飞屋环游记英文观后感实用20篇
浏览
5128作文
130篇1:英文电影《她比烟花寂寞》观后感
全文共 276 字
+ 加入清单我去到一个黄金王国,钦博腊索山,科托帕克西山……
你牵着我的手,跨越奥里诺科河,越过火热的卡拉哈里沙漠,横过南非的蛮荒草原,经过旷野……
回到了家……”
金碧辉煌的音乐大厅,潮水般的狂欢,人群兴喜躁动的眼神
透过这一切,我看到你
站在十三岁的沙滩,我们牵着手,我们拥抱着彼此,我和你,曾靠得那么近
为了靠近你,我放弃了一切;为了靠近你,我深深地伤害你;为了靠近你,我终于失去了自己
天空很低,很蓝,海天交接的地方,像镀金的奶油,甜腻腻的
潮湿的沙滩,因着海水显得格外的柔软
悲伤的大提琴,和着海风,将你的轮廓一遍遍勾勒
其实,我一直如此深刻的爱着你,如此脆弱而倔强的爱着你
篇2:英文电影《重回17岁》观后感
全文共 1312 字
+ 加入清单Mike ODonnells wife wants a divorce, his kids are remote, he didnt get the job promotion he expected, and everything else in his life has gone wrong since that magic year when he was 17, a basketball star, in love, and looked like Zac Efron instead of Matthew Perry. Hes obviously a case for treatment by a Body Swap Movie.Revisiting the trophy case at his old high school, Mike encounters a janitor who, from the way he smiles at the camera, knows things beyond this mortal coil. If only Mike could go back to 17 and not make all the same mistakes. In "17 Again," he can. He falls into a Twilight Zone vortex and emerges as Zac Efron. They say be careful what you wish for, because you might get it. Mike should have been more specific. Instead of wishing to be 17 again, he should have wished to go back 20 years in time.Yes, he becomes himself trapped inside his own 17-year-old body.
I attended a screening held by a radio station, which attracted mainly teenage girls who left their boyfriends behind. When Zac Efron took off his T-shirt, the four in front of me squealed as if there were buzzers in their seats. Now that hes a little older, Efron has a Tom Cruiseish charm, and a lot of confidence. Why Matthew Perry was cast as his adult self is hard to figure; does your head change its shape in 20 years?
篇3:帕丁顿熊英文观后感
全文共 469 字
+ 加入清单"Paddington bear" is the weinstein companys 2014 production reality animation films.Film directed by Paul Kim, Ben visa, nicole kidman and Hugh shaw bonnet Willie, Sally Hawkins, etc.The story of the film revolves around a young bear Peru, story tells the story of this only like to eat jam bear lost after landing in London from dark Peru, a series of special experience and human story.Film on November 28, 20** in the UK premiere, on March 5, 20** in mainland China.
篇4:寻梦环游记观后感300字
全文共 307 字
+ 加入清单当你喜欢上一个东西,但家人都反对你,你会怎么样?当你真正认识了家人,知道了他们很爱你,你又会怎么样呢?
这电影的主人公——米格,是一个很有音乐天赋,又很喜欢音乐的人。但家里人因为他曾曾祖父因为音乐抛家弃子,所以家人都不许碰音乐。
在亡灵节,他想上台,就拿了歌神德拉科鲁兹的吉他,不小心进入了亡灵世界,他以为,德拉克鲁兹是他的曾曾祖父,在知道真相后,他的曾曾祖父快被忘记,要真正消失了。回到活人世界后,他努力让太奶奶记住他。一年后,全家在亡灵节又唱又跳。
在电影里,米格是坚持梦想,努力去完成的一个孩子,在亡灵世界里,他体现出更多的是勇敢,而不是害怕。
我们要跟他一样,坚持梦想,努力完成,勇敢面对困难,而不是害怕,去躲避。
篇5:飞屋环游记观后感
全文共 576 字
+ 加入清单昨日是周六,央视电影频道的佳片有约经常有好看的电影。时光指到晚上10点,电视机遥控器频道一个个地打过去,竟然发此刻放《飞屋环游记》。
自从肉包出生后,小红就没去电影院看过电影,有些电影在电脑上看的,也是匆匆忙忙的。飞屋环游记是去年就听说的,本想买碟片,被大树以省钱为理由给制止了。没想到央视在放这么新的电影,又是肉包爱看的动画片,自然全家被吸引,一口气看到12点。电视机关掉后,肉包躺下,小红都没哄,5分钟后就自我睡着了。
迪斯尼的片子,制作精细、画片漂亮,又很温情。制作精细,是说每个细节都做得很到位。比如,费迪逊在到了目的地几天以后,白胡子都长出来了,而之前是没有的,体现了旅程的艰辛,没空刮胡子。这种细节让人忍俊不禁。
片子的整个让人感觉很温馨。后半部分费迪逊的所有工作都是为了实现妻子年少时、也是后面他们结婚后共同的梦想。而前半部分,流畅的笔触阐述了他们夫妻两的幸福生活。他们没有孩子,费迪逊安慰妻子,他们找到了新的目标:将家安在峡谷旁,并燃起了生活的期望。妻子温柔的手在给丈夫打领带,领带换了一根又一根,他们由青年变成了白发苍苍的老年人。妻子去世后,费迪逊孑然一身,孤苦伶仃。一幕一幕,夫妻情深,让人唏嘘不已。
我能想到最浪漫的事,就是和你一齐慢慢变老。人生漫漫,真正白头到老的又有几个。小红常对大树说,将来我必须要走在你前面,因为走在前面的人最幸福
篇6:飞屋环游记观后感
全文共 1329 字
+ 加入清单我知道一个人这一生必须有一个梦想,只有这样我们才有信念将这一生完整的走下去,可是带着梦想遗憾地离开了这个世界,又是何等凄凉的情景?怀揣着它,只能期盼着自己下辈子去完成这个始终还在准备中的梦想。所求之物,到自己闭眼的那一刻还只能远观,这也许就是老者心中的痛,为了妻子这个梦想,他选择了远行,完成这个单纯而又简单的愿望。
是的,这部电影就是这么简单的情节,简单的爱情故事,简单的梦想,简单的追求,简单的执着,可是要完成这么多简单却是那么难的一件事,以至于现实中我们都喜欢退却着,我们喜欢找理由,是现实牵绊着我们一直不敢往前走去寻找自己的梦想,简单而又单纯的梦想只能深深的埋藏自己的心底。
《飞屋环游记》就是讲的这么简单的一个故事,故事的开始用了长长的四分钟讲述完了他们从相识,到走进婚礼的殿堂,然后牵着手一起走到老,没有声音,也没有跌宕起伏的生活情节,简简单单的从开始到结尾,然后剩下老者就这么默默的守着满屋子的回忆开始自己那沉沉的思念。
梦想的实现有时候是有那么一点点艰难,他们一开始存钱就为了那个简单的梦想,可是柴米油盐酱醋茶,一切生活的需要都阻止着他们前行的步伐,一次次的砸存钱罐,一次次的满罐,直到岁月过去,亲爱的她已经坐上了轮椅,开始不了那远行的计划,就这么老去,留下一屋子的梦想和回忆让老者慢慢品味。
我知道对于一个快离去的老者来说,要做出这样的决定会是怎样的困难,这个屋子是他们一起建立起来的,他不容得别人就这么轻易进入,于是他下定决心要拖着这个他们建立的家一起远行,他要让在另一个世界的她知道他一直就在努力着。
总有那么些人,那么些事喜欢在你登上高峰的时候给你一盆冷水,让你彻底跌入谷底,在这个寻梦的路途中,老者的生活并不是像想象中那么的顺理成章的去实现了梦想,查尔斯出现了,这个在他们生命中的偶像,人们一般对自己的崇拜者不会怀有任何戒备心理的,老者如此,我们亦如此,可是查尔斯善变的脸庞吓着了所有人,老者的梦想路也就开始了那么不平坦。
看到那一幕,我心里的防线彻底崩溃了,是怎样的无助让他做出了那样的选择,当罗素让他去救那只鸟的时候,他站在了两个难以抉择的路口,一边是受伤的小鸟被绑住了,可另一边是自己拿承载着满满梦想的房子正在大火的燃烧中,一个个气球的爆炸,一个个心碎的声音也就爆发了出来,他最后选择托着他的小屋离开,他将火扑灭,可是那痛苦的眼神告诉着我们他很内疚眼睁睁看着查尔斯无情的将小鸟带走。
他知道自己背叛了罗素,背叛了这段最珍贵的友情,坐在了他日思梦想的地方,可是他却迷失了方向,在这里我特别害怕他会跳下悬崖就这样结束这段生命,那就是最残忍的结局了,可是编剧没有,罗素自己去找小鸟了。他迷茫的回到了那个小屋,试图在里面寻找到一些方向,最后他用了世界上最大的勇气将东西从小屋里扔了出来,他扔的不仅仅是东西,更是对过去的抛弃,他知道是她在另一个世界告诉他应该这么做,梦想实现了,那么我们还要继续的是生活,于是生活又回了来。回到了原点。
人们都说,有梦想的地方就会有斗争,也许就是这样的吧,这部影片让我潸然泪下,我知道一切都要简单就好,于是我也决定守着那简单的梦想就这么永远的走下去,也许梦想无人问津,但我相信我也会像老者一样,总会有那么一天,会实现的。
篇7:影评《西游记之孙悟空三打白骨精》观后感
全文共 1315 字
+ 加入清单《西游记之孙悟空三打白骨精》贺岁档上映,抱着学习之余放松的心情踏入影院,却在走出后明白了从小不懂的难题,领悟了《西游》吴承恩真正想表达的取经之意。
故事从唐僧以略带喜感的语气说“尊驾,你想这样piu~一下飞过,那是肯定不行的”开始,于是一段漫长的取经之路由此展开,一个“每一难皆为造化,每一步皆是修行”的佛理娓娓铺陈开来。
一切缘定,金蝉子轮回九世得与有毁天灭地之能的孙悟空结为师徒,唐僧一路阿弥陀佛感化众生,悟空一路降妖除魔护驾西天,这一切到底是为什么?初读《西游记》只能单纯的被里面的妖魔鬼怪,奇谈怪异所吸引,却并不能深思这其中韵味;三打白骨精时唐僧埋怨孙悟空,又将其逐走,可孙悟空火眼金睛斩妖除魔又有什么错呢?那时候的我只道唐僧凡胎肉体不肯信悟空罢了,又固执己见,一度被他的愚笨感到遗憾又气愤。
然而观音菩萨有言:“悟空,你不能用你自己的对与错衡量别人的错与对。你看到的是真相,你师傅看到的是心相。”就是这样一句话,让我在影院里有种醍醐灌顶之感,观世音菩萨在点醒悟空的时候,也点醒了荧幕前千千万万观众对于《西游》的体悟。
要说为何是唐僧和孙猴儿这一对,我也有了些自己的见解。想到这,我是极佩服作者吴承恩的构思。孙悟空神通广大,有毁天灭地之能,五百年前大闹天宫,正如电影里“花果山水帘洞齐天大圣美猴王孙悟空”这个美号就是冠以这个性情刚烈又玩世不恭的猴子的。而他的师傅虽是弱小的凡胎俗体,却拥有一颗普度众生催人向善的心。电影里西云国王向着唐僧高声喊着那一句“你一路全靠你的徒弟斩妖除魔,你取得什么经,度的什么人?”我认为这句话最好的回答就是唐僧的徒弟孙悟空。佛祖为避免悟空再做伤天害理之事,安排了他与唐僧的十世师徒缘,“三打”中每一次遇险,每一次唐僧与悟空的争吵,每一次教诲,直至最后的逐走,将一个不是斩妖除魔,而是降妖伏魔的道理渐渐勾勒出来,也让孙悟空逐渐明白了师傅的用心。妖魔皆为执着于怨念所化,只要加以感化,普渡灵魂,一心向善便可消除恶念,这远比见妖杀妖,见魔除魔要有效得多。人的心火总会存在,但万物众生都应平等,妖魔又怎样,执念而已,何至于死?
于是一路的感化与普渡,甚至唐僧用自己的生命教会孙悟空什么才是佛之大道,让悟空彻底消除了之前的杂念,理解并对师傅报以极大的信任。
取经取的并不是单纯的经书,更是这一路的九九八十一难中经历的人生艰难曲折,是所感化的心灵,所普渡的灵魂铺就的佛法大道,是一个个真相背后的心相。
“咱俩真的很像,都只相信自己看见的,但就是这样,才让我们成为师徒一路结伴”,唐僧的话语里就暗示着孙悟空就是会被普渡的众生之一。
这部电影亮点之处也在于加入了白骨精生前的惨痛经历,用唐僧的第十世轮回救白骨精转世,虽然改编,但依然突出精髓,说明了有时看到的真相不一定是绝对的真相,而读透人的心相才能化解心相,实现解脱。
吴承恩用妖魔鬼怪象征人的心火邪念,以师徒四人一路斩妖除魔,拯救堕落的灵魂为线索,将一切故事串联,最终取得佛经,四人皆成佛的故事诠释了“摒弃邪念,积极向善”的佛法真理。“一念迷是众生,一念觉则是佛”。我想这才是吴承恩真正想表达的《西游记》,也是它能够以截然不同的题材独立于四大名着之列的最大原因。
作者海日晴空
篇8:阿甘正传观后感英文
全文共 882 字
+ 加入清单When I first saw this movie I didnt appreciate it like I do now. Because I was so young that I didnt get the main idea when I first saw it. Just recently I saw the movie again. What an amazing and moving story. That movie teaches you so much about life and the meaning of it. That life isnt as bad as most people feel. Forrest Gump, the innocent man can impact so many lives with his innocence. The meaning of the movie to me is that everyone needs to have a better outlook on life. That we need to appreciate more of the little things and not let the big things hold us back. Although life may throw us trials and tribulations like a box of chocolates, we just have to bite into it and get through it even if we dont like it. I just love this movie. And anyone who hasnt seen it or who thinks that dont like it I seriously suggest seeing it or seeing it again. It truly is amazing…
篇9:飞屋环游记观后感
全文共 5097 字
+ 加入清单In its opening stretch the new Pixar movie “Up” flies high, borne aloft by a sense of creative flight and a flawlessly realized love story. Its on-screen and unlikely escape artist is Carl Fredricksen, a widower and former balloon salesman with a square head and a round nose that looks ready for honking. Voiced with appreciable impatience by Ed Asner, Carl isn’t your typical American animated hero. He’s 78, for starters, and the years have taken their toll on his lugubrious body and spirit, both of which seem solidly tethered to the ground. Even the two corners of his mouth point straight down. It’s as if he were sagging into the earth.
Eventually a bouquet of balloons sends Carl and his house soaring into the sky, where they go up, up and away and off to an adventure in South America with a portly child, some talking (and snarling and gourmet-cooking) dogs and an unexpected villain. Though the initial images of flight are wonderfully rendered — the house shudders and creaks and splinters and groans as it’s ripped from its foundation by the balloons — the movie remains bound by convention, despite even its modest 3-D depth. This has become the Pixar way. Passages of glorious imagination are invariably matched by stock characters and banal story choices, as each new movie becomes another manifestation of the movie-industry divide between art and the bottom line.
In “Up” that divide is evident between the early scenes, which tell Carl’s story with extraordinary tenderness and brilliant narrative economy, and the later scenes of him as a geriatric action hero. The movie opens with the young Carl enthusing over black-and-white newsreel images of his hero, a world-famous aviator and explorer, Charles Muntz (Christopher Plummer). Shortly thereafter, Carl meets Ellie, a plucky, would-be adventurer who, a few edits later, becomes his beloved wife, an adult relationship that the director Pete Docter brilliantly compresses into some four wordless minutes during which the couple dream together, face crushing disappointment and grow happily old side by side. Like the opener of “Wall-E” and the critic’s Proustian reminiscence of childhood in “Ratatouille,” this is filmmaking at its purest.
The absence of words suggests that Mr. Docter and the co-director Bob Peterson, with whom he wrote the screenplay, are looking back to the silent era, as Andrew Stanton did with the Chaplinesque start to “Wall-E.” Even so, partly because “Up” includes a newsreel interlude, its marriage sequence also brings to mind the breakfast table in “Citizen Kane.” In this justly famous (talking) montage, Orson Welles shows the collapse of a marriage over a number of years through a series of images of Kane and his first wife seated across from each other at breakfast, another portrait of a marriage in miniature. As in their finest work, the Pixar filmmakers have created thrilling cinema simply by rifling through its history.
Those thrills begin to peter out after the boy, Russell (Jordan Nagai), inadvertently hitches a ride with Carl, forcing the old man to assume increasingly grandfatherly duties. But before that happens there are glories to savor, notably the scenes of Carl — having decided to head off on the kind of adventure Ellie and he always postponed — taking to the air. When the multihued balloons burst through the top of his wooden house it’s as if a thousand gloriously unfettered thoughts had bloomed above his similarly squared head. Especially lovely is the image of a little girl jumping in giddy delight as the house rises in front of her large picture window, the sunlight through the balloons daubing her room with bright color.
In time Carl and Russell, an irritant whose Botero proportions recall those of the human dirigibles in “Wall-E,” float to South America where they, the house and the movie come down to earth. Though Mr. Docter’s visual imagination shows no signs of strain here — the image of Carl stubbornly pulling his house, now tethered to his torso, could have come out of the illustrated Freud — the story grows progressively more formulaic. And cuter. Carl comes face to face with his childhood hero, Muntz, an eccentric with the dashing looks and frenetic energy of a younger Kirk Douglas. Muntz lives with a legion of talking dogs with which he has been hunting a rare bird whose gaudy plumage echoes the palette of Carl’s balloons.
The talking dogs are certainly a hoot, including the slobbering yellow furball Dug and a squeaky-voiced Doberman, Alpha (both Mr. Peterson), not to mention the dog in the kitchen and the one that pops open the Champagne. And there’s something to be said about the revelation that heroes might not be what you imagined, particularly in a children’s movie and particularly one released by Disney. (Muntz seems partly inspired by Charles Lindbergh at his most heroic and otherwise.) But much like Russell, the little boy with father problems, and much like Dug, the dog with master issues, the story starts to feel ingratiating enough to warrant a kick. O.K., O.K., not a kick, just some gently expressed regret.
篇10:飞屋环游记观后感
全文共 1098 字
+ 加入清单这天我在网上看了一部《飞屋环游记》的电影。
这部电影讲了一个小男孩罗素和一个老爷爷卡尔的历险故事。卡尔就是个不怎麽爱说话的男孩,他总就是牵着气球边走路边幻想着历险,一天他遇到了活泼可爱的女孩艾丽,两个人有着共同的兴趣爱好,之后他们结婚了,过上了幸福的生活。镜头一闪他们变老了,白发苍苍的艾丽得了重病,躺在病床上交给了卡尔老爷爷一本书,书上画着一幅她一向梦想去探险的地方“仙境瀑布”,然后就死去了。
卡尔老爷爷每一天孤单的守着他心爱的小屋。一天,坐在沙发上的卡尔老爷爷听到门外有挖土机的声音,打开门一看,原先就是开发商要开发房屋,准备拆他的小屋,老爷爷说:“我没有死,就别想拆我的小屋。”之后他收到了养老院的一封信,信中说要接他去养老院。过了一会儿,有人敲门,他打开门一看,原先就是一个名叫罗素的小男孩,他说要帮忙老人。老爷爷说:“我不需要帮忙”,就关门了。老爷爷想了想,打开门说每晚都有一种巨鸟去偷吃他的玫瑰花,只要拍三下手就出来。小罗素听了老爷爷的话,之后就跑去找巨鸟了。十分钟以后,养老院的人来接他,老爷爷舍不得离开心爱的小屋。这时,养老院的人见烟筒里冒出好几万个气球来,把房子带上了天空。老爷爷和小屋飞起来了,房子起飞还没有多久,他又听到了敲门声,原先就是小罗素站在小屋的走廊上,告诉老爷爷他找到了那只巨鸟。于就是老爷爷和小罗素就踏上了去“仙境瀑布”的探险之路。
他们走啊走啊,在路上遇到了小罗素找的那只巨鸟,小罗素给它起了个名字叫凯文,和他们一齐向前走。在路上,他们又遇到了一些狗,它们会说话,都就是坏的,它们有一个坏主人。其中一个叫豆豆,它背叛了它的坏主人,管老爷爷叫主人,也跟着老爷爷他们一齐走。走着走着,遇见了狗的坏主人,他假装就是一个好人,把老爷爷带到了他的家,看到他家里有很多动物的骨架,有一个十分像凯文,这时坏主人看见凯文正在老爷爷家的房顶上,要抓住它。老爷爷就明白了他就是个坏人,就赶紧逃了出去,继续走。坏主人就让他的坏狗追他们,但就是只把凯文追上了,就把它关起来开飞机带走了。最后经过大家的努力最后救出了凯文。老爷爷为了保护大家放下了拥有一辈子回忆的小屋,和小罗素、逗逗回到了城市里,幸福的生活在一齐。而谁也没有想到小屋正落在了艾丽梦想中的“仙境瀑布”旁……
我最喜欢电影里面的凯文,它就是一只大玉鸟,羽毛又多又美丽,凯文最爱吃的和最开心的事就就是吃巧克力,它还爱啄气球呢!豆豆最开心的事,就就是玩气球了。
这就是一部很感动的电影,卡尔老爷爷为了实现妻子的梦想,经过不懈的努力最后完成了妻子的梦想。但就是,如果没有豆豆、凯文和罗素的帮忙,仅依靠卡尔老爷爷自我的力量就是不可能成功的。
篇11:寻梦环游记观后感
全文共 513 字
+ 加入清单叶茗轩
一七年年底,电影院推出一部电影:《寻梦环游记》,听说是一部催泪电影,我也来到影院观看。
这部电影被评为年度最暖心的电影,在豆瓣中的评分奇迹般似的到了九点三……
这部电影的主人公是一位名叫米格的男孩,他很喜欢音乐,可他的祖母并不喜欢音乐,所以他都只能偷偷玩。他为了参加亡灵节的音乐会,来到德拉库斯的坟上,准备“借走”他的吉他。他拿到了吉他,可穿越到了亡灵世界,只有得到福福才能回到人间。他找到了自己的曾曾祖母,得到了她的祝福,可不能再碰音乐,他没抵挡住音乐的诱惑,又被送了回来,他要得到自己曾曾祖父:德拉库斯的祝福。经过一系列的事件后,他发现自己的曾曾祖父是艾克托。“请记住我!”这首歌并不是德拉库斯写的,而是艾克托写的。他为了让这一事实展现在人们面前,作了一系列的努力。最终,他的曾祖母:可可,快把曾曾祖父忘了,也就是曾曾祖父快走向终极死亡,他立即接受祝福回到家中,与曾祖母一同唱响“请记住我”这首歌,并将曾曾祖父的照片摆在了祭坛上,才使他没有走向终极死亡。
我这个坚强的人在快结尾时也情不自禁地落泪了,网友们的评论更是真情,都说这部电影充满了亲情。
首先有家,再去追梦!家人是寻梦的垫脚石,每个家庭都要有爱,孩子才能安心追梦。
篇12:星游记的观后感
全文共 2705 字
+ 加入清单近几个月口碑和人气都出奇地不错的国产番《星游记》,今天第一季全26话完结了,星游记观后感。
我大约从第5话开始每日追番,到今天差不多一个月的时间。很久没有追番追到完结,何况这还是在几年甚至几个月前都不能想象会去追的国产番,此时此刻有很多话想说,却忽然发现无从说起。
那么还是先简单一句话总结吧:这部片子,追得值。
作画方面,除了帧数略低以外没有感觉到太大的问题。
请不要一股脑地吐槽人设。我个人追番补番的经验虽然不多,但几乎每次都会感觉到,如果作品本身足够出彩的话,人设这种外在的东西,稍微多看几话就能适应。
我最初是在B站看到了星游的第1话,一开始就被OP不错的运镜亮了一眼。类似全是镜子的空间、在黑色漩涡中挣扎、对着镜子出拳却无力地被击落这样颇有些抽象的场景,你可以吐槽它在日漫中能找到各种既视感,但从另一个角度说,这样的设计你很难想象这竟然是在一部国产番中看到的。所以我就看了下去。
打斗的动作设计和流畅程度都是不错的。招式虽然一段时间内都流为平常,但每次新招出现都是震撼度满点。当然类似于出拉面的动画每次都不切、主角出场满级之类的小问题,大概还可以忍一忍吧。
另外,讲述背景时出现的可能可以讲是壁画风的插画是一大特色,而且确实很漂亮。
然后就要说到音乐。
OP和ED的上耳度都不错,OP前段时间已经在B站被各种同步测试搞成近乎神物的存在于是这里就不放了,想听OP和ED的去我主页。
配乐真的很棒,尤其是第一次听到的时候。在B站看第1话弹幕吐槽的时候,每次新BGM一出现就有“BGM立功了”、“求发行OST”之类的弹幕飘过,其素质可见一斑。之前提到的讲述背景时的BGM、战斗的几首BGM都是相当亮耳的。
不过BGM上个人觉得一个问题是,淡出和衔接经常过于突兀。可能只是个人感觉而已。
比起音乐,不得不说配音稍微次了一点,尤其是主角麦当的配音经常燃度不够,这个到底还是国内整体的问题也怪不了谁。但是其他角色却有不少出彩的配音,比如飞船坟场主和克拉(怎么都是反派)。事实上个人似乎觉得除了主角之外其他配音的感情都很到位……
最后最重要的,剧情。
星游记吧里最近有人提到,最初几话各种既视感或许是编剧舍孩子套狼的策略,故意制造抄袭的假象来成为话题,先卖下限再打脸。这说法个人还是比较赞同的。虽然我是没有看过海贼王了,但平心而论前几话确实也没有太吸引人,仅仅是无聊随意看看而已。
但从第一次回忆杀出现开始,这部番开始有了自己的特色。
几乎每次回忆杀就是一次黑历史大放送,各种神展开,各种洗白,尤其到最近25话的时候已经现实残酷到了一定境界,着实让人惊叹这居然是国产番做到的。3~4话是惊奇,7~8话发觉超展开,14话堪称震惊+催泪,最近25话更是神展开。这动画能吸引人一直看下去而且至今广受好评,各种回忆杀功不可没。
回忆杀之后就是燃度爆表。作为热血番,虽然有着“平淡→剧情→热血”的固定发展模式,但是不得不说这片子打起来真的不错。
前面也提到了,新招首次出场的时候相当震撼,个人印象最深刻的果然还是冲天炮的首登场,视角和动作设计都各种碉堡。
这里重点要说的还是剧情展开和整体氛围上的燃。第5话可以说是个小高潮,也是将很多观望的人拖下水追番的功臣。出现希望又进入绝望,仿佛绝境却被意外拯救。“给我高高飞起来啊!!!”说实话第一次看到第5话飞船升空的那一幕时,真心被燃得泪流满面。
18话也是一个重要的高潮。克拉一战可以说是在整个第一季中占比重最大的,打斗近4话终于迎来结束,双人连携技、必杀、新招式层出不穷,虽然主角光环略微有点Bug,但热血度真心够了。
相比之下,今天完结的26话反倒有点燃度不足,可能是片长以及经费上的问题,总觉得剧情做得过长,导致打斗感觉还没开始,镜头一转就结束了,仿佛被切掉了一段似的……
感染力除了燃,除了回忆杀,就是名台词。
(以下因记忆问题可能有误,剧透可能有
“如果黑洞能吞噬一百亿个太阳,那我就做第一百亿零一!”
“把恐惧的地方变成最美丽的景色,这才是男人的梦想!”
“如果只有傻瓜才能坚持梦想,那就叫我大傻瓜好了!”
“王冠真正的意义是,当灾难从天而降时,我会为你们抵挡一切,让你们永远只看到金色的希望,观后感《星游记观后感》。”
“听到了吗!直到最后,他们都没有放弃你啊,相信你会保护他们啊!你的约定还没有完成,所以……出来啊!”
“你是国王啊,能承担这么多的信任,也只有了不起的咕咚国王啦。”
“我们可是马戏演员,只会让人开心,不会让人掉眼泪的。”
“……喂,不是他们吧,不是吧……他们还会回来的吧……只要我把这个藏起来不让他们找到的话,他们一定会回来找的,是吧!……”
“我们可是星学家啊!怎么能因为自己的私心,就出卖这漫天的星空呢!”
“星空之所以美丽,就是因为在无限的宇宙中,不管黑暗如何蔓延,都有星星的光芒去把它照亮。”
“相信奇迹的人,本身就和奇迹一样了不起!”
“管你什么乱七八糟的,我们就是要……往前走啊!”
“不能去打倒别人,就没有资格实现梦想吗……如果是这样,我才不稀罕在这种世界活下去!”
……
太多了,列举不能。
名台词名场面果然才是最让人感动的地方,换做以前,不会想到国产番能做到这一步吧。
当然除去以上类型的之外还有很多杂七杂八的名场面,比如克拉那个经典的“你好”……
事实上这部番还有很多欢乐的自带鬼畜、自带吐槽、卖萌、捏他、致敬。
自带鬼畜请参见第6话。
自带吐槽前13话无处不在。
卖萌比如咕咚比如女主比如路痴红眼比如奶昔鸡。
捏他和致敬像是葫芦山、办证、拆迁、四星龙珠、植物大战僵尸、雷锋蜀黍,最近26话里面还出现了红莲方舟什么的……
可见其实这部番还是有相当的宅度的。
回头看看这个所谓“不知道该从何说起”的观后感,也东拉西扯了一大堆呢……
再静下来想一想,确实是感触颇多。两个月前根本不会想到自己会有一部国产番可追,会追一部国产番,会追一部国产番追到完结,会追一部国产番追得真心感动,会追一部国产番觉得追得值。
有人说“或许有一天我们开始追国产番,有一天我们追国产番成为习惯”,这个有一天,星游记应该占了一分子吧。
这部动画如果有一天我会弃番,大概也仅仅只会因为我不追长篇吧。
其实刚开始追星游的时候,还满心以为这部番的主题会类似于天元,52话之内突破天际。然而看着看着我就悲催地发现我错了,这真心是部披着星际和科幻外皮的传统热血长篇番…… 是我最不想追的类型啊……这坑栽大了……(手动泪奔
除此之外,我已经对星游记没有任何偏见了,包括所谓“国产”的标记。
其实我会把可能放弃星游记的理由定为“长篇”,就已经说明我将其和日式热血长篇番同等看待了。
以上。
这部动画,真心推荐没有看过的各位可以抽空补。
说不定国产TV动画的未来,就是从这里起飞的。
篇13:阿甘正传英文的观后感
全文共 1103 字
+ 加入清单Life is like a box of chocolates
-----The review of Forrest Gump
Forrest Gump is a famous film which won a high reputation , it’s tell us a story of a low IQ boy’s unexpected and legendary life. In the film, Forrest’s IQ only had 75 lower than normal people, but he graduated from the university,participated in the Vietnam War, took part in Table Tennis Competition in China as diplomatic envoy, became a millionaire...
“If God intended everybody to be the same, hed have given us all braces on our legs. “ God is so fair. Forrest met lots of accidents and every accident fortunately achieve him. I think nothing is predestined except death. Just like Gumps mother did not know that she will be his mother,just like Forrest did not know that God gave him only 75 IQ,just like Lt. Dan Taylor did not know he had to endure the pain of losing legs...
Tom Hanks who played Forrest Gump said “our destiny is only defined by how we deal with the chance element to our life.” When we face our life,maybe we should have this preparation---“Life is like a box of chocolates. You never know what youre going to get.”
篇14:爱与梦飞行之飞屋环游记观后感
全文共 1620 字
+ 加入清单ok,首先承认我食言了——我又看3D了。我是一个好了伤疤忘了疼的人,看《冰川时代3》时所遭受的肉体痛苦实在是抵不过皮克斯动画的诱惑,好在这次的眼镜制作更粗糙一些,但却很好地照顾了我肥大的头颅,我不用像忍受紧箍咒一样忍受它了。而且这次在传奇时代影城享受的据说是国内首套的3D巨幕设备,果然画面尺寸能够达到普通2D电影的标准,而且亮度和色彩的还原度都几近完美。这里的原理有点复杂,我就不细说了,感兴趣的可以上网查一下,反正以后要看3D,还是去看巨幕吧。遗憾的是作为皮克斯首部3D电影,《飞屋环游记》的表现手法完全没有3D化,场景和动作设计基本上和看2D无异,后来我甚至忘记了这是一部3D电影
我不知道如果我以前没看过《瓦力》的话,我会被这部电影折服到什么程度,以一个普通人做动画片主角是需要勇气的,通篇弥漫着淡淡的忧伤和梦想的光辉,朴实隽永的台词,天马行空的想象力,妙趣横生的人物形象,反正什么样的溢美之词用在这电影上似乎都不会显得过分,这实在是一部在技术上很成熟的作品。但有了《瓦力》的珠玉在前,《飞屋环游记》就显出了几分匠气和刻意,有点像《读者文摘》上构思巧妙语言精美但有点主题先行感情廉价的美文,你会有点感动,但不会被震撼,它没有《瓦力》那样不着痕迹的浑然天成和悲天悯人的终极情怀。
之前看很多人把《飞屋》分析为一部励志的电影,它鼓励人勇敢地去实现梦想,追逐梦想永远不要嫌太晚……但在我看来,这电影的主题远不是那么乐观的,它更重要的意义在于展现一种梦想之于人的一种有心无力的无奈,以及无奈之下的放弃。
开篇的伤感让人有点猝不及防,现实是梦想的天敌,拖着梦想的尾巴,人的一生如流星般划过,人所能做的,只有靠回忆的余温来烘烤寂寞的心灵。老卡尔谨慎地守候着与妻子共同拥有的一切,那所已经成为钉子户的老房子,门前的邮筒,还有妻子的照片,老旧的探险日记……这都是影片中反复讲述的情节。而他获得新生的第一步,就是从离开那个那片和妻子共同用爱浇灌的土地飞上天空的那一刻开始的。
影片的英文原名是《UP》,也就是向上,升起的意思,但老卡尔的每次up,都是以放弃为代价的。危急时刻,他终于把曾经和妻子共同拥有的一切抛到了空中,才让飞屋重新飞升,才救下了自己的新伙伴小罗。最后,他把飞屋留在了曾经魂牵梦萦的仙境瀑布,自己用冒险精神号飞船开了一间冰激凌店,登上冒险精神号,去仙境瀑布探险,这是他从少年时就一直在小心呵护着的梦想,而这一切都在他放弃对逝去的爱无谓的守候之后实现的,而将飞屋留在那个梦想之地,也算是对抱憾的妻子的一份补偿和成全。
其实在我看来,这就是一部关注老年人心态和生存状况的影片,而本片在美国的广受欢迎,也是因为这一立意。我发现美国人对于衰老和疾病这一类的社会话题所表现出的敏感超出我的想象。在今年美国FOX电视台的舞蹈选秀节目《舞林争霸》(《so you think you can dance》)中,编舞为一对选手编的现代舞是表现乳腺癌患者的,没想到到最后点评的时候,评委们所关注的都不是选手发挥的水平了,而都在为这个主题而感慨,直到最后评委选手都泣不成声。去年也有一支舞有同样效果,那就是现代舞女皇Mia Michaels编的献给自己父亲的一支舞,现场也是一片唏嘘。其实这些情绪在中国人看来可能很夸张,但如果你想到有一天如果这些境遇会成为你不得不面对的事实,衰老、疾病、孤独,可能在死亡降临的时候你的所有梦想都未及实现,也许就难免不兔死狐悲了。
我想中国人是不愿意也不习惯于从这样的电影中去体会和思考这样的悲观,只能把《飞屋》当作一个励志电影来看,当然这也挺好,但我觉得这电影是没有仅仅停留在这个层次上的。
其他的就是动画片一些常规的成分了,追逐打闹什么的,也都在水准之内,不会让观众失望,估计人人都会和我一样爱上那个小胖子的。但对于一部动画片来说,主题还是太沉重了,所以《飞屋环游记》在国内的票房肯定没法和《冰川3》相比,小孩子未必会觉得足够有趣。
篇15:颐和园游记观后感
全文共 651 字
+ 加入清单五月中旬,正直晴天艳日,与下午至颐和园。
作为国家四大名园之一,颐和园有着壮丽的艺术风采和恢宏的建筑风格,无论设计布局还是长廊宫殿,都凝聚着古国高超的艺术和劳动者的智慧汗水。
也许颐和园的历史不算久,但它所蕴含的建筑艺术、绘画艺术等具有绝对的价值,同样它承载的历史沧桑与使命是无可比拟的。
颐和建于前清乾隆年间,本为乾坤孝敬母亲而建,占地二百九十公顷,以昆明湖、万寿山为基址,仿杭州西湖而建的一座大型皇家园林,而它的出生注定了是多灾多难的。当落后的农业社会与欧洲工业社会第一次碰撞,结局毋庸置疑,清政府惨败而落荒而逃,侵略者长驱直入北京城。而颐和园咸丰十年为英法联络洗劫破坏,光绪十四年又遭八国联军破坏,与它相邻的圆明园遭到同样的命运。
颐和园的辉煌依稀可见皇家的奢华和歌舞升平,当年的女王慈禧太后在这里办公听政,皇室远离战火,躲避在这里不知明日几何。
颐和园它是国耻的见证、是一把尖刀,试试刺痛国人奋发图强。
站在十九孔桥之上,吹着昆明湖上的凉风,远眺山巅一座座富丽堂皇的阁楼宫殿、乘着小舟泛游在湖上,看着无数的石林,高山、树木长廊,心也会沉醉于美景之中,看着长廊千万福艳丽的绘画,惊恐于这高深的艺术。穿梭于长廊仿佛游走在艺术的殿堂。游走在一座座宫殿惊讶于里面的辉煌大气和无数珍宝。无法想象西方列强看到这艺术的震惊和占为己有的野心,无法掠夺的甚至疯狂的烧毁掉了。
国人之殇、名族之痛,怎敢相忘。
现在颐和园做为国家5A景点区有着巨大价值,当清风明月抚摸着山涧松涛,一湖清水包容着欢喜悲伤,它静如禅师、动必将惊涛骇浪!
篇16:寻梦环游记观后感
全文共 464 字
+ 加入清单金惟妙
今天,我观看了现最热门的动画电影——《寻梦环游记》。它的豆瓣评分已超过了目前最受欢迎的《疯狂动物城》。在观看过程中,我泪流满面。
故事的主人公米格是个酷爱音乐,视音乐为生命的男孩。可他的家族偏偏视音乐为提都不能提的“魔鬼”。他仍我行我素,并崇拜着已逝歌神——德拉库斯。一次偶然,米格竟神不知鬼不觉地进入了梦幻般的亡灵世界。在亡灵世界,米格认识了灵魂艾可托,他们一起揭开了一个惊天动地的秘密。
看了这部电影,我有了让我浮想联翩的感想——当你最爱的人,也将你遗忘时,一切都已化为乌有,都已不重要了。就像亡灵界中,亲人将你遗忘,你就永远消失。世上最残忍的情感,不是欺骗,不是离别,而是遗忘!没人再会记起你这个“陈旧”的人物,生活,还有什么意义呢?请记住,千万不要把你的亲人遗忘,他曾深受过你,你也深爱过他,不要让这种爱因为时间的流逝,褪去痕迹。
时间,像把杀猪刀,很残忍。任何事物在它无情的折磨下,终会屈服。可是爱,不会。我要永远记住我的亲人,他们值得我这样去爱,去记。我永远不会忘记亲人们的模样,亲人们的笑容……
爱,留在记忆深处……
篇17:刮痧英文观后感
全文共 1911 字
+ 加入清单Gua Sha is a movie about the differences between American and Chinese culture. Xu datong is a video games designer in St. Louis. When his father visits from China, he performs Gua Sha (a Chinese traditional treatment) on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. In the court, Datong loses his mind so that finally he loses custody of his son. I think this scene is shocking and thought-provoking to most of the Chinese audiences. But the most impressing scene to me is the ending. Datong wants to see his son in Christmas eve, he has to climb a pipe to the ninth floor which his son lives. I think the pipe is not only a pipe, but also a gap, a deep gap between American and 5000-year Chinese culture. He wants to climb over the gap and he will never succeed, perhaps no Chinese people really could succeed.
It’s about assimilation into American culture, and not assimilation in an “International” city, like SF or NY or LA or Chicago, but St. Louis, MO (actually shot there). Really great acting, interesting story.
Gua Sha is a treatment in traditional oriental medicine in which a wooden board repeatedly slides across the patient’s acupuncture acupressure massage points. It works in similar principles like that of acupuncture acupressure massage. This method would inevitably leave bruise on the skin, and the story begins here, when the visiting grandpa who does not speak any English used this traditional practice to treat the grandson when both son and daughter-in-law were at work.
Sadly, in US, this is a story that repeats itself many times in the area where many oriental immigrants lives and all of these are due to simple misunderstanding between cultures.Gua Sha: Step-by-Step, by Arya Nielsen.If an acupuncturist is trained in Classical Chinese medicine, they will do this technique in their practice for pain, and for acute or chronic illness.
篇18:寻梦环游记观后感450字
全文共 486 字
+ 加入清单星期五晚上,老妈陪我一起去看迪斯尼最新的动画电影《寻梦环游记》,刚开始我看这个电影没什么排期。被《正义联盟》盖住了,我还隐约有点担心,怕这个电影是不是不行。
当我走进影厅,我完全被这部电影里面的场景,人物,故事等等完全迷住了,我为这又一个迪斯尼的超佳有爱电影深深的震撼。我最喜欢的是里面亡灵的设置,就像是另一个我们的世界一样,也有生死,也有亲人,宠物,生活。这次迪斯尼还干了一件很突破性的事,就是色彩方面,运用的非常娴熟。里面的那些花也非常好,就给人一种很暖的感觉。还有每一个人,骷髅的设置也恰到好处。这次又是很给力的音乐电影,里面的歌有兴趣的也可以去听一下。
接下来说一下我自己看的时候一些小事情,当我看到米格和“歌神”一起站在那个空旷,无人的大厅里时,我就感觉事情不对,莫名涌上来一种惶恐的感觉,可能要出事。还有那只大豹子,到了现实世界,竟然只是一只小黑猫。
感觉非常好看,建议大家一定去看,哦,对了, 我还发现一个事,前段时间一直说没电影看,这段不知怎么的突然飚了一下。先是《羞羞的铁拳》、《雷神3》、《正义联盟》、《寻梦环游记》,接下来好像又是《帕丁顿熊2》,好开心啊!
篇19:格列佛游记英文读后感
全文共 4674 字
+ 加入清单one of the most interesting questions about gullivers travels is whether the houyhnhnms represent an ideal of rationality or whether on the other hand they are the butt of swifts satire. in other words, in book iv, is swift poking fun at the talking horses or does he intend for us to take them seriously as the proper way to act? if we look closely at the way that the houyhnhnms act, we can see that in fact swift does not take them seriously: he uses them to show the dangers of pride.
first we have to see that swift does not even take gullver seriously. for instance, his name sounds much like gullible, which suggests that he will believe anything. also, when he first sees the yahoos and they throw excrement on him, he responds by doing the same in return until they run away. he says, "i must needs discover some more rational being," even though as a human he is already the most rational being there is. this is why swift refers to erasmus darwins discovery of the origin of the species and the voyage of the beagle-to show how gulliver knows that people are at the top of the food chain. but if lemule gulliver is satirized, so are the houyhnhnms, whose voices sound like the call of castrati. they walk on two legs instead of four, and seem to be much like people. as gulliver says, "it was with the utmost astonishment that i witnessed these creatures playing the flute and dancing a vienese waltz. to my mind, they seemed like the greatest humans ever seen in court, even more dextrous than the lord edmund burke" . as this quote demonstrates, gulliver is terribly impressed, but his admiration for the houyhnhnms is short-lived because they are so prideful. for instance, the leader of the houyhnhnms claims that he has read all the works of charles dickens, and that he can singlehandedly recite the names of all the kings and queens of england up to george ii. swift subtly shows that this houyhnhnms pride is misplaced when, in the middle of the intellectual competition, he forgets the name of queen elizabeths husband.
swifts satire of the houyhnhnms comes out in other ways as well. one of the most memorable scenes is when the dapple grey mare attempts to woo the horse that guenivre has brought with him to the island. first she acts flirtatiously, parading around the bewildered horse. but when this does not have the desired effect, she gets another idea: "as i watched in amazement from my perch in the top of a tree, the sorrel nag dashed off and returned with a yahoo on her back who was yet more monstrous than mr. pope being fitted by a clothier. she dropped this creature before my nag as if offering up a sacrifice. my horse sniffed the creature and turned away." it might seem that we should take this scene seriously as a failed attempt at courtship, and that consequently we should see the grey mare as an unrequited lover. but it makes more sense if we see that swift is being satiric here: it is the female houyhnhnm who makes the move, which would not have happened in eighteenth-century england. the houyhnhm is being prideful, and it is that pride that makes him unable to impress gullivers horse. gulliver imagines the horse saying, sblood, the notion of creating the bare backed beast with an animal who had held mr. pope on her back makes me queezy .
a final indication that the houyhnmns are not meant to be taken seriously occurs when the leader of the houynhms visits lilliput, where he visits the french royal society. he goes into a room in which a scientist is trying to turn wine into water (itself a prideful act that refers to the marriage at gallilee). the scientist has been working hard at the experiment for many years without success, when the houyhnmn arrives and immediately knows that to do: "the creature no sooner stepped through the doorway than he struck upon a plan. slurping up all the wine in sight, he quickly made water in a bucket that sat near the door" .
he has accomplished the scientists goal, but the scientist is not happy, for his livelihood has now been destroyed. swifts clear implication is that even though the houyhnhmns are smart, they do not know how to use that knowledge for the benefit of society, only for their own prideful agrandizement.
throughout gullivers travels, the houyhnhms are shown to be an ideal gone wrong. though their intent might have been good, they dont know how to do what they want to do because they are filled with pride. they mislead gulliver and they even mislead themselves. the satire on them is particularly well explained by the new born houyhnhm who, having just been born, exclaims, "with this sort of entrance, what must i expect from the rest of my life!" .
篇20:2024年飞屋环游记观后感
全文共 529 字
+ 加入清单今天我上网时看到一则图片。上面有一座房子和许多五颜六色的气球,千千万万个气球载着一栋房子飞在一望无际的天空中。这种美景激起了我浓厚的好奇心,我迫不及待的观看了这部电影。
这部影片讲述了一个女孩和男孩有着共同的爱好——探险。
后来女孩去世了,男孩很伤心,但看到女孩挂在墙上的瀑布画时他决定前往那个神秘的大峡谷,帮女孩完成还未完成的心愿。于是,男孩就做了许多的气球,带着一个小男孩杨素踏上了一条坎坷不平的探险之旅,一路上他们认识了一条会说话的狗和一只美丽的沙锥鸟。他们齐心协力打败了奸诈的老探险家詹姆斯,沙锥鸟也和她的孩子团聚了。
最终大男孩明白了什么是和亲情,小男孩也明白什么是友情。看到这,我联想到平时我总是遇到一些小挫折就逃避,从来不敢真正面对,也不愿意去解决问题,只是一味的去依靠别人。但他们的行动告诉了我什么是永恒,什么是坚持。也许他做这一切会失败,但至少他尝试过,他不放弃。
从电视上我也了解到有人曾冒着生命危险绑上气球飞上天空,但行程却与他开始预想的不一样,他本该落在水里,但他却飞向了房子密集的居民区,还差点挂在高压电线杆上,但他还是平安地落在房顶上。事实证明他成功了,虽然只有几个气球,但背后却历经了多少艰苦与磨难啊!只有这样反复尝试,才可能创造奇迹!