人陷入痴迷的爱转向黑暗的疯狂故事。这是残酷，暴力，黑暗和沉思，许多人觉得非常不愉快。然而，它拥有一个伟大的语言和设计，一种巨大的同情和巨大的损失，使它除了几乎所有其他小说写。

小说以一种扩展倒叙的形式讲述。在拜访他的奇怪的地主，新领域的欲望知道历史的家庭他接到Nelly Deans的一个仆人向我们介绍了Earnshaw家族曾经居住在房子被称为呼啸山庄。这是一次愉快的地方，但老萧采取“吉普赛”的孩子，他叫Heathcliff。凯瑟琳，房子的女儿，在他身上找到了完美的伴侣：野蛮，粗鲁，骄傲和残忍，因为她。但尽管凯瑟琳爱他，甚至承认他是她的灵魂伴侣，她不能降低自己结婚到目前为止，低于她的社会地位。她反而嫁给另一个人，在这样做设置运动的痴迷，将摧毁他们所有。

《呼啸山庄》有点难以进入;开头的章节是如此黑暗，在他们对这种痴迷的爱的结局的描绘中，他们有点偏离了现实。但他们以非凡的方式投入到作品的流动中，为所有文学中最显著的结构之一搭建舞台，这是一个在两个世代中上演的一连串重复的故事。凯瑟琳和希刺克厉夫同样了不起，既邪恶又残忍，但无论怎样残忍地伤害一个人，他们都无法摆脱不可能的爱。

作为新型线圈进一步转化为酒精中毒，诱惑，和一个最精心想象的计划报复并汇总成幽灵般的语气：希刺克厉夫，疯狂的女人是不存在的但他似乎反映在他的世界的每一个部分--从坟墓里拖着她的尸体，听见她叫他从摩尔人，升级他的残忍不残忍的缘故，但她那永不褪色的记忆里，让她永远直到死亡本身离开他的脑海。是的，这是疯狂的，疯狂的，没有和平这一边的坟墓，甚至超越。

这是一个惊人的小说，恐怖的，无情的，令人不安，充满了无尽的激情使人畏缩。即使你不喜欢它，你也应该至少读一次，而那些喜欢它的人会一次又一次地回到它

"Camel xiangzi is a" peoples art "Mr Lao shes representative works.Lao shes xiangzi comes from the countryside, with the background of Chinas rural, also with the farmers is simple and gentle and stubborn.When he was the cart at a time, he became a "fans", a thought to buy their own cars.With diligence and perseverance, he spent three years time, belt.Finally realized his dream, to become own good driver.War-torn era in China, there is no any room for imagination.Less than half a year, he by deserters, also lost his "heart" - husky, only hold back three camels.Xiangzi did not lose heart, he is still stubborn to start from scratch and pulling the more desperately to make money, save money.

But didnt wait for him to buy the bus this time, all of the savings and detective is blackmail, looted.To buy a car dream once again become a mirage.He in order to buy a car, a marriage with their achievements.But not for long, their died in childbirth, and lost his favorite little son.The rickshaw man car space.Fed up with cart from then on, labor.Eventually become the citys rubbish.

After he read the book, my evaluation of xiangzi is: xiangzi is a yield to the test of life, and those who have lost their lives.As the saying goes: "the road slowly away, I will search up and down."Why he no longer looking for a new way, and become the social scum, loser?Why is he not the masters of life, to seek life?I think that he is frightened, because he is a peasant, he cant stand life again and again blow to him, he gave up.So caused the characters in the book has been the cause of the decline, the consequences!!!!!!!!!!!

中国四大名著：水浒传、三国演义、西游记、红楼梦。其中，给我印象最深的是四大名著之首—三国演义。

三国演义中的故事情节很生动，有头有尾，有始有终，有些人认为三国演义就是打打杀杀。其实，细细品味一番，就涌出了名著的特点。

里面的人物描绘得很细致、生动。比如说胆大心细的张飞啊、料事如神的`诸葛亮啊、保守稳重的刘备啊……数不胜数的都描绘了出来。还有一些出自三国演义的成语，比如望梅止渴、料事如神……

再说说里面的故事情节，有很多，他又是怎样发生的，结束的，都很清楚，好像不知不觉的融入到了故事里。

When I first saw one of the works of Jonathan swift, gullivers travels, I thought it was like "lubin sun Crusoe adventure novels, but when I opened the book and read the preface of the book part just know, originally this is a full of fairy tale satire novel. But the novels fairy tale color only on the surface of the local characteristics, sharp deep irony is its soul.

After watching the gullivers travels, we have to look at yourself, see if our body is the worst ills of shadow, and see if we like the authors describe the hu.

Although our society dont like the British decline, but were not much better. Petty theft, throw litter and vandalism, are everywhere around us. Murder and arson drug smuggling, brutal crazy. We often see on TV, are not surprising. So a muddy society, to clarify what we make. Now although we may not do anything with a bang, but at least we can do what we can do it. Even picked up a piece of trash, head down and lifted the old man across the road, on the bus seat... This is all we lift a finger.

After I read this book, I sighed deeply. I hope we can in our society, be like hui from country society. I would like to pay, starts from me, starts from the minor matter, starts from now, make the society a little more sunshine, a little less dark.

当我第一次见到乔纳森·斯威夫特的作品之一——《格列佛游记》时，我以为是像《鲁滨孙漂流记》那样的历险小说，但当我翻开书，看了书的前言部分才知道，原来这是一部充满童话色彩的讽刺小说。但小说的童话色彩只是表面的局部特征，尖锐深邃的讽刺才是其灵魂。

看完《格列佛游记》之后，我们不能不审视自己，看看我们身上有没有这些顽疾劣根的影子，看看我们是否像作者描述的耶胡那样。

我们的社会虽然不像当时英国那样败落，但也好不到哪去。小偷小摸、乱扔乱丢、破坏公物，都是我们身边随处可见的事。杀人放火、贩毒走私、残暴疯狂。也是我们在电视中经常见到的事，都已经不足为奇了。这么一个浑浊的社会，是要靠我们来澄清的。现在的我们虽然不一定做出什么轰轰烈烈的事情来，但是我们至少可以做我们能做到的事。就算是低下头拣起一片垃圾，扶老人过马路，在公共汽车上让座……这都是我们的举手之劳。

看完此书，我感慨颇深。我希望我们的社会能在我们的努力下，成为像慧因国那样的社会。我愿为此付出，从我做起，从小事做起，从现在做起，让这个社会多一点阳光，少一点黑暗。

"Notre Dame DE Paris" is a 19th century French writer Victor Hugos masterpiece. Quirky 15th century novel describes the life in Paris, the author depicts a group of personality with contrast gimmick bright vivid, extremely rich artistic appeal of the character image, with complicated conflicts and contradictions between rich tragic fate analyzes the complex world of humanity.

First of all, a set of characters is a gypsy girl esmeralda and bell ringers Quasimodo. 16 esmeralda beauty unsurpassed, pure good, good, but in the society at that time, so that the life like a flower are extremely conservative decaying ordered the destruction of the power of the church people sadly collapse too. More than 20 card seamus look ugly, severe disability makes him a came to the world from the first the family, which in turn is the abandonment of the whole society. However, he has a beautiful appearance ugly clean and pure heart, he does not mix of impurities in pure love guarded the esmeralda, trying to keep her from all harm. But in front of the strong social prejudice and evil forces, personal strength is tiny, powerful seamus, finally also only choose partiality this sad ending. The two characters have intertwined misfortunes, unable to hide their appearance on the huge contrast of pure good nature, in their perfect nature of the light, other characters in the novel are revealed the essence of the mean.

Notre Dame vice bishop eph rollo also fell in love with the beautiful esmeralda, but he love is very different from the ones with Quasimodo, eph rollo covered with halo of clergy, clean-cut, inside because of the conflict, until the destruction of the twisted soul, full of evil desire, eventually destroyed esmeralda, also destroyed himself. Hugo deeply analyze the characters with the attitude of compassion, dark twisted soul.

《巴黎圣母院》是法国19世纪着名作家雨果的代表作。小说描写了15世纪光怪陆离的巴黎生活，作者用对比的手法刻画了一群性格鲜明生动、极富艺术感染力的人物形象，以之间错综复杂的矛盾纠葛和悲剧命运剖析了丰富复杂的人性世界。

首先一组人物形象是吉卜赛少女爱斯梅拉达和敲钟人卡西莫多。16岁的爱斯梅拉达美貌绝伦、纯真善良、能歌善舞，但在当时社会，这样一朵鲜花般的生命却在极端保守腐朽的教会势力的摧残下令人惋惜地陨灭。20岁的卡西莫多外貌奇丑无比，严重的残疾使他一来到世界上便遭到了先是亲人，继而是整个社会的遗弃。然而外貌丑陋的他却有着一颗美丽纯洁的心灵，他以纯真得不掺一丝杂质的爱情守护着爱斯梅拉达，试图使她远离一切伤害。可在强大的社会偏见和邪恶势力面前，个人的力量实在微不足道，强悍的卡西莫多，最后也只有选择徇情这一悲剧结局。这两个主人公有着纠结在一起的不幸身世，外貌上的巨大反差无法掩盖他们共有的纯真善良的天性，在他们这种至善至美的天性的照耀下，小说中的其他人物皆露出了卑劣的本质。

圣母院副主教弗罗洛也爱上了美丽的爱斯梅拉达，但是他与卡西莫多的爱却有着天壤之别，弗罗洛披着神职人员的神圣光环，道貌岸然，内心却因冲突无法自拔，直至灵魂扭曲、充满了邪恶的毁灭欲，最终毁灭了爱斯梅拉达，也毁灭了自己。雨果以悲天悯人的姿态深刻剖析了这个人物阴暗扭曲的灵魂。

"Trust, tend to create a better state." Have you heard of this sentence? At first, Im not very deep impression of the words, but I saw the les miserables this book, I feel trust is an important thing.

Jean valjean was the hero of the story, he experienced the jail for a long time, finally got the freedom, but who also dont believe him, in the plight of the destitute, he got the bishop - MiLiYi care. However, because of jean valjean was a convict, people can not accept him, no one has seen him. Wait for him again, he is ready to help others, the people did not know he was jean valjean, all like him. Unfortunately, not for long, he was arrested again, forced labor in the ship. At work, a seaman accidentally fell into the sea, he saved sailors, himself fell into the sea! But he didnt die, during the French revolution of the battlefield, he is fearless, fighting in the bullets, rescue by people.

But when people know that he is jean valjean, pairs of cold eyes looked at him, eyes full of hate. This means that if other people dont believe you, you in any way to hard to erase their SINS, let people believe in you.

All of this shows that you trust others, others will feel very good, also will trust you. When two people trust each other, or the more people trust each other, the world will be how beautiful.

“信赖，往往创造出美好的境界。”你听过这句话吗?最初，我对这句话的印象不是很深，但我看了《悲惨世界》这一本书后，就觉得信赖是一个重要的东西。

冉阿让是故事的主人公，他经历了长期的牢狱之苦，终于得到了自由，但谁也不在相信他了，在这衣食无着的困境里，他得到了主教——米里艾的关照。然而，因为冉阿让曾经是一个苦役犯，人们无法接受他，从此谁也没见过他。等他再次出现，他很乐于助人，人们不知道他就是冉阿让，都很喜欢他。可惜，好景不长，他又一次被捕了，在船上服苦役。一个海员在工作时，不小心掉进大海，他救了海员，自己却掉进大海里!但他没有死，在法国大革命的战场上，他英勇无畏，在枪林弹雨中战斗，救助被人。

可当人们知道他是冉阿让的时候，一双双冷酷的眼睛望着他，眼里充满了憎恨。这说明，如果别人不相信你，你用任何办法都很难擦除自己的罪过，让人相信你。

这都说明，你信任别人，别人会觉得很好，也会信任你;当两人互相信任，或者是更多的人互相信任，这个世界将是多么美好。

Thoughts or reflections on reading Wuthering Heights

Wuthering Heights was written by Emily Bronte, it published in 1847.But at that time, it seemed to hold little promise, selling very poorly and receiving only a few mixed reviews. I found this in our school library, I chose this book because the title attracted me. Wuthering Heights is structured around two parallel love stories, the first half of the novel centering on the love between Catherine and Heathcliff, while the less dramatic second half features the developing love between young Catherine and Hareton. In contrast to the first, the latter tale ends happily, restoring peace and order to Wuthering Heights and Thrushcross Grange. In the story, the two houses, Wuthering Heights and Thrushcross Grange, represent opposing worlds and values.

I spent twenty days reading this book. After reading this book, I felt for Heathcliff at first. Heathcliff begins his life as a homeless orphan on the streets of Liverpool, and then he tyrannized by Hindley Earnshaw. But he becomes a villain when he acquires power and returns to Wuthering Heights with money and the trappings of a gentleman. His malevolence proves so great and long—lasting. As he himself points out, his abuse of Isabella—his wife is purely sadistic, as he amuses himself by seeing how much abuse she can take and still come cringing back for more.

Catherine represents wild nature, in both her high, lively spirits and her occasional cruelty. She loves Heathcliff so intensely that she claims they are the same person. However, her actions are driven in part by her social ambitions, which initially are awakened during her first stay at the Lintons, and which eventually compel her to marry Edgar. Catherine is free—spirited, beautiful, spoiled, and often arrogant, she is given to fits of temper, and she is torn between her both of the men who love her. The location of her coffin symbolizes the conflict that tears apart her short life. She is buried in a corner of the Kirkyard. In contrast to Catherine, Isabella Linton—Catherine’s sister—in—law represents culture and civilization, both in her refinement and in her weakness. Ultimately, she ruins her life by falling in love with Heathcliff. He never returns her feelings and treats her as a meretool in his quest for revenge on the Linton family.

Just as Isabella Linton serves as Catherine’s foil, Edgar Linton serves as Heathcliff’s. Edgar grows into a tender, constant, but cowardly man. He is almost the ideal gentleman. However, this full assortment of gentlemanly characteristics, along with his civilized virtues, proves useless in Edgar’s clashes with his foil. He sees his wife obviously in love with another man but unable to do anything to rectify the situation. Heathcliff, who gains power over his wife, sister , and daughter.

The whole story make people’s mood heavy. Fortunately, the end is happy.

The author Emily Bronte lived an eccentric, closely guarded life. She was born in 1818, two years after Charlotte—the author of Jane Eyre and a year and a half before her sister Anne, who also became an author. Her father worked as a church rector, and her aunt, who raised the Bronte children after their mother died, was deeply religious. Emily Bronte did not take to her aunt’s Christian fervor, the character of Joseph, a caricature of an evangelical, may have been inspired by her aunt’s religiosity. The Brontes lived in Haworth, a Yorkshire village in the midst of the moors. These wild, desolate expanses—later the setting of Wuthering Heights—made up the Brontes daily environment, and Emily lived among them her entire life. She died in 1848, at the age of thirty.

I like this book because it rest on the unforgettable characters. Wuthering Heights is based partly on the Gothic tradition, a style of literature that featured supernatural encounters, crumbling ruins, moonless nights, and grotesque imagery, seeking to create effects of mystery and fear. I would like to recommend this book to other readers.

在我读了《伊索寓言》时，我常常感叹，伊索到底是一个什么样的人？当我看完这本书时，我终于明白，他是一个富有智慧、非常睿智的人，正是因为他懂得这些道理，才写出了一篇又一篇出类拔萃的文章，把他的文学才能发挥到了极点。

在我读完后，我发现了伊索能够从多方面、多角度的看地阿姨个问题，从而他能从不同角度理解一个问题。他是一个非常睿智的人，他在他的寓言里揭示了许多道理。比如《龟兔赛跑》中，他告诉我们当弱小者发愤图强时也能战胜骄傲自大的强者的道理；《农夫与蛇》中阐明了我们不应该去救不道德的、恩将仇报的人。

《老鼠开会》说明了一个非常深刻的道理；出个主意很简单，可是你要想实践起来未必是一件简单的事情；《乌龟与鹰》还使我明白了别人正确的建议比自己的固执己见有用的多，如果只坚持自己错误的想法，最后只会落得一场空……

在这部书中，每一个故事都有他深刻的道理，我们要善于学习、善于理解，这是一本经典的人生教科书。

The writer writing unfolds， first is entire French societys one typical window——small city Varriales political pattern. The aristocrat is born German Switzerland that mayor is restores the dynasty in here highest representative， the maintenance restoration political power， prevents the bourgeoisie free party member is in power in politics regards as the inherent responsibilities. Poor collection post manager Valno the promise originally is the petty bourgeois， as a result of hires oneself the church secret organization saint can obtain the now the fat difference， thus oneself with restoration political power hitch in same place. Transcription hall Father Maslon is the spy which the church sends， all peoples words and deeds all under his surveillance， the time which mutually supports in this king place and the sacrificial altar， is person which wields great power with great arrogance.

These three people constitute " Three heads Politic "， reflected the restoration influence the aspect which you the city arrogated all powers to oneself in Varriale.But their opposite， is a large number， has the huge economic potentiality aggressive bourgeoisie free party member. Stendhal describes to the people guarantees king party members be domineering and tyrannical， on the one hand again let the people draw such conclusion： Grasps has the economic potentiality the bourgeoisie， also will decide in politics is the final victor.

《The Red and the Black 》 the book in circulation revolutionized in July， 1830 before， takes charge of soup reaches unexpectedly picture is understands clearly historical movement this one inevitably tends to.

the Little Prince – A Tale of Love and Life Title: the Little Prince Author: Antoine de St-Exupery Main Characters: the little prince, the pilot, the rose, the fox, the snake, etc. Despite I’ve not in my childhood yet, I still prefer reading fairy-tale stories. the tales, which accompany with me in my old days, often make me think of some precious experience and sensation which only belong to children. This summer I’ve review this kind of tale, which was published in 1940. It’s the world-famous fairy-tale by the French author, Antoine de St-Exupery, The Little Prince. As many other fairy-tales, the outline of The Little Prince is not very complex. “I”， the narrator of the story, is a pilot whose plane has something wrong and lands in the Sahara. In this occasion, the pilot makes the acquaintance of the little prince, a little boy from another planet, the Asteroid B612. The little prince has escaped from his tiny planet, because he has some quarrel with a rose, which grows on his planet. In that case he left his own planet and took an exploration at some neighbor asteroids. On his all-alone journey, the little prince meets different kinds of people, which includes a king, a conceited man, a tippler, a businessman, a lamplighter and a geographer. From these people he gets a conclusion that the grown-ups are very odd. Following the instruction of the geographer, he descends in the Sahara, on the earth. Traveling on the earth, the little prince, who sees a garden of five-thousand roses, is overcome with astonishment and sadness, as he considers his rose is unique in the universe before. At that time a fox appears. The fox, who tell the little prince about the meaning of the word “tame”， becomes his new friend. At the time to say farewell, the fox makes him know that his rose is unique because she is his rose and tamed by him. From that the little prince begins to treasure friendship and be responsible to his rose. At the anniversary day of his descent of the earth, rejecting the pilot’s advice, he goes back to his own planet by bite of a snake. “It’s too far. I can not carry this body with me. It’s too heavy.” he said. He tells his friend, the pilot, he must be responsible for his rose, so he has to go back. At the end the author doesn’t tell us the ending directly.

I believe that one of the factors that makes a piece of literature or even a movie a masterpiece is how well the reader can relate to the story. This is definitely a book everyone can relate to.

The Adventures of Tom Sawyer is a literary masterpieces, written in 1876 by the famous author Mark Twain. Tom Sawyer is a mischievous young boy who lives in the small town on the Mississippi River called St. Petersburg. The story line is simple, the book reads like a biography or a memoir of a summer in Tom Sawyers life.

Tom Sawyer seems to be the precursor of and the template for misfit kids such as Dennis the Menace, Malcolm in the Middle, and Calvin and Hobbs. What makes this story great is that Tom Sawyer represents everything that is great about childhood. The book is filled with Toms adventures playing pirates and war with his friend Joe Harper. Tom has a trusted friend, Huck Finn, who few of the adults approve of. The book is filled with ideas of how the world works, such as how pirates and robbers work, that are so innocent, they could only come from a child. It is a story filled with action, adventure, ingenious ideas, love, and schoolyard politics. The whole story is seemingly a complication of what people did or wish they did during their childhood.

The book is a little difficult to read at first. Personally, it takes me a little while to get used to the 19th century dialect in the book. Other than referring to persons of African decent in derogatory terms (which Im sure uses terms even young children already know)， the book would be an enjoyable read for people of all ages. I highly recommend this book for anyone looking to feel young again, if just for a few hundred pages.

故事的主人公汤姆是个天真、活泼而又顽皮的典型美国少年。他和野孩子夏克，各干出了许多令人捧腹的妙事。像汤姆被罚粉刷围墙，竟施出诡计，不但使别的孩子心甘情愿代替他工作，还自动奉上谢礼。后来和夏克逃到荒岛去，人们以为他们淹死了，正在教堂为他们举行丧礼，而他们却躲在教堂的钟楼上偷听。这些顽皮的举动，虽然不能给我们做模范，但是，他为了正义，毅然地挺身出来作证人，拯救那无辜的罪犯沫夫彼得。并在顽皮之余，居然和夏克破获了一桩谋杀案，成为众人钦佩的小英雄。看来，汤姆也有值得我们学习的地方。

人总是会长大的，除了个儿长高了，身子强壮了以外，人的思想也在长。你对世界的看法不同了，懂事了，不再幼稚了。不过人是要越变越好才是。千万不能像历险记里的那个心狠手辣的坏蛋卓伊一样，他坏事做尽，人见人憎。但最后他还是恶有恶报，得到了一个活活饿死在山洞里的下场。

看完《汤姆索亚历险记》，我真羡慕汤姆能有如此有趣的经历。这本书让人看起来津津有味，甚至废寝忘食。我想，《汤姆索亚历险记》在你烦闷的时候或许能让你一笑解千愁。

暑假，我读了《伊索寓言》这部短篇故事集。翻开它，我感觉自我好像打开了一个充满智慧的魔袋，智慧之光从每一篇小故事里散发出来，充盈了我的书屋，也照亮了我的内心。

《伊索寓言》里讲的大部分是动物的故事，这些故事有的教导人善良、正直、知恩图报；有的告诫人不要骄傲、不要撒谎；有的提醒人做好事要看对象，以免上当受骗；有的告诉人要善于运用智慧战胜敌人；有的告诉人做事要遵循事物的规律、量力而行；有的则揭露强权者的残暴和蛮横无理。

在这些故事中，我最喜欢的是龟兔赛跑。虽然很多人都对这个故事耳熟能详，也明白其中的道理，但并不是所有人都能真正学到乌龟的精神。大部分人都是比别人聪明一点或是取得一点成绩就翘起尾巴，一不细心就成了那只骄傲自满的兔子，连我也是如此。重读这个故事，我更加明白戒骄傲的道理。骄傲是成功的大敌，只要有一点骄傲的情绪，就会与成功失之交臂。所以，我必须要戒掉身上的骄傲，并学习乌龟的毅力。即使我比别人笨一点儿也没关系，只要坚持不懈，始终向着目标努力，就必须能实现目标。

在头一回吟诗中，大伙儿都埋头写着诗，可是黛玉既不念叨也不泼墨，宝玉劝其快作，怎奈自己还要写，只催了几声，就理自己的去了，谁知黛玉早已胸有成竹，不紧不慢地写了出来，果然一鸣惊人。

虽说宝玉提醒黛玉是出于关心她，但是黛玉本来就有些傲气，很少见她弯腰低头，在众秭妹面前扮演着孤傲的角色，那就让这种“风格”延续下去吧，峭壁上一块嶙峋突兀的怪石，硬是凿成了和其它一样的石头，岂不太俗了?

刘姥姥也算是个倒霉的家伙，原以为来贾府可以捞它一把，可是被凤姐鸳鸯整得够呛。

就拿贾母宴请宾客来说吧，刁钻的鸳鸯跟凤姐串通一气，让刘姥姥在大家面前出尽洋相，这种打肿了脸充胖子的生活可不好过吧?

再后来，大家一起行令，刘姥姥她是乡下人，怎么会有这种出什么对什么的能耐呢?而鸳鸯还是咄咄逼人，又令刘姥姥成了大家的笑柄。

人活在世上一定要有尊严。

Some people, good stack rhetorical flourishes, build the illusory concept, content is the hazes empty pale, imaginary ills, Some people, good at long running thousands of words, read, but no word of boring obscure. As the birds through the collection, though, is how indifferent to resist the silence of love and wisdom of free spirit.

The great love with his silence is silent, the outline of the style of natural love of life, of love. In pursuit of the truth, and in the nature of life, it is pure advocate beyond the normal tagore wisdom. The world of little vagrants of the world, leave your footprints in my words. He recorded the complicated world, records the protean experience. Make life be beautiful like summer flowers and death like autumn leaves. He recognizes the essence of human existence, the value. I cast my own shadow upon my path, because I have a lamp that has not been lighted. He reflected on his ego, modest and prudent. I cannot choose the best. The best chooses me. His patience, complaint or regret.

The use of language, concise constructed a truth. Do not deny that the birds of the language difficult to understand, but this does not affect its contains profound priceletruth. Tagore"s writing from, I felt the love life is a serious attitude of love and thinking. No doubt, the inspiration originates from life, and above life. He loves life, so also the life out of suffering and dark, light and joy is reserved. The love, is the thought of deep, but persistent. The pure love between men and women, mother and warm affection between man and nature, between delicate feelings All humans can experience feelings, are the truth and implicit expression. Tagore especially love, he advocates sparing no effort to use a lot of great praise of metaphor and eternal love, just like he wrote: I believe you love, let this be my last word. His love and truth in this life properly on both ends of the scales, without any deviation.

Life balance -- love and wisdom, Life balance -- love and truth. This book is difficult, but we can realize the same reason: life is love, love is the foundation of all of life!!!!!! Might as well listen to music, holding the birds, think oneself is a bird in the sky, in the endlefree

《红楼梦》的作者曹雪芹带给我们一个悲情故事。其中令我最深刻的人物就是贾宝玉和林黛玉。林黛玉在大众眼中，林黛玉是一个爱哭、不讲理、心事重并且爱吃醋的人，可是大家都错了。她不仅是个爱笑的人，还经常把其他人逗得笑到肚子疼，而且他亲戚书画样样精通，大观园里就有她的书画。可是她并没有在大庭广众下表演的机会。因为她从小就丧母，贾母怕她没人扶养，就把她接回贾家。可没想到这一接不要紧，造成了这个悲剧。林黛玉来到贾家后全是外姓亲戚，自己在这里无依无靠，才造成了她忧郁的性格和消极的心态，于是她就变得不讲理，以防别人欺负她。而且她在姑姑家还得处处小心，一个不留神就会引来一顿骂。

再说贾宝玉，他是贾家除了老爷的第二个男丁，只有他可以把“贾”姓传下去，所以大家都对她非常好。尤其是贾母，天天跟个宝贝一样宠着，还请人教他念书，天天出门还有许多人护送，真是“拿在手了怕掉了，含在嘴里怕化了。”可最后，物极必反，贾母为了贾宝玉的前程舍弃了林黛玉，但林黛玉却因相思而终。贾宝玉一看林黛玉死了，自己在尘世间也没有了牵挂，于是就去出家当了和尚。

《红楼梦》这个巨作真是“满纸荒唐言，一把辛酸泪。”呀。

今天，我看了一部电影《背着爸爸去上学》。当我看到这部电影的名字时，感到有些奇怪，为什么要背着爸爸去上学呢？我带着这个疑问观看了这部电影。

石娃是这部电影的主人公，他出生在甘肃山区的一个小村庄。那年他七岁该上小学了，姐姐十二岁也该上初中了。由于他们从小失去了母亲，爸爸是一个淳朴憨厚的农民，而且家里很穷，只能勉强供一个孩子上学。于是，父亲用一把铜勺来决定两个孩子谁来上学的机会。也不知道是上天从来都把这样的机会赐给男孩，还是石娃比他的姐姐幸运，最终铜勺指向了石娃。

石娃每天上学时都要经过一条叫马莲江的河流。有一次下雨，河水很大很急，他亲眼目睹了河水吞噬了一个小伙伴的生命，当时他很害怕很无助，这件事情对他的打击很大。他再也不敢淌过那条河流去学校上学了，当他逃学第三天就被父亲发现了，父亲狠狠地打了他一顿。也就是那天，父亲背着他淌过了那条叫马莲江的河流，并告诉他：“男孩子无论做什么事都要有个结果。”这个淳朴憨厚的父亲说了这，么一句话，可能就是因为这句话的原因，石娃每年都是班里的三好学生，学习成绩一直名列前茅。

转眼间，石娃上了初中。有一天当他回家时，他发现爸爸把姐姐嫁给了附近一个个子很矮的男人。石娃很生气，气冲冲的对着父亲说：“我恨你！”父亲满脸的无奈没有任何怨言。可石娃哪里知道父亲是为了给他凑学费才不得以这么做的呀！不久，石娃参加了全国奥林匹克化学大赛，拿到了甘肃赛区的第一名。他在颁奖大会上说的那句话使我受益匪浅，他说：“我上学的机会是铜勺转来的，那天铜勺的把柄偏偏指向了我，没有指向姐姐。”这句话充分表明了贫困山区里的孩子们能有上学的的机会多不容易呀，他要上学而他的姐姐就要辍学，看来石娃的确很珍惜这个上学的机会。看到这里我真的感到自己很幸福，我们生活在城市里吃的、穿的、住的、用的那个都比石娃好上几十倍、几百倍、甚至几千倍，所以我们更应该珍惜现在的学习机会。

就在石娃获奖没几天，爸爸在干农活时不小心摔了一跤，从此得了中风，生活不能自理。家里的重担一下子压在了石娃身上，既要读书还要照顾生病的爸爸，即使这样他的学习成绩丝毫没有受到影响，功夫不负有心人，他终于考上了城里的师范大学。就在乡亲们为他庆贺时，石娃却高兴不起来，如果他去城里读书那爸爸怎么办呢？就在他决定放弃上大学时，爸爸坚决不同意，想结束自己的生命好让石娃放心的去读书。石娃不得不答应爸爸去上大学，但他却做出了一个惊人的决定，他要背着自己的爸爸去城里读书。

电影的结尾是太阳慢慢的升起，照耀着大地，石娃背着爸爸来到爸爸当年背他的马莲江边，他用自己瘦弱的身体背起爸爸缓缓地向河对面走去……石娃背起的不仅仅是他的爸爸，他背起的是一个儿子的责任，他背起的是自己的幸福和未来，他背起的更是一个温暖的家。