假如我是一匹骏马精选20篇

——我的好朋友之四英勇、聪明、活泼、开朗，你具备这几点吗?在我们班上，我的好朋友——黄浩然，就是样样俱全。

他眼睛大大的，嘴巴弯弯的，笑起来立刻露出了脸蛋上两颗圆圆的小酒窝。

他和同学与众不同的是：做作业快，非常认真、仔细。他的口头禅是：“牙齿丝丝。”怪怪的一句话，我们大家都弄不懂，但是常常又把同学们逗得哈哈大笑。

他还有一个非常突出的优点：跑步快如风，如同一匹奔驰的骏马。

你喜欢他吗?他可是我的好朋友。2003年11月17日星期：六 天气：晴

Usually, we have contact with many world-famous novels, telling the essence of life. The stories of characters’ life move us give us a lot of enlightenment. However, Anna Sewell’s Black Beauty is a different one, as its main character is a black, handsome horse called Black Beauty. Sewell has spent 6 years on this book, while she was seriously sick. Unfortunately, she died soon after her only book in her whole life was published. As Sewell was crippled and unable to walk since a young age, she by nature had sympathy on the poor animals. Therefore, Black Beauty it is not a fairy tale, but a book which seriously talks the issue of the abuse of animals. And this story is narrated in the first person as an autobiographical memoir by Black Beauty himself. In this way, it becomes easier for readers to understand the whole story better and more clearly. When I begin to read this book, I am absorbed in this book immediately, as if I were the horse, experiencing his life with difficulties and set-backs.

Black Beauty, who has changed his name for several times during different periods of lifetime, is a handsome horse with a life full of both happiness and suffering. He has been well trained, so he always tried to behave well. However, then he was sold from one owner to another, he began to realize how tragic his fate is. His life story has moved all the readers deeply. The author started this story by Black Beauty describing his memory about his happy childhood, when he was accompanied by his mother and taught to be a good horse. At the age of 2, Black Beauty witnessed an accident of hunting for a hare, which caused the rider falling from the horse, dead. Later that wounded horse was killed. And at the age of 4, Black Beauty was old enough to begin the use of saddle, bridle, carriage harness and shoes. Then he was sent to Birtwick Park and named of Black Beauty by Mrs. Gordon. Birtwick Park became his first pleasant home for three years, where he grew strong and met many friends with different characteristics and experiences. One of his friends was Ginger, who was ill-tempered because of a hard life with previous owners. And as a result, Ginger often got wild and bit others. Sir Oliver got a shortened tail because his previous owner thought it was fashionable. Also, there was a groom, little Joe Green. At first, he was too young to know how to properly how to take care of the hot and tired Black Beauty after an emergency, making Black Beauty seriously sick. Grieved, Joe began to do his best to learn hors care. However, soon, the Gorgons had to move because of Mrs. Gordon’s health, so they sold Black Beauty and Ginger to Earlshall Park.

In Earlshall Park, the use of bearing rein made Ginger and Black Beauty painful, so finally ill-tempered Ginger rebelled. Then she was used as a hunter, but Black Beauty was much praised because once he saved Lady Anne. However, his unfortunate life has not changed since then. Our poor Black Beauty got his knees ruined because Mr. Rubber Smith, who was drunk, took Black Beauty on a dangerous ride and at last killed himself after falling down. As a result, Black Beauty was sold as a job horse. Although, he was arranged by a smart customer to be sold to a gentleman afterwards, he still had a hard life, because the groom stole the oats in his food. Tired of the trouble of keeping a horse, the gentleman sold Black Beauty again,

This time, Black Beauty was lucky to have a kind-hearted new owner; a cab driver in London called Jerry. What’s more, Jerry’s families were all kind-hearted, which made Black Beauty happy to bear the hard work of pulling a cab every day. By chance, he met Ginger. She was mistreated as a cab horse; in such a great pain that she was longing for death. And soon, it came true. At the same time, Jerry became weaker and weaker, and finally he was ill in bed after waiting for two customers on a bitter cold night. After his recovery, Jerry was told not to work as s cab driver any more, so Black Beauty was sold again.

Black Beauty’s new owner, a corn dealer, was kind to him, but the dealer’s foreman, Jakes, often overworked the horse and used the bearing rein. Once advertised by a kind lady, Jakes was easier on Black Beauty. However, the dark stables nearly made Black Beauty blind. After sold to work as a cab horse again, Beauty was too old and too weak. Once he was exhausted because of the heavy load. Saved from being put down by a doctor, Beauty found a new owner, a farmer. With full effort, he rejuvenated Beauty and sold him to Miss Ellen and Miss Blomefield. To Beauty’s surprise, he met Joe Green there. Form then on, Black Beauty began a happy life at his last home.

After reading this book, one may admire Black Beauty’s strong will, persistence, and loyalty, or feel sympathetic on him and feel happy for him to get a happy ending. However, it needs our deeper thinking, a much deeper thinking. In fact, Sewell doesn’t only focus on showing Black Beauty’s great characteristics. By telling Black Beauty’s whole life story, she aimed at revealing the hard life of animals at that time and altering us the crime of those who abuse animals.

From Beauty’s suffering during his whole life time, we can see the tragic life of animals at that time. Some people ran after the so-called fashion blindly. In order to satisfy their own vanity，they ignored animals’ great pain. For example, Sir Oliver’s shortened tail. What the so-called fashion gave animals is great pain rather than a beautiful appearance. Some people knew nothing about how to keep animals, and were always making them work all day long. They abused the animals to make as much money as possible until they died. Therefore, on the day when the animals died, their holiday was on the way. For example, the poor Ginger that died for overwork. Though some people kept animals well, their main purpose was to have fun and to show off. They were more abominable. For example, in order to hunt for a hare, the rider killed himself at last and caused the wounded horse’s death. As Beauty said, it wasn’t worthwhile, wasn’t it? Those people who abuse d animals showed no sympathy or love on the poor animals at all. When they needed animals, they kept animals; when they didn’t need animals, they killed animals ruthlessly. To them, all animals were toys, from which they could make fun, or tools, from which they could make money. And the fate of animals at that time, like horses, was being sold from one owner to another, experiencing different kinds of suffering in the whole life. From the standpoint of animals, it must be terrible to be sold again and again.

Let’s see what the result is. Sir Oliver got great annoyance and discomfort because of its shortened tail. Ginger was ill-tempered and bit others often. What’s more, numerous animals died because of over work. What a tragedy！

In fact, the abuse of animals not only happened in the past, but also today, maybe right at this moment, a civilized age. Years ago, I got to know that a few girls cut down a cat’s feet, and then threw it on the street, leaving it bleeding to death. And the year before, it was reported that a student from QingHua University, gave black bears sulfate to drink, which gave black bears a great pain. As to the facts that some old or sick animals are abandoned, it has been very common. Although some organizations aiming at protecting animals have been set up, the abuse of animals can not be prevented. Maybe nowadays the abuse of animals was caused by life pressure, but life pressure can not be an excuse to abuse animals. Those people who live under life pressure should find other ways to solve the problem, but not avoid it by hurting animals.

However, if one can treat animals kindly, the result will be different. Kind people who love animals, such as Mrs. Gordon, Joe, Jerry, get animals’ love and respect in return. As they were friendly to horses, horses are friendly to them and would like to do as much work as they can for them, even sacrifice themselves when their owners were in danger.

I am sure, animals and human can become good friends. No animals will do harm to human, if human have not frightened them first. If you would like to try to have a close and friendly touch with animals, whether tigers or dogs, you will find that they are lovely. Its true that we are much cleverer than animals, but our intelligence should not act as the tool to dominant animals. In fact, we human and animals have the same feeling, because we are all created by one nature, and share one nature together. Therefore, human have no right to abuse them, or kill them. On the contrary, we should protect them, which is our real sacred and glorious obligation.

Do not put the “bearing rein” on the animals. It is cruel.

Do not always focus on our own happiness. It is selfish.

Try to open our eyes to animals that are suffering a hard life.

Try to understand The Black Beauty, and the author.

Try to give a hand in ending the abuse of animals.

At last, I want to conclude by a sentence from this book,“there is no religion without love, and people may talk as much as they like about their religion, but if it dose not teach them to be good and kind to other animals as well as humans, it is all a shame”

我家有一幅画，名叫《骏马奔腾》，是妈妈买回来的，因为她希望我像匹骏马一样，永远向前飞奔。 这幅画的背景是巍峨的山，被烟云笼罩着，若隐若现。还有一棵挺拔的松树，屹立在山边。下面是六匹骏马在奔驰着，像一阵风一样飞驰而过，给人第一的感觉就是飞翔。 奔在前头的是一匹周身雪白的马，没有一点儿瑕疵。它飞奔着把别的马都甩在了后面。它浑身雪白，仰天长嘶，白色的毛高高竖起，全身健美有力。它腾空跃起，连柔软而又雪白的马尾也飞跃了起来。我想，这匹马一定连《三国演义》里关羽的坐骑赤兔马也比不上它了。看着看着，我仿佛就坐在马上，奔驰在一望无际的碧绿草原里。我越看越着迷，似乎听见了震耳欲聋的马蹄声，仿佛看见了它们升身后卷起的尘土，仿佛看见了它们激烈的比赛场面。它们正自由自在的飞驰在宽广的原野上。我看着看着好像这个世界只有我和骏马了，我和它一起飞奔在这里，奔向一个自由光明无忧无虑的国度。 这匹骏马后面是一匹黑色的骏马，紧跟着黑马的是一匹棕色的马等。它们也不甘示弱，也飞奔着想超越远远在第一的白马，可是怎么也追不上。 它们就像在比赛似的，不愿意自己落后别的马。 这就是我家的一幅画《骏马奔腾》。

我有两匹枣红色的、用石头雕刻成的骏马。大马长十六厘米，高十二厘米;小马长十二厘米，高十厘米。

大马耳朵竖起来，似乎在听同伴们的声音;眼睛圆睁，注视前方，像在找同伴们;嘴巴张开，仿佛正在发出阵阵嘶鸣。它的脖子上细下粗，鬃毛迎风飘起，宛如女生的辫子。它身上的肌肉滚圆饱满，显示出它是一匹很有力气的马。它的前蹄高高抬起，后腿用力向后蹬，似乎在奋力的奔驰，连它的尾巴都飘了起来。

小马和大马很相似，不同的是它的前蹄伸直了，似乎跑不动了。它们的蹄下是一片草地。

有趣的是，从不同的角度看，骏马就有不同的姿势。从正面看，像是大马带领千军万马在草地上奔驰;从侧面看，好像大马和小马在比赛。从后面看，似乎是两匹马儿在玩耍。

别小看这两匹马，它们的用处可大了!它们能当笔架，还能当装饰品呢!

我喜欢我的两匹马儿。

一匹云游四方的骏马在旅途中有些疲惫，准备找个不错的驿站休息休息。忽然，它看到一头驴子靠在磨盘边上悠闲地嚼着草料，便凑上前去搭讪：“驴老弟，闲着哪!”驴子高高地昂起头，几乎是用鼻孔看着骏马：“哦，是马兄呀!对呀，刚刚忙活完，歇息一下。”

骏马觉得驴子看自己的姿势甚是奇怪，就问：“驴老弟，你为何不睁开眼睛看我，而是费劲地用鼻孔看我呢?”驴子不满地打了个响鼻说：“你见过谁的鼻孔会看人?”骏马更是不解：“那你刚才的行为如何解释呢?”

驴子解释道：“最开始，我家主人怕我拉磨的时候东张西望，不好好干活，就在我眼前绑了一个帽檐似的东西，让我只能看到脚下半米以内的地方。这么一来，我要想看什么东西就必须高高地抬起头，否则看不到的!”

骏马同情地说：“哎呀，真是难为你了。只能日复一日地看着脚下的泥土，错过了大好风景，真是驴生之不幸呀!”驴子不以为然地边嚼边说：“这有什么不幸的?我并没有看到风景，所以我心中也就没有风景。它对我来说是不存在的东西，我没有得到，又有什么可遗憾的?”

我家有一匹木质工艺骏马，它在我家沉睡了数余年。

等到我把它擦得干干净净时，才不觉惊叹：“啊！~这匹骏马真美丽啊！不知是出自哪位雕刻家的鬼斧神工。我便不由自主的欣赏了起来：它是用栗木头雕刻而成的。棕黑色的皮肤与那棕色的鬃发真是美妙绝伦！这匹骏马有一双温和而安详的双眼正看着前方，皮革制作的耳朵警惕地竖起来。健美而充满肌肉的大腿，结实而粗壮的身体，奔腾的四蹄，这充分说明了这匹骏马的健康，强壮的体魄，骁勇的气概。

骏马身上有一套齐全的皮革马鞍，但我可以从它的身上发觉：它渴望自由，不愿被人们驾驭；不愿做人们的奴隶。它向往着自由自在、无拘无束的幸福生活。

这匹骏马向往着自由的生活，它向人们发出了声明：我不愿做人们的奴隶！我渴望自由！

看到这里，我不由自主地敬佩这匹骏马心灵的纯洁。

要问我最喜欢什么，什么最漂亮美丽，我一定会不假思索地回答道：“那当然是马了!”我也不清楚是什么时候喜欢上马的，但我现在觉得无论什么都比不上我喜爱的骏马。

我第一回见到骏马是在呼伦贝尔大草原上，那里有租马匹的，我缠着父母想租匹马儿来骑一骑，父母最终拗不过我，只好答应了我。

我们随着牧民去挑选马匹，我一眼看中了一匹白色的大马，那马儿低着头正吃着草，它浑身雪白，没有一丝杂色，脖子上的马鬃又长又软，轻轻摸一把，舒服极了。它的尾巴时不时向上甩一甩。白马十分健壮，肌肉暴起，四条腿十分健壮，好一个马中赵云啊!

选中了它，我上镫跨上去，双手紧紧抓住木木地给我的缰绳，爸爸选了一匹嘿嘿胖胖的马，而妈妈那匹马额上有一块黑色斑记，付过钱后，我们出发了。

我选中的白马一被放开就撒开四蹄，奔驰起来，另外两匹也闻风而动，这时差距就出来了。我那批马儿跑的极快，把另两匹远远的甩在后面。它的颈毛随风飘起，真漂亮，我想我当时绝不亚于那些骑手。我怕迷路了，于是停下来等等爸爸妈妈，过了好半天，他们才慢慢赶上来。我看看我的大白马，气都不喘，抬头挺胸，威风凛凛!这匹白马不愧为马中豪杰。

晚上，我独自骑着马儿去散步，我一边吃着羊肉串，马一般踱布，一边欣赏大草原的月色，人和马在一起，还有星空，草原上汇成了一幅人马图，太漂亮了。我还在欣赏着白马，它那身躯，动作——奔放起来若大江东去，漫步时如小桥流水，彬彬有礼像个举止文雅的绅士。我的心里还是那些词：漂亮，美丽。

几天过去了，我们还在草原上奔驰，在那辽阔的草原上，留下了我与白马一行行的足迹，笑声，马蹄声。白马给我带来了无限乐趣，我和它在一起也留下了一段快乐的，令人难忘的时光，骏马美丽的身躯，迅捷的身段让我难以忘怀。

回到居住的蒙古包，我挤在爸爸妈妈怀里看照片，多半是我和马儿那迅捷，一闪而过，或静立不动的身影。

欢乐的蒙古度假结束了，我难以忘怀那些草原、骏马、美丽的身影。

回到武汉后，我的心依旧在呼伦贝尔。

回到学校上的第一课《草原》又唤醒了我对蒙古骏马的深刻回忆，还有在《现代少年报》上的汗血宝马的文章更是勾引起了我对那儿的回忆和想往，我是多么希望时光能够倒流，重回与马共驰的时光呀!

我永远喜欢那美丽的骏马!!!

今天，我观察了一匹枣红色的马，这匹马高大英俊，黑黑的眼睛像镶着两颗黑宝石，闪亮闪亮的。有两个小鼻孔，小小的嘴巴，长长的鬃毛齐整而稠密，一条强有力的尾巴摆动着。

这匹马在奔跑的时候，不断前耸着腰身，昂着头，翘着长尾，先用前面两条腿顶住，再用后面两条腿使劲蹬，跑得飞快，发出“咚咚咚”的声音。

马不会说话，只会叫。马叫的声音比较大，力气也很大。有时候，它能把人从马背上摔下来，很凶猛;有时侯，它很听别人的话，很温顺…….

我很羡慕这种奔跑的马，它不畏艰险，永不停蹄，我们要学习它这种精神。

马年已经过去了，可我依然保存着一张精致、美丽的骏马图。这张年画是妈妈专门送给我的。它一直端端正正地挂在家里的书桌前，多年来不曾换过，相信它所给予我的将使我受用不尽。

这是一幅中国年画，画的背景是巍峨挺拔的高山，群山被淡淡的烟云笼罩着，若隐若现，令人格外向往。山坡下横插过来是一棵苍劲的松树，松树下是一对飞奔的骏马。

奔走在前头的是一匹枣红色的马。它浑身火红，仰天长嘶，棕红色的鬃毛高高飘起，全身的肌肉结实得像拳击场上的运动员，一块一块得凸出来，显得十分健美有力。它腾空而起，动作协调，连柔软漂亮的尾巴毛也甩得很起劲。

紧挨着枣红马旁边，是一匹白马，从头到尾一片洁白，连一根杂毛都没有，像一团云轻轻飘来，显得那么洒脱矫健。

妈妈告诉我，她希望我像图上的马一样胸怀大志、奔腾不息、勇往直前、焕发龙马精神，为了理想的目标，高歌猛进，永创辉煌。

明白了妈妈的意思后，我久久地凝视着它，感动至深，一种无形的巨大力量鼓舞着我。

现在，这张精美的骏马图真正地成为我的良师益友。每当我在学习中遇到困难的时候、意志消沉的时候、准备退却的时候，只要一看到这两匹飞奔的骏马，心中就为之一振，浑身便来了劲!

我一定刻苦学习，练好本领，永不畏缩，努力向前，勇敢得面对人生，让妈妈的殷切期望变成现实。

一匹骏马将要作一次长途旅行，准备驰骋万里，登上昆仑的顶峰。骏马想，需要换一副漂亮的马掌，脚上的旧掌踏出的声音实在难听。于是他用黄金打了一副新马掌，又大又厚，每一个有一斤多重。为了使脚步踏出动听的乐曲，边缘上都缀上了一串小巧的银铃。

骏马换上金掌，但回头一看，破旧的鞍鞯上打着一块块补钉。心想：身上的鞍鞯老远就能看见，脚下换了，背上也要更新才行。于是用上等锦绣制成新的鞍鞯，用金丝串上珍珠盘成舞凤飞龙。用雕花的白玉制成高大的鞍桥，上面刻着四个大字：马到成功。

骏马披上锦绣的鞍鞯，他又想，这样大的举动，岂能仓猝起程？于是他挂一副银光闪闪的马蹬，又把犀牛皮制成的马甲披在前胸。

他前思后想，仿佛还缺点什么，就用丝线拧成一条五彩的缰绳。他左顾右盼，似乎还不够神气，又在脑门挂上一个斗大的红缨。

这一天，草原上召开了欢送会，三声炮响，骏马立刻踏上征程。可是他没有走多远就气喘吁吁，身上的东西压得他再也走不动。无数骏马呼啸着在他身边跑过，像骤雨，像海潮，像猛烈的暴风。何必这样匆忙？还要好好准备！他一边想一边返回舒适的马棚。

千万不要被名缰利索绊住双脚，我们面前还有很长很长的路程。

Black BeautyThe Autobiography of a Horse by Anna SewellSummaryBlack Beauty was the only book written by Anna Sewell, although its continued popularity among children, particularly girls, has justified that effort. Sewell was, remarkably, paid only twenty pounds for the book and it was published three months before her death, in 1877. However, its immediate success gave her great pleasure and she died in the knowledge that the book had indeed encouraged people to treat animals less cruelly.It is the autobiography of a horse, the black Beauty of the title, who narrates it. Through various owners who ask different tasks of Black Beauty, he grows and has numerous adventures. He goes from being a riding and carriage horse through being a mistreated town cab horse to eventual happiness in a secure home. Notably, the animal keeps strength and good temper throughout his suffering and the story was extremely influential as pro-animal propaganda but it is also an extremely exciting and moving childrens story.

辽阔的原野，一望无垠，放眼望去，却只有远方那一抹殷红的夕阳。伸手挽留这缕微弱的光火，可它还是从指尖悄然流逝着。最终，挽留下的唯有一片落寞，一片连那点点微光都不愿逗留的落寞。

大地又一次为死寂所笼罩着，大概这才是这个时代的主流吧。蜷缩着，默默接受着……

“嗒，嗒，嗒，嗒……”，是谁在这块死寂的大地上演奏出如此雄浑的鼓点，是谁在这块死寂的大地上发出如此悲怆苍劲的嘶鸣，更是谁公然扭曲着这份大地的死寂，迎着时代的逆流大步流星地奔走疾驰。

满心的好奇促使着自己循着那滚滚烟尘的方向极目远眺，看到的却只是一匹又一匹的骏马在奔腾着，奔向那日出的东方。

在那一片繁华盛世中，当众人热衷于功名利禄的时候，有一人却在那高岗之上怒吼道“功名富贵若长在，汉水亦应西北流”。难道是他在抗拒着时代，是他在逆流而上，只为奔向那曙光的照耀下吗?当众人都幻想着高官厚禄时，可是你为何不愿随波逐流，凭借你的才华横溢，难道你还愁无法谋得一官半职吗?可是你却只是举樽对月，独自忧愁。难道你并非无心入仕?原来是官场的阿谀奉承使你心生厌恶，最终将自己终日沉醉在了杜康当中，并发出了“安能摧眉折腰事权贵，使我不得开心颜”的慷慨壮语。

是谁在那片落英缤纷的桃花仙境中沉吟“如何舍此去，遥遥至西荆”?面对着即将的功成名就，为何你要毅然选择放弃，难道就只因为你所侍奉之人有了篡位夺权之心?即使如此，在这个功利的社会里你又为何要迎着时代的逆流，毅然选择了归隐山林呢?幼年的你曾许下“猛志逸四海，骞翮思远翥”大志，倘若就此放弃，一切不是都沦为水中月、镜中花了吗?原来是朝中的明争暗斗，官场的逢场作戏使你感到厌倦，并视之为樊笼。最终性本爱丘山的你摒弃了仕途生涯，退隐南山下，过着你曾日夜期盼的“晨兴理荒秽，带月荷锄归”的耕夫生活。

身为亡国之臣、阶下之俘的你，本该至微至陋，为何还能如此的坚贞不屈?不可一世的元世祖都曾屈尊来劝降你，为何你还是发出了“人生自古谁无死，留取丹心照汗青”的豪言壮志?这个腐败无能的朝廷难道值得你如此的付出吗?当你以死劝谏时，朝臣们不都还是终日沉迷于酒池肉林当中。为了偏安一隅的王朝，你迎着时代的逆流渴望以自己的一腔热血洗雪往日王朝的耻辱。纵使你有满腔的抱负，可是你又怎能挽救这个满目疮痍的天下?可为何当这些时代的蛀虫们苦苦求饶时，你却还要在断头台上发出“臣心一片磁针石，不指南方不肯休”的愤慨?

……

是你们，是你们在这片大地上卷起滚滚烟尘，你们化为奔腾的的骏马在这天似穹庐、笼盖四野的原野中，迎着时代的逆流径直奔向那阳光照耀之处。难道我们就注定要蜷缩在这个死寂般的国度等待腐朽吗?我们也向往那璀璨下的升华啊!

让我们摆脱这个世俗的禁锢吧!让我们抬起铁蹄粉碎这束缚我们的枷锁吧!让我们像骏马一样一同奔向那曙光下的璀璨吧!

语文书上有一匹骏马图，我们班的同学称它为“飞马”图。

这匹骏马昂首扬尾，体态轻盈，神形兼备，无论从正面.侧面哪个角度去看，都极为生动健美;它用锐利的眼神注视着眼前，似乎有什么美食在吸引它;它的耳朵尖尖的，像是被什么东西削过一样，让我想到伟大诗人杜甫的赞美“竹批双耳峻，风入四蹄轻”。虽然它的身体很瘦，有棱角，但这表明它一定跑得很快;它一脚着地，另外三只脚腾空。我看得很着迷，仿佛听到了它雄浑的马蹄声，看到了它身后卷起了阵阵尘土，仿佛看见它自由自在地奔驰在宽阔的原野上。

这匹马呈棕色;它全身的肌肉结实得像拳击场上的运动员;如果奥运会上马术比赛，只要主人和这匹马齐心协力，准能拿冠军。

这匹马颇有象征意义：吿诉我们在困难面前要像马一样只能勇往直前，决不退缩;我们要学习它临危不惧.勇往直前的精神!

我多么希望我拥有一匹这样的枣红马呀，骑上它，在我的人生道路上驰骋!

动物界中，有调皮的小狗，有娇气的小猫，还有温和的兔子。而我一个开朗的女生，却喜欢这个不安分的马。

马是一种食草动物，它晚上睡觉时，要在马棚里的最中间的位置站着，只需闭上双眼就行，因为马是善跑动物，干什么事都随时准备奔跑，马不是只有晚上才睡觉，算起来马一天就睡了7、8次，在天亮的前2个小时睡的最香。

马站着的时候，非常文静。头高高地扬起、四蹄放到地面。两只耳朵警惕地竖起来，好像随时都会有人伤害它。由此让我想到一首杜甫的诗：

胡马大宛名，锋棱瘦骨成。

竹批双耳峻，风入四蹄轻。

有一匹烈马，曾多次上过战场立过功，这匹马奔跑时又轻又快，快打仗时，为了练跑，这匹马就绕着军营跑。它的样子美极了。头微微抬起，眼神十分认真，脖子上的毛左右摇晃。蹄子踏着地面，发出了“哒哒”的声音。尾巴像小狗一样把它摆来摆去。嘶鸣声震耳欲聋，响彻云霄。引得人们都跑来看。马，爱撒娇。只要你对它好，它就用头顶你，马，也很强，上次旅游时，一个游客就被马摔下来。现如今，牧人将马喂养好，可供游客体验。许多英雄的马，都十分忠诚，当主人牺牲，他们就更随主人。

我爱这不安分的生灵——马，爱它的倔强，爱它的顽皮，爱他的忠诚。

“Animals deserve our kindness, sympathy and understanding,” that is what Anna Sewell－the author of Black Beauty－wanted to convince her readers. Thanks to Sewell, I now think about the animal－human relationship from both the human and the animal’s point of view.

The inspiration for Anna Sewell’s novel was drawn from her own relationship with horses. Anna Sewell was born on March 20th, 1820 in Norfolk, England and was crippled while still very young. Due to her disability, she relied on horse-drawn carriages and grew to love horses as a result. She also became appalled by the careless and cruel treatment horses often received from humans and determined to write a book.. In the second year of work on the book, she was told that she had only eighteen months to live, but she persevered in order “to induce kindness, sympathy and an understanding [of the ] treatment of horses.” Five years later, she was still working on Black Beauty, her only book. Unfortunately, Sewell died a few months after publication and never learned of the book’s huge success. Black Beauty formed an impassioned plea for animal rights at a time when such a notion had been dismissed as ridiculous.

The novel portrayed the real condition of working horses living in Britain during the Victorian Era. In that time period, the wealthy thought that their horses were treated well because they never stepped into the stable. In order to call people’s attention to horses’ hard life, Sewell tells the story through the first-person narrative voice of a horse. This innovative personification of an animal made the book a real success. Readers heard the stories straight from the horse’s mouth, literally, as an animal spoke of extremes of joy and suffering. People were shocked by the truth exposed by the novel and changed their attitudes towards animals.

Sewell formed the novel with three kinds of characters: Black Beauty, Ginger and other farm animals. Through their different experiences, I saw similarly painful lives led by the animals. This method made the earnest appeal for animal rights become more and more persuasive.

As a domestic animal, Black Beauty was continuously sold from one family to another. Over the years Beauty enjoyed good masters but also endured mean ones. Sometimes, he was cared for and at other times tortured. In the end, everything turns out all right in a story that is so tender and yet meaningful. His story was so vivid that caught the readers’ heart. The novel brought people laughter and tears and also enlightened them to understand animals at the same time.

Animals cannot speak so understanding is significant to them. Once, for example, Beauty was drawing the carriage to a wooden bridge. The bridge was flooded out in the river and John, the groom, was not aware that it was cracked. But the quickly realized that something was wrong because of Beauty’s abnormal behavior. Momentarily, a man shouted to them, “Stop! Stop!…The bridge is broken in the middle. If you come across, you’ll fall in the river!” Beauty had saved John. However, if John had not tried to understand what Beauty wanted to tell him, there would definitely have been an accident. I learnt from the story that understanding animals is not only essential to them but is also beneficial to us ourselves.

语文书上有一匹骏马图，我们班的同学称它为“飞马”。

这匹骏马昂首扬尾，体态轻盈，神形兼备，无论从正面.侧面哪个角度去看，都极为生动健美;它用锐利的眼神注视着眼前，似乎有什么美食在吸引它;它的耳朵尖尖的，像是被什么东西削过一样，让我想到伟大诗人杜甫的赞美“竹批双耳峻，风入四蹄轻”。虽然它的身体很瘦，有棱角，但这表明它一定跑得很快;它一脚着地，另外三只脚腾空。我看得很着迷，仿佛听到了它雄浑的马蹄声，看到了它身后卷起了阵阵尘土，仿佛看见它自由自在地奔驰在宽阔的原野上。

这匹马呈棕色;它全身的肌肉结实得像拳击场上的运动员;如果奥运会上马术比赛，只要主人和这匹马齐心协力，准能拿冠军。

这匹马颇有象征意义：吿诉我们在困难面前要像马一样只能勇往直前，决不退缩;我们要学习它临危不惧.勇往直前的精神!

我多么希望我拥有一匹这样的枣红马呀!

我骑过奔腾的骏马，它像是一位活泼健壮的小男孩，快乐地在大草原上奔跑着……马并不像牛那么老实，也不像老虎那样凶猛，马最大的特点是——机灵活跃，喜欢跑步。

今天，我第一次看见徐悲鸿笔下的骏马，一匹匹栩栩如生，就算只有两匹骏马在一起，都能表现它们快乐健美的形态。

它们是一匹白马和一匹灰马，马头上的毛黑亮亮的，像人类的头发。尾巴随风飘来飘去，生动极了!前面的白马不停地往后看，好像一只猛虎正在追赶它们。灰马眼望前方，温柔的眼神里柔中带刚，它紧紧跟在白马的身后，好像永远都不会和白马分开。

其实，我从小就听大人们说徐悲鸿自幼就对马很感兴趣，细心观察，勤学苦练，日积月累，不管遇到多大的困难，独自一人总是坚持下来。这种辛苦只有他自己知道。

我想，我们要欣赏的不光是画，更是他的精神!

精彩点评：咏懿以自己骑过的生活中的马引入主题，自然而独到!画中的马快乐奔放的形态被咏懿刻画得同样栩栩如生，连灰马的眼神都能捕捉到，两匹马的深情厚谊都能体会到，实在让人深深佩服!尤为难得的是小作者笔锋一转又谈到徐悲鸿画马的坚持精神，最后一句可谓神来之笔!马蹄的动感也可融入其中哦!

生肖，是中华民族用来代表年份的十二种动物，统称为十二生肖。每个人都以其出生年的象征动物作为生肖，所以中国民间常以生肖计算年龄。从我懂事起，爸爸就给我讲生肖的故事，并告诉我说，我是属马的。从那时起，我就对马有种特殊的情怀。12年，是生肖的一个轮回，今年我刚好满12岁。生日那天，爸爸送了我一样特别的礼物，一个精美的礼盒。我小心翼翼地打开一看，呀!原来是一件做工精细的工艺品，一匹奔腾的骏马。

这匹马是用木头制作而成，表面上涂有漆。瞧，这马很洒脱，全身是棕色的，两眼炯炯有神，直视着前方，两只耳朵竖立着，它的脖子和前脚上都长有鬃毛，保持着一往如前地姿态。马的两只前蹄凌空而起，两只后足微微弯曲。在急速地奔跑中，鬃毛和尾巴扬起，十分飘逸。健美的马背上带着镶嵌着黄色水晶的马鞍，雕刻着许多细小的花，十分精美。真像唐代诗人杜甫为我们描写的那样：胡马大宛名，锋棱瘦骨成。竹批双耳峻，风入四蹄轻。

在灯光的照射下，我越瞧越喜欢，把它放在客厅最显眼的位置。叫它什么好呢?在历史的长河中，有许多名马，项羽的战马叫乌骓，刘备的坐骑叫赤兔...它们都是忠勇的象征，为主人默默地建功立业，古代的许多诗人常常通过马来托物言志：何当金络脑，快走踏清秋。嗯，那就叫它清秋吧。恍惚间，我骑上了清秋，和它驰骋在茫茫的草原。它高昂着头颅，静若处子，动若脱兔。尽管它知道：再努力也到不了云雀的高度;再拼命也敌不过猎豹的速度，但毕生的信念驱使着它勇往直前、永不停蹄。

此刻间，我仿佛与它同行，驰骋在未来的道路上，向着理想的高度，不断前进，永不言败!

在学校的五年级一班，我的好朋友众多，其中马俊与我关系最好。他性格温和，很容易与人相处；他善解人意，有什么心事可以尽情向他倾诉。他是个人见人爱的帅小伙。

马俊生来就有个好脾气。有一次我去他家为他过生日，作为礼物带去了一瓶可乐。为了要活跃一下气氛，开瓶时瓶口对着他开——汽水象火箭一样冲出瓶口向他飞去。我本以为他会生气了，走过去想安慰他。可我一走过去就被他手里的蛋糕砸中了。他看上去一点也没生气，真是一匹活泼可爱的“骏马”！

他不光脾气好，心地也很善良。有一次“骏马”在飞奔时捡到100元钱。他本来可以自己悄悄据为己有，不告诉任何人，但他却在校园里了好多寻物启示，让失主前来认领。而且贴传单的钱都是他出的。

我喜欢这个活泼、诚实、快乐、开朗有爱心的骏马。若是世界上的人都和他一样的话世界将会是一个充满欢乐、祥和的世界。

这是一种孤独的抵达。意味着“尘埃落定，而我也将永远孤独。”“那是我的家。我神明赐予的草场。此刻落雪无声。”“向北飞翔，飞遍我那四时更替的草场。我深知那宝贵的牧场和纯净的水泽已不知掩埋在哪片黄沙下，就象记忆的碎片早已不知在何处飘散，而那只美丽的阳光的精魂般的大鸟，根本就象跑进了一个金光迷离的梦，从此再也没有出现。”

我记得念北一直跟我说起牧包、草原。那是越来越小的草原，可能已经消失，但在他的内心永远存在。草原消失的原因，是“黄沙赶人走”。他说。

浮现在念北脑海中的是草原，是在他体内奔跑的草原，是那日渐萎缩的草原，其上牛羊成群，牧人温暖，牛羊忍受着一个又一个黄昏和变迁。可能，在他心中一直有一种对草原亲切的眷恋，我想在秦念北这个笔名可能就是在这种因素下才诞生的。

时间在草原之外，深深地流失了他的怀念、挂牵。这是他内心的一块净土，一个可以回达的家园，也是盛放灵魂最终的归属。念北一直认为文学作品必须凸现思想的光芒，一定要体现一种真诚、一种关怀、一种人文的关怀。

一首诗歌，或者一篇文学作品，不是一种简单的构建。而是交织着多个层面的情感以及关系的一个极其复杂的组合，是有一定的意义的和价值的结构。深化人们对事物的认识，携同人们对生存进行必要的思考。随着工业文明的发展，社会现代化的步伐不断加快，对城市生活的厌倦，构成了一种想回归的愿望。从情感主义的怀抱艰难的退化，导致内心越来越失去那种“陶醉”的场景。“城市孤独感”一直充满了很多人的心房，因为这是做为一个生命个体和城市物欲横流的环境，有着一种不能融入和一种在强烈反差下的“自我忏悔”、“自我挽留”、“自我解剖”，以及一种“自我拯救”，借此得到一种纯净的安慰。在这种背景下，展开一种轮廓、诗形，其价值取向、感情方式，以及内心都是把握某些节奏和情感明显地表达一种渴望，一种回归的渴望。

在经济大潮中，渴望可以回到某种更为单纯的生活状态，不是在一种无力或不能融入的状态下表述这个“暗暗”的愿望，而是用一种亲切的感觉表述极其个人化的情感。透明的心灵，在城市中有一种无可是处的感觉：感觉不到真实，甚至感觉不到自己的存在。把这些背负，那种复杂的沉重的情绪，总给人一种变异的感觉。城市的发展，意味着人们获得了新的生存空间和生存方式，这是中国在开放过程中追求现代性的必然结果。但如果牺牲了内心、生态等等，是不是值得呢?

草场，这是一种根植于念北内心的记忆，他将一生携带着、背负着、生活着。可能是生他，养育他的地方。是这片已经永远消失的草场给了他最原始的知觉和一种短暂存在的状态。故乡，是人们内心以及灵魂的栖息地。当然，有故乡必然有不能归家的游子渐渐浓结的乡愁。乡愁，是人类共同的情感主题，有广阔性和世界性，也是人类情感的母土，这是一种归依，一种承载。想念家乡，这是一个“生命人”的一种无法割舍的情结，深植在骨子里。“生命人”和故乡，永远有一种联系，一种和土地的联系，一种血肉的联系。这是一种在骨子里与生俱来的无法说清的纠缠的联结的情感。骨子里有一种渴望回归和抵达的强烈愿望，也许这种回归和抵达太过完美，需要耗尽一生的时间，去回忆，去怀念，去纪念，去思考，去叙述，去抒情。可以用我的诗中的一句话来说：唯有过去美好。这是一种对过去的记忆，是对那些逝去的事物加以祭奠，对一种历史上的存在加以铭记。那些生动的阳光，阳光下嫩绿的草原，他的额吉，以及草原上的一切，清晰而真切，真切的让人心生疼痛，让人想念。这是一种对历史的感情。他的述说，是让消失的草原再度“复活”，是对内心的审视，是一种对生命起源的追寻，这种回忆赋予的文字，渐渐被文字赋予灵活的情感。草原，是他情感的一个符号，可能是念北的一种象征化的记忆。在这里，记忆为了他找到一种存在的意义。

我一直认为，诗歌或者文学作品需要回归。回归到内心最为原始的情感。述说，就是一种回归或者抵达，精神的返回和灵魂的回归。其实，回归是人类精神历程的永远去向，是种支撑人类记忆的顽强意象。是对母性乡土的依恋。那么这种回归，无疑成为人类最纯洁、本真、纯朴而原始的需求：一种抚慰，一种靠近，一种零距离的靠近。踏上一条不归的时间之路，物质上的事物并不能保证让诗人或者作家在内心，灵魂和意识上投入、参于、接受和驻留。虽然时光一去不返，但多年的乡土文化在念北内心的沉淀和积累，自然地流露于他的笔尖，让人身陷于其中，久久回味。我本人觉得和繁华的刺激的匆忙的以及病态的城市体验，与其的斗争和冲突将持续一生的时间，那么这些文字无疑成为一种见证。渴望回归，本身却并不能回归，这就是一种强烈却隐藏的无法看见的矛盾。我们只能用心怀念故土的模样，一次又一次勾画家乡的轮廓，进行灵魂的精神的回归。去构建自己内心的乡土。这种乡土的诉说，常常不能言尽其情，情却多有淤结。这种藕断丝连的情感，是一种自己无法把握的心理置换和情感移情。我们热爱的一切，其实都在不同程度的损坏、破碎和失去。唯有记忆在岁月中央独自亮着。这是一种暗隐的伤悲，高贵的伤悲。这需要人生的经历，心态的复杂、淡定、安静、思考，决定了文学作品的价值取向，因为不同的表达就意味着有不同的艺术效果。

闭上眼睛，你会觉得他就是一匹无比俊美的马匹，在微风中欢快地奔跑在草原之上，目视着成群的牛羊，衰老的额吉，死去的韩叔，以及日渐退萎的草场，内心流下晶莹的泪水(可能他认为泪水只会流在心里)，这是一粒粒的文字，流动着，诉说着。

马啊，你为谁坚守最初亦或最后的守望和眷恋?马啊，请带着你自己的草原，向远方奔去。也许幸福很远，但有奔跑就已足够了。我为之用心祝福!

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